Islamic Art and Spirituality

Islamic Art and Spirituality

5.0 2
by Seyyed Hossein Nasr
     
 

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ISBN-10: 0887061753

ISBN-13: 9780887061752

Pub. Date: 02/28/1987

Publisher: State University of New York Press

With remarkable breadth of vision, Seyyed Hossein Nasr reveals for both Western and Muslim readers how each art form in the islamic tradition is based upon a science of nature concerned, not with the outer appearance of things, but with their inner reality. Ranging across calligraphy, painting, architecture, literature, music, and the plastic arts, Nasr penetrates to

Overview

With remarkable breadth of vision, Seyyed Hossein Nasr reveals for both Western and Muslim readers how each art form in the islamic tradition is based upon a science of nature concerned, not with the outer appearance of things, but with their inner reality. Ranging across calligraphy, painting, architecture, literature, music, and the plastic arts, Nasr penetrates to the inner dimension of Islam and shows the role art plays in the life of individual Muslims and the community as a whole—the role of inspiring the remembrance and contemplation of God.

Once the author establishes art as an aid and support to the spiritual life, he traces the creative act to its ultimate source: inner knowledge and barakah, or grace, which make the crystallization of inner realities in form and space and time possible. Through this knowledge and grace, the author asserts, unity manifests upon the plane of multiplicity, making archetypal realities perceivable by the senses. Through this knowledge and grace, art functions as a ladder for the journey of the soul from the visible to the invisible. How Islamic art leads man to the inner chamber of divine revelation forms the substance of much of this important work.

An especially close look is given to the Sufi tradition within Islam, for its mystical teachers have often clearly demonstrated in their works the spiritual significance of beauty and served as the source of inspiration for art.

By rediscovering the root of art in the Islamic tradition, Seyyed Hossein Nasr opens doors to new dimensions of unity which have seemingly been obscured in recent Western art. In so doing, he extends the significance of this book beyond the Islamic belief system to touch the hearts and creative impulses of readers from all traditions.

Product Details

ISBN-13:
9780887061752
Publisher:
State University of New York Press
Publication date:
02/28/1987
Edition description:
New Edition
Pages:
224
Sales rank:
1,251,002
Product dimensions:
6.00(w) x 9.00(h) x (d)

Table of Contents

Preface

Introduction

I
The Relation between Islamic Art and Islamic Spirituality

Art and the Sacred

II
The Spiritual Message of Islamic Calligraphy

III
The Principle of Unity and the Sacred Architecture of Islam

IV
Sacred Art in Persian Culture

Literature

V
Metaphysics, Logic and Poetry in the Orient

VI
The Flight of Birds to Union: Meditations upon 'Attar's Mantiq al-tayr

VII
Rumi, Supreme Poet and Sage

VIII
Rumi and the Sufi Tradition

Music

IX
Islam and Music

X
The Influence of Sufism on Traditional Persian Music

The Plastic Arts

XI
The World of Imagination and the Concept of Space in the Persian Miniature

XII
The Significance of the Void in Islamic Art

Postscript

The Spiritual Message of Islamic Art

List of monochrome plates

List of coloured plates

Index

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Islamic Art and Spirituality 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Guest More than 1 year ago
I wasn't thinking of buying this book but when I read some of the 'POed' critics telling us how terrible this book is I decided to buy it and sure enough I found it to be an excellent book. The 'critics' need to get out from their bedroom more often and get in touch with the real culture and real people. In most cases I find the critics to be self-absorbed, arrogant and with an ' on the rag' attitude. They are bunch are losers who think they know it all, and think people are all lined up to listen to what they have to say (hardly so of course). They tell us the book is biased, obscure, etc etc etc. They said the same thing about ,say, Gilligan's Island, which turned out to be one of the most popular shows. They still wonder how that happened, how dare people liked something that 'critics' found it to be unworthy. Well, people had a message for these critics ' F-U'. I really think these guys should consider getting a real job.