Jeeves and the Wedding Bellsby Sebastian Faulks
Bertie Wooster (a young man about town) and his butler Jeeves (the very model of the modern manservant)—return in their first new novel in nearly forty years: Jeeves and the Wedding Bells by Sebastian Faulks.
P.G. Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915/p>/i>
Bertie Wooster (a young man about town) and his butler Jeeves (the very model of the modern manservant)—return in their first new novel in nearly forty years: Jeeves and the Wedding Bells by Sebastian Faulks.
P.G. Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.
Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.
A Kirkus Reviews Best Fiction Book of 2013
Reviewed by Peter Cannon. In an author’s note included with the galley of this homage to P.G. Wodehouse (1881–1975), Sebastian Faulks asserts that he’s “no expert,” that he’s “just a fan,” with a modesty becoming Bertie Wooster. Despite such protests, the Wodehouse estate chose well in authorizing him to pen the first new Jeeves and Wooster novel since 1974’s Aunts Aren’t Gentlemen. In addition to concocting an intricate farce complete with fresh metaphors and literary allusions worthy of the master himself, Faulks has varied the standard Wodehouse formula in ways both subtle and daring.At the start, Bertie explains how he has wound up working downstairs at a country house in Dorset one weekend, while Jeeves masquerades as Lord Etringham among the upstairs crowd. Faulks may well have taken inspiration for this scenario from Julian MacLaren-Ross’s “Good Lord, Jeeves,” a brief parody admired by Wodehouse himself, in which Jeeves is elevated to the peerage and a destitute Bertie willingly agrees to enter his service. Where Wodehouse only hinted, Faulks refers explicitly to serious events of the period, like Britain’s 1926 general strike. In chapter one, a fellow member of London’s Drones Club says to Bertie en route to a stint on the Piccadilly Line, “Surely even you, Bertie, are aware that there’s been a General Strike?” When a character later asks Jeeves if he’s related to a noted cricket player of that name, Jeeves discreetly indicates that his distant relative perished at the Battle of the Somme. In fact, Wodehouse, a keen cricketer, derived the name for his gentleman’s gentleman from one Percy Jeeves, a cricketer who was killed in action in that epic slaughter. Who better than Faulks, the author of Birdsong, a harrowing novel set during the Great War, to drop a reminder of the horror of the trenches into Wodehouse’s innocent world? In the original novels and stories, Bertie refers only in passing to his accomplishments as a sportsman. In a key chapter in this pastiche, Bertie plays in a cricket match that may baffle Americans unfamiliar with the game but serves to show him as a lovable, well-meaning bungler. Georgiana Meadowes, a low-level employee of a London publisher who joins the house party in Dorset, appreciates this endearing side of him. Astute Wodehouse fans will sense early on that Georgiana is not the typical predatory female who sets her eye on Bertie. Indeed, their relationship takes an especially poignant turn after they both play roles in a scene from A Midsummer’s Night’s Dream as part of a village entertainment. As Faulks guides the reader through such familiar business as Jeeves disapproving of one of Bertie’s sartorial eccentricities (in this instance, growing sideburns) and organizing a betting syndicate among the house guests, he takes his story to a place that Wodehouse scrupulously avoided. The heartwarming denouement, which reveals how the godlike Jeeves has manipulated the action from behind the scenes, humanizes Bertie and Jeeves as Wodehouse never did. In my humble opinion, Faulks has outdone Wodehouse. (Nov.) Peter Cannon, PW’s senior reviews editor, is the author of Scream for Jeeves: A Parody.
