I'm sorry but I didn't like it.
Now, before you think, "oh, this girl just doesn't like classics", let me assure you that isn't true. I LOVE the classics. Vanity Fair, Jane Eyre, Cousin Bette, Count of Monte Cristo, Madame Bovary, the Eustace Diamonds, Lady Chatterly's Lover to name a few. And I admit: I picked up this book being more a fan of Byron than of Jane Austin. (She's on my to-read list, so stop having kittens, you raging fans.) That said, I didn't enjoy this book for several reasons:
1. Characterization. While I haven't exactly read Jane Austen's work, that is not to say I am not unfamiliar with her wit. Her quotes are famous. And while Barron's Jane is somewhat snippy here and there, I don't see the tongue-in-cheek jabs that Austen is famous for. There's a huge difference between snipes and witty repartee, folks. And I don't see it. Jane's is also not the only character I find truly flawed. It seems EVERYONE TALKS THE SAME. While it's true that sayings come & go in fashion, such as "groovy" or "far out" depicts the 1970's era, why must EVERYONE here end a sentence with "I collect" instead of "I suppose" or "I guess". (If you've read the historical letters by Byron, you'd get an idea of what his "author's voice" is like, and you'd know he would never, EVER talk like that! UGH!) Which brings me to #2.
2. Verbal stutters. This is where an author ends up using the same words over & over & over again throughout the freaking book. PLEASE get a thesaurus. If I have to read "I collect" or "vulgar/vulgarity" one more time, *I* am about to get vulgar with a "collection" of expletives.
3. The pacing. It is so slow where I don't want it to be & then the author picks up the pace where I wish she'd elaborate more. When things got interesting, the scene changed & I was left gasping, "NOOOO! Come back here!" Meanwhile, the very boring characters are chatting again. And it takes them a paragraph to get their point across when only three sentences would do. (If "brevity is the soul of wit", there are some really witless people in this novel!) And they might as well be talking about cucumber sandwiches for all I care because it does NOTHING to move the plot along nor move me emotionally to care about any of the characters. In fact, I want to jump in the story so I can find murder a few characters myself.
4. I could not like Catherine Twining. It became very difficult to feel sorry for her when she inevitably died. (Who didn't see that coming a mile away?) She was a born victim, and even Jane calls her a "goosecap" repeatedly. So, tell me...how am I to feel sorry for Catherine when she gets murdered? I got the impression even Jane didn't like her much. And how am I to empathize with Jane when Jane feels responsible for her death? (That if only Jane had stayed & watched over Catherine--as Catherine requested--maybe Catherine wouldn't have been murdered, blah blah blah.) I feel the emotions here to be contrived, forced.
The pace of the story is choppy, the characters seem two-dimensional, and the wordage is awfully repetitive. Overall, I feel like I'm reading the outline of a book but the book has yet to be written. This had great potential & I was very much looking forward to reading it. I am dismally disappointed.
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