The Washington Post
Invisible (Catalan Edition)by Paul Auster
Nova York, 1967: Adam Walker, un jove aspirant a poeta, estudiant de la Universitat de Columbia, coneix casualment en una festa un enigmàtic professor francès, Rudolf Born, i la seva discreta i seductora parella. Aquest encontre inicial es converteix en un triangle pervers i, amb poc temps, desemboca en un inesperat acte virulent que canvia el curs de la… See more details below
Nova York, 1967: Adam Walker, un jove aspirant a poeta, estudiant de la Universitat de Columbia, coneix casualment en una festa un enigmàtic professor francès, Rudolf Born, i la seva discreta i seductora parella. Aquest encontre inicial es converteix en un triangle pervers i, amb poc temps, desemboca en un inesperat acte virulent que canvia el curs de la seva vida. La trasbalsadora experiència de joventut d'Adam Walker, els seus primers aprenentatges sobre els misteris de la vida -hi ha vicis, obsessions, violència i força sexe-, recorren sinuosament les pàgines d'Invisible. Una història que, explicada per tres narradors, viatja en el temps entre 1967 i 2007 i se situa en llocs tan diversos com Nova York, París o una aïllada illa caribenya, i en la qual Paul Auster transita ben explícitament per la fina frontera entre realitat i ficció.El resultat: Invisible; una novel•la apassionada i intensament jove, una lúcida reflexió sobre els múltiples replecs de la identitat que revela alguns secrets provocadors.
The Washington Post
The New York Times
You read on to make sense of it. You read on to be free of it. You read on because you must. And so it is with Invisible, Auster's unsettling 13th novel.
It's 1967 and Adam Walker, a 20-year-old literature student at Columbia University, is unhappily hanging around the edges of a party, feeling sorry for himself. He's a loner and a poet and well read enough that when he first meets Rudolph Born, Adam's first thought is of an obscure figure with the same name in Dante's Inferno. Born, a visiting professor in his mid-30s, tells Adam that he and his strangely silent girlfriend, Margot, noticed the young man's distress and felt compelled to make sure he wasn't suicidal.
As the trio talk, of Born's boredom with Columbia, of Adam's concerns about the Vietnam draft, of Cuba and Kennedy and other touchstones of the era, Adam's disquiet grows. Born is so opinionated and unorthodox that Adam can't get a read on him. Margot, meanwhile, thin and dark and maybe even beautiful -- again, Adam can't quite tell -- won't stop staring. The pair, with European accents Adam can't place and an agenda he can't fathom, send him reeling.
"The truth was that I had never run across people like this before, and because the two of them were so alien to me, so unfamiliar in their affect, the longer I talked to them, the more unreal they seemed to become -- as if they were imaginary characters in a story that was taking place in my head."
The trio parts ways, but not for long. Adam's chance meeting with Born is soon repeated, this time in a seedy student bar where, after the briefest of conversations, Born offers to set Adam up as the editor of a literary magazine. Adam agrees and, just like that, tumbles down the rabbit hole of Born's twisted world. An affair with Margot, a botched mugging, and a brutal murder all follow in quick succession. In this heightened reality, Born's true nature emerges. So does Adam's.
Just as you're making sense of thecat-and-mouse game Auster has set in motion, he hands the story off to someone else. It's suddenly 40 years later, and the pages you've just read turn out to be the opening of Adam's memoir. Jim, an old college friend, is now the narrator of the tale, which Adam has divided into the four seasons of the year 1967. We now see Adam from Jim's point of view, learn that he was "handsome as a movie star" and that, in the eyes of many of his classmates, he was deemed the most likely of them to find success.
Auster fans will know not to get too comfortable. The narrative soon switches back to Adam, who, in a hallucinatory second-person rush, spins the tale of the hot, humid summer of '67, spiked with a month of incest and increasing mental instability. Add in a few weeks in Paris, another affair, a botched attempt at revenge, and a run-in with an openly malevolent Born, and not one centimeter of space in the entire universe seems safe.
It's classic Auster, of course, the story within the story. His novel City of Glass, part of the New York Trilogy, features Daniel Quinn, a reclusive crime writer whose life swiftly unravels as he pretends to be a private detective named Paul Auster. Timbuktu traces a hobo poet's final hours from the viewpoint of a dog. The Book of Illusions turns on the question of identity of the filmmaker, Hector Mann, who may or may not be dead.
In Invisible, told by multiple characters at different points in time, the ground never stops shifting. Even when we've been handed all the pieces, things still are not what they seem. Here's Jim, discussing his edits of Adam Walker's memoir:
"I have already described how I revamped Walker's notes for Fall. As for the names, they have been invented according to Gwyn's instructions, and the reader can therefore be assured that Adam Walker is not Adam Walker. Gwen Walker Tedesco is not Gwen Walker Tedesco...Last of all, I don't suppose it is necessary to add that my name is not Jim."
So nothing is what it seems except, of course, Auster's own seeming ceaseless questions about identity, memory, and character. Readers hoping for answers this time around are out of luck. Like a hound on the hunt, you chase and race after the scent of a resolution. Auster, meanwhile, if he does indeed know what he thinks, is still too foxy to share. --Veronique de Turenne
Veronique de Turenne is a Los Angelesbased journalist, essayist, and playwright. Her literary criticism appears on NPR and in major American newspapers. One of the highlights of her career was interviewing Vin Scully in his broadcast booth at Dodger Stadium, then receiving a handwritten thank-you note from him a few days later.
"The story of a Columbia University undergraduate who encounters a strange French couple who change the course of his life is always compelling, especially as read in the gruff, detached growl of Auster’s voice." – Winston-Salem Journal
"Now comes Invisible, a novel of such virtuosity and depth that it should not only unite the faithful in a hallelujah chorus, but it deserves to draw legions of converts as well. More than a return to form, this might be Auster's best novel yet... Auster writes of 'the obsessive story that has wormed its way into your soul and become an integral part of your being.' This is that story."
– Kirkus Reviews on the book
"Auster as a storyteller is captivating and simply good, just like the writer Paul Auster...With Paul Auster's smoky and straightforward voice, he stands out like a veritable auteur in the audio book genre...Invisible is worth listening to." - Metapsychology
Meet the Author
Paul Auster (Newark, Nova Jersey, 1947) és novel·lista, poeta, guionista i director de cinema. Va estudiar a la Universitat de Columbia a Nova York i poc després es va traslladar a París on va fer traduccions, ressenyes i mil i una feines mal pagades mentre intentava escriure. Edicions 62 ha publicat en català gran part de la seva obra, on destaquen novel·les com La invenció de la solitud (1982), Trilogia de Nova York (1985), El Palau de la Lluna (1989), La música de l'atzar (1990), Leviatan (1992),El llibre de les il·lusions(2002),Bogeries de Brooklyn(2005), Viatges per l'Scriptorium (2006), Un home a les fosques (2008), Invisible (2009) o Sunset Park (2010).Diari d'hivernés el seu llibre més recent, que ara publica labutxaca. La seva obra ha estat traduïda a trenta-cinc idiomes i compta amb milers de lectors a tot el món.
- Brooklyn, New York
- Date of Birth:
- February 3, 1947
- Place of Birth:
- Newark, New Jersey
- B.A., M.A., Columbia University, 1970
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >