Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts

Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts

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by Sylvia Plath
     
 

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"What I fear most, I think, is the death of the imagination.... If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."
-- Sylvia Plath, from Notebooks, February
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Overview

"What I fear most, I think, is the death of the imagination.... If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."
-- Sylvia Plath, from Notebooks, February 1956

Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. Jonny Panic and the Bible of Dreams truly showcases the talent and genius of Sylvia Plath.

Product Details

ISBN-13:
9780060955298
Publisher:
HarperCollins Publishers
Publication date:
03/28/2000
Pages:
336
Product dimensions:
5.31(w) x 8.02(h) x 0.78(d)

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Johnny Panic and the Bible of Dreams
Short Stories, Prose, and Diary Excerpts

Chapter One

Mothers

Story, 1962

Esther was stiff upstairs when Rose called in at the back door. "Yoohoo, Esther, you ready?" Rose lived with her retired husband Cecil in the topmost of the two cottages in the lane leading up to Esther's house--a large, thatched manor farm with its own cobbled court. The cobbles were not ordinary street cobbles, but pitch cobbles, their narrow, oblong sides forming a mosaic melted to gentleness by centuries of boots and hooves. The cobbles extended under the stout, nail-studded oak door into the dark hall between the kitchen and scullery, and in old Lady Bromehead's day had formed the floor of the kitchen and scullery as well. But after old Lady Bromehead fell and broke her hip at the age of ninety and was removed to a home, a series of servantless tenants had persuaded her son to lay linoleum in those rooms.

The oak door was the back door; everybody but the random stranger used it. The front door, yellow-painted and flanked by two pungent bushes of box, faced across an acre of stinging nettles to where the church indicated a gray heaven above its scallop of surrounding headstones. The front gate opened just under the comer of the graveyard.

Esther tugged her red turban down around her ears, then adjusted the folds of her cashmere coat loosely so that she might, to the casual eye, seem simply tall, stately and fat, rather than eight months pregnant. Rose had not rung the bell before calling in. Esther imagined Rose, curious, avid Rose, eyeing the bare floorboards of the front hall and the untidy strewing of the baby'stoys from front room to kitchen. Esther couldn't get used to people opening the door and calling in without ringing first. The postman did it, and the baker, and the grocer's boy, and now Rose, who was a Londoner and should have known better.

Once when Esther was arguing loudly and freely with Tom over breakfast, the back door had popped open and a handful of letters and magazines clapped onto the hall cobbles. The postman's cry of "Morning!" faded. Esther felt spied on. For some time after that, she bolted the back door from the inside, but the sound of tradesmen trying the door and finding it bolted in broad day, and then ringing the bell and waiting until she came and noisily undid the bolt, embarrassed her even more than their former calling in. So she left the bolt alone again, and took care not to argue so much, or at least not so loudly.

When Esther came down, Rose was waiting just outside the door, smartly dressed in a satiny lavender hat and checked tweed coat. At her side stood a blond, bony-faced woman with bright blue eyelids and no eyebrows. This was Mrs. Nolan, the wife of the pub-keeper at the White Hart. Mrs. Nolan, Rose said, never came to the Mothers' Union meetings because she had no one to go with, so Rose was bringing her to this month's meeting, together with Esther.

"Do you mind waiting just another minute, Rose, while I tell Tom I'm off?" Esther could feel Rose's shrewd eyes checking over her hat, her gloves, her patent leather heels, as she tamed and picked her gingerly way up the cobbles to the back garden. Tom was planting roller berries in the newly spaded square behind the empty stables. The baby sat in the path on a pile of red earth, ladling dirt into her lap with a battered spoon.

Esther felt her little grievances about Tom's not shaving and his letting the baby play in the dirt fade at the sight of the two of them, quiet and in perfect accord. "Tom!",She rested her white glove, without thinking, on the earth-crusted wooden gate. "I'm off now. If I'm late getting back will you boil the baby an egg?"

Tom straightened and shouted some word of encouragement that foundered between them in the dense November air, and the baby turned in the direction of Esther's voice, her mouth black as if she had been eating dirt. But Esther slipped away, before the baby could heave up and toddle after her, to where Rose and Mrs. Nolan were waiting at the bottom of the court.

Esther let them through the seven-foot-high, stockade-like gate and latched it behind them. Then Rose crooked out her two elbows, and Mrs. Nolan took one, and Esther took the other, and the three women teetered in their best shoes down the stony lane past Rose's cottage, and the cottage of the old blind man and his spinster sister at the bottom, and into the road.

"We're meeting in the church today." Rose tongued a peppermint drop into her cheek and passed the twist of tinfoil round. Both Esther and Mrs. Nolan refused politely. "We don't always meet in church, though. Only when there's new members joining UP. )I

Mrs. Nolan rolled her pale eyes skyward, whether in general consternation or simply at the prospect of church, Esther couldn't tell. "Are you new in town, too? " she asked Mrs. Nolan across Rose's front, leaning forward a little.

Mrs. Nolan gave a short, joyless laugh. "I've been here six years."

"Why, you must know everybody by now!"

"Hardly a soul," Mrs. Nolan intoned, causing misgivings, like a flock of chilly-toed birds, to clutter at Esther's heart. If Mrs. Nolan, an Englishwoman by her looks and accent, and a pub-keeper's wife as well, felt herself a stranger in Devon after six years, what hope had Esther, an American, of infiltrating that rooted society ever at all?

The three women proceeded, arm in arm, along the road under the high, holly-hedged boundary of Esther's acre, past her front gate and on under the red cob wall of the churchyard.

Johnny Panic and the Bible of Dreams
Short Stories, Prose, and Diary Excerpts
. Copyright © by Sylvia Plath. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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Meet the Author

Sylvia Plath (1932-63) was born in Boston, Massachusetts, and studied at Smith College. In 1955 she went to Cambridge University on a Fulbright fellowship, where she met and later married Ted Hughes. She published one collection of poems in her lifetime, The Colossus (1960), and a novel, The Bell Jar (1963). Her Collected Poems, which contains her poetry written from 1956 until her death, was published in 1981 and was awarded the Pulitzer Prize for Poetry. Other posthumous publications include Ariel, her landmark publication, Crossing the Water, Winter Trees, Johnny Panic and the Bible of Dreams and The Journals of Sylvia Plath 1950-1962.

Brief Biography

Date of Birth:
October 27, 1932
Date of Death:
February 11, 1963
Place of Birth:
Boston, Massachusetts
Place of Death:
London, England
Education:
B.A., Smith College, 1955; Fulbright Scholar, Cambridge University

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Johnny Panic and the Bible of Dreams 5 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
Guest More than 1 year ago
She's absolutely phenomenal!!! I can't get enough of her prose. The "Johnny Panic" story is genius, right in leauge with "The Bell Jar" Read Sylvia Plath, she will change you!
Guest More than 1 year ago
Ever since i read the bell jar, i have been obsessed with Sylvia Plath! Her writings present a troubled spirit,a tortured mind and pure genious-ness. I admire her way with words and the way she so honestly and describtively tells a story, an opinion, or a dream. I highly recommend this book to ANYONE who enjoys a good read!!!