Jim and the Beanstalk

Jim and the Beanstalk

4.5 2
by Raymond Briggs

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When Jim mounts the beanstalk, he finds an old, toothless, bald, weak-eyed giant whom he takes sympathy on and attempts to rejuvenate.


When Jim mounts the beanstalk, he finds an old, toothless, bald, weak-eyed giant whom he takes sympathy on and attempts to rejuvenate.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
In this clever sequel to the familiar story, Jim helps the formerly fearsome giant who has grown old and infirm. Ages 3-7. (May)
Children's Literature - Debra Briatico
Jim finds a beanstalk outside his window and climbs to the top. After he reaches the clouds and enters a big castle, he has breakfast with a far-sighted, toothless, hairless giant who is too old to eat little boys. Jim decides to help the giant by fetching him a new pair of glasses (so he can read books), some new false teeth (so he can chew food), and a fancy red wig (so he can look young again). After the giant celebrates his new appearance, he sends Jim down the beanstalk and tells him to chop it down (because he could no longer fight the temptation of eating Jim with his new teeth). After the beanstalk falls, the giant rewards Jim with a gold coin and a thank you letter.

Product Details

Penguin Group (USA)
Publication date:
Sales rank:
Product dimensions:
8.20(w) x 9.00(h) x 0.40(d)
Age Range:
4 - 8 Years

Meet the Author

Raymond Briggs is one of the foremost creators of illustrated books for adults and children, including the unforgettable The Snowman and Father Christmas. THE BASICS Born: Wimbledon Park, January 18th 1934* Jobs: Artist, Writer Lives: Sussex First Book for Children: The Strange House, 1961 *Raymond shares his birthday with A A Milne and Arthur Ransome THE BOOKS Raymond Briggs' parents have proved an important source of inspiration to the author/artist. His father was a milkman; his mother a former lady's maid. Raymond's unique characterisation of Father Christmas is based on his father - "Father Christmas and the milkman both have wretched jobs: working in the cold, wet and dark." His parents also influenced the character of Jim and Hilda, the victims of nuclear fall-out, in When The Wind Blows. Raymond left school aged 15 to study painting at Wimbledon School of Art. After completing a typography course at the Central School of Art, and two years of National Service, Raymond went on to the Slade School to study painting. His first work was in advertising, but before long he was winning acclaim as a children's book illustrator as well as teaching illustration at Brighton College of Art. Raymond was awarded the Kate Greenaway Medal in 1966 for his fourth picture book, The Mother Goose Treasury, and again in 1973 for Father Christmas. Published in 1978, The Snowman is perhaps Raymond's best-loved creation. He says that the book was partly inspired by its predecessor, Fungus The Bogeyman - "For two years I worked on Fungus, buried amongst muck, slime and words, so... I wanted to do something which was clean, pleasant, fresh and wordless and quick." WHAT HE SAYS... "The essence of being able to draw from memory (is) to be a mini actor. If the figure is to walk jauntily with its nose in the air, you have to imagine what that feels like." "I once kept a record of the time it took to do two pages. Pencilling - 20 hours, inking - 18 hours, colouring - 25 hours. And all that's after months of getting ideas, writing and planning." "People often ask about the technique in (The Snowman)... it is done entirely with pencil crayons, with no line in pen or pencil and no washes of ink or watercolour." "Most of my ideas seem to be based on a simple premise: let's assume that something imaginary - a snowman, a Bogeyman, a Father Christmas - is wholly real and then proceed logically from there." "In Fungus the Bogeyman I wanted to show the petty nastiness of life - slime and snot and spit and dandruff, all this awful stuff which is slightly funny because it detracts from human dignity and our pretensions." WHAT THEY SAY ABOUT RAYMOND BRIGGS... "In different ways Briggs has revolutionised the art of telling stories with pictures." Twentieth Century Children's Writers "One of our foremost illustrators." Art Quarterly "A picture book artist of unparalleled inventiveness." Books For Your Children "The man who did for snowmen what Disney did for mice." TES "Briggs does not write down to children." Daily Express "It's a measure of Briggs' skill as a writer that he manages to balance (a) sense of loss with positive elements such as love, excitement and happiness." Kids Out "Raymond Briggs touches some very human level that everyone can relate to." Yorkshire Post "(Jim and the Beanstalk) is well on the way to becoming a children's classic." Nursery World "The Mother Goose Treasury is one of the best rhyme books ever published - no home or school should be without a copy." The Scotsman "The Snowman has become part of our traditional Christmas culture." Junior AWARDS The Kate Greenaway Medal 1966 for The Mother Goose Treasury The Kate Greenaway Medal 19734 for Father Christmas Boston Globe-Horn Book Award 1979 Victoria & Albert Museum Francis Williams Prize 1982 for The Snowman Children's Rights Workshop Other Award 1982 Kurt Maschler Award 1992 for The Man Children's Author of the Year 1992 Illustrated Book of the Year 1998 for Ethel and Ernest Silver Pen Award, Holland 1979

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Jim And The Beanstalk (Turtleback School & Library Binding Edition) 4.5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
A modern twist on the popular fairy tale, Jim is a helpful boy to a Giant who has "lost his edge". Great lesson on being helpful with a little bit of math thrown in for good "measure".
Anonymous More than 1 year ago