The Journals of Ayn Rand

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Rarely has a writer and thinker of the stature of Ayn Rand afforded us access to her most intimate thoughts and feelings. From Journals of Ayn Rand, we gain an invaluable new understanding and appreciation of the woman, the artist, and the philosopher, and of the enduring legacy she has left us. Rand comes vibrantly to life as an untried screenwriter in Hollywood, creating stories that reflect her youthful vision of the world. We see her painful memories of communist Russia and her struggles to convey them in We...
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Rarely has a writer and thinker of the stature of Ayn Rand afforded us access to her most intimate thoughts and feelings. From Journals of Ayn Rand, we gain an invaluable new understanding and appreciation of the woman, the artist, and the philosopher, and of the enduring legacy she has left us. Rand comes vibrantly to life as an untried screenwriter in Hollywood, creating stories that reflect her youthful vision of the world. We see her painful memories of communist Russia and her struggles to convey them in We the Living. Most fascinating is the intricate, step-by-step process through which she created the plots and characters of her two masterworks, The Fountainhead and Atlas Shrugged, and the years of painstaking research that imbued the novels with their powerful authenticity. Complete with reflections on her legendary screenplay concerning the making of the atomic bomb and tantalizing descriptions of projects cut short by her death, Journals of Ayn Rand illuminates the mind and heart of an extraordinary woman as no biography or memoir ever could. On these vivid pages, Ayn Rand lives.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Strictly for the lovers and loathers of Ayn Rand perhaps an equal market share, this work offers almost everything the author ever wrote to herself. As intriguing yet sometimes numbing as her fiction, the book, which covers the years from 1927 to the mid-1970s, contains her first philosophical stabs, notes on her novels, HUAC testimony against alleged Hollywood communists, and her unfinished projects. Rand fans who marveled at the detail and richness of The Fountainhead and Atlas Shrugged can now examine her research as well as confirm suppositions as to who inspired what characters yes, Frank Lloyd Wright inspired Howard Roark. For the despisers of Ayn Rand, there are numerous paroxysms on the sanctity of money, the spirituality of materialism and the genius of the rich. In Rand's fiction, her most original assertionsa vision of engineers, industrialists and architects heroically forcing the world to turn, despite the untalented, the mediocre and, of course, the collectivist parasite i.e., communistswere generally followed by the hero's endless, repetitious rants on the value of individualism. Unfortunately, her journals are similarly afflicted. Comic relief comes when she notes her frustrations with her real-life role models, as when Wright fails to live up to the Roark ideal: "How does one get to that?" The radical energy and convictions of the author continue to invigorate, challenge and annoy. Somewhere between Emily Bront and L. Ron Hubbard, between a romantic virtuoso and capitalist cult leader, Rand seduces with her amazing prose her philosophic pronouncements become the propaganda she wished to combat. Sept.
Library Journal
Rand (1905-82), the controversial author and founder of Objectivism (the philosophy of rational self-interest), continues to have a loyal following. This current work consists of her previously unpublished working notes (1927-60s). It is not a personal memoir (an authorized biography is forthcoming) but a glimpse into the evolution of Rand's thought processes and writing over four decades. Over half the book, arranged chronologically, is devoted to the composition of Rand's most important novels, Atlas Shrugged and The Fountainhead. Harriman (a Ph.D. candidate in philosophy, Claremont Graduate Sch.) carefully considers plot, theme, dialog, character development, etc., and provides succinct annotations that are bracketed within Rand's text. A companion to the Letters of Ayn Rand (Dutton, 1995), this is