“Narrator Rhind-Tutt enthuses, confuses, and expostulates with a gusto worthy of any of his predecessors. Treat yourself and pass many happy hours with a silly smile on your face.” AudioFile
“Wodehouse is the greatest comic writer ever.” Douglas Adams, author of The Hitchhiker's Guide to the Galaxy
“[Wodehouse is] a brilliantly funny writerperhaps the most consistently funny the English language has yet produced.” The London Times
“Wodehouse's idyllic world can never stale. He will continue to release future generations from captivity that may be more irksome than our own. He has made a world for us to live in and delight in.” Evelyn Waugh, author of Brideshead Revisited
“The funniest writer ever to put words on paper.” actor Hugh Laurie
What ho, I see there's a new Jeeves and Wooster yarn on the shelves. Best fetch my glasses to read the small print. What's this, then? "An homage to P.G. Wodehouse by Sebastian Faulks." Isn't Faulks the bloke who wrote that World War I wheeze Birdshot, or was it Birdsong? Did that James Bond pastiche Devil May Care, as well? His new tale revolves around a girl, of course, but not of the Bond variety. In this instance, she's a chocolate-eyed beauty whose voice has the sound of a frisky brook cascading over the strings of a well-tuned harp. You know the effect. Georgiana Meadowes's father is having problems maintaining the old manse and, to gain funds, has betrothed her to another. To the rescue trots Bertie Wooster posing as Mr. Wilberforce, a gentleman's personal gentleman, in service to Jeeves, disguised as Lord Etringham. Many plans, as well as boobies, have to be hatched to keep this state of topsy-turviness afloat. All of them, according to Bertie, are foolproof. Of course, Jeeves is there to assure that they are so. VERDICT Let word go forth, from Mayfair to Herald Square, from Piccadilly to Kansas City: Jeeves and Wooster are back and in fine fettle. After sampling this tasty bonbon, Wodehouse fans and new readers will want to go back to the original series. [See Prepub Alert, 5/13/13.]—Bob Lunn, Kansas City, MO
Bertie Wooster and Jeeves, the feckless young master and his erudite gentleman's gentleman, creations of the great English humorist P.G. Wodehouse, are back, courtesy of his inspired fellow countryman and novelist Faulks (A Possible Life, 2012, etc.). This is the first Jeeves and Wooster novel in some 40 years. Faulks notes modestly that he has "tried to provide an echo" of the originals. He has done more than that. He has captured Bertie's voice, his innocent zest and his spirited banter with Jeeves to a fare-thee-well. This novel begins boldly with a role reversal--Bertie as servant waiting on Jeeves--but the real beginning is on the French Riviera, where Bertie meets a stunning beauty, Georgiana Meadowes. He's smitten, she's encouraging, but there's a problem. Orphaned early, Georgiana has been raised lovingly by her uncle, Sir Henry Hackwood, currently strapped for cash. To help him save the family home, Georgiana feels obliged to marry a fella with moola: Her fiance has been designated. Back in London, there's a further complication. Bertie's best friend Woody had been engaged to Sir Henry's daughter Amelia; a misunderstanding has caused the dear girl to break it off. Good egg that he is, Bertie sees his first order of business as reconciling Woody and Amelia. More misunderstandings ensue, resulting in Jeeves being mistaken for a peer of the realm by Sir Henry and invited to his home in deepest Dorset; to gain access to the premises, Bertie must willy-nilly become Jeeves' manservant and fraternize below stairs. The comic possibilities are legion, and Faulks exploits them all, with Bertie threatening to land in the proverbial soup at every turn. Meanwhile, Jeeves, always a fount of knowledge, proves himself also a master strategist of the mating game. Bertie, still in thrall to his former teacher's dictum ("Women are queer cattle"), needs nudging. A smackeroo on the lips from Georgiana during amateur theatricals does the trick. Faulks has risen to the challenge splendidly with this "homage" to Wodehouse. Jeeves and Wooster live again!
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Jeeves and the Wedding Bells
By Sebastian Faulks
St. Martin's PressCopyright © 2013 Sebastian Faulks
All rights reserved.
I was woken in the middle of the night by what sounded like a dozen metal dustbins being chucked down a flight of stone steps. After a moment of floundering in the darkness I put my hand on the source of the infernal noise: the twin copper bells on top of a large alarm clock. There followed a brief no-holds-barred wrestling bout before I was able to shove the wretched thing beneath the mattress.
It was a panting and lightly perspiring B. Wooster who then consulted his wristwatch to find that it was in fact six o'clock — the appointed hour at which I was to throw off the bonds of slumber and rise to tackle my new duties.
