Istanbul Passage

( 22 )

Overview

A neutral city straddling Europe and Asia, Istanbul survived the Second World War as a magnet for refugees and spies, trafficking in secrets and lies rather than soldiers. Expatriate American businessman Leon Bauer was drawn into this shadow world, doing undercover odd jobs and courier runs in support of the Allied war effort.

Now, as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of postwar life, Leon is given one last routine...

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Istanbul Passage

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Overview

A neutral city straddling Europe and Asia, Istanbul survived the Second World War as a magnet for refugees and spies, trafficking in secrets and lies rather than soldiers. Expatriate American businessman Leon Bauer was drawn into this shadow world, doing undercover odd jobs and courier runs in support of the Allied war effort.

Now, as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of postwar life, Leon is given one last routine assignment. But when the job goes fatally wrong—an exchange of gunfire, a body left in the street, a potential war criminal on his hands—Leon is plunged into a tangle of intrigue, shifting loyalties, and moral uncertainty.

Played out against the bazaars and mosques and faded mansions of this knowing, ancient Ottoman city, Leon’s conflicted attempt to save one life leads to a desperate manhunt that ultimately threatens his own survival. How do you do the right thing when there are only bad choices to be made?

Rich with atmosphere and period detail, Istanbul Passage is the haunting story of a man swept up in the dawn of the Cold War, of an unexpected love affair, and of a city as deceptive as the calm surface waters of the Bosphorus that divides it.

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    May11/Istanbul_Passage_BB_f4a83eee66caccd27db1269175175d5e2ccf78c5  

