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In early nineteenth-century England, an orphaned young woman accepts employment as a governess at Thornfield Hall, a country estate owned by the mysteriously remote Mr. Rochester.
Chapter One
There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further outdoor exercise was now out of the question.
I was glad of it; I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mamma in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group, saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner—something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy little children."
"What does Bessie say I have done?" I asked.
"Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent."
A small breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase; I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat crosslegged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.
Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves in my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near, a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast.
I returned to my book—Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape—
Where the Northern Ocean, in vast whirls,
Boils round the naked, melancholy isles
Of farthest Thule; and the Atlantic surge
Pours in among the stormy Hebrides.
Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space—that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking.
I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly risen crescent, attesting the hour of eventide.
The two ships becalmed on a torpid sea, I believed to be marine phantoms.
The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror.
So was the black, horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows.
Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery-hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and older ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland.
With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast-room door was opened.
"Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty.
"Where the dickens is she?" he continued. "Lizzy! Georgy! (calling to his sisters) Jane is not here: tell mamma she is run out into the rain—bad animal!"
"It is well I drew the curtain," thought I, and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once: "She is in the window-seat, to be sure, Jack."
And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack.
"What do you want?" I asked with awkward diffidence.
"Say, 'what do you want, Master Reed,' " was the answer. "I want you to come here"; and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him.
John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten; large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye with flabby cheeks. He ought now to have been at school; but his mamma had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application, and, perhaps, to pining after home.
John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in a day, but continually: every nerve I had feared him, and every morsel of flesh on my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence; more frequently, however, behind her back.
Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair.
"That is for your impudence in answering mamma a while since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!"
Accustomed to John Reed's abuse, I never had an idea of replying to it: my care was how to endure the blow which would certainly follow the insult.
"What were you doing behind the curtain?" he asked.
"I was reading."
"Show the book."
I returned to the window and fetched it thence.
"You have no business to take our books; you are a dependant, mamma says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mamma's expense. Now, I'll teach you to rummage my bookshelves: for they are mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows."
I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded.
"Wicked and cruel boy!" I said. "You are like a murderer—you are like a slave-driver—you are like the Roman emperors!"
I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, &c. Also I had drawn parallels in silence, which I never thought thus to have declared aloud.
"What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mamma? but first—"
He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant: a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs; she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words—
"Dear! dear! What a fury to fly at Master John!"
"Did ever anybody see such a picture of passion!"
Then Mrs. Reed subjoined: "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.
Chapter Two
I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather out of myself, as the French would say. I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths.
"Hold her arms, Miss Abbot: she's like a mad cat."
"For shame, for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master."
"Master! How is he my master? Am I a servant?"
"No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness."
They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly.
"If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly."
Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me.
"Don't take them off," I cried; "I will not stir."
In guarantee whereof, I attached myself to my seat by my hands.
"Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity.
"She never did so before," at last said Bessie, turning to the Abigail.
"But it was always in her," was the reply. "I've told missis often my opinion about the child, and missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover."
Bessie answered not; but ere long, addressing me, she said:
"You ought to be aware, miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off you would have to go to the poorhouse."
I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague singsong in my ear; very painful and crushing, but only half intelligible. Miss Abbot joined in:
"And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because missis kindly allows you to be brought up with them. They will have a great deal of money and you will have none: it is your place to be humble, and to try to make yourself agreeable to them."
"What we tell you is for your good," added Bessie, in no harsh voice: "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, missis will send you away, I am sure."
"Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away."
1. In Jane Eyre, nothing can better show a man's moral worth than the way in which he treats the women in his life. How is Rochester's character reflected in the way he treats Jane, Adele, Bertha Mason, and Miss Ingram, and in his reported treatment of Celine Varens? How is St. John's character reflected in the way he treats Jane, Miss Oliver, and Diana and Mary? Why does this serve as such a good gauge of a man's morality and worth? What other relationships serve similar functions in the novel?
