John Bull: Complete Works for Keyboard, Vol. 1

Editorial Reviews

All Music Guide - James Manheim
The portrait of John Bull on the cover of this two-CD U.S. release gives an idea for the uninitiated of what to expect from the composer's music: it's intense, single-minded, and even a bit demonic although the hourglass topped with a skull with a bone in its mouth is apparently an alchemical symbol. Bull was, in the words of an unidentified writer quoted by harpsichordist Mahan Esfahani, "the Liszt of the virginals." The most immediately apparent feature of his music is extreme virtuosity, on display especially in the mind-boggling set of variations entitled "Walsingham" CD 1, track 8 and in the galliards of the pavan-galliard pairs. But the opposite pole in Bull's style...
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Editorial Reviews

All Music Guide - James Manheim
The portrait of John Bull on the cover of this two-CD U.S. release gives an idea for the uninitiated of what to expect from the composer's music: it's intense, single-minded, and even a bit demonic although the hourglass topped with a skull with a bone in its mouth is apparently an alchemical symbol. Bull was, in the words of an unidentified writer quoted by harpsichordist Mahan Esfahani, "the Liszt of the virginals." The most immediately apparent feature of his music is extreme virtuosity, on display especially in the mind-boggling set of variations entitled "Walsingham" CD 1, track 8 and in the galliards of the pavan-galliard pairs. But the opposite pole in Bull's style exerts just as strong a pull: he is fascinated by strict polyphony by what would be called harmonic progressions, and by the close study of the implications contained within small musical units. As spectacular in their way as the keyboard fireworks are, the three separate settings of a tune called "Why Ask You?" on CD 2 are marvelous explorations of compressed musical gestures. Although the chromatic element in his music is only moderate it is most thoroughly deployed in a sad pavan-galliard pair memorializing Elizabeth I, you might think of Bull as an English counterpart in extremity to Italy's Carlo Gesualdo. Indeed, his life is nearly as colorful as Gesualdo's was; among other episodes, he was forced to flee England for the Netherlands after charges later summarized this way: "The man hath more music than honesty and is as famous for marring of virginity as he is for fingering organs and virginals." Bull, for his part, maintained plausibly that the charges were trumped up, with the real motivation being to harass him for his Catholic faith. Annotator and harpsichordist Peter Watchorn provides detailed accounts of Bull's life, including an investigation of the elusive "Walsingham," and also discusses the three Dutch-style harpsichords used on the album in detail. The pair of harpsichordists named on the cover do not perform together; instead, Esfahani is Watchorn's student, invited to participate in the project. It would take an immersed specialist to tell them apart and perhaps specialists are the intended audience for this first installment in an eventual complete recorded edition of Bull's keyboard music. An hour and a half of Bull may be a lot for general listeners, but even many of them will find fascinating items here.
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Product Details

  • Release Date: 3/24/2009
  • Label: Musica Omnia
  • UPC: 801890030128
  • Catalog Number: 301
  • Sales rank: 67,723

Tracks

Disc 1
  1. 1 Prelude in G major for keyboard - John Bull & Peter Watchorn (1:10)
  2. 2–3 Lord Lumley's Pavan and Galliard (from the Fitzwilliam Virginal Book), MB 129 - John Bull & Peter Watchorn (7:35)
  3. 3 King's Hunt, for keyboard, Fvb 135, MB 125 - John Bull & Mahan Esfahani (3:55)
  4. 4 My Grief, for keyboard, MB 139 - John Bull & Mahan Esfahani (2:00)
  5. 5 Dr Bulls My Selfe for keyboard (No 189 in the Fitzwilliam Virginal Book), MB 138 - John Bull & Mahan Esfahani (2:07)
  6. 6 Praeludium for keyboard in A minor, MB 84 - John Bull & Mahan Esfahani (0:35)
  7. 7 Walsingham, for keyboard, MB 85 - John Bull & Mahan Esfahani (17:22)
  8. 9–10 Pavan and Galliard for keyboard, MB 86 ("Fantastic") - John Bull & Peter Watchorn (9:07)
Disc 2
  1. 1 Bonny Sweet Robin, for keyboard, MB 65 - John Bull & Mahan Esfahani (3:43)
  2. 2 Why Ask You?, for keyboard, MB 62 (first setting) - John Bull & Mahan Esfahani (4:48)
  3. 3–4 Pavan and Galliard, for keyboard, MB 66 - John Bull & Mahan Esfahani (6:58)
  4. 4 Why ask you?, for keyboard, MB 63 (second setting) - John Bull & Mahan Esfahani (2:01)
  5. 5 Melancholy Pavan, for keyboard, MB 67a - John Bull & Peter Watchorn (5:40)
  6. 6 Melancoly Galliard, for keyboard, MB 67b - John Bull & Peter Watchorn (2:23)
  7. 7 Why ask you?, for keyboard, MB 64 (third setting) - John Bull & Mahan Esfahani (2:40)
  8. 9–10 Chromatic Pavan and Galliard, for keyboard, MB 87 ("Queen Elisabeth's") - John Bull & Peter Watchorn (10:01)
  9. 10 Fantasia, for keyboard, MB 12 - John Bull & Peter Watchorn (6:51)
  10. 11 Doctor Bull's Goodnight, for keyboard, MB 143 - John Bull & Peter Watchorn (3:41)
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Album Credits

Performance Credits
Mahan Esfahani Primary Artist
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