The Jade Peony

( 4 )

Overview

Chinatown, Vancouver, of the early 194Os provides the backdrop for this fresh, uplifting, award-winning first novel, told through the reminiscences of the three young children of an immigrant Chinese family. Jook-Liang is the "useless girl" of the family, who dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Jung-Sum is the adopted middle son who triumphs over loss and prejudice through boxing, and soon finds himself grappling with a bewildering sexual attraction. Lastly, Sekky - the ...
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The Jade Peony

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Overview

Chinatown, Vancouver, of the early 194Os provides the backdrop for this fresh, uplifting, award-winning first novel, told through the reminiscences of the three young children of an immigrant Chinese family. Jook-Liang is the "useless girl" of the family, who dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Jung-Sum is the adopted middle son who triumphs over loss and prejudice through boxing, and soon finds himself grappling with a bewildering sexual attraction. Lastly, Sekky - the sickly youngest child - surprises the entire family by teaching them how to mourn, and how to go on living. Finally, there are the secrets and magic of two respected elders: Old Wong, "The Monkey King," whose past returns to threaten his present and Poh-Poh, or Grandmother, who is the heart and pillar of the family. Side by side, her three grandchildren survive hardships and heartbreaks with grit and humor, discovering a new land without forgetting their common ground.
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Editorial Reviews

From the Publisher
“With its episodic forward movement and rich period detail, its delightful set pieces and flashback interpolations, The Jade Peony resembles a memoir in its texture” —New York Times

"The Jade Peony is a sweet and funny novel ...[it] delights us with beautifully written prose, but it does more than that, too. It renders a complex and complete human world, which, by the end of 200-odd pages, we have learned to love."—Boston Book Review

"Childhood lessons are quietly, powerfully drawn here, with Choy's evocation of harsh immigrant reality nothing short of masterful."—Kirkus reviews

"Although Choy's work is fictional, it realistically echoes the difficult life struggles of early Chinese Cantonese immigrants as captured in such biographical works as Denise Chong's The Concubine's Children and Ben Fong-Torres's The Rice Room"—Library Journal

"Insightful, wise, and touching"—Christian Science Monitor

Seattle Times
Lyrically blends the mature adult voice and perspective with the fully realized persistence of memory in childhood.
Boston Globe
With striking narrative immediacy...[Choy] has evoked from memory and imagination a childhood memoir of crystalline clarity.
Kirkus Reviews
This eloquent, confident debut, co-winner of Canada's 1995 Trillium Prize, offers a complex view of family life among Chinese immigrants living in Vancouver as social pressures from within and without have a lasting effect on three children.

In the years before WW II, with Japan already invading China, life in Vancouver's Chinatown is hard but seemingly safe for Liang, Jung, and young Sekky. Each of them has a special friend, one who, taking the place of their endlessly working parents, can give them precious memories. For Liang, her attachment to the monkey-faced, crippled Old Wong, veteran of the railroad-building camps in the Rockies, is amply rewarded: He pampers her, encouraging her to tap dance and emulate her idol Shirley Temple. For the adopted Jung, brutal abuse at an early age has made him tough and wary, drawing him to boxing and the incomparable example of Joe Louis, but also to a role model closer to home: supertough Frank Yuen, the best boxer around, who nurtures Jung's talent and also makes him aware of his sexual difference. Finally, Sekky, ailing but alert, finds himself with two powerful guides: his Old China Grandmama, who gives him back his health and whose belief in ghosts keeps her with him after her death; and his beautiful teenage neighbor Meiying, whose love for a Japanese boy in the midst of rising anti-Japanese hysteria moves Sekky to doubt the wisdom of the prevailing hatred. But for each child, the joy of sharing also comes with the pain of leaving, as Old Wong returns to China, Frank Yuen joins the US Marines, and, like Grandmama, Meiying dies, the entrenched racism that forced her from her boyfriend also keeping her from receiving emergency medical care.

Childhood lessons are quietly, powerfully drawn here, with Choy's evocation of harsh immigrant reality nothing short of masterful.