2. Throughout the novel, questions of identity are raised. From her identity as an orphan and stranger in the hostile environment of Gateshead Hall to that of a ward of the church at Lowood; from her being a possible wife of Rochester, then of St. John, to being the cousin of Diana and Mary, Jane is constantly in transition. Trace these changes in identity and how they affect Jane's view of herself and the world around her. Describe the final discovery of her identity that becomes apparent in the last chapter of the novel and the events that made that discovery possible.
3. Throughout the novel, Charlotte Brontë uses biblical quotes and religious references. From the church-supported school she attended that was run by Mr. Brocklehurst to the offer of marriage she receives from St. John, she is surrounded by aspects of Christianity. How does this influence her throughout her development? How do her views of God and Christianity change from her days as a young girl to the end of the novel? How is religion depicted in the novel, positively or negatively?
4. Many readers of Jane Eyre feel that the story is composed of two distinct parts, different in tone and purpose. Thefirst part (chapters 1-11) concerns her childhood at Gateshead and her life at Lowood; the second part is the remainder of the story. Is creating such a division justified? Is there a genuine difference of tone and purpose between the two sections as they have been described? Some critics and readers have suggested that the first part of Jane Eyre is more arresting because it is more directly autobiographical. Do you find this to be true?
5. Upon publication, great speculation arose concerning the identity of the author of Jane Eyre, known only by the pen name Currer Bell. Questions as to the sex of the author were raised, and many critics said that they believed it to be the work of a man. One critic of her time said, "A book more unfeminine, both in its excellence and defects, it would be hard to find in the annals of female authorship. Throughout there is masculine power, breadth and shrewdness, combined with masculine hardness, coarseness, and freedom of expression." Another critic of the day, Elizabeth Rigby, said that if it was the product of a female pen, then it was the writing of a woman "unsexed." Why was there such importance placed on the sex of the author and why was it questioned so readily? What does it mean that people believed it to be the product of a man rather than of a woman?
6. Scenes of madness and insanity are among the most important plot devices in Jane Eyre. From the vision Jane sees when locked in the bedroom at Gateshead to her hearing the "goblin laughter" she attributes to Grace Poole, to the insanity and wretchedness of Bertha Mason, madness is of central importance to the plot and direction of the story. Give examples of madness in the text, and show how they affect the reader's understanding of the character experiencing the madness and how these examples affect the reader's understanding of the characters witnessing it.
7. There is probably no single line in the whole of Jane Eyre that has, in itself, attracted as much critical attention as the first line of the last chapter: "Reader, I married him." Why is the phrasing of this line so important? How would the sense be different-for the sentence and for the novel as a whole-if the line read, "Reader, we were married"?
MissHeather
Posted March 17, 2010
Not worth it as a free book. Tons of errors due to scanning without proof-reading. This was the second book from Google Books I've had problems with. Pay to read the B&N version.
13 out of 37 people found this review helpful.
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Posted December 12, 2006
It is very disconcerting for me to see such negative reviews about a book which has elevated literature throughout the world. This book is a challenging read, however it has the potential to expand one's mind by making a person think in an entirely new way. It is a book full of suspense, mystery, and romance. Charlotte Bronte uses words in the most discriptive manner and gives us a heroine who is complex on the inside, yet plain on the outside. It is singlehandedly one of the best classical books of all time and it should be required reading for everyone.
