I've Got Your Number

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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Capitalizing on his small role in Quentin Tarantino's Django Unchained by running far, far away from country music, Tom Wopat indulges his swinging side on 2013's I've Got Your Number. Publicized as Wopat's tip of the hat to the Mad Men era, in truth I've Got Your Number isn't that far removed from the music Wopat has been making over the past decade. After Dukes of Hazzard went off the air, Wopat dedicated himself to the stage, which in turn led to a series of records of standards beginning with 2000's The Still of the Night. I've Got Your Number is cut from the same cloth, with the newest wrinkle being the addition of interpretations of songs by Bruce ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Capitalizing on his small role in Quentin Tarantino's Django Unchained by running far, far away from country music, Tom Wopat indulges his swinging side on 2013's I've Got Your Number. Publicized as Wopat's tip of the hat to the Mad Men era, in truth I've Got Your Number isn't that far removed from the music Wopat has been making over the past decade. After Dukes of Hazzard went off the air, Wopat dedicated himself to the stage, which in turn led to a series of records of standards beginning with 2000's The Still of the Night. I've Got Your Number is cut from the same cloth, with the newest wrinkle being the addition of interpretations of songs by Bruce Springsteen, Paul Simon, and James Taylor, songwriters who don't belong to the Mad Men era. Wopat has mixed results with these -- "Meeting Across the River" turns into a bit of a dirge but "The Afterlife" benefits from a ring-a-ding-ding arrangement -- but anybody heading into this album expecting to chuckle at Wopat's big-band style will be sorely disappointed as he's an old hat at this game, ably navigating its swing and bounce. He's a perfectly fine singer and not a bad songwriter, penning a couple of OK originals and generally selling this amiable collection. Don't think of this as a possible camp classic, as it's not: it's straight-ahead old-fashioned swing, delivered by somebody who knows the music well.
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Product Details

  • Release Date: 2/12/2013
  • Label: Lml Music
  • UPC: 711788027324
  • Catalog Number: 273
  • Sales rank: 96,817

Album Credits

Performance Credits
Tom Wopat Primary Artist
Bob Malach Saxophone, Tenor Saxophone, Soloist
Robert Chausow Violin
Stephanie Cummins Cello
John Fedchock Trombone
Mark Feldman Violin
David Finck Bass, Electric Bass, Acoustic Bass, Soloist
Greg Gisbert Trumpet, Soloist
Aaron Heick Saxophone, Alto Saxophone, Soloist
Tony Kadleck Trumpet
Karen Karlsrud Violin
Karl Kawahara Violin
Ann Leathers Violin
Kate Light Violin
Bob Mann Guitar
Bob Milikan Trumpet
John Oddo Piano
Sander Strenger Violin
Kevin Winard Percussion, Drums
Arthur Fiacco Cello
Charles Pillow Saxophone
Henry Hey Piano, Soloist
Ben Butler Guitar
Jonathan Dinklage Violin
Tedd Firth Piano
Alan Ferber Trombone
Greg Gilbert Trumpet
Mairi Dorman Phaneuf Cello
Marc Phaneuf Saxophone
Peter Grant Drums
Garnett K. Dieffenbach Violin
Technical Credits
Judy Collins Composer
Bruce Hornsby Composer
Paul Simon Composer
Bruce Springsteen Composer
James Taylor Composer
Cy Coleman Composer
Mel Tormé Composer
Sacha Distel Composer
Tom Wopat Composer, Liner Notes
Jerome Kern Composer
Johnny Burke Composer
Dorothy Fields Composer
David Finck Producer, Liner Notes
Oscar Hammerstein II Composer
Otto Harbach Composer
Tony Hatch Composer
Roy Hendrickson Engineer
John Oddo Arranger
Jack Reardon Composer
Harry Warren Composer
Robert Wells Composer
Lee Lessack Executive Producer
Carolyn Leigh Composer
Henry Hey Arranger
Tedd Firth Arranger
Randy Merrill Mastering
Jimmy Mc Hugh Composer
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  • Anonymous

    Posted February 17, 2013

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