This was a dashed sight harder than it sounds. Easing the person to an even semi-recumbent position caused pains to shoot across the small of the back. Whoever had designed the palliasse on which I had lain these seven hours had clearly been of the opinion that nature's sweet restorer, as I have heard Jeeves call it, can get the job done in five-minute bursts. It required a steadying grip on the bedstead before I could cross the bare boards and don the dressing gown. It's possible that a sharp-eared observer might have heard a few groans as, sponge bag in hand, I headed down the passageway towards the servants' bathroom.
Mercifully, I seemed to be the first to the ablutions. Hot water came from a geyser in a boiling trickle over the bath, but in the basin the H and C taps might more accurately have been labelled "Cold" and "Frozen." It was a haggard Bertram who stared back from the glass as he plied the morning steel and sponged the outlying portions. I dried off with a strip of material less like a towel than a yard of well-used sandpaper.
It's funny how quickly one gets used to certain things in life. At school we had been compelled, on pain of six of the juiciest, to keep a keen eye on our kit and know at all times where the socks (grey, six pairs) and footer bags (navy blue, two pairs) were to be found. The services of Tucker, my accommodating scout at Oxford, however, and several years of Jeeves's care had left me rather vague in such matters. To say it was something of a trial to dress myself in the uniform of a gentleman's personal gentleman would be an understatement. Eventually, after several attempts and some pretty fruity language, the shirt, collar stud and tie achieved some sort of coming-together, after which the outer garments were a breeze. Pausing only to rub the shoe on the back of the trouser, I went gingerly out on to the landing and down the back staircase, which gave off a powerful whiff of lime wood.
There was a lengthy passageway that led to the kitchens. I pushed at the double doors and entered the cook's domain with as near as I could manage to a spring in the step. To fill the kettle and bung it on the range was the work of an instant; the problems began with an attempt to locate pot, tea leaves, milk and so forth. I had never previously paused to think just how many items go into the making of the morning cupful. I opened a hopeful-looking cupboard to be confronted by a variety of what may have been fish kettles.
I pushed off into the scullery, where I spied a bottle of milk with a paper twist. A quick sniff established that it was not of recent origin and I was beginning to feel that I was not cut out for this sort of thing when I heard footsteps outside.
Fearing the cook, Mrs. Padgett, would not take kindly to an intruder, I made as if to exit towards the dining room, but to my surprise it was the housekeeper, Mrs. Tilman.
"Mr. Wilberforce! Goodness, you are the early bird!"
"Yes, what-ho! A lot of worms to catch, don't you know. I was just looking for the tea leaves."
"Are you taking up tea for Lord Etringham? Isn't it a bit early?"
"Seven o'clock was what he told me."
"I think seven thirty's quite soon enough. Why don't you get on with some shoe-cleaning and let me make the tea in a moment. Goodness me, you've put enough water in the kettle for a regiment of soldiers. Off you go down to the butler's pantry. You'll find polish in the cupboard. And you brought down Lord Etringham's shoes last night, didn't you?"
"I did indeed. Two pairs of them."
I left the tea-making in the hands of this excellent woman and got down to some spit and polish work on the black Oxfords and the brown brogues, size eight, that I had scooped up the night before. In my experience, the butler's pantry, in addition to corkscrews, candles and other odd bits of chandlery, often holds a bottle or two of the right stuff, but it was too early in the morning even for a constitution as strong as mine. The thought, however, bucked me up a little. I wouldn't say that a song rose to the Wooster lips as I worked, but I went about the buffing and shining with a certain gusto.
When I returned to the kitchen, I found that Mrs. Tilman had laid a tray with all the fixings.
"Oh dear, look at you, Mr. Wilberforce. You didn't put on your apron, did you? You've got polish on your shirt. Here. Let me."
With a cloth, she removed most of a black smear from the affected area; and, with the coat re-buttoned, she seemed to think I was ready for action.
I turned to the waiting tray and attempted to raise it to a carrying position.
"You're all fingers and thumbs, aren't you, dear? Nothing to be nervous of. Come on now, this way."
So saying, the housekeeper waved me down the corridor towards the green baize door, which was I obliged to open with an undignified nudge from the rear end.
