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From the beginning, Ivanhoe was distinguished by its huge readership and cult appeal. It sold 10,000 copies in its first two weeks, an unheard-of rate in 1819. That same year, a stage version opened in New York, and later Rossini composed Ivanhoe, the opera. Walter Scott had begun his literary career two decades earlier as a collector of Scottish ballads. He then turned his hand to poetry, specializing in grand romantic vistas and heroic themes from Scottish history. “The Lady of the Lake” (1810) made his name and fortune (which he later lost). But then along came Lord Byron. Almost overnight, Childe Harold’s Pilgrimage made Scott’s narrative poetry seem provincial and old hat. Making a virtue of necessity, Scott turned to fiction, with spectacular results. Waverley (1814), which looked back to Bonnie Prince Charlie’s Scots rebellion of 1745, was something altogether new to the British reader: the recreation of an entire historical canvas, populated by romantic but credible characters, acting out Britain’s painful emergence from its tribal past into modernity and nationhood. Variations on these themes inspired a further sequence of highly successful “Scottish” novels until in 1819, the ever-restless Scott felt the Caledonian well had run dry, and he ventured a new tale removed in both time and place: the England of the Middle Ages. The result was a book that can lay claim to being the most widely read novel of the nineteenth century, and among the most popular of all time.
Ivanhoe maintains a strong readership today, when the rest of Scott’s extraordinary literary output has sunk into obscurity, but it has never been a great critical success. The Scott purists wish he had never traveled south to England at all, and his compatriot David Daiches typifies the twentieth-century scholarly opinion of the novel: “Ivanhoe, though it has qualities of its own, is much more superficial than any of the Scottish novels, and is written throughout on a much lower plane. Scott did not, in fact, know the Middle Ages well and he had little understanding of its social or religious life” (“Scott’s Achievement as a Novelist”, p. 46; see “For Further Reading”). Since the 1980s, critics have turned back to Ivanhoe as an important thesis on British nationalism, and for its racial and sexual themes, but whatever the vicissitudes of its reputation among literary scholars, the novel always has enjoyed a cultural afterlife that much exceeded its scope and pretensions as literature. Ivanhoe single-handedly revived the age of chivalry in the Western popular imagination, and produced a cult of medieval rites and manners that persists into our own age, with its “Dungeons and Dragons” and Lord of the Rings. As for its cultural politics, the impact of Ivanhoe has been felt most deeply and controversially not in Britain, but in the United States.
“I lie here dying, slowly dying, under the blight of Sir Walter,” wrote Mark Twain to a friend in 1903 (Letters, p. 738). Scott loomed large for Twain the writer, who lamented the impact of his “wordy, windy, flowery ‘eloquence’” on American literature. But far more serious for Twain was the enduring cultural impression made by Scott’s Ivanhoe on the American South. The antebellum South was an essentially feudal system of rank and caste, and its white ruling class found in Scott’s romantic tale of chivalrous knights, powerful land-owning barons, and loyal serfs a glorious mirror image of itself. For Twain, whatever impetus toward modernization had existed toward “liberty, humanity, and progress” in the South was effectively smothered by the popularity of Scott, whose novels “set the world in love with dreams and phantoms; with decayed and swinish forms of religion; with decayed and degraded systems of government; with the sillinesses and emptinesses, sham grandeurs, sham gauds, and sham chivalries of a brainless and worthless long-vanished society.” The Scott “disease,” he went so far as to say, had caused the Civil War (Mississippi Writings, pp. 500–501). Ivanhoe became, arguably, even more necessary to the South after that war was lost. Scott’s title character spends much of the novel in disguise, and achieves his greatest triumph in the character of “The Disinherited Knight.” He is named for his estate—he is Wilfred of Ivanhoe—but does not or cannot claim it. Ivanhoe the place is never visited and barely mentioned, as if forgotten. The novel’s title thus points to a glaring absence in the world of the novel, both spiritual and material. England has been conquered, and the spoils have gone to the victorious Normans. As his chivalric pseudonym suggests, Ivanhoe the man is a complex figure representing both inherited nobility and loss, a romantic composite uniquely designed to appeal to the defeated Confederate sensibility.
