Jigs & Reels: Stories
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Jigs & Reels: Stories

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by Joanne Harris

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Each of the twenty-two tales in this enchanting collection is a surprise and a delight, melding the poignant and the possible with the outrageous, the magical, and, sometimes, the eerily haunting. Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the


Each of the twenty-two tales in this enchanting collection is a surprise and a delight, melding the poignant and the possible with the outrageous, the magical, and, sometimes, the eerily haunting. Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.

Product Details

HarperCollins Publishers
Publication date:
P.S. Series
Edition description:
With P.S.
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Product dimensions:
5.31(w) x 8.00(h) x 0.68(d)

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Jigs & Reels

Chapter One

Faith and Hope Go Shopping

Four years ago, my grandmother went into an old people's home in Barnsley. Before her death I went there often, and a lot of stories came out of those visits. This is one of them.

It's Monday, so it must be rice pudding again. It's not so much the fact that they're careful of our teeth, here at the Meadowbank Home, rather a general lack of imagination. As I told Claire the other day, there are lots of things you can eat without having to chew. Oysters. Foie gras. Avocado vinaigrette. Strawberries and cream. Crème brûlée with vanilla and nutmeg. Why then this succession of bland puddings and gummy meats? Claire — the sulky blonde, always chewing a wad of gum — looked at me as if I were mad. Fancy food, they claim, upsets the stomach. God forbid our remaining taste buds should be overstimulated. I saw Hope grinning round the last mouthful of ocean pie, and I knew she'd heard me. Hope may be blind, but she's no slouch.

Faith and Hope. With names like that we might be sisters. Kelly — that's the one with the exaggerated lip liner — thinks we're quaint. Chris sometimes sings to us when he's cleaning out the rooms. Faith, Hope and Char-i-tee! He's the best of them, I suppose. Cheery and irreverent, he's always in trouble for talking to us. He wears tight T-shirts and an earring. I tell him that the last thing we want is charity, and that makes him laugh. Hinge and Brackett, he calls us. Butch and Sundance.

I'm not saying it's a bad place here. It's just so ordinary — not thecomfortable ordinariness of home, with its familiar grime and clutter, but that of waiting rooms and hospitals, a pastel-detergent place with a smell of air freshener and distant bedpans. We don't get many visits, as a rule. I'm one of the lucky ones; my son Tom calls every fortnight with my magazines and a bunch of chrysanths — the last ones were yellow — and any news he thinks won't upset me. But he isn't much of a conversationalist. Are you keeping well, then, Mam? and a comment or two about the garden is about all he can manage, but he means well. As for Hope, she's been here five years — even longer than me — and she hasn't had a visitor yet. Last Christmas I gave her a box of my chocolates and told her they were from her daughter in California. She gave me one of her sardonic little smiles.

"If that's from Priscilla, sweetheart," she said primly, "then you're Ginger Rogers."

I laughed at that. I've been in a wheelchair for twenty years, and the last time I did any dancing was just before men stopped wearing hats.

We manage, though. Hope pushes me around in my chair, and I direct her. Not that there's much directing to do in here; she can get around just by using the ramps. But the nurses like to see us using our resources. It fits in with their Waste not, want not ethic. And of course, I read to her. Hope loves stories. In fact, she's the one who started me reading in the first place. We've had Wuthering Heights, and Pride and Prejudice, and Doctor Zhivago. There aren't many books here, but the library van comes round every four weeks, and we send Lucy out to get us something nice. Lucy's a college student on Work Experience, so she knows what to choose. Hope was furious when she wouldn't let us have Lolita, though. Lucy thought it wouldn't suit us.

"One of the greatest writers of the twentieth century, and you thought he wouldn't suit us!" Hope used to be a professor at Cambridge, and still has that imperious twang in her voice sometimes. But I could tell Lucy wasn't really listening. They get that look — even the brighter ones — that nurserynurse smile which says, I know better. I know better because you're old. It's the rice pudding all over again, Hope tells me. Rice pudding for the soul.

