In a starred review, PW said, "Like its predecessor, Joey Pigza Swallowed the Key, this high-voltage, honest novel mixes humor, pain, fear and courage with deceptive ease." Ages 10-up. (Mar.) Copyright 2001 Cahners Business Information.
Joey Pigza Loses Control
Narrated by Jack Gantos
Jack GantosUnabridged — 3 hours, 51 minutes
Joey Pigza Loses Control
Narrated by Jack Gantos
Jack GantosUnabridged — 3 hours, 51 minutes
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Overview
Editorial Reviews
First introduced in Joey Pigza Swallowed the Key, Gantos's hyperactive hero Joey Pigza has not lost any of his liveliness, but after undergoing therapy and a stint in special ed., he now can exercise a reasonable amount of self-control--provided he takes his meds. His mother has reluctantly agreed to let him spend the summer three hours from home with his father, an alcoholic who, so he claims, has taken steps to turn his life around. Readers will sight trouble ahead long before Joey's optimistic perception of his father grows blurry. Mr. Pigza is at least as "wired" as the old Joey, and when he resorts to his drinking habits and becomes belligerent, Joey (who still wants to win his father's favor) feels scared. Then Mr. Pigza, telling Joey his medicine patches are a "crutch" that Joey doesn't need, summarily flushes them down the toilet: "You are liberated... You are your own man, in control of your own life," he announces. Joey is torn between wanting to call his mom immediately and sticking with his father. "Even though I knew he was wrong," Joey says, "he was my dad, and I wanted him to be right." Like its predecessor, this high-voltage, honest novel mixes humor, pain, fear and courage with deceptive ease. Struggling to please everyone even as he sees himself hurtling toward disaster, Joey emerges as a sympathetic hero, and his heart of gold never loses its shine. Ages 10-up. (Sept.) Copyright 2000 Cahners Business Information.|
Gr 5-8-In Patricia Reilly Giff's young adult novel (Delacorte, 2000) set in 1845 at the beginning of the Potato Famine, 12-year-old Nory Ryan is a strong young Irish girl. Hearing Nory's story recounted in actress Susan Lynch's lilting Irish accent brings the time and place alive. Nory's story is not a happy one, but listeners will be drawn into her moving tale and want to find out if Nory and her family will get through each long, hungry day in Maidin Bay and make it to Brooklyn, New York, where "no one was hungry." The two English characters in the story--Lord Cunningham, the landlord, and his agent, Devlin--are presented as unfeeling and heartless. The Irish are presented as both good and bad, willing to give up their last coin and not adverse to stealing someone's last coin. This period in Irish history is realistically recreated for listeners.-Suzanne Libra, Huron Middle School, Northglenn, CO Copyright 2001 Cahners Business Information.
As if Joey didn't get into enough trouble in his unforgettable debut, Joey Pigza Swallowed the Key (1998), Gantos has him wig out again in this sad, scary, blackly funny sequel. His hyperactivity under control thanks to new meds, Joey is looking forward to a six-week stay with his father Carter, hoping for some bonding. Unfortunately, his mother's warning: ". . . he can be, you know, wired like you, only he's bigger." understates the case. As a father, not to say a human being, Carter turns out to be appallingly dysfunctional: irresponsible, utterly self-centered, domineering, callous, and ominously short-fused. Smart enough to see through his father's loud assertions that he's turned over a new leaf, Joey nonetheless struggles to please, even when Carter flushes Joey's medication down the toilet, insisting that real men only need willpower to solve their personal problems. Joey tries to tough it out, hoping (despite bitter experience) that this time he won't go spinning off. Swept along by Joey's breathless narrative, readers will share his horrified fascination as, bit by bit, he watches the bad old habits and behavior come back. Joey's emphysemic Grandma, alternating drags on a cigarette with whiffs of oxygen as she trundles about the neighborhood in a shopping cart, and his Chihuahua Pablo, who survives both being locked in a glove compartment and having his ear pierced by a dart, provide the closest thing to comic relief here. The situation takes a dangerous turn when Joey eggs Carter into a wild rage; fortunately, his mother is just a phone call away, waiting in the wings to bail him out. Carter is truly frightening, a vision ofwhatJoey could grow up to be, did he not possess the inner honesty to acknowledge his limitations (eventually), and caring adults to help him. A tragic tale in many ways, but a triumph too. (Fiction. 11-13)
* "Like its predecessor, this high-voltage, honest novel mixes humor, pain, fear and courage with deceptive ease. Struggling to please everyone even as he sees himself hurtling toward disaster, Joey emerges as a sympathetic hero, and his heart of gold never loses its shine." —Publishers Weekly, starred review
Product Details
BN ID: | 2940169382983 |
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Publisher: | Penguin Random House |
Publication date: | 07/08/2008 |
Series: | Joey Pigza Series , #2 |
Edition description: | Unabridged |
Sales rank: | 1,008,448 |
Age Range: | 8 - 11 Years |
Read an Excerpt
Mom was disappearing down the road and Dad was shifting around in front of me with his arms and legs crossing back and forth like he was sharpening knives. He was wired. No doubt about it. When I looked in a mirror I could see it in my eyes, and now I could see it in his. Even with my medicine working real good, I felt nervous inside he was so jumpy. Now I knew what Mom meant when she said he was like me, only bigger. He was taller than me too. He had long arms and pointy elbows and a humming sound came out of his body as if he was run by an electric motor. I took a deep breath and even though my insides were churning I was determined to stand there and be as stiff as the rusted-up Tin Man from The Wizard of Oz.
"Well, Joey," Dad said with a grin rocking back and forth on his face like a canoe on high seas, "you can call me Carter." And he stuck out his hand to shake.