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In Canadian art circles Jack Chambers' Red and Green is the stuff of legend. Begun in 1969 when Chambers was diagnosed with leukemia, it's the original literary mash-up: hundreds of quotations selected and arranged to present the painter and filmmaker's theory of perception. Due to copyright restrictions, Chambers's manuscript remains unpublishable, but now we have the next best thing. Former McMichael gallery head Tom Smart provides a detailed analysis even while retaining authorial distance from his subject, acknowledging, for instance, where Chambers's mysticism may test readers' credulity. This dense, theoretical book is not for everyone but it remains a fascinating portrait of an artist's quest for transcendence in the face of mortality.