A Roman Candle That Never Goes Out
From the moment I read the dedication, I knew that this was the book for me.
When I finished the Prologue, there was no question of whether or not I would enjoy it.
But when I try to explain John Dies at the End, I am forced to end with "Just... read it, okay?" The book leaps over genres with feckless abandon and changes pace at a brilliant, though never sickening, speed, like a peregrine falcon wearing a dust jacket.
I could take a moment to crudely carve out various possible niches for the book. It will fit "comedy" and "horror", but not perfectly, which is the problem (and beauty) of David Wong's work: any attempt to classify it always feels wrong, like a diploma displayed on a slant or a bike trail added to a narrow road.
In fact, the best piece of advice I could offer a potential reader is this: the book is not a Capital Letter Genre book. It is not a Horror book, but it contains horror. It is not a Comedy novel, although the book will reduce you to quaking with silent mirth, as you are too busy laughing to even make noise. It is not a Romantic novel, but characters fall in love. I could go on.
To put it simply, the book is more than the total of its parts. It is too big, too bold, too wonderful, to be contained by descriptors. I could tell you that the book has jokes and scary moments, but it is so much more than a book with jokes and scary moments. It is a book that can only be defined by itself. I will put this next sentence in a new paragraph, where it can be clearly seen:
Do not let any part of this book, or any genre that it is listed as, scare you away from it.
To elaborate: if you do not like horror, buy it. If you are not looking for humor, get it. If you don't feel like thinking, read it. Yes, it will scare you, and yes, it will make you laugh, and yes, it will make you think. But in the end it will not matter, because you will be glad that you have read this book.
What makes Wong's writing so powerful is, again, hard to classify. It is not his comedic timing (which is brilliant), and it is not his characterization (though it is impeccable). If I was pressed for one explanation, it would be his understanding--of human behavior, of human emotion, of reality, of fantasy.
If you don't believe me, just look at this review I am writing, here. I have tried several times to explain why I think you should read this book, and I am not sure I have done the job.
I know I have barely touched on the book's plot, except in vague terms. I have to weigh including details against the space I have for recommending it, and I'm trying (and failing) to hit all the points briefly before running out of room.
But look at how hard I've tried. It's taken me forever to write this review, to re-read it, to re-type it, to slave over each phrasing.
So if you want any evidence of how powerful this book is, look no further than this. Whether or not you are inspired by my praise, it exists, and I have devoted a considerable amount of time to writing it.
It would seem that it is important to me that you think about buying this book. And it is. I really, truly care about whether or not you buy this book, because I like it, and I am convinced that you will like it as well. I've spent my time on this because John Dies at the End is not only a book, but a book that is fantastic, incredible, and entertaining, and that has inspired at least one person to type out the maximum number of charac
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Overview
STOP.
You should not have touched this book with your bare hands.
NO, don’t put it down. It’s too late.
They’re watching you.
My name is David Wong. My best friend is John. Those names are fake. You might want to change yours.
You may not want to know about the things you’ll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it’s too late....