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Product Details

  • ISBN-13: 9781550544688
  • Publisher: D & M Publishers
  • Publication date: 8/9/2011
  • Edition number: 1
  • Pages: 240
  • Sales rank: 1,345,875
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.77 (d)

Meet the Author

Wayson Choy is the author of two novels and two memoirs. He was born and grew up in Vancouver's Chinatown, and now lives in Toronto.
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Read an Excerpt

From Chapter One
In the city dump on False Creek Flats, living in makeshift huts, thirty-two Old China bachelor-men tried to shelter themselves; dozens more were dying of neglect in the overcrowded rooms of Pender Street. There were no Depression jobs for such men. They had been deserted by the railroad companies and betrayed by the many labour contractors who had gone back to China, wealthy and forgetful. There was a local Vancouver by-law against begging for food, a federal law against stealing food, but no law in any court against starving to death for lack of food. The few churches that served the Chinatown area were running out of funds. Soup kitchens could no longer safely manage the numbers lining up for nourishment, fighting each other. China men were shoved aside, threatened, forgotten.

During the early mornings, in the 1920s and ’30s, nuns came out regularly from St. Paul’s Mission to help clean and take the bodies away. In the crowded rooming houses of Chinatown, until morning came, living men slept in cots and on floors beside dead men.

Could we help out with Wong Bak? Perhaps a meal now and then, a few visits with the family…? asked the officer from the Tong Association. It turned out that Poh-Poh indeed knew Wong Bak when they were in China, more than thirty years ago.

“Old-timers know all the old-timers,” Third Uncle Lew said, taking inventory of his warehouse stock with an abacus. “Why not? The same bunch came over from the same damn districts,” he laughed.“We all pea-pod China men!”

And now, tonight, Wong Bak was coming for dinner.

I looked up past Stepmother’s swelling stomach, at the kitchen counter beside the sink with the pots and pans. Father had splurged on groceries: a bare long-necked chicken’s head, freshly killed, hung out of the bag he had carried home. Poh-Poh also unwrapped a fresh fish, its eyes still shiny. Once it was cooked, Kiam and Jung would fight over who would get to suck on the hard-as-marble calcified fish eyes. I wanted the chicken feet. I wondered which part Wong Bak would want.

Father was worried about our meeting him for the first time. Wong Bak, I sensed from Father’s over-preparation and nervousness, was indeed not an ordinary human being. He was an elder, so every respect must be paid to him, and especially as he knew the Old One herself. Grandmother must not lose face; we must not fail in our hospitality. Excellent behaviour on the part of my two brothers and me would signal our family respect and honour for the old ways.
Father looked at his watch and put down his writing brush.

“Let us talk a moment,” he said to my brothers, and they left their game and stood before him. He told Kiam and Jung that Wong Bak might appear “very strange,” especially to me, as I was so young, and a girl, and therefore might be more easily frightened.

“Frightened?” Stepmother said.

My ears perked up.

Father answered that the boys, being boys, would not be as easily scared about you-know-what. He spoke in code to Stepmother but whispered details to Kiam first, then Jung, whose eyes widened. After the whispering, Father delivered to the three of us a stern lecture about respect and we must use the formal term Sin-saang, Venerable Sir, as if Wong Bak were a “teacher” to be highly respected, as much as the Old Buddha or the Empress of China.
Respect meant you dared not laugh at someone because they were “different”; you did not ask stupid questions or stare rudely. You pretended everything was normal. That was respect. Father tried to simplify things for my five-year-old brain. Respect was what I gave my Raggedy Ann doll. I knew respect.

“I don’t want you boys to stare at Wong Sin-saang’s face,” Father warned, which I thought was odd. Old people’s faces were all the same to me, wrinkled and craggy. “Wong Sinsaang’s had a very tough life.”

“We know how to behave,” First Brother Kiam insisted, waving the toy sword over the buck-toothed “WARLORD” nodding on the edge of the kitchen table. Jung poked his sword, bayonet-fashion, and two other heads nodded away, waiting for decapitation.

