Jazz Styles / Edition 11

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Overview

America’s most popular introduction to jazz—now with MyMusicLab.

For undergraduate courses in Jazz History, Jazz Survey, Evolution of Jazz, Introduction to Jazz, and Jazz Appreciation.

America's most widely used introduction to jazz text captures the minds of students by teaching the history of the style and how to actively listen to jazz. While its chronological format serves as a great resource for beginners, Jazz Styles is applicable to more advanced students because of its in-depth analysis of musical elements and its technical appendices that discuss music theory concepts.

This new edition incorporates a rich array of online features--including a full interactive eText, streaming audio, and historical performance video--through MyMusicLab. MyMusicLab was developed to help engage students in course material and assess their understanding of the material. With powerful online learning tools integrated into the book, the online and textbook experience is more seamless than ever before. MyMusicLab provides wonderful interactive resources that the instructor can bring directly into the classroom.

Teaching and Learning Experience

Personalize Learning-The new MyMusicLab delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals.

Improve Active Listening- Jazz Styles is celebrated for its detailed listening guides that take students through the key elements in each performance. Through MyMusicLab, these guides are now integrated with streaming audio for a truly integrated listening experience.

Engage Students- In the text, an engaging design, historic photographs, and active listening activities engage students in learning, while streaming audio, historic performances by jazz legends, and a full interactive eText in MyMusicLab engage them online.

Support Instructors- Supported by the best instructor resources on the market, including a full Instructor’s Manual, Testbank, MyMusicLab, ClassPrep for digital images, and Teaching with MyMusicLab PowerPoint slides.

Note: MyMusicLab does not come automatically packaged with this text. To purchase MyMusicLab, please visit www.MyMusicLab.com or you can purchase a valuepack of the text + MyMusicLab (VP ISBN-10: 0205107044, VP ISBN-13: 9780205107049)

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Product Details

  • ISBN-13: 9780205036837
  • Publisher: Pearson
  • Publication date: 8/11/2011
  • Edition number: 11
  • Pages: 528
  • Sales rank: 186,405
  • Product dimensions: 8.50 (w) x 10.70 (h) x 0.70 (d)

Table of Contents

1. Table of Contents

2. CD Listing

1. Table of Contents

CONTENTS

Preface

Acknowledgements

1. INTRODUCTION

PART I BASICS OF JAZZ

2. WHAT IS JAZZ?

3. APPRECIATING JAZZ IMRPOVISATION

PART II PREMODERN JAZZ

4. ORIGINS OF JAZZ

5. EARLY JAZZ: COMBO JAZZ PRIOR TO THE MIDDLE 1930s

6. SWING: THE EARLY 1930s TO THE LATE 1940s

7. DUKE ELLINGTON

8 THE COUNT BASIE BANDS

PART III MODERN JAZZ: THE EARLY 1940s TO THE EARLY 1950s

9. BOP: THE EARLY 1940s TO THE EARLY 1950s

10. COOL JAZZ

11. HARD BOP

12. MILES DAVIS, HIS GROUPS & SIDEMEN

13. JOHN COLTRANE

PART IV MODERN JAZZ: THE EARLY 1960s TO THE PRESENT

14. 1960s AND 1970s AVANTE-GARDE AND "FREE" JAZZ

15. BILL EVANS, HERBIE HANCOCK, CHICK COREA, AND KEITH JARRETT

16. JAZZ-ROCK FUSION

17. 1980 TO THE PRESENT

18. OTHER VOICES

APPENDICES

APPENDIX A: BREIF OUTLINE OF JAZZ STYLES

APPENDIX B: ELEMENTS OF MUSIC

APPENDIX C: STRATEGIES FOR BUYING RECORDED MUSIC

APPENDIX D: A SMALL BASIC COLLECTION OF JAZZ VIDEOS

APPENDIX E: GLOSSARY

APPENDIX F: SUPPLEMENTARY READING

APPENDIX G: SOURCES FOR SOLO TRANSSCRIPTIONS

APPENDIX H: FOR MUSICIANS

INDEX

2. CD Listing

Track Listing
Please refer to the text page number, shown in bold, to view the Listening Guide for each selection.

