Ivanhoe (Barnes & Noble Classics Series)

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Overview

Ivanhoe, by Sir Walter Scott, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

 

Medieval England. King Richard the Lion-hearted, coming home from the Crusades, has been captured and imprisoned in Austria. His wicked brother, John, has seized the throne and refuses to pay Richard’s ransom. Meanwhile the conflict between Saxon and Norman threatens to turn into civil war.

Standing above it all is Wilfred of Ivanhoe, the disinherited son of Cedric, a Saxon noble. Ivanhoe enraged his father by following the Norman Richard to the Crusades. Now back in England, he wants to help rescue Richard—and marry Cedric’s ward, Rowena. But Cedric has pledged her to a highborn Saxon in hopes of creating a new Saxon royal line. To this mix Walter Scott adds several ferocious Norman villains, the legendary Robin Hood, a Shakespearean "wise fool” who constantly offers wryly sardonic comments on the action, and a sidelong look at English anti-Semitism, as a pair of Jewish characters, the beautiful Rebecca and her father, Isaac of York, alternately protect and garner protection from Ivanhoe.

With its clanging swords, burning castles, damsels in distress, and kings in disguise, Ivanhoe remains Scott’s best-loved novel of historical romance.

 

Gillen D'Arcy Wood was born in Australia, and came to New York on a Fulbright Scholarship in 1992. He took his Ph.D. from Columbia University in 2000, and is now Assistant Professor of English at the University of Illinois, Urbana-Champaign. He is the author of an historical novel, Hosack’s Folly (Other Press, 2005), and a cultural history of Romantic literature and art, The Shock of the Real: Romanticism and Visual Culture, 1760–1860 (Palgrave, 2001), as well as numerous articles on nineteenth-century British literature and culture.

Product Details

  • ISBN-13: 9781593082468
  • Publisher: Barnes & Noble
  • Publication date: 8/1/2005
  • Pages: 544
  • Sales rank: 88,223
  • Lexile: 1410L (what's this?)
  • Series: Barnes & Noble Classics Series
  • Product dimensions: 7.96 (w) x 5.26 (h) x 1.43 (d)

Meet the Author

Gillen D'Arcy Wood was born in Australia, and came to New York on a Fulbright Scholarship in 1992. He took his Ph.D. from Columbia University in 2000, and is now Assistant Professor of English at the University of Illinois, Urbana-Champaign. He is the author of an historical novel, Hosack’s Folly (Other Press, 2005), and a cultural history of Romantic literature and art, The Shock of the Real: Romanticism and Visual Culture, 1760–1860 (Palgrave, 2001), as well as numerous articles on nineteenth-century British literature and culture.

Read an Excerpt

From Gillen D’Arcy Wood’s Introduction to Ivanhoe

From the beginning, Ivanhoe was distinguished by its huge readership and cult appeal. It sold 10,000 copies in its first two weeks, an unheard-of rate in 1819. That same year, a stage version opened in New York, and later Rossini composed Ivanhoe, the opera. Walter Scott had begun his literary career two decades earlier as a collector of Scottish ballads. He then turned his hand to poetry, specializing in grand romantic vistas and heroic themes from Scottish history. "The Lady of the Lake” (1810) made his name and fortune (which he later lost). But then along came Lord Byron. Almost overnight, Childe Harold’s Pilgrimage made Scott’s narrative poetry seem provincial and old hat. Making a virtue of necessity, Scott turned to fiction, with spectacular results. Waverley (1814), which looked back to Bonnie Prince Charlie’s Scots rebellion of 1745, was something altogether new to the British reader: the recreation of an entire historical canvas, populated by romantic but credible characters, acting out Britain’s painful emergence from its tribal past into modernity and nationhood. Variations on these themes inspired a further sequence of highly successful "Scottish” novels until in 1819, the ever-restless Scott felt the Caledonian well had run dry, and he ventured a new tale removed in both time and place: the England of the Middle Ages. The result was a book that can lay claim to being the most widely read novel of the nineteenth century, and among the most popular of all time.

Ivanhoe maintains a strong readership today, when the rest of Scott’s extraordinary literary output has sunk into obscurity, but it has never been a great critical success. The Scott purists wish he had never traveled south to England at all, and his compatriot David Daiches typifies the twentieth-century scholarly opinion of the novel: "Ivanhoe, though it has qualities of its own, is much more superficial than any of the Scottish novels, and is written throughout on a much lower plane. Scott did not, in fact, know the Middle Ages well and he had little understanding of its social or religious life” ("Scott’s Achievement as a Novelist”, p. 46; see "For Further Reading”). Since the 1980s, critics have turned back to Ivanhoe as an important thesis on British nationalism, and for its racial and sexual themes, but whatever the vicissitudes of its reputation among literary scholars, the novel always has enjoyed a cultural afterlife that much exceeded its scope and pretensions as literature. Ivanhoe single-handedly revived the age of chivalry in the Western popular imagination, and produced a cult of medieval rites and manners that persists into our own age, with its "Dungeons and Dragons” and Lord of the Rings. As for its cultural politics, the impact of Ivanhoe has been felt most deeply and controversially not in Britain, but in the United States.