Third Uncle Lew had given Kiam the ENEMIES OF FREE CHINA game for his tenth birthday. Third Uncle had imported some samples from Hong Kong with the idea of selling them in Chinatown.Kiam read the game instructions written in English: “USE SWORD TO SMACK HEAD. COUNT POINTS. MOVE VICTORIOUS CHINESE AHEAD SAME NUMBER.”

The Warlord was one of three Enemy-of-China “heads.” The other two were a Communist and a Japanese soldier named Tojo. All three had ugly yellow faces, squashed noses and impossible buck teeth. It was a propaganda toy to encourage overseas Chinese fund-raising for Free China.

Watching Kiam and Jung jump up and down was far better than having them force me to play dumb games like Tarzan and Jane and Cheetah. Kiam had seen the picture Tarzan three times. Kiam got to be Tarzan; Jung, Cheetah; and I got to be Jane doing nothing. I embraced my Raggedy Ann and watched another swing of Jung’s sword Whack! take off Tojo’s head. Father said that Tojo, a Japanese, was in command of the plot to enslave China for the Japanese.

Whack! The third head went flying.

“Don’t forget,” Father repeated, thinking of the worst, “no staring at Wong Sin-saang’s face. No laughing.”

“Tell Liang-Liang,” said Jung, waving the wooden sword at me.“ She’ll stare at Wong Sin-saang’s face and behave like a brat.”

“Jook-Liang will be too shy,” Stepmother said. “I promise she’ll do nothing but run away. At five, I would.”

“Jook-Liang almost six,” Grandmother interjected. “She look. I look.”
Stepmother turned away. Jung swung. Whack!

“Liang-Liang’ll say something to Wong Sin-saang,”Kiam said.“She’ll say something about Wong Sin-saang’s face.”

“You will, won’t you, Liang-Liang?” Jung said, following First Brother’s cue to be superior at my expense.

I looked up at them through the flowered wall and tiny windows of my Eaton’s Toyland doll house. I put Tarzan’s Jane, whose doll legs would not bend, in the front room. At Sunday School, I had learned how all visitors, like the Lord Jesus, for example, and even Tarzan and his pet chimpanzee, Cheetah, should always politely knock first, before you invited them into the front room of your house. At Kingdom Church Kindergarten, I also learned to say the words “fart face,” and that upset Miss Bigley.

“Fart face,” I said.

Jung opened his mouth to reply. Kiam looked darkly at me.

“If you have eyes, stare,” Poh-Poh said to me. “Eyes for looking.”

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Table of Contents

AUTHOR'S NOTE vii

PART ONE
Jook-Liang, Only Sister, 3

PART TWO
Jung-Sum, Second Brother, 73

PART THREE
Sek-Leung, Third Brother, 143

ACKNOWLEDGEMENTS, 277

A READING GROUP GUIDE, 279

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Customer Reviews

Average Rating 4
( 4 )
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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted June 2, 2003

    great book

    i think that this book had more of a significance to me due to the fact that i grew up in vancouver and experienced the chinatown and i'm interested in it's past. Besides that though, the novel is a lyrical feast for the eyes, so descriptive...true it has it's dry points, but i think that they are outweighed by the good merits of the novel.

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  • Anonymous

    Posted September 12, 2001

    Fabulous!

    I really enjoyed this book.I loved Jook-Liang and the Monkey King,liked the younger boy's story,but I wasn't all that impressed with the middle boy's.In fact it bored me.Other then that it was great.

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  • Anonymous

    Posted June 2, 2001

    A fictional story for the reader to follow...

    Well, I can't say that I enjoyed this book that much. It can be interesting to read about someone's life and to follow it page by page, but when I want to do that I'll look at one of the biographies of someone like Thomas Edison. The book did have some surprises for me here and there but little meaning in the end.

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  • Anonymous

    Posted February 15, 2000

    The Jade Peony

    I thought this book was really good, so far. I havent finished reading it but its pretty interesting right now, especially about one of the characters, Wong Suk. Poh-Poh is also a very interesting character. I plan to enjoy reading the rest of the book.

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