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The Jacqueline Rose Reader
By JACQUELINE ROSE
DUKE UNIVERSITY PRESS
Copyright © 2011 DUKE UNIVERSITY PRESS
All right reserved.
Chapter One Femininity and Its Discontents
Is psychoanalysis a "new orthodoxy" for feminism? Or does it rather represent the surfacing of something difficult and exceptional but important for feminism, which is on the verge (once again) of being lost? I will argue that the second is the case, and that the present discarding of psychoanalysis in favour of forms of analysis felt as more material in their substance and immediately political in their effects is a return to positions whose sensed inadequacy for feminism produced a gap in which psychoanalysis could—fleetingly—find a place. What psychoanalysis offered up in that moment was by no means wholly satisfactory and it left many problems unanswered or inadequately addressed, but the questions which it raised for feminism are crucial and cannot, I believe, be approached in the same way, or even posed, from anywhere else. To ask what are the political implications of psychoanalysis for feminism seems to me, therefore, to pose the problem the wrong way round. Psychoanalysis is already political for feminism—political in the more obvious sense that it came into the arena of discussion in response to the internal needs of feminist debate, and political again in the wider sense that the repudiation of psychoanalysis by feminism can be seen as linking up with the repeated marginalisation of psychoanalysis within our general culture, a culture whose oppressiveness for women is recognised by us all.
Before going into this in more detail, a separate but related point needs to be made, and that is the peculiarity of the psychoanalytic object with which feminism engages. Thus to ask for effects from psychoanalysis in the arena of political practice is already to assume that psychoanalytic practice is apolitical. Recent feminist debate has tended to concentrate on theory (Freud's theory of femininity, whether or not psychoanalysis can provide an account of women's subordination). This was as true of Juliet Mitchell's defense of Freud as it has been of many of the more recent replies. The result has been that psychoanalysis has been pulled away from its own practice. Here the challenge to psychoanalysis by feminists has come from alternative forms of therapy (feminist therapy and co-counseling). But it is worth noting that the way psychoanalysis is engaged with in much recent criticism already divests it of its practical effects at this level, or rather takes this question as settled in advance (the passing reference to the chauvinism of the psychoanalytic institution, the assumption that psychoanalysis depoliticises the woman analysand). In this context, therefore, the common theory/practice dichotomy has a very specific meaning in that psychoanalysis can only be held accountable to "practice" if it is assumed not to be one, or if the form of its practice is taken to have no purchase on political life. This assumes, for example, that there is no politics of the psychoanalytic institution itself, something to which I will return.
Both these points—the wider history of how psychoanalysis has been placed or discarded by our dominant culture, and the detaching of psychoanalysis from its practical and institutional base—are related, in as much as they bring into focus the decisions and selections which have already been made about psychoanalysis before the debate even begins. Some of these decisions, I would want to argue, are simply wrong—such as the broad accusation of chauvinism levelled against the psychoanalytic institution as a whole. In this country at least, the significant impetus after Freud passed to two women—Anna Freud and Melanie Klein. Psychoanalysis in fact continues to be one of the few of our cultural institutions which does not professionally discriminate against women, and in which they could even be said to predominate. This is not of course to imply that the presence of women inside an institution is necessarily feminist, but women have historically held positions of influence inside psychoanalysis which they have been mostly denied in other institutions where their perceived role as "carers" has relegated them to a subordinate position (e.g., nursing); and it is the case that the first criticisms of Freud made by Melanie Klein can be seen to have strong affinities with later feminist repudiation of his theories.
For those who are hesitating over what appears as the present "impasse" between feminism and psychoanalysis, the more important point, however, is to stress the way that psychoanalysis is being presented for debate—that is, the decisions which have already been made before we are asked to decide. Much will depend, I suspect, on whether one sees psychoanalysis as a new form of hegemony on the part of the feminist intelligentsia, or whether it is seen as a theory and practice which has constantly been relegated to the outside of dominant institutions and mainstream radical debate alike— an "outside" with which feminism, in its challenge to both these traditions, has its own important forms of allegiance.
Components of the Culture
In England, the relationship between the institution of psychoanalysis and its more general reception has always been complex, if not fraught. Thus in 1968, Perry Anderson could argue that major therapeutic and theoretical advances inside the psychoanalytic institution (chiefly in the work of Melanie Klein) had gone hand in hand with, and possibly even been the cause of, the isolation of psychoanalysis from the general culture, the slowness of its dissemination (until the Pelican Freud started to appear in 1974, you effectively had to join a club to read the Standard Edition of Freud's work), and the failure of psychoanalysis to effect a decisive break with traditions of empiricist philosophy, reactionary ethics, and an elevation of literary "values," which he saw as the predominant features of our cultural life. Whether or not one accepts the general "sweep" of his argument, two points from that earlier polemic seem relevant here.
