James Rosenquist: Pop Art, Politics, and History in the 1960s

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Overview

James Rosenquist's paintings, with their billboard-sized images of commercial subjects, are utterly emblematic of 1960s Pop Art. Their provocative imagery also touches on some of the major political and historical events of that turbulent decade - from the Kennedy assassination to the war in Vietnam. In the first full-length scholarly examination of Rosenquist's art from that period, Michael Lobel weaves together close visual analysis, a wealth of archival research, and a consideration of the social and historical contexts in which these paintings were produced to offer bold new readings of a body of work that helped redefine art in the 1960s. Bringing together a range of approaches, James Rosenquist provides a compelling perspective on the artist and on the burgeoning consumer culture of postwar America.
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Editorial Reviews

Naea News
“Lobel’s book is well written, and presents much insight into Rosenquist’s work of the 1960s.”
The Art Book
“Lobel’s writing is lucid, informed, intelligent, and subtle.”
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Product Details

  • ISBN-13: 9780520267930
  • Publisher: University of California Press
  • Publication date: 11/16/2010
  • Pages: 232
  • Sales rank: 989,642
  • Product dimensions: 6.70 (w) x 9.70 (h) x 0.70 (d)

Meet the Author

Michael Lobel is Associate Professor of Art History and Director of the M.A. Program in Modern and Contemporary Art, Criticism, and Theory at Purchase College, State University of New York.

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Table of Contents

Introduction 1

1 Between the Billboard and the Studio 9

2 Approaching History 41

3 Rosenquist Repaints History: The Curious Case of President Elect 67

4 Summer of '64: The World's Fair and the Limits of Pop 97

5 F-111 123

Conclusion 155

Notes 161

Bibliography 193

List of Illustrations 203

Index 207

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