Anonymous
Posted February 13, 2008
'Ivanhoe' remains as much of a pleasure to read, this time with my grand-daughter, as it was when I first read it nearly fifty years ago. And the editor has provided an introduction which offers some interesting insights into Scott and his book. Beware the annotations, however, for there Professor Wood reveals himself hopelessly out of his depth. The notes suffer from both political correctness, e.g., his implied claims that the crusaders had no reason to wage war war against Muslims, and inexcusable ignorance, e.g., his statement that Shadrach, Meshach, and Abednego were brothers and that Iconium was the the medieval--it was the ancient--name of modern Konya.
9 out of 13 people found this review helpful.
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Posted December 28, 2010
I am new to E-Books I tried loading this book. When it appeared, it was in French. Nowhere does it say the book would be in French. What a BIG disappointment.
8 out of 9 people found this review helpful.
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Posted May 2, 2010
This is an abridged version about half the length of the original. Intended for a young audience. I deleted after downloading as it did not meet my needs.
4 out of 4 people found this review helpful.
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Posted February 12, 2010
One of my favorite novels, but the eBook kept freezing on my Nook. Eventually I deleted from my library without being able to read.
3 out of 3 people found this review helpful.
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Posted March 2, 2008
I was apprehensive about reading _Ivanhoe_, but I took it under the recommendation of a very well-respected professor. Between its covers, I have found a new favorite novel! I was completely captivated by the story itself, and the characters were so well-crafted that at times I forgot that I was reading. If you are looking for an enjoyable read, full of chivalry, adventure, and bravery 'from both men AND women', look no further than _Ivanhoe_.
2 out of 2 people found this review helpful.
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Posted July 28, 2007
A great tale of renaissance intrigue, deception and honor, much like the tale of Robin Hood.
2 out of 4 people found this review helpful.
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Posted May 3, 2007
Ivanhoe is not written in 'Old English'. It is modern English, written in the 19th century, so some of the prose may seem antiquated to a modern reader. This is an example of Old English, from Beowulf: 'Hwæt! We Gardena in geardagum' . This is Middle English, from Chaucer's Canterbury Tales: 'Whan that Aprill, with his shoures soote/The droghte of March hath perced to the roote'. Spenser, Shakespeare, and definitely Scott all wrote in Modern English--which has been used since the English Renaissance in the 15th century.
2 out of 5 people found this review helpful.
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Posted June 3, 2006
Ivanhoe was much better than I thought it would be. I have a passion for the medieval times so this book was perfect. Its filled with adventure, romance, and chivalry. The characters are wonderful! This book was amazing!!!
2 out of 3 people found this review helpful.
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Posted April 25, 2006
Sir Walter Scott's 1819 novel IVANHOE is a thoroughly enjoyable masterpiece by one of the greatest story tellers this world is ever likely to know. Hints are given as to where the story is going, making it easy to follow despite being set in long ago England. Memorable characters abound, especially the Norman Knight Templar, villainous Brian de Bois-Guibert, the Jewess Rebecca of York and a supporting cast led by Wamba the Jester and Gurth the swineherd. Throw in the thinly disguised Black Knight (King Richard the Lion-Hearted), his crafty brother Prince John, Robin Hood and his Merry Men, sullen Saxons, ruthless Normans like Front-de-Boeuf, worldly churchmen, beautiful women and the lovers Wilfred of Ivanhoe and Rowena and you have a tale hard to set down till read cover to cover. *** The motivations of all the characters as well as 'where they are coming from' drive their actions. The visual backdrop is lush from joust, to castle siege, to witch trial. *** Finally, this is a powerful study of anti-Semitism, a few generations before Jews were driven out of England. The scene in Chapter XXVIII when Ivanhoe wakes to find his wound well tended by Rebecca is unforgettable. Initially, he is grateful. But honesty compels her to say, 'your handmaiden is a poor Jewess.' And 'Ivanhoe was too good a Catholic to retain the same class of feelings toward a Jewess.' Though it was hard for him to overcome the prejudices dinned into him by church and culture, in the end Ivanhoe alone champions Rebecca and prevents her being burned at the stake for witchcraft by the Grand Master of the Knights Templar. In her meeting with an apparently unprejudiced Rowena at novel's end, Rebecca of York asserts (Ch. XLIV) ' ... there is a gulf betwixt us. Our breeding, our faith, alike forbid either to pass over it. Farewell.' *** IVANHOE may be the best work of Scott's for someone to read first. It will not be his last.