CD 1

African Retentions Sequence
1. Street Cries of Charleston (Trad.) [0:30]. African American male street vendor; p. 51.
Courtesy of The Concord Music Group
2. Porgy and Bess: Fisherman, Strawberry, Devil Crab (Gershwin) [0:49]. Miles Davis instrumentally imitating the cry of an African American male street vendor, accompanied by the Gil Evans Orchestra; p. 51.
Originally released 1959. All rights reserved by Sony Music Entertainment
3. Hunter’s Dance excerpt (Trad.) [0:36]. West African field recording; p. 52.
Courtesy of Essential Media Group
4. One Day excerpt (Trad.) [0:30]. The Angelic Gospel Singers and The Dixie Hummingbirds; p. 53.
Originally released 1952. All rights reserved by Sony Music Entertainment
5. One O’Clock Jump excerpt (Basie) [0:33]. Count Basie; p. 53.
Originally released 1942. All rights reserved by Sony Music Entertainment
6. Birdland excerpt (J. Zawinul) [0:25]. Weather Report with Joseph Zawinul, Wayne Shorter, and Jaco Pastorius; p. 53.
(P) 1977 Sony Music Entertainment

Historic Recordings
7. Dixie Jazz Band One-Step (D. LaRocca-Joe Jordan) [2:35]. The Original Dixieland Jazz Band; p. 62.
Originally released 1917. All rights reserved by Sony Music Entertainment
8. Wolverine Blues (Morton) [3:19]. Jelly Roll Morton, Johnny Dodds, and Baby Dodds; p. 66.
Originally released 1927. All rights reserved by Sony Music Entertainment
9. Singing the Blues (J.R. Robinson-C. Conrad-S. Lewis-J. Young) [2:58]. Frankie Trumbauer and his Orchestra featuring Bix Beiderbecke; p. 84.
Originally released 1927. All rights reserved by Sony Music Entertainment
10. West End Blues (J. Oliver-C. Williams) [3:14]. Louis Armstrong and his Hot Five featuring Earl Hines; p. 76.
Originally released 1928. All rights reserved by Sony Music Entertainment
11. Hotter Than That (L. Armstrong) [2:58]. Louis Armstrong and his Hot Five; p. 80.
Originally released 1928. All rights reserved by Sony Music Entertainment
12. Handful of Keys (Fats Waller) [2:43]. Fats Waller; p. 71.
Originally released 1929. All rights reserved by Sony Music Entertainment
13. You’ve Got to Be Modernistic (J. P. Johnson) [3:11]; James P. Johnson; p. 74.
Originally released 1930. Courtesy of The Verve Music Group, under license from Universal Music Enterprises
14. Walkin’ and Swingin’ (Mary Lou Williams) [2:38]. Andy Kirk band featuring Mary Lou Williams; p. 114.
Originally released 1936. Courtesy of The Verve Music Group, under license from Universal Music Enterprises
15. Seven Come Eleven (Goodman-Christian) [2:48]. Benny Goodman Sextet, featuring Charlie Christian and Lionel Hampton; p. 116.
Originally released 1940. All rights reserved by Sony Music Entertainment
16. After You’ve Gone (H. Creamer-J. Layton) [2:36]. Roy Eldridge with The Gene Krupa Orchestra; p. 109.
Originally released 1941. All rights reserved by Sony Music Entertainment
17. How Deep is the Ocean? (Irving Berlin) [3:18]. Coleman Hawkins; p. 108.
Originally released 1943. All rights reserved by Sony Music Entertainment
18. Voodte excerpt (Coleman Hawkins) [1:50]. Coleman Hawkins; p. 108.
Originally released 1943. All rights reserved by Sony Music Entertainment
19. Cottontail excerpt (Ben Webster; arr. Duke Ellington) [0:97]. Ella Fitzgerald and the Duke Ellington Orchestra; p. 122.
Originally released 1965. Courtesy of The Verve Music Group under license from Universal Music Enterprises
20. Cottontail (Ben Webster; arr. Duke Ellington) [3:06]. Duke Ellington and His Famous Orchestra featuring Ben Webster; p. 133.
Originally released 1940. All rights reserved by Sony Music Entertainment
21. Harlem Airshaft (Ellington) [2:57]. Duke Ellington and His Famous Orchestra featuring Cootie Williams and Barney Bigard; p. 138.
Originally released 1940. All rights reserved by Sony Music Entertainment
22. Transblucency (Lawrence Brown-Duke Ellington) [2:57]. Duke Ellington, Lawrence Brown, Jimmy Hamilton, Kay Davis, and Oscar Pettiford; p.144.
Originally released 1946 All rights reserved by Sony Music Entertainment
23. Prelude to a Kiss (Ellington) [4:39]. Duke Ellington and His Famous Orchestra featuring Johnny Hodges; p. 141.
Originally released 1957. All rights reserved by Sony Music Entertainment
24. Taxi War Dance (Basie-L. Young) [2:49]. Count Basie and His Orchestra featuring Lester Young; p. 153.
Originally released 1939. All rights reserved by Sony Music Entertainment
25. Lester Leaps In (L. Young) [3:13]. Count Basie and His Kansas City Seven featuring Lester Young; p. 158.
Originally released 1939. All rights reserved by Sony Music Entertainment
26. Shaw ’Nuff (Gillespie-Parker) [3:01] Dizzy Gillespie and His All-Star Quintette featuring Charlie Parker; p. 183.
Originally released 1945. Courtesy of Savoy Label Group
27. Things to Come (G. Fuller) [2:45]. Dizzy Gillespie and His Orchestra; p. 170.
Originally released 1946. Courtesy of Savoy Label Group
28. Four Brothers (Giuffre) [2:48]. Woody Herman’s Thundering Herd, featuring Stan Getz, Zoot Sims, Herbie Steward, and Serge Chaloff; p. 189.
Originally released 1947. All rights reserved by Sony Music Entertainment
29. Misterioso (Monk) [3:20]. Thelonious Monk and Milt Jackson; p. 175.
Originally released 1948. Courtesy of Blue Note Records, Under License from EMI Music Marketing. Blue Note® is a registered trademark of Capitol Records, Inc.
30. Just Friends (John Klenner & Sam Lewis) [3:30]. Charlie Parker with strings; p.168.
Originally released 1949. Courtesy of The Verve Music Group under license from Universal Music Enterprises
31. Body and Soul (Green-Heyman-Sour-Eyton) [3:42]. Sarah Vaughan and Ray Brown; p. 192.
(P) 1978 The Concord Music Group. Courtesy of The Concord Music Group

