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Martin, an author and Jesuit priest, lifts the curtain on theater life in this account of his experiences as theological adviser to an off-Broadway play, The Last Days of Judas Iscariot. It was the role of a lifetime for Martin, who had access to all the players involved in the production from the first readings to the play's five-week run in 2005. Although the play, which deals with the fate of the disciple who betrayed Christ, is compelling in and of itself, the way Martin combines the story line with historical detail and conversations with the actors, playwright and director is utterly captivating. Martin takes readers inside the play and into the minds of the key players, showing everything from glimpses into their spiritual lives to their reactions to the mixed reviews the play received. As a writer, editor and parish priest, Martin was obviously stage-struck by his encounter with the theater. But his transparency is sweet and refreshing, particularly when he talks about the ways in which the play affected him spiritually. His ability to translate and dissect the gospel story of Judas for a troupe of thespians echoes through his writing, making this a book that is bound to draw applause from a diverse audience. (Sept.)
Copyright 2007 Reed Business InformationAnonymous
Posted February 13, 2012
If you've read any of Father James Martin's other books, you are sure to like this one. I bought it as a gift for a friend.
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Posted April 23, 2011
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Posted June 21, 2011
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Overview
A Jesuit priest, a New York play, and questions as profound as they come . . .A few years after being called to the priesthood, Father James Martin was startled to get a very different kind of call one evening in 2004: a phone call from actor Sam Rockwell. Rockwell had been cast for the part of Judas Iscariot in an Off-Broadway play, The Last Days of Judas Iscariot, where Judas was on trial for his crime of betraying Jesus. Would Martin be willing to serve as a theological consultant for the play? Martin gladly obliged, and within weeks playwright Stephen Adly Guirgis, director Philip Seymour Hoffman, and members of the cast began to dialogue with ...