Firstly, the link between empiricist traditions of thought and the resistance to the psychoanalytic concept of the unconscious. Thus psychoanalysis, through its attention to symptoms, slips of the tongue, and dreams (that is, to what insists on being spoken against what is allowed to be said), appears above all as a challenge to the self-evidence and banality of everyday life and language; which have also, importantly, constituted the specific targets of feminism. If we use the (fairly loose) definition which Anderson provided for empiricism as the unsystematic registration of things as they are and the refusal of forms of analysis which penetrate beneath the surface of observable social phenomena, the link to feminism can be made. For feminism has always challenged the observable "givens" of women's presumed natural qualities and their present social position alike (especially when the second is justified in terms of the first). How often has the "cult of common sense," the notion of what is obviously the case or in the nature of things, been used in reactionary arguments against feminist attempts to demand social change? For Anderson in his article of 1968, this espousal of empiricist thinking provided one of the chief forms of resistance to Freud, so deeply committed is psychoanalysis to penetrating behind the surface and conscious manifestations of everyday experience.
Secondly, the relationship between this rejection of psychoanalysis and a dearth within British intellectual culture of a Marxism which could both theorise and criticise capitalism as a social totality. This second point received the strongest criticism from within British Marxism itself, but what matters here is the fact that both Marxism and psychoanalysis were identified as forms of radical enquiry which were unassimilable to bourgeois norms. In the recent feminist discussion, however—notably in the pages of Feminist Review— Marxism and psychoanalysis tend to be posited as antagonistic; Marxism arrogating to itself the concept of political practice and social change, psychoanalysis being accused of inherent conservatism which rationalises and perpetuates the subordination of women under capitalism, or else fails to engage with that subordination at the level of material life.
In order to understand this, I think we have to go back to the earlier moment. For while the argument that Marxism was marginal or even alien to British thought was strongly repudiated, the equivalent observation about psychoanalysis seems to have been accepted and was more or less allowed to stand. This was perhaps largely because no one on the Left rushed forward to claim a radicalism committed to psychoanalytic thought. New Left Review had itself been involved in psychoanalysis in the early 1960s, publishing a number of articles by Cooper and Laing, and there is also a strong tradition, which goes back through Christopher Caudwell in the 1930s, of Marxist discussion of Freud. But the main controversy unleashed by Anderson's remarks centered around Marxism; in an earlier article Anderson himself had restricted his critique to the lack of Marxism and classical sociology in British culture, making no reference to psychoanalysis at all. After 1968, New Left Review published Althusser's famous article on Lacan and one article by Lacan, but for the most part the commitment to psychoanalysis was not sustained even by that section of the British Left which had originally argued for its importance.
Paradoxically, therefore, the idea that psychoanalysis was isolated or cut off from the general culture could be accepted to the extent that this very marginalisation was being reproduced in the response to the diagnosis itself. Thus the link between Marxism and Freudian psychoanalysis, as the twin poles of a failed radicalism at the heart of British culture, was broken. Freud was cast aside at the very moment when resistance to his thought had been identified as symptomatic of the restrictiveness of bourgeois culture. Juliet Mitchell was the exception. Her defence of Freud needs to be seen as a redress of this omission, but also as a critique of the loss of the concept of the unconscious in the very forms of psychoanalysis (for example, Laing) sponsored by the British Left (the second problem as the cause of the first). In this context the case for psychoanalysis was part of a claim for the fundamentally anti-empiricist and radical nature of Freudian thought. That this claim was made via feminism (could perhaps only be made via feminism) says something about the ability of feminism to challenge the orthodoxies of both Left and Right.
Thus the now familiar duo of "psychoanalysis and feminism" has an additional and crucial political meaning. Not just psychoanalysis for feminism or feminism against psychoanalysis, but Freudian psychoanalysis and feminism together as two forms of thought which relentlessly undermine the turgid resistance of common-sense language to all forms of conflict and political change. For me this specific sequence has been ironically or negatively confirmed (that is, it has been gone over again backward) by the recent attempt by Michael Rustin to relate psychoanalysis to socialism through a combination of F. R. Leavis and Melanie Klein—the very figures whose standing had been taken as symptomatic of that earlier resistance to the most radical aspects of Freudian thought (Klein because of the confinement of her often challenging ideas to the psychoanalytic institution itself; Leavis because of the inappropriate centrality which he claimed for the ethics of literary form and taste). I cannot go into the details of Rustin's argument here, but its ultimate conservatism for feminism is at least clear; the advancement of "mothering," and by implication of the role of women as mothers, as the psychic basis on which socialism can be built (the idea that psychoanalysis can engender socialism seems to be merely the flip side of the argument which accuses psychoanalysis of producing social conformity).