CD 2

1. No Figs (Tristano) [2:51]. Metronome All Stars featuring Lennie Tristano, Lee Konitz, and Stan Getz; p. 205.
Originally released 1950. All rights reserved by Sony Music Entertainment
2. My Lady (Russo) [3:47]. Stan Kenton Orchestra featuring Lee Konitz; p. 208.
Originally released 1952. Courtesy of Capitol Records, Inc., Under License from EMI Music Marketing
3. A Trumpet (Robert Graettinger) [4:46]; Stan Kenton Orchestra featuring Maynard Ferguson; p. 214.
Originally released 1953. Courtesy of Capitol Records, Inc., Under License from EMI Music Marketing
4. Blue Rondo a la Turk (Brubeck) [6:48]. Dave Brubeck Quintet featuring Paul Desmond; p. 222.
Originally released 1959. All rights reserved by Sony Music Entertainment
5. Señor Blues (Silver) [7:00]. Horace Silver Quintet featuring Hank Mobley and Donald Byrd; p. 235.
Originally released 1956. Courtesy of Blue Note Records, Under License from EMI Music Marketing. Blue Note® is a registered trademark of Capitol Records, Inc
6. Kiss and Run (Coslow) [7:28]. Sonny Rollins, Clifford Brown, and Max Roach; p. 247.
Originally released 1956. Courtesy of The Concord Music Group
7. Cranky Spanky (Hardman) [7:53]. Art Blakey and the Jazz Messengers featuring Jackie McLean; p. 243.
Originally released 1956. All rights reserved by Sony Music Entertainment
8. Maiden Voyage (Hancock) [7:53]. Herbie Hancock featuring Freddie Hubbard; p. 239.
Originally released 1965 Courtesy of Blue Note Records, Under License from EMI Music Marketing. Blue Note® is a registered trademark of Capitol Records, Inc.
9. Flamenco Sketches (Bill Evans & Miles Davis) [9:25]. Miles Davis Sextet featuring John Coltrane and Cannonball Adderley; p. 269.
Originally released 1959. All rights reserved by Sony Music Entertainment
10. Masqualero (W. Shorter) [8:52]. Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams; p. 278.
Originally released 1967. All rights reserved by Sony Music Entertainment
11. Afro-Blue (Mongo Santamaria) [7:41]. John Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones; p. 299.
Originally recorded 1963. Courtesy of The Concord Music Group
12. Civilization Day (Coleman) [6:04]. Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins; p. 311.
(P) 1972 Sony Music Entertainment

