Into the Blue

Editorial Reviews

All Music Guide - Jeff Tamarkin
On his first several albums beginning in the mid-'90s, trumpeter Nicholas Payton appeared intent on establishing the range of his New Orleans influences, whether Wynton Marsalis or Louis Armstrong, to whom Payton paid tribute on 2001's Dear Louis. Then, on 2003's Sonic Trance, Payton threw a curve by diving headfirst into the world of late-'60s/early-'70s Miles Davis, complete with funky wah-wahs and sprawling electric keyboards. Into the Blue is another turnabout, and a welcome one: on this set of mostly original compositions, a pensive, largely laid-back Payton truly comes into his own. The ten tunes, recorded in New Orleans, offer a variety of moods, from melancholy to...
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Editorial Reviews

All Music Guide - Jeff Tamarkin
On his first several albums beginning in the mid-'90s, trumpeter Nicholas Payton appeared intent on establishing the range of his New Orleans influences, whether Wynton Marsalis or Louis Armstrong, to whom Payton paid tribute on 2001's Dear Louis. Then, on 2003's Sonic Trance, Payton threw a curve by diving headfirst into the world of late-'60s/early-'70s Miles Davis, complete with funky wah-wahs and sprawling electric keyboards. Into the Blue is another turnabout, and a welcome one: on this set of mostly original compositions, a pensive, largely laid-back Payton truly comes into his own. The ten tunes, recorded in New Orleans, offer a variety of moods, from melancholy to jubilant, an elegance permeating all of the performances. "Chinatown," Payton's interpretation of Jerry Goldsmith's theme to the classic Roman Polanski film, projects a sullen, late-night vibe enhanced by Kevin Hays' spare, mysterious, tinkling piano, Vicente Archer's understated bass, and Marcus Gilmore's lazy brush work on the drums, while "Let it Ride" suggests '70s-era CTI smooth jazz. Payton revisits the funk for "Nida" (one of two songs penned by Walter Payton, Nicholas' bassist father) and injects Latin spices into the closing "The Charleston Hop." The slow-rolling "Blue" features a rich, emotive vocal debut from Payton and "Triptych," the album's nearly 12-minute highlight, takes its time building, giving Payton ample time to explore the nooks and crannies of the melody.
Philadelphia Inquirer - Karl Stark
1/2 The first poignant tones make it clear that trumpeter Nicholas Payton is hitting a sweet spot on his new CD.... [It] combines dreaminess with some serious playing.
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Product Details

  • Release Date: 4/22/2008
  • Label: Nonesuch
  • UPC: 075597994247
  • Catalog Number: 439100
  • Sales rank: 71,467

Tracks

Disc 1
  1. 1 Drucilla (6:25)
  2. 2 Let It Ride (7:28)
  3. 3 Triptych (11:50)
  4. 4 Chinatown (4:01)
  5. 5 The Crimson Touch (6:14)
  6. 6 The Backward Step (6:05)
  7. 7 Nida (4:39)
  8. 8 Blue (4:40)
  9. 9 Fleur de Lis (7:48)
  10. 10 The Charleston Hop (The Blue Steps) (6:23)
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Album Credits

Performance Credits
Nicholas Payton Primary Artist, Synthesizer, Trumpet, Vocals
Kevin Hays Piano, Keyboards, Electric Piano, fender rhodes
Daniel Sadownick Percussion
Vicente Archer Acoustic Bass
Marcus Gilmore Drums
Technical Credits
Jerry Goldsmith Composer
Bob Belden Producer, Audio Production
Mark Bingham Engineer
Walter Payton Composer
Nicholas Payton Composer, Audio Production
Eli Cane Executive Producer
Ronen Givony Editorial Coordinator
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