Jewish Frontiers / Edition 1

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Jewish history has generally been understood as the history of a people displaced from their homeland, and this has played a defining role in how we understand Jewish identity. In this series of interlinked essays, noted critic Sander L. Gilman suggests that we examine Jewish history from a different starting point. Instead of focusing on "diaspora", Gilman reimagines Jewish history as the story of people living on a "frontier" — a place where all peoples, including Jews, interacted to define themselves and those they encounter in reality or fantasy. Gilman looks at the representation of Jews and Jewishness in film, literature, and history. He addresses a wide range os questions, including: how has the Holocaust been represented in comic films, from Jakob the Liar to Life Is Beautiful? What do fantasies about the Jewish origin of smoking in Europe, debates about Jewish genetic disease, and literary representations from Proust and Kafka to Zadie Smith tell us about the imagination of Jewish identity?

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Editorial Reviews

From the Publisher
"Provocative and imaginative, Gilman's essays offer a unique glimpse into the mechanism of cultural identity."—Anna Dogole, The Jewish Eye

"Eschewing a traditional center-periphery approach to Jewish history, Gilman (re)considers the Jews, even those in Israel, as a frontier people, and the culture that they produce as a reaction to and product of the decentered space that they inhabit. Through an analysis of novels and films, Gilman suggestively explores the ways in which Jews have used the creative arts to explore ad shape new expressions of Jewish identity. Sander Gilman's latest volume positively sparkles with new, thought-provoking ideas."—John Efron, Koret Chair in Jewish History, University of California-Berkeley, and author of Medicine and the German Jews: A History

"This fascinating collection of linked essays imagines a time, after Freud, when we will all be educated to 'move freely across frontiers.' Assuming his familiar guise as an eclectic and mischievous bricoleur, Sander Gilman here adds significantly to his outstanding corpus. New intellectual frontiers are created around film comedies and the Shoah; smoking Jews; Proust; Kafka; identitarianism; and Jews and multiculturalism. In rightly questioning a conservative multiculturalism and the center/periphery model of diasporic studies, the collection confirms Gilman's abiding role as a provocative and pioneering cultural critic."—Bryan Cheyette, University of Southampton, and author of Constructions of "the Jew" in English Literature and Society

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Product Details

  • ISBN-13: 9781403965608
  • Publisher: Palgrave Macmillan
  • Publication date: 8/1/2004
  • Edition description: REV
  • Edition number: 1
  • Pages: 256
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.57 (d)

Meet the Author

Sander L. Gilman is Distinguished Professor of the Liberal Arts and Medicine at the University of Illinois in Chicago and Director of the Humanites Laboratory. A cultural and literary historian, he is the author or editor of over sixty books. He lives in Chicago.

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Table of Contents

• Introduction: The Frontier as a Model for Jewish History
Part I: Representing the Shoah at the Frontier
• The First Comic Film about the Shoah: Jurek Becker and Cultural Opposition within the GDR
• Is Life Beautiful? Can the Shoah Be Funny? On the Frontier between Acceptable and Unacceptable Representations of the Holocaust in Some Newer and Older Films
Part II: Diseases and Boundaries
• Smoking Jews on the Frontier
• A French Frontier: Proust's Nose
• A Dream of Jewishness on the Frontier: Kafka's Tumor and "A Country Doctor"
• Private Knowledge: Jewish Illnesses and the Process of Identity Formation
Part III: Jewish Bodies on the Multicultural Frontier
• "We're Not Jews": Imagining Jewish History and Jewish Bodies in Contemporary Multicultural Literature
• Notes
• Supplemental Reading
• Index

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