3.5 2
by Kim Newman

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Paul, a young academic composing a thesis about the end of the world, and his girlfriend Hazel, a potter, have come to the tiny English village of Alder for the summer. Their idea of a rural retreat gradually sours as the laws of nature begin to break down around them. The village, swollen by an annual rock festival of cataclysmic proportions, prepares to reap a


Paul, a young academic composing a thesis about the end of the world, and his girlfriend Hazel, a potter, have come to the tiny English village of Alder for the summer. Their idea of a rural retreat gradually sours as the laws of nature begin to break down around them. The village, swollen by an annual rock festival of cataclysmic proportions, prepares to reap a harvest of horror.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Though this latest horror novel from the author of The Night Mayor draws on conventional elements of the genre, it is a distinguished literary effort rooted in the emotional interiors of three-dimensional characters. Anthony Jago, a former priest with powerful psychic abilities, has set up a religious cult house in the small British town of Alder, the site of an annual Woodstock-style rock festival that attracts members of many different countercultural groups. As the festival opens, Jago's powers turn evil; he is able to raid peoples' minds and hearts and bring their desperate fantasies to life--fantasies that conjure up creatures ranging from evil dwarves to a murdered biker's ghost to a Martian invasion. As Jago begins to recreate the Book of Revelations in Alder, the only hope for the town, and perhaps the world, is Susan Ames, a psychical agent of the British secret service, who has infiltrated Jago's organization. Newman's prose is sophisticated and his narrative drive irresistible. The realistically blase way characters accustomed to the rapidly changing contemporary world react to the sudden appearances of horrors and monstrosities, and the manner in which the supernatural is depicted--as if ghouls and goblins were no less likely than a nuclear bomb or a toxic waste dump--are only two of this fine novel's many strengths. (Jan.)
Library Journal
In the English village of Alder, Anthony Jago has set up a religious community called the Agapemone, the ``Abode of Love.'' The residents of Alder for the most part ignore the hippielike, beatifically smiling cultists and the fact that their own young people are being drawn into Jago's influence. However, the Agapemone's yearly rock music festival is nearing and the village is divided: some like the revenue brought in by the concertgoers, while others resent the rowdy hordes. Two researchers infiltrate the commune and discover that Jago, a priest defrocked for sexual misconduct, believes he is the second coming of Jesus and that any who are not the Beloved's Chosen are enemies to be destroyed. As concertgoers pour into Alder, the combination of music, summer heat, and tensions spark a mad culmination of Jago's inhumanly powerful delusions in a riot of visions that threatens to engulf the entire village. By the author of The Night Mayor (Carroll & Graf, 1992) and Bad Dreams (Carroll & Craf, 1991), this novel is recommended for general collections.-- A.M.B. Amantia, Population Crisis Committee Lib., Washington, D.C.
Carl Hays
During an unexpected heat wave in the small village of Alder in contemporary Somerset, England, locals and visitors gather to prepare for a yearly festival of music, drinking, and feasting. The rowdy but relatively harmless celebration quickly becomes profane, as diabolic occurrences radiate from the festival's sponsors, a wealthy cult of religious fanatics who worship their psychically talented "Beloved," Anthony William Jago. Behind the scenes and keeping watch on Jago's activities is a similarly talented government intelligence agent who hopes to use her power to forestall a catastrophe in the event of Jago's intended Great Manifestation. While the novel's pace at times lags unnecessarily and its length may eventually try the reader's patience, Newman's writing is vivid and powerful, and the characters are deftly drawn and seamlessly embedded into a riveting story line. One major disappointment is the author's scant characterization of Jago himself, but this is more than made up for by what is surely one of the most eye-grabbing prologues in recent contemporary fiction.
Kirkus Reviews
Once again, Newman (The Night Mayor, 1990; Bad Dreams, 1991)—in his best effort yet—strives to deepen the horror-novel genre, or give it new levels. Here, Newman builds upon the main device of Bad Dreams, in which dreams mushroomed into dreams within dreams. Like Yggdrasis, the World Tree of Eddic myth ruling The Night Mayor, and Mr. Skinner, the uncontainably passionate vampire ruler of Bad Dreams, the author's new villain swells larger than life even as it's known in fantasy novels. Jago, or "Beloved," is both an unnameable or untraceable bolt of divine love in human form—who now rules a portion of the English countryside and attracts a huge Woodstock festival of millions to his love kingdom (he bleeds from stigmata; a taste of his blood brings bliss; his mere presence ravishes with sexual joy all who come near him)—and a Boschian nightmare who transfuses parts of the animal and vegetable kingdoms into each other. One farmer, on whose heat-wave-crisped land the festival blooms riotously, becomes The Green Man, the very spirit of the earth—a human bush bursting with dirt and green bulbs, his roots threading the bodies of his family members as he spreads over the entrance to Jago's temple, Agapemone. A woman's arm ends handless in a pistol—just as Bosch's human scissors runs about his hellgarden. Dreams are real and shared by others. The hero, writing a thesis on end-of-the-world millenarianism, cuts his shin against one of the ravaging metal monsters from Mars in H.G. Wells's The War of the Worlds. Meanwhile, the plot, less spinal than cumulative, builds into the coming of Heaven on Earth where troubles melt like lemon drops way above the chimney tops andthe corn is as high as an elephant's eye. A shot at the transcendental, with fantasy to splurge.

From the Publisher
"Brilliantly nasty" - Sunday Telegraph

"Newman's prose is sophisticated and his narrative drive irresistible." - Publishers Weekly

"A novel of breathtaking imagination and impact. It propels you at breakneck speed, and just when you think there can be no more surprises, Newman pulls another from the bag." - Starburst

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Meet the Author

Kim Newman is a well known and respected author and movie critic. He writes regularly for Empire Magazine and contributes to The Guardian, The Times, Time Out and others. He makes frequent appearances on radio and TV. He has won the Bram Stoker, International Horror Guild, British Fantasy and British Science Fiction Awards and been nominated for the Hugo and World Fantasy Awards.

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Jago 3.5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
This was one of those books that I kept checking what page I was on because I didn't want it to end. Well-written. Great characters. Not for the faint of heart. Lots of mayhem.
Anonymous More than 1 year ago
I really enjoyed Kim Newman's "Anno Dracula" and have waited a long time for another book from him. Unfortunately, I'm finding this story to be too hard to follow. The plot seems disjointed and the author seems to spend too much time lost in description. He takes a number of pages just to describe what one character is thinking. I prefer a book that keeps me entertained and wanting to read more. this one doesn't do that.