Editorial Reviews

Publishers Weekly
As this tense, complex, and fascinating espionage novel opens, Leon Bauer is on the Bosphorus shoreline north of Istanbul, shivering in the dark, waiting to take custody of a mysterious passenger who is being smuggled from Romania. It is late 1945, and Europe is hastily transitioning from World War II to the cold war. Turkey, a noncombatant, has thrived as a neutral center of business and diplomacy, and now Istanbul is filled with defeated Germans and victorious Russians, blustery Americans, and resigned Turks and desperate Jews, all pursuing vital and divergent agendas. And, of course, spies. This is the Istanbul in which American businessman Leon Bauer finds himself, having fled here with his German-Jewish wife, Anna, after Kristallnacht in 1938. Leon was unable to serve in the military, but he was resourceful, spoke German as well as Turkish, and before long an American operative asked him to do a favor, a simple courier job. And so Leon began to do his part, an amateur in a professional’s world. The title, Istanbul Passage, operates on many levels. The main passage is that of the mystery passenger, a journey that forms the core of the suspenseful double-cross–filled plot. The mission is a disaster from the very first sentence of the book, and Leon struggles to make sense of the betrayals while also taking critical responsibility for this stranger’s life, for a man’s safe passage from his wartime identity to his postwar fate. Along the way, Leon must confront the duplicity of nearly everyone around him, a diverse cast of memorable characters with unclear and shifting alliances. Another passage is that of Jews, from fear in Europe to new hope in Palestine. Although Turkey had been officially neutral during most of the war, unofficially Istanbul had been a center for human trafficking. This had been Anna’s chief concern: the life-or-death business of transporting refugees via unsafe boats through dangerous waters. But when one of these missions failed tragically, Anna sank into a fugue state and is now shuttered in a clinic, completely uncommunicative. There’s also the passage as a geographical designation, and in this regard Kanon’s book is a swirling, impressionistic treat, a sensory feast on one of the most delectable cities in the world, the confluence of the Islamic and the Christian, the ancient and the contemporary, the Asian and the European (straddling the Bosphorus, it is the only city in the world on two continents). The descriptive passages, the period tourism, are transporting. Finally, there’s Leon’s journey—rather, his many journeys—as protagonist. From a civilian to a spy to whatever will follow. From a temporary expat to a possibly permanent resident. From a blind patriot to an independent operator. From a happily married man to something else. From an idealist to a pragmatist. Istanbul Passage is a first-rate espionage novel, filled with complexity and thrills, but its greatest success may be in this much more universal literary exploration: how an ordinary man is transformed by extraordinary circumstances. Chris Pavone is the author of the debut novel The Expats, on sale March 6 (Crown).
Library Journal
Some thrillers don't just entertain but put us smack in the middle of tough moral questions, and it's no surprise that the author of The Good German has done just that in his superbly crafted new work. Leon Bauer is an American businessman living in Istanbul during World War II whose German Jewish wife helped smuggle Jews to Palestine until she lost her mind after a traumatic incident. During the war, Leon did the occasional odd job for the American embassy, but with the fighting just over he has one last assignment: to help smuggle into Istanbul someone the Americans want badly—and want badly to keep from the Soviets. The pickup goes horribly wrong, as Leon and friend Mihai are fired upon and Leon ends up killing their assailant. Later, Mihai angrily recognizes the man they've smuggled in as someone with a horrible past; Leon is even more shocked to discover the identity of the gunman he killed. And so it goes, as each expert twist and turn places Leon in an increasingly precarious situation and the reader wonders desperately, What would I have done? VERDICT A beautifully conceived and atmospheric thriller; highly recommended. [See Prepub Alert, 11/28/11.]—Barbara Hoffert, Library Journal
Kirkus Reviews
In 1945 Istanbul, Allied veteran Leon Bauer is running spy missions under the cover of a U.S. tobacco-importing business. With the war over, U.S. operations are closing up shop in the neutral capital, but Leon has one last big job: to take possession of a Romanian defector in possession of important Russian secrets and get him flown to safety. The rub is the defector, Alexei, was involved in a heinous massacre of Jews four years earlier. Kanon (The Good German, 2001, etc.) extends his mastery of the period novel with this coiled tale of foreign intrigue. Though not much happens, plot-wise, in this dialogue-driven book, Leon hardly has a moment to relax, immersed in a world of moral and political upheaval. When he first arrived in Istanbul with his wife Anna, the city was a paradise with its scenic river view, cultural riches and feeling of mystery. Now, badly injured in an accident, Anna lives in a nursing home, awake but uncommunicative, leaving Leon to contend with a circle of friends and associates he can't trust. After shooting rather than getting shot by his duplicitous supervisor in a tense late-night encounter along the river, he can avoid suspicion only so long before the brutal secret police, Emniyet, are onto him and the secretly stashed Alexei. There is little about the novel that is not familiar, but this is comfort fiction of the smartest, most compelling and non-pandering kind. Even as he evokes classics such as Casablanca, The Quiet American and A Perfect Spy, Kanon shows off his gift for morally gripping themes, heart-stopping suspense and compelling characters. With dialogue that can go off like gunfire and a streak of nostalgia that feels timeless, this book takes its place among espionage novels as an instant classic.
Jason Goodwin
…Istanbul Passage is enlivened by intelligent plotting and its vivid evocation of the city itself, a setting rich in centuries of intrigue.
—The New York Times Book Review
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Product Details

  • ISBN-13: 9781439156414
  • Publisher: Atria Books
  • Publication date: 5/29/2012
  • Pages: 416
  • Product dimensions: 6.24 (w) x 9.40 (h) x 1.20 (d)

Meet the Author

Joseph Kanon

Joseph Kanon is the author of four other novels, Los Alamos, The Good German, The Prodigal Spy and Alibi. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.

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Customer Reviews

Average Rating 3.5
( 22 )
Rating Distribution

5 Star

(3)

4 Star

(10)

3 Star

(3)

2 Star

(4)

1 Star

(2)

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See All Sort by: Showing 1 – 20 of 22 Customer Reviews
  • Posted June 17, 2012

    more from this reviewer

    I liked this novel, and enjoyed the places it took me, and the p

    I liked this novel, and enjoyed the places it took me, and the people I met, well, for the most part. It has a quality of intellect to me that raises it above many standard novels, and I appreciated that. But, speaking of intellect, is our main character, Leon, to be considered just a fool for his innocence? And he is a fool, or so I think. Once he saw that his colleague Tommy had betrayed him in a dastardly way, why continue with the mission? It just didn't hold water for me. Yet, he trusted so many others as well. Kay, for one. It was never really clear to me why his wife, Anna, was unable to communicate, although no doubt a wiser reader will point out what I missed. But, it is his trust of the Turkish intelligence agent, Altan, that baffled me the most. Not once did he try to check what he was being told by this man with his own people. He blindly followed to that fateful crossing on the Galata bridge. I thought perhaps the author would try to wrap that up with some explanation. Of course, Leon could not know whom he could trust, but he did trust anyway. I just don't know why.