2 out of 3 people found this review helpful.
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Posted October 18, 2012
Its in French!!!!!!!!
1 out of 1 people found this review helpful.
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Posted January 19, 2012
If your looking for a book that has action this is it if your looking for a book that has drama step aside days of our lives if you want adventure its got that as well indiana jones wishes he had this much adventure. This book takes all the action and adveture and puts it on the midevil level it awesome. And in this story you get the real story of robin hood well a good amount anyway. This is a must read it should be your library if you got one going.
1 out of 1 people found this review helpful.
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Posted November 5, 2011
I found iy a little confising, but something that i would read again
1 out of 1 people found this review helpful.
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Posted April 22, 2011
I was captivated by this book's storyline as well as the quaint language. I had only seen the movie before and the book is ever so much better!
1 out of 1 people found this review helpful.
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Posted June 3, 2006
The old English prose of this book is somewhat difficult to read at first & the initial prospect of reading several hundred pages of this seems somewhat akin to watching paint dry. But once you get used to this type of writing, the book is exciting, funny & intriguing. For lovers of historical fiction, this is one of the best. From the tormented chivalry of Ivanhoe, the hubrous of the Templar, the obstianancy & pride of Cedric, the beauty & grace of Rowena & Rebecca, the sharp witted humor of Wamba, the faithfulness of Gurth, and the pride and love of the miserly Isaac this work covers the gamut of society in medival England. Definitiely worth the read!!
1 out of 1 people found this review helpful.
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Posted March 12, 2013
Why oh why do people keep saying or thinking that British novels from the 18th and 19th centuries (Dickens, Austen, etc.) are Old English? Old English is practically indecipherable. Shakespeare didn't even write in Old English (as some mistakenly believe). For a sample of OE check the original Beowulf...not a translated version but the originall Old English. You will not be able to read it.
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Posted March 5, 2013
Jacob Turner
Top 5 Favorite Book.
I recommend this book for the following reasons. Ivanhoe was a book in which I had great ease and comfort in reading.
I was captured in this book, as the tension was building between the Saxons and the Normans.
The book presented a nail biting and edgy experience as you turned page to page, with hints of romance sprinkled throughout.
The turmoil and mischievous action keeps you wanting to read. You quickly find yourself flipping pages as if you are watching a movie.
The setting of Ivanhoe is medieval England, in the late twelfth century. The historical environment of which the novel takes place is one that changes with quickness.
Saxon England has been taken by Norman French for over a century, but the invasion of England’s best homes and land is still going forward as fast as ever.
This setting has proven to create great uncertainty in leaving you wondering what next and contemplating upcoming confrontations or situations.
The main characters are Cedric, Ivanhoe, a.k.a. Wilfred, Athelstane, Rowena, Brian de Bois-Guilbert, Front-de-Boeuf, Richard Plantagenet, John Plantagenet, Waldemar Fitzurse, Isaac, Rebecca, and Maurice De Bracy.
This novel would be on my must read list for anyone who enjoys medieval struggle and strife.
I thought this is brilliant. Its one of my favorite love stories!
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Posted February 4, 2013
Immersive plot
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Posted February 4, 2013
Is the book any good. What is it based on
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Posted October 28, 2012
There are a ton of Ivanhoe ebooks. Not all of themare in French or have terrible OCR errors. Sample before you buy. The one I got was by Five Star Publishing and seems fine...
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