Things stayed on a fairly even keel as I crossed the main hall to the oak staircase and began my ascent. There was a square half-landing before a shorter flight to the first floor. My destination was a corner room of dual aspect that overlooked the rose garden and the deer park. Most of the tea was still in the pot when I lowered the tray to the floor and knocked.
"Come in," said a familiar voice.
I've seen the insides of a few country house bedrooms in my time, but I must say Lord Etringham had really landed seat-first in the butter. I found him sitting up in bed in a burgundy dressing-gown with a light paisley pattern that I recognised as one of my own and reading a book whose title, if I remember right, was The Critique of Pure Reason by one Immanuel Kant.
"Your tea, Lord Etringham," I said.
"Thank you. Please be so good as to leave it by the bed," replied Jeeves — for it was he and no bona fide member of the aristocracy who reclined among the crisp linens of the four-poster.
"I trust you slept well," I said, with a fair bit of topspin.
"Exceedingly well, thank you, sir."
* * *
BUT HOLD ON a minute. I see I've done it again: set off like the electric hare at the local dog track while the paying customers have only the foggiest idea of what's going on. Steady on, Wooster, they're saying: no prize for finishing first. What's this buttling business, and why the assumed names? Are we at some fancy-dress ball? Put us in the picture, pray, murky though it be ...
Very well. Let me marshal my facts.
In the month of May, about four weeks before this hard kitchen labour, I had taken a spring break in the South of France. You know how it is. It seemed an age since the ten days in January I had spent at the Grand Hotel des Bains up in the Alps and the pace of life in the old metrop had become a trifle wearing. So I instructed Jeeves to book two rooms in a modest hotel or pension on the Promenade des Anglais and off we went one Friday night from Paris on the Train Bleu.
I envisaged a Spartan régime of walking in the hills, a dip in the sea if warm enough, some good books and early nights with plenty of Vichy water for good measure. And so it was for a couple of days, until a misunderstanding of swing-door etiquette as I reentered my hotel early one evening caused a fellow-guest to go sprawling across the marble floor of the lobby. When I had helped her to reassemble her belongings, I found myself staring into the eyes of perhaps the most beautiful girl I had ever seen. It seemed only gallant to invite her into the Bar Croisette for something to restore the bruised tissues while I continued my apologising.
Georgiana Meadowes was the poor girl's name. She worked for a publisher in London and had come south for a few days to labour away on the latest typescript from their best-selling performer. I had only the faintest idea of what this entailed, but held my end up with a few "indeed"s and "well I never"s.
"Do you do a lot of this editing stuff on the Côte d'Azur?" I asked.
She laughed — and it made the sound of a frisky brook going over the strings of a particularly well-tuned harp. "No, no, not at all. I usually sit in the corner of a small office in Bedford Square working by electric light. But my boss is very understanding and he thought it would do me good — help clear my mind or something."
We Woosters are pretty quick on the uptake, and from this short speech I deduced two things, viz.: one, that this G. Meadowes had a dilemma of a personal nature and, two, that her employer prized her services pretty highly. But one doesn't pry — at least not on first acquaintance with a girl one has just sent an absolute purler on a marble surface, so I moved the subject on to that of dinner.
And so it was that a couple of hours later, bathed and changed, we found ourselves in a seaside restaurant ten minutes' drive down the Croisette tête-à-tête over a pile of crustacea. After two nights of Vichy water, I thought it right to continue the restorative theme of the evening with a cocktail followed by a bottle of something chilled and white.
Those familiar with what I have heard Jeeves refer to as my oeuvre will know that over the years I have been fortunate enough to have hobnobbed with some prize specimens of the opposite sex — and to have been engaged to more of them than was probably wise. One does not bandy a woman's name, though since the facts are in the public domain I fear the bandying has been done and it may therefore be permissible to mention Cora "Corky" Pirbright and Zenobia "Nobby" Hopwood as strong contenders for the podium in the race for most attractive prospect ever to pitch over the Wooster horizon. I should also mention Pauline Stoker, whose beauty so maddened me that I proposed to her in the Oak Room of the Plaza Hotel in New York. Even Madeline Bassett was no slouch as far as looks were concerned, though her admirers tended to dwindle in number pretty rapidly once she gave voice.