    3 out of 5 people found this review helpful.

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  • Posted August 7, 2012

    This is a tale of post World War II espionage that packs a punch

    This is a tale of post World War II espionage that packs a punch. Even though I wanted to stop reading because of the staccato writing style, the bursts of confusing thought, as if someone was talking, thinking, then speaking again, never quite finishing or expressing the original thought, I kept being drawn back, neglecting all else, to finish it in one day. I began to think that it must be the author’s intention to keep the reader as confused as the characters caught up in the mystery, to give the reader the charged feeling of tension the characters experienced. Perhaps the disjointed style was deliberate to make us understand how disjointed this whole spying process really is and was. It was very clearly cut throat. Everyone was used. People were commodities and considered very expendable. Whatever device the author was using, it certainly worked for me. I could not put it down until the end.
    The novel is composed of seven separate sections, each named for a different Turkish location and the action that occurred there. It begins with a scene in which two men are waiting for a boat to arrive with a secret passenger. Soon it becomes apparent that they are both engaged in work of a clandestine nature. During World War II they were involved in espionage work. It seems that post-war, they are still somewhat engaged in those activities. They, and their families, have both been permanently scarred by the effects of the war, and they are motivated by that pain to continue their efforts.
    Leon, who works for a tobacco company in his public life, works for the Americans, on the side, in his secret life. He is awaiting the arrival of a Romanian, a victim of the war, but he knows nothing else about the objective of his mission or about the man. Who was this person? Was he a friend or an enemy? Was he a criminal, a killer, a Jew? Who was he rescuing and why? Leon just blindly followed his orders. Mihai, who works for the Mossad, rescuing Jews, before and after the Holocaust, is doing Leon a favor because he speaks Romanian, and there is a possibility that an interpreter will be necessary. Leon’s wife used to work with Mihai and is now in a sanitarium. Her mind has shut down from all that she has witnessed. When Leon visits, she neither reacts nor responds. She has retreated into a world no one else can enter. It is from his visits and monologues with her that we learn more about Leon and his past.
    When, suddenly, men attached to the American Consulate are murdered, Leon becomes involved and is thrust into a larger plot. He is drawn into the maze of the investigative machinery of the Turks and the deeper undercover work of the Americans. There are bad apples everywhere, and at first he is shocked and ill equipped to deal with the work on so sophisticated a level. However, we soon learn that he is a quick study, and the reader is also suddenly more aware. The previous opacity becomes clearer for them too, and the story really takes off in several exciting directions.
    The story emphasizes the fact that spies are everywhere and they are all watching each other. It is an unending game of chess using people instead of inanimate pieces. The Turks are watching, the Russians are watching, the Israelis are watching and the Americans are watching; they each have their own agenda and brand of tactics, some much more brutal than others. Can anyone be trusted? Can anyone be bought for services if the stakes are high enough? Is survival the ultimate motive?
    Once in the game, is there any exit from it? In the end, who can Leon trust, his friends or his enemies, or perhaps both? Was everyone compromised? Does each serve their own purpose? Is everyone simply using each other? Is the enemy the only one he could truly trust, because they both were the ticket for each other's survival?
    The relationships between the characters seemed too incestuous at times. Coincidence sometimes played an unrealistic role. The writing style was confusing with the short staccato sentences. Still, I couldn’t put it down so the writer accomplished his purpose. He wrote a really good, action-packed book, and the ending was not obvious at all, so it held me until the final page.
    Finally, I was left with some compelling questions. There was so much betrayal. Was it all worth it? Is there ever a good purpose to spying or a good conclusion? Is the spy a willing conspirator or a captive audience with no choice once he gets in because he gets in too deep? Is there always an innocent victim? Do the means really justify the end? Perhaps the road to Hell is truly paved with good intentions.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 16, 2012