If Hope taught me to appreciate literature, it was I who introduced her to magazines. They've been my passion for years, fashion glossies and society pages, restaurant reviews and film releases. I started her out on book reviews, slyly taking her off guard with an article here or a fashion page there. We found I had quite a talent for description, and now we wade deliciously together through the pages of bright ephemera, moaning over Cartier diamonds and Chanel lipsticks and lush, impossible clothes. It's strange, really. When I was young those things really didn't interest me. I think Hope was more elegant that I was — after all there were college balls and academy parties and summer picnics on the Backs. Of course now we're both the same. Nursing-home chic. Things tend to be communal here — some people forget what belongs to them, so there's a lot of pilfering. I carry my nicest things with me, in the rack under my wheelchair. I have my money and what's left of my jewelry hidden in the seat cushion.

I'm not supposed to have money here. There's nothing to spend it on, and we're not allowed out unaccompanied. There's a combination lock on the door, and some people try to slip out with visitors as they leave. Mrs. McAllister — ninety-two, spry and mad as a hatter — keeps escaping. She thinks she's going home.

It must have been the shoes that began it. Slick, patent, candy-apple red with heels that went on forever, I found them in one of my magazines and cut out the picture. Sometimes I brought it out and looked at it in private, feeling dizzy and a little foolish, I don't know why ...

Jigs & Reels
. Copyright © by Joanne Harris. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Meet the Author

Joanne Harris is the author of seven previous novels—Chocolat, Blackberry Wine, Five Quarters of the Orange, Coastliners, Holy Fools, Sleep, Pale Sister, and Gentlemen & Players; a short story collection, Jigs & Reels; and two cookbook/memoirs, My French Kitchen and The French Market. Half French and half British, she lives in England.

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Jigs & Reels: Stories 3.6 out of 5 based on 0 ratings. 5 reviews.
Anonymous More than 1 year ago
You can't leave me hanging like that!!!!!!!!!
Anonymous More than 1 year ago
I havent seen a HP fanfic that resembled J.K Rowlings writtens so well!
Anonymous More than 1 year ago
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Guest More than 1 year ago
British author Joanne Harris displayed a wicked way with a pen and a finely tuned inventiveness with her first novel 'Chocolat.' She's evidenced those traits since in such delicious reads as 'Holy Fools' and 'Five Quarters of the Orange.' If anything those qualities are even more finely honed in this, her first short story collection. Twenty-two stories, some perhaps more aptly described as vignettes, run the gamut of human emotions. They're dark, which won't surprise Harris fans, and they're also amusing. Consider 'Faith and Hope Go Shopping,' the story of two determined ladies in an old people's home. It seems that monotony is becoming a bit much for this pair. After all, Monday is always rice pudding, and while concern for their teeth is appreciated, Faith can also think of some things one doesn't have to chew - oysters, creme brulee, foie gras. One day it all is just too predictable, so the friends break out and go to London in search of a copy of Lolita and a pair of Jimmy Choos. Harris's retelling of the Cinderella story from the viewpoint of one of the Ugly Sisters is a treasure. Little could we have imagined what this poor woman has had to endure. Apparently it's even more devastating at Christmas time when she appears in plays and is hissed, booed, and 'spat at by shrieking, sticky children with ice cream all over their faces.' She's had quite enough of that, to say nothing of having to put up with Her Smugness (aka Cinderella who always wore designer rags). Glad to say that there's also a happy ending for those not blessed with movie star features. Where this Ugly Sister finds hers is quite a surprise. In 'Gastronomicon' Harris returns to familiar turf - cuisine. Married to Ernest, our narrator is gifted with the family cookbook by his definitely strange mother. It's not just any cookbook, mind you, but one that holds very dark secrets and recipes that produce frightening results. 'Jigs & Reels' enchants with every page. - Gail Cooke