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Editorial Reviews
All Music Guide - William Ruhlmann
Jacques Brel occupied a position in French popular music roughly comparable to that of Bob Dylan in the U.S., writing and singing personal, serious songs of greater depth and individuality than most pop. Unlike Dylan, however, Brel's music, drawing upon cabaret styles, had an overtly theatrical flair. America in the winter of 1968 was well-primed for such an artist, and veteran songwriter Mort Shuman, along with associate Eric Blau, hit upon the idea of translating Brel's songs and presenting them in a musical revue. Using only four performers including Shuman, they staged Jacques Brel Is Alive and Well and Living in Paris at a Greenwich Village nightclub starting on ...