Jerusalem Delivered Gerusalemme Liberata

Overview

Arguably the greatest Italian poet after Dante, Torquato Tasso was born in Sorrento in 1544 and died in Rome in 1595, having served as the court poet in Ferrara, been confined for years in a madhouse after attacking a servant with a knife, and composed one of the great works of Renaissance literature. Unjustly neglected today, Tasso's epic poem Jerusalem Delivered (first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over ...
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Jerusalem delivered, Gerusalemme liberata

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Overview

Arguably the greatest Italian poet after Dante, Torquato Tasso was born in Sorrento in 1544 and died in Rome in 1595, having served as the court poet in Ferrara, been confined for years in a madhouse after attacking a servant with a knife, and composed one of the great works of Renaissance literature. Unjustly neglected today, Tasso's epic poem Jerusalem Delivered (first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over Jerusalem and the Holy Lands for a time.

As in other epic poems, Jerusalem Delivered deftly mixes history and myth. Tasso's heroes—Godfrey, leader of the Christian armies; Rinaldo, bravest of the Christian warriors; and Tancred, the Italian prince who falls in love with the pagan warrioress Clorinda, whom he eventually (and simultaneously) converts and kills—must face not only the Saracens and their allies, but also a host of fearsome and manipulative devils, demons, and sorcerers. This is a sweeping and often thrilling tale of war, faith, love, and sex that easily rivals its classical predecessors. Writing at a time when Christianity was bitterly divided, Tasso was naturally concerned with the nature of leadership and loyalty, with the importance of sacrifice, with the evils of corruption, and with the existence of truth, themes that continue to resonate today. No wonder that for three centuries, Jerusalem Delivered was considered the great modern epic. Indeed, Spenser borrowed scenes and episodes from this poem in writing the Faerie Queen, and Milton was greatly influenced by Tasso when writing his own Christian epic, Paradise Lost.

English-language readers who are familiar with Tasso's grand romance have until now known it only through a verse translation by English poet Edward Fairfax published in 1600. In order to fit Tasso's stanzas into the then popular Spenserian verse form, Fairfax had to alter the original poem considerably. Now, 400 years later, Anthony Esolen presents a new translation that transforms Jerusalem Delivered into an English-language masterpiece. The first major verse translation into English since Fairfax's, Esolen's version is both more true to its original source and more fluid than that of his Elizabethan predecessor. Esolen has translated Jerusalem Delivered with the care of poet, capturing the delight of Tasso's descriptions, the different voices of its cast of characters, the shadings between glory and tragedy, and does them all in an English as powerful as Tasso's Italian. Esolen's will immediately be acclaimed as the definitive translation of this powerful work of faith and war. Like the Fagles Iliad and Odyssey, the Pinsky Inferno, and Seamus Heaney's imaginative new rendering of Beowulf, Anthony Esolen's bold, fast-moving, and faithful translation of Tasso's Crusade-era adventure will introduce a new generation of readers to a masterpiece of world literature.

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Editorial Reviews

Library Journal
Published in 1581, Tasso's (1544-95) verse epic on the 11th-century First Crusade and the love of Tancred and Clorinda is one the masterpieces of Italian literature. Esolen (English, Providence Coll.), a translator of Lucretius's On the Nature of Things, here provides a solid verse translation. Despite its importance, Jerusalem Delivered has enjoyed only one significant rendition in English that is still in print: Edward Fairfax's 1600 Spenserian version. Esolen observes the basic shape, rhythm, and rhetorical movement of the original ottava rima but never sacrifices poetry or meaning to rigid form. The result is both highly readable and truer to the spirit of Tasso than Fairfax's rendition. Esolen also provides a valuable introduction, an essay on Tasso's allegory, a glossary of characters, and helpful textual notes to identify allusions. An important contribution; recommended for public and academic libraries.--T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA Copyright 2000 Cahners Business Information.\
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Product Details

  • ISBN-13: 9781406807554
  • Publisher: Echo Library
  • Publication date: 8/28/2006
  • Pages: 232
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.53 (d)

Meet the Author

Anthony Esolen is a professor of English at Providence College. He is the editor and translator of Lucretius: On the Nature of Things, also available from Johns Hopkins.

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Table of Contents

Acknowledgments vii
Note on the Translation ix
Introduction I
Jerusalem Delivered
Canto 117
Canto 236
Canto 356
Canto 472
Canto 592
Canto 6111
Canto 7134
Canto 8159
Canto 9177
Canto 10197
Canto 11213
Canto 12231
Canto 13253
Canto 14270
Canto 15286
Canto 16300
Canto 17316
Canto 18336
Canto 19358
Canto 20385
Allegory of the Poem 415
Cast of Characters 420
Notes 435
Bibliographical Essay 483
Index 487
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