This history may appear obscure to many feminists who have not necessarily followed the different stages of these debates. But the diversion through this cultural map is, I think, important insofar as it can illustrate the ramifications of feminist discussion over a wider political spectrum, and also show how this discussion—the terms of the argument, the specific oppositions proposed—have in turn been determined by that wider spectrum itself.
Thus it will have crucial effects, for instance, whether psychoanalysis is discussed as an addition or supplement to Marxism (in relation to which it is then found wanting), or whether emphasis is laid on the concept of the unconscious. For while it is indeed correct that psychoanalysis was introduced into feminism as a theory which could rectify the inability of Marxism to address questions of sexuality, and that this move was complementary to the demand within certain areas of Marxism for increasing attention to the ideological determinants of our social being, it is also true that undue concentration on this aspect of the theory has served to cut off the concept of the unconscious, or at least to displace it from the centre of the debate. (This is graphically illustrated in Michèle Barrett's book, Women's Oppression Today, in which the main discussion of psychoanalysis revolves around the concept of ideology, and that of the unconscious is left to a note appended at the end of the chapter.)
Femininity and Its Discontents
One result of this emphasis is that psychoanalysis is accused of "functionalism," that is, it is accepted as a theory of how women are psychically "induced" into femininity by a patriarchal culture, and is then accused of perpetuating that process, either through a practice assumed to be prescriptive about women's role (this is what women should do), or because the very effectiveness of the account as a description (this is what is demanded of women, what they are expected to do) leaves no possibility of change.
It is this aspect of Juliet Mitchell's book which seems to have been taken up most strongly by feminists who have attempted to follow through the political implications of psychoanalysis as a critique of patriarchy.
Thus Gayle Rubin, following Mitchell, uses psychoanalysis for a general critique of a patriarchal culture which is predicated on the exchange of women by men. Nancy Chodorow shifts from Freud to later object relations theory to explain how women's child-caring role is perpetuated through the earliest relationship between a mother and her child, which leads in her case to a demand for a fundamental change in how childcare is organised between women and men in our culture. Although there are obvious differences between these two readings of psychoanalysis, they nonetheless share an emphasis on the social exchange of women, or the distribution of roles for women, across cultures: "Women's mothering is one of the few universal and enduring elements of the sexual division of labour."
The force of psychoanalysis is therefore (as Janet Sayers points out) precisely that it gives an account of patriarchal culture as a transhistorical and cross-cultural force. It therefore conforms to the feminist demand for a theory which can explain women's subordination across specific cultures and different historical moments. Summing this up crudely, we could say that psychoanalysis adds sexuality to Marxism, where sexuality is felt to be lacking, and extends beyond Marxism where the attention to specific historical instances, changes in modes of production etc., is felt to leave something unexplained.
But all this happens at a cost, and that cost is the concept of the unconscious. What distinguishes psychoanalysis from sociological accounts of gender (hence for me the fundamental impasse of Nancy Chodorow's work) is that whereas for the latter, the internalisation of norms is assumed roughly to work, the basic premise and indeed starting point of psychoanalysis is that it does not. The unconscious constantly reveals the "failure" of identity. Because there is no continuity of psychic life, so there is no stability of sexual identity, no position for women (or for men) which is ever simply achieved. Nor does psychoanalysis see such "failure" as a special-case inability or an individual deviancy from the norm. "Failure" is not a moment to be regretted in a process of adaptation, or development into normality, which ideally takes its course (some of the earliest critics of Freud, such as Ernest Jones, did, however, give an account of development in just these terms). Instead "failure" is something endlessly repeated and relived moment by moment throughout our individual histories. It appears not only in the symptom, but also in dreams, in slips of the tongue, and in forms of sexual pleasure which are pushed to the sidelines of the norm. Feminism's affinity with psychoanalysis rests above all, I would argue, with this recognition that there is a resistance to identity at the very heart of psychic life. Viewed in this way, psychoanalysis is no longer best understood as an account of how women are fitted into place (even this, note, is the charitable reading of Freud). Instead psychoanalysis becomes one of the few places in our culture where it is recognised as more than a fact of individual pathology that most women do not painlessly slip into their roles as women, if indeed they do at all. Freud himself recognised this increasingly in his work. In the articles which run from 1924 to 1931, he moves from that famous, or rather infamous, description of the little girl struck with her "inferiority" or "injury" in the face of the anatomy of the little boy and wisely accepting her fate ("injury" as the fact of being feminine), to an account which quite explicitly describes the process of becoming "feminine" as an "injury" or "catastrophe" for the complexity of her earlier psychic and sexual life ("injury" as its price).
Excerpted from The Jacqueline Rose Reader by JACQUELINE ROSE Copyright © 2011 by DUKE UNIVERSITY PRESS. Excerpted by permission of DUKE UNIVERSITY PRESS. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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