12 out of 13 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted August 7, 2010
Oh brother, I could say soo much on this subject, but let me just say that this book rocks my socks off. Every time, too. I reread it every now and again, and it just gets better. I want to find a book EXACTLY like it, but that's kind of redundant. I just wish that I could flip a switch, forget every thing I just read, and read it again as if for the first time. Mr Rochester (mmm...) is just irresistible, because he isn't what he seems and is excellent at leading you in a completely opposite direction... then when everything is revealed, you love him more, and by the end of the book... you want him for your own... *Snaps out of a reverie* Ahem. Uh.. yes so Charlotte Bronte is fabulous at not revealing too much at one time. Fabulous at keeping things appropriate, but still romantic as crap. I love Jane's strong will and determination to do the right thing. I admire her a lot for everything she's been through. Each time I read it, it touches me whenever she touches happiness, and it tears me apart whenever it gets torn from her. Oh, give this book a go, just for the heck of it. I hope you enjoy it like I and so many others have. Oh, and let me just say, that when things seem slow, just think about how beautiful the writing style is, and that everything is important to unraveling the characters to the proper extent. ^.^
6 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.LeDiva-Rena926
Posted January 15, 2009
As a young adult my review may seem slightly ignorant and perhaps bias but as an avid reader,the book Jane Erye was a recommended to me as a must read. In my opinion the book is more like a, must leave on the shelf. Decoding Bronte's seventeenth century lingo would be like decoding rocket science if I were unfamiliar with reading.Jane Eyre's rather plain appearance made the novel a tad bit more realistic.The harsh realities she encountered throughout her life are expressed as she unfolds her story of depression to sucession and were less than worth while reading. Bronte's imagery managed to take me to ecstasy as she took me from Britians harshest winter to it's most endearing spring.
However her excessive wording and excruciatingly complex language really just.. Turned me off. Bronte's fairytale of being rewarded after enduring the worst of life and keeping faith to her religion are few of the many themes within this classic piece. Although the novel is best to be read in your own time,(or on a rainy/snowy day)the very detailed descriptions are not as bad in some areas and the book took me to a place completely different from home. The ending was the peak of me growing irate over such a common and cheesey ideal ending. Bronte often manages to keep readers interested then wanders off topic and begins to bore them, then right before you fall asleep she grabs you back in. Even though I would never dare buy this book as a gift for anyone in their right mind! This is a book I love to hate.
3 out of 6 people found this review helpful.
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Posted May 14, 2012
Great book for those whom appreciate details, old english writing style(yet very understandable), a romantic tragedy, and the years of a girl becoming a woman. Although, not many will enjoy such book if your not into classics. Hope you enjoy Jane Eyre or give it a try.
1 out of 1 people found this review helpful.
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Posted May 5, 2012
Is it a movie?????????????
HELLLLLLLLPPPP MEEEEE RGT BACK AND SIGN
TO: GURLZRULEBOIZDRULE*
*i know they are spelled wrong
1 out of 3 people found this review helpful.
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Posted May 2, 2012
Wasnt as dry as others I've read. Might just read it again.
1 out of 2 people found this review helpful.
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Posted February 20, 2012
The person that wrote the review "Intense read", you write too much. If people wanted to know about the book, then they could just read it themself! Duh!
1 out of 7 people found this review helpful.
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Posted February 16, 2012
All they talk about is talk
1 out of 6 people found this review helpful.
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Posted February 2, 2012
Its a very slow read and often drags on i often enjoy reading classic books but this one just didnt capture my attention it also made it worse that i had to read it for honors english i didnt enjoys it it was pretty boring but i understood it and the language is rich if you are okay with reading a slow paced book this is for you its also very dark andnceepy too
1 out of 4 people found this review helpful.
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Posted January 22, 2012
Not a good book
1 out of 7 people found this review helpful.
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Posted January 2, 2012
I loved this book!!! It really makes you think of all of the possibilities in life. It has really high vocab but the nook has a built in dictionary so you can understand it( Im a 12 year old and I read it).Everyone has to read this book because it teaches you many things about life. I won't say what happened ( because I dont want to ruin it for you) but I reccomend it for everyone.
1 out of 1 people found this review helpful.
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Posted December 25, 2011
Great book. I luved it!!
1 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.sob_story
Posted November 3, 2011
The book is great but B&N sucks because I never received the book
1 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Jane Eyre tell the story of a young woman in mid 19th century England, however, any girl/woman who has ever felt out of place and alone can relate to Jane. Yes, it is a story of love, but also a story of a strong female character who, despite all, stays true to herself and her beliefs. She suffers for them, but in the end it all works out (which probably is why it makes it endearing)...so if you've ever felt out of place, "not normal", but wanting to love someone, to feel love returned, then this book is for you.