"I lie here dying, slowly dying, under the blight of Sir Walter,” wrote Mark Twain to a friend in 1903 (Letters, p. 738). Scott loomed large for Twain the writer, who lamented the impact of his "wordy, windy, flowery 'eloquence’” on American literature. But far more serious for Twain was the enduring cultural impression made by Scott’s Ivanhoe on the American South. The antebellum South was an essentially feudal system of rank and caste, and its white ruling class found in Scott’s romantic tale of chivalrous knights, powerful land-owning barons, and loyal serfs a glorious mirror image of itself. For Twain, whatever impetus toward modernization had existed toward "liberty, humanity, and progress” in the South was effectively smothered by the popularity of Scott, whose novels "set the world in love with dreams and phantoms; with decayed and swinish forms of religion; with decayed and degraded systems of government; with the sillinesses and emptinesses, sham grandeurs, sham gauds, and sham chivalries of a brainless and worthless long-vanished society.” The Scott "disease,” he went so far as to say, had caused the Civil War (Mississippi Writings, pp. 500–501). Ivanhoe became, arguably, even more necessary to the South after that war was lost. Scott’s title character spends much of the novel in disguise, and achieves his greatest triumph in the character of "The Disinherited Knight.” He is named for his estate—he is Wilfred of Ivanhoe—but does not or cannot claim it. Ivanhoe the place is never visited and barely mentioned, as if forgotten. The novel’s title thus points to a glaring absence in the world of the novel, both spiritual and material. England has been conquered, and the spoils have gone to the victorious Normans. As his chivalric pseudonym suggests, Ivanhoe the man is a complex figure representing both inherited nobility and loss, a romantic composite uniquely designed to appeal to the defeated Confederate sensibility.

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See All Sort by: Showing 1 – 20 of 121 Customer Reviews
  • Anonymous

    Posted February 13, 2008

    Book, yes, edition, no

    'Ivanhoe' remains as much of a pleasure to read, this time with my grand-daughter, as it was when I first read it nearly fifty years ago. And the editor has provided an introduction which offers some interesting insights into Scott and his book. Beware the annotations, however, for there Professor Wood reveals himself hopelessly out of his depth. The notes suffer from both political correctness, e.g., his implied claims that the crusaders had no reason to wage war war against Muslims, and inexcusable ignorance, e.g., his statement that Shadrach, Meshach, and Abednego were brothers and that Iconium was the the medieval--it was the ancient--name of modern Konya.

    8 out of 12 people found this review helpful.

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  • Anonymous

    Posted March 2, 2008

    A Truly Engrossing Read

    I was apprehensive about reading _Ivanhoe_, but I took it under the recommendation of a very well-respected professor. Between its covers, I have found a new favorite novel! I was completely captivated by the story itself, and the characters were so well-crafted that at times I forgot that I was reading. If you are looking for an enjoyable read, full of chivalry, adventure, and bravery 'from both men AND women', look no further than _Ivanhoe_.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 28, 2007

    A classic

    A great tale of renaissance intrigue, deception and honor, much like the tale of Robin Hood.

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted June 3, 2006

    GREAT!!

    Ivanhoe was much better than I thought it would be. I have a passion for the medieval times so this book was perfect. Its filled with adventure, romance, and chivalry. The characters are wonderful! This book was amazing!!!

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 19, 2012

    It purely awesome

    If your looking for a book that has action this is it if your looking for a book that has drama step aside days of our lives if you want adventure its got that as well indiana jones wishes he had this much adventure. This book takes all the action and adveture and puts it on the midevil level it awesome. And in this story you get the real story of robin hood well a good amount anyway. This is a must read it should be your library if you got one going.

    1 out of 1 people found this review helpful.

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  • Posted April 22, 2011

    Great Read!

    I was captivated by this book's storyline as well as the quaint language. I had only seen the movie before and the book is ever so much better!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 3, 2007

    A reviewer

    Ivanhoe is not written in 'Old English'. It is modern English, written in the 19th century, so some of the prose may seem antiquated to a modern reader. This is an example of Old English, from Beowulf: 'Hwæt! We Gardena in geardagum' . This is Middle English, from Chaucer's Canterbury Tales: 'Whan that Aprill, with his shoures soote/The droghte of March hath perced to the roote'. Spenser, Shakespeare, and definitely Scott all wrote in Modern English--which has been used since the English Renaissance in the 15th century.

    1 out of 4 people found this review helpful.

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  • Anonymous

    Posted June 3, 2006

    Don't let the old English prose scare you away!!!

    The old English prose of this book is somewhat difficult to read at first & the initial prospect of reading several hundred pages of this seems somewhat akin to watching paint dry. But once you get used to this type of writing, the book is exciting, funny & intriguing. For lovers of historical fiction, this is one of the best. From the tormented chivalry of Ivanhoe, the hubrous of the Templar, the obstianancy & pride of Cedric, the beauty & grace of Rowena & Rebecca, the sharp witted humor of Wamba, the faithfulness of Gurth, and the pride and love of the miserly Isaac this work covers the gamut of society in medival England. Definitiely worth the read!!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 14, 2012

    Its ok yeh but it wont load

    Yo yo yo

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 8, 2012

    To number 8

    You wrote that post on my birthday! Sorry. That was off topic. Good read!

    0 out of 1 people found this review helpful.

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  • Posted September 26, 2011

    more from this reviewer

    Very Good

    Back in time and happy doing it. Worth the cost and more! (price $0)

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  • Anonymous

    Posted October 5, 2006

    A bore

    This book was a bore.

    0 out of 7 people found this review helpful.

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    Posted March 26, 2011

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