    Just finished the book and enjoyed it immensely. If you've spe

    Just finished the book and enjoyed it immensely. If you've spent time in Europe and enjoy traveling, you will find yourself imagining places you've visited that might be similar to what the author describes in the book. The book is also written in a way that carries you into the various situations and decisions that Leon faces and I found myself wondering if i would have made the same or different decisions. Not too bad for a book that i purchased because i like the picture on the cover and thought the story might be intriguing!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 27, 2012

    I am not usually one for thriller/espionage stories, but I took

    I am not usually one for thriller/espionage stories, but I took a chance on this book. Istanbul is one of my favorite cities in the world. It is a perfect backdrop for a novel. I enjoyed the story of Leon (a very well-developed character) and all the others who surround him. I did, however, have some difficulty following all of the characters and how they fit in. I did re-read a number of pages. i felt that I arrived at a party an hour late. During that hour, the host started telling a fascinating story. But by the time I arrived at the party, I had to get caught up - guess who was who and from where, good or bad, etc. It was a bit frustrating at times. However, I still thoroughly enjoyed it. I could see this book as a movie. Leon would be played by Ryan Gosling, no question.

    1 out of 1 people found this review helpful.

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  • Posted March 10, 2013

    more from this reviewer

    I read Joseph Kanon¿s fantastic book Los Alamos soon after it ca

    I read Joseph Kanon’s fantastic book Los Alamos soon after it came out in 1998 and that book blew me out of the water. I had not forgotten it. When I saw his new one Istanbul Passage I was very excited to read it based on my love of his first book.
    I probably should have researched it a little more, Kanons writing was compared to Le Care’ who I am not a huge fan of (shocking I know!) The writing is slow, detailed and the main character is an everyman kind of sad sack guy.
    In this book It took me a long time to get into it, almost halfway through and, had it not been a book to review I would have given up sooner. I was confused most of the time, there are a lot of people and information to keep up with, many countries and towns, it seemed like a very sad book about a man who was hoodwinked by people he was supposedly friends with. His wife was in an institution from the horrors of war and it ended as it began… on a sad note.
    My mother loved this book however, she is a spy book junkie and I don’t want to turn anyone off who would love this book too.

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  • Anonymous

    Posted September 13, 2012

    Terribly Typical

    I have read this author 3-times; and he or I ard batting 0,333, terribly typical airport literature, what is labeled trash by my English lit proff

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  • Posted July 22, 2012

    more from this reviewer

    Absolutely horrible

    I thought it was about istanbul but everything was totally confused.I will not read another book nor recommend it to anyone.

    I might ad that I had thkought it was something that would be very interesting.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 10, 2012

    Joseph Kanon crafted this story beautiful, and I enjoyed it imme

    Joseph Kanon crafted this story beautiful, and I enjoyed it immensely. I like stories with broad-based stories, especially ones with international intrigues, politics, espionage, culture and cuisine. Istanbul in the late 1940s captured the essence of that flavor with Western Europe and Eastern Europe gearing towards cold war, Arabism on the rise with as Israel appears on the map. Joseph Kanon did a great coming up with a story from this amazing setting, using a fascinating plot and masterful characters. The colorfulness of this story reminds me of Triple Agent Double Cross. Overall, this is a well written story full of surprises right up to the last page, with enough suspense to keep the reader wondering what the next page would hold.

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  • Anonymous

    Posted July 1, 2012

    Read all Kanon books

    Every one of Kanon's books is excellent reading. It's all there: beautiful use of the language, compellingly plotted story, suspenseful plot,and character development that makes the reader care what happens.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 30, 2012

    Good Suspense Story

    Fun read with great twists and turns. You won't trust anyone after reading this book.

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  • Anonymous

    Posted May 30, 2012

    Everything this author has written has been swell and this book

    Everything this author has written has been swell and this book is no exception. Wonderful and would highly recommend to all fans of the genre.

    0 out of 1 people found this review helpful.

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