I can honestly say that where these paragons of their sex left off, Georgiana Meadowes began. One rather wondered whether she should be allowed out at all, such a hazard did she pose to male shipping. She was on the tall side, slim, with darkish hair in waves and eyes about as deep as the Bermuda Triangle. Her skin was pale, though frequent laughter caused small variations of colour to play across it. The poor old wine waiter sloshed a good glass and a half onto the tablecloth and I noticed other fellows gathering and whispering behind their hands at the door to the kitchen. The girl herself seemed quite unaware of the havoc she was wreaking.
My task was to keep this vision entertained, and I pushed on manfully, even when it became clear that I was well out of my class — a selling-plater panting along upsides a Guineas winner. But the odd thing was that, although I hadn't a clue what she was talking about half the time, it didn't seem to matter. Perhaps this is what they mean by a light touch, but the long and short of it is by the time the coffee came we were the firmest of friends and had agreed to meet for luncheon the following day in the garden of the hotel, where she could take an hour off from her editing labours. It was a pretty elated Bertram who, twenty minutes later, went for a stroll on the seafront, looking up at a bucketful of stars and hearing the natter of tree frogs in the pines.
Jeeves, once I had put him in the picture, made himself scarce in the days that followed, taking off in the hired car with rod, net and line, a picnic lunch packed by the hotel and doubtless a bracing volume or two of Kant. This left the coast clear, as it were, for the young master, and I found myself reluctant to stray too far from the vicinity of our hotel. There was hardly anyone to be found in town, the French having, it seemed, very little interest in the beach or in bathing or in lawn tennis — or in anything at all very much beyond the preparation of a series of exquisite plats, beginning with the strong coffee and fresh croissant at nine-ish and giving the system small respite till roughly ten at night.
Once Jeeves had returned from his fishing, Georgiana and I set off in the car. On the second evening, she persuaded me to let her drive. "Go on, it can't be that difficult. Please, Bertie. I've driven hundreds of cars before."
To say she drove in the French fashion would be to cast a slur on that fine people. The pedestrians leapt like lemmings over the sea wall; the roadsters swerved into the dust; the goods lorries blew their claxons. But in all their evasive actions, you felt, there was a measure of respect; they recognised one of their own. The fifteen-minute journey was achieved in half that time, with only a minor scrape along the passenger door as we swept into the restaurant car park.
Despite being put together in the most streamlined fashion, Georgiana took a keen interest in matters of the table. "Perhaps we could just share a few langoustines, Bertie," she'd suggest after the main order had been bunged in. The days and the evenings passed in a sort of rush, with the air blowing through the old open-top as we drove home, Wooster now firmly at the wheel, and the sound of Georgiana's laughter playing over the drone of six cylinders in top gear.
On the night before her departure, she confided in me the nature of her problem. Meadowes père had been a surgeon of some repute, working in London but with a base in the Vale of Evesham, where Georgiana had passed a sunny childhood, mostly on the back of a pony or horse. A German U-boat had deprived her of both parents at the age of fourteen when it sank the SS Lusitania, and though they had left her considerable means, it was held in a trust until she reached the age of thirty — a point still some years distant. Her uncle-cum-guardian, who had taken in the orphan girl and to whom she consequently felt an enormous debt, was now so strapped for cash that he was on the point of having to sell his family house, complete with substantial acreage. The one daughter had fallen for some handsome but penniless fellow, so the only solution was for Georgiana to marry a man with readily available means — and such a suitor had been found.
A proper tact had made her tell this story without actually naming any of the dramatis personae.
"The problem is, Bertie, that I don't love him," she said, spooning up the last of a strawberry meringue.
She was looking deep into my eyes as she spoke, which made it difficult for me to think of anything sensible to say.
"Rather," I said.
"But I owe my uncle so much. It would seem so ungrateful, so ... churlish not to help, when the house means everything to him. And how many married couples go on really loving one another anyway? Why not start off on a low flame?"