It is not your typical Jane Austen type book, but has just a hint of terror, fright and thrill to take it that one step beyond. I've read this book countless times (well over a few hundred) and yet I never get tired of it. It's like watching a good movie over and over. And great for those rainy gloomy days...
1 out of 1 people found this review helpful.
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Posted January 4, 2011
The audiobook mentioned was a selling point for me. It isn't a file, but a text internet address on the very last page of the ebook that the nook does not recognize as a hyperlink. Apparently this guy Sam Ngo went and found the free ebook with illustrations and also found a free audiobook file on an archive website somewhere and wrote out the file's internet address on the last page of the book and epub'd it. You would have to look up the file online from your computer, download the audiobook and physically hook up your nook to transfer the file from your computer to your nook. So why pay this guy 1.99? Just go out and find the free files yourself. Probably deleting this. Oh and you have to laugh when the guy says "money back guaranteed... just email us" and then he doesn't give you and email address.
1 out of 1 people found this review helpful.
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Posted November 5, 2010
I can not, no matter how hard I try, figure out why this book is a "classic", nor why so many high-schoolers are forced to read it. Don't get me wrong, I enjoy many classic books. However, this is NOT one of them. Jane is weak, annoying, and an entirely lousy protagonist.
1 out of 2 people found this review helpful.
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Posted August 5, 2010
I have read ALOT, but nothing is like Jane Erye! I have read and reread this book many times. If you have never read it, Read it and you will become a believer!
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Jane Eyre... the title is plain and not really an name that would make me want to pick up the book abd read it. To some extent the title does invite you, makes you want ask yourself," Well, whos is Jane Eyre?" I would just go more for a title that jumps out at me, and this....just skips.
The characters personaliies made you really think about who they were and their hidden identities. Charlotte Bronte never gave away too much. It left you really wanting to figure out the mystery, who these people were and the kind of past they had.
In some parts of the book I really did not want to read on and found it to be dull at points. Towards the end of the book I must admit, I was anxious to know whats was going to happen next. Anxious to know where Jane would end up or wouldn't. Where Jane and Rochesters relationship would progress to.
The ending... I guess was satisfying but definitely not surprising because the ending was so cliche. We all knew Jane and Mr. Rochester were going to reunite and live happily ever after. I was looking for more shock but I was left with the same thing I predicted. The only thing that was a little surprising is the fact that she actually got the chance to meet her real family and experience the love that she never had. This love could not have been filled by Rochester because their love was more intimate. She needed a family, connection love that she never knew with the Reeds.
I have learned from Jane Eyre that love should be given chances and this is why the theme was worthwhile because it gave you hope for something better for Jane. This book also teaches that love can be found in the strangest places as we see when Jane eneters Thornfield all and meets Mr. Rochester and is only a servant girl to him.
Charlotte Bronte's style of writing is of course original because it is about her but I felt that while reading this book Charlottle Bronte explained very well the actions that took place and explained well the feelings and emotions of the other characters,but, I felt like she lacked to tell us about how she felt when certain situations were happening. I wish I could have felt what she felt and imagined everything that she thought about.
1 out of 2 people found this review helpful.
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Posted April 27, 2007
This book was surprisingly suspensful and hooking. I couldn't put it down... it's brilliantly written!
1 out of 2 people found this review helpful.
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Overview
De Jane Eyre (1847), una de las novelas más famosas de estos dos últimos siglos, se suele guardar la imagen ultrarromántica de una azarosa historia de amor entre una institutriz pobre y su rico y atormentado patrón, en el marco truculento y misterioso de una fantasmagoría gótica. Y se olvida que, antes y después de la relación central con el misterioso, sardónico y violento señor Rochester, la protagonista tuvo una vida: episodios escalofriantes de una infancia tan maltratada como rebelde, años de enfermedad y arduo aprendizaje en un tétrico internado, estaciones de penuria y renuncia en la más absoluta desolación física y moral, inesperados golpes de fortuna, incluso remansos de paz familiar y nuevas -aunque engañosas-