CD 3

1. Fables of Faubus (Mingus) [8:13]. Charles Mingus; p. 322.
Originally released 1959. All rights reserved by Sony Music Entertainment
2. Ghosts: First Variation (Ayler) [5:13]. Albert Ayler, Gary Peacock, and Sunny Murray; p. 317.
Originally released 1964. Courtesy of ESP Records
3. Solar (Chuck Wayne) [8:52]. Bill Evans, Scott LaFaro, and Paul Motian; p. 242.
Originally released 1961. Courtesy of The Concord Music Group
4. Steps (C. Corea) [5:03]. Chick Corea, Miroslav Vitous, and Roy Haynes; p. 352.
Originally released 1968. Courtesy of Blue Note Records, Under License from EMI Music Marketing. Blue Note® is a registered trademark of Capitol Records, Inc.
5. Sundial, Part 1 (Keith Jarrett) [8:54]. Keith Jarrett; p. 357.
Originally released 1976, © 1977. Courtesy of ECM Records GmbH
6. Surucucu (W. Shorter) [4:18]. Weather Report, featuring Josef Zawinul, Wayne Shorter, Miroslav Vitous, Dom Um Roman, and Eric Gravatt; p. 377.
(P) 1972 Sony Music Entertainment
7. Chameleon excerpt (Hancock) [6:46]. Herbie Hancock, Bennie Maupin, Paul Jackson, Bill Summers, and Harvey Mason; p. 383.
(P) 1973 Sony Music Entertainment
8. Above & Below (Randy Brecker) [7:05]. Michael and Randy Brecker; p. 402.
(P) 1992 The Verve Music Group. Courtesy of The Verve Music Group under license form Universal Music Enterprises
9. Red Emma (Dave Douglas) [4:55]. Tiny Bell Trio: Dave Douglas, Brad Shepik, and Jim Black; p. 407.
(P) 1994 Songlines Recordings; Courtesy of Songlines Recordings
10. Miami (J. Marquez) [5:34]. Paquito D’Rivera and Jorge Dalto; p. 413.
(P) 1982 Sony Music Entertainment
11. Express Crossing (Wynton Marsalis) [5:11]. Lincoln Center Jazz Orchestra featuring Wynton Marsalis; p. 420.
(P) 1997 Sony Music Entertainment
12. Baseball (Carla Bley) [7:46]. Carla Bley, Larry Goldings, and Gary Valente; p. 431.

Originally released 1999. Courtesy of ECM Records GmbH

Available for separate purchase as a Downloadable Package through a special access code card, ISBN 0205205984.

ISBN 0205036864

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  • Anonymous

    Posted November 27, 2012

    Highly Recommend

    I read the second edition of this book in college for a Jazz Appreciation class. I had always been a novice jazz fan but this book (and class) made me a fan for life as it explained the styles and history of THE American classical form of music. Read it with enthusiasm as it strolls you through the intricacies of Kind of Blue.....you will never listen to it the same way again.

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