Journal of Antonio Montoya

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Overview

When little José Montoya's parents are killed one August morning by a cow, his aunts and uncles are troubled by how to raise the boy. After the funeral, they drive to the family home behind the village office, but before they reach the house, "The front door swung open and Ramona's grandfather, Epolito Montoya, who had been dead for thirteen years, stood in the doorway. 'Why are you out in the rain?' he said."

José's aunt Ramona has returned reluctantly to Guadalupe, an isolated village in northern New Mexico, and to the family that never, never lets go. As she tries to build a life there on her own terms — and still to care for young José and her dear, ...

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More About This Book

Overview

When little José Montoya's parents are killed one August morning by a cow, his aunts and uncles are troubled by how to raise the boy. After the funeral, they drive to the family home behind the village office, but before they reach the house, "The front door swung open and Ramona's grandfather, Epolito Montoya, who had been dead for thirteen years, stood in the doorway. 'Why are you out in the rain?' he said."

José's aunt Ramona has returned reluctantly to Guadalupe, an isolated village in northern New Mexico, and to the family that never, never lets go. As she tries to build a life there on her own terms — and still to care for young José and her dear, simple brother Flavio — she discovers that she can reach through time, see the wealth of her heritage, and reclaim riches, knowledge, art that disappeared generations ago. In fact, she can speak with her ancestors and learn their stories. These, finally, are the fortunes she will try to pass on to José.

Editorial Reviews

Publishers Weekly
Ramona Montoya, the main character of this slight but beautifully written first novel set in a dusty, timeless Southwestern town, is a 44-year-old painter whose house is inhabited by a host of dead relatives who speak, make coffee and occasionally borrow her truck. After her brother and sister-in-law are killed when their car hits a cow standing in the middle of the road, Ramona takes charge of her young nephew, Jose. (At the burial, Jose's mother sits up in her coffin and says "Ramona, I want you to take Jose.") Ramona's other brother, Flavio, estranged from his sister, is so unnerved by the ghostly relatives, he gives up on the idea of removing Jose from his strange new home. Ramona's dead grandmother, after clearing the table one night, hands her the journal of Antonio Montoya, another relative and a sculptor of religious statues. The 1924 journal is the story of the village, full of births, deaths, feuds and accidents, and its entries are woven into the narrative as Ramona reads them. While Ramona's story is imbued with her painterly sensibilities, the journal provides glimpses into the sculptor's art, the role of the santos in the lives of some of the villagers and the fate of the statues, which Ramona and little Jose will find. The novel becomes a mystical meditation on the workings of the artistic mind, but it begs for more of a plot. Still, Collignon delivers his own engaging brand of magical realism with a spare style, deadpan humor and bracingly fresh descriptions. (June)
Library Journal
After Jos Montoya's parents are killed by a cow, the deceased mother requests from her casket that her spinster sister-in-law, Ramona, raise the orphan. Returning home, Ramona finds her equally defunct grandparents waiting for her. They reveal to her a truncated journal written by her grandfather's cousin Antonio in which events and relatives are linked in an unending continuum that has no end; in fact maybe everything has already happened before. Death is vitally necessary, Ramona realizes, to let the living go on. Ramona's natural acceptance-and, by extension, ours-of the intrusion and integration of the quick and the dead as normal equalizes the supernatural elements with the worldly ones. Strongly reminiscent of the magic realism of Garca Mrquez, this is an enchanting work by a new writer.-Lawrence Olszewski, OCLC Lib., Dublin, Ohio.

Product Details

  • ISBN-13: 9780380730568
  • Publisher: HarperCollins Publishers
  • Publication date: 10/1/1997
  • Pages: 217
  • Product dimensions: 4.99 (w) x 7.04 (h) x 0.62 (d)

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  • Posted December 23, 2009

    Author's debut demonstrates amazing potential

    The Journal of Antonio Montoya by Rick Collignon takes place in the Sangre de Christos mountains but has a sense of timelessness. Ramona has isolated herself in her dusty hometown after returning from severl years away trying to find success as an author. She lives alone in her grandparents' house with no sense of purpose or intention until her brother and his wife die, leaving their son an orphan. When the boy's mother sits up in her casket at the graveside and tells Ramona to take care of Jose, Ramona thinks that her mind is starting to slip, but when she takes the boy home, they are greeted by her long dead grandparents who proceed to take care of the pair by cooking and irrigating the fields. Her grandmother gives her an old journal that pulls into the life of the mysterious Antonio Montoya. This book is nearly impossible to summarize. The story quietly unfurls in front of the reader, gently pulling him/her in to Ramona and Antonio's lives. Collignon's quiet prose captures the steady rhythm of small town life and how it can beat down the gentlest of souls. In the end, Ramona is changed by her discoveries in the journal, and the reader may share in her revelation.

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