There was a wistful silence as I gazed into those fathomless eyes, glinting now with moisture.
I coughed and pulled myself together. "Do you think you could grow to love this fellow?" I said.
"I think so," she said, but with a sigh that came up from the soles of her evening pumps.
I took a deepish breath. "I lost my parents at a fairly young age, too, but happily the coffers were unlocked when I was twenty-one and still at Oxford."
"You were at Oxford?"
I thought there was an edge of surprise in her voice, but I let it pass.
"Absolutely," I said.
Another pall, if that's the word I want, seemed to descend. Then Georgiana stood up suddenly and said, "Come on, Bertie. Let's not be gloomy. Let's go to that café with the gypsy trio."
I felt her take my hand in hers and, pausing only to bung a note on the bill, trotted off with her to the car.
Back at the hotel an hour or so later, we said goodnight, exchanged addresses and I wished her bon voyage. She kissed me lightly on the cheek and made off across the lobby, this time without being sent sprawling, and from outside I watched her disappear into the lift. A faint scent of lily of the valley hung in the air behind her.
Excerpted from Jeeves and the Wedding Bells by Sebastian Faulks. Copyright © 2013 Sebastian Faulks. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
SEBASTIAN FAULKS is the author of twelve novels, including A Week in December; A Possible Life; Human Traces; On Green Dolphin Street; Charlotte Gray, which was made into a film starring Cate Blanchett; and the classic Birdsong, which has sold more than three million copies and was recently adapted for television. In 2008, he was invited to write a James Bond novel, Devil May Care, to mark the centenary of Ian Fleming. He lives in London with his wife and their three children.
Sebastian Faulks is the internationally bestselling author of 11 novels, including Charlotte Gray, which was made into a film starring Cate Blanchett, and the #1 international bestseller and classic Birdsong, which has sold more than 3 million copies and has been adapted for the stage, for television (starring Eddie Redmayne) and is now in development as a feature film. In 2008, Faulks was invited to write a James Bond novel, Devil May Care, to mark the centenary of Ian Fleming. In 2011, he presented the 4-part television series Faulks on Fiction for the BBC. He lives in London.
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Though I've never really found that authors can truly "Do" another author, I found that Faulks did a grand job in his ode to P G Wodehouse's Jeeves and Wooster. I'm a big fan of the books and the BBC TV shows based on these novels, so I was thrilled to see the upcoming release of this book. Getting an advanced copy to read and review was a special added treat, and it did not disappoint. Bertie and Jeeves are at it again, off to save the day, causing more confusion than solutions but giving this reader a jovial masterpiece of a reading ride in the process! Bertie's old chum, Woody Beeching is in a pickle. His true love, Amelia, has put off their engagement because of his flirtatious actions with another woman. Off go Bertie and Jeeves to save the day. How, you might say. Well, it's all very simple you see, Bertie will become the manservant to Jeeves at the fair lady's house. Jeeves , as Lord Etringham has become very chummy with his host because of his mastery of picking winning horse races---and money was always in the need to keep their estates in the black. Many twists and turns later, and happy solutions were found all around. I thoroughly enjoyed returning to the always strange lives of Bertie, the bumbling master, and his always humble genius manservant, Jeeves! The characters remained those I so fondly remember. Perhaps more adventures are waiting to tell themselves in our future---hope prevails!
Wonderfully realized Wodehouse homage! I started this book with a little surge of trepidation wondering if I was treading on 'Plum's' grave so to speak. I needn't have worried. It's very well written in the Wodehouse style. Plenty of breezy chit chat and quotes from Jeeves. I'd say Faulks did a truly awesome job of sounding like Wodehouse. I was a little concerned about the ending and how it would all work out and I think Faulks did a great job of making it sound plausible.
A tribute to P. G. Wodehouse - and it is enjoyable!!!! Highly recommended!!! Another great novel on the Nook is "The Partisan" by William Jarvis. This novel is based on actual events during World War II. Both books deserve A+++++
Go back and read the orginals still in print. Best read on a hot summer day wth a glass of ice tea. A lost world indeed and one that never was but fun anyway. not a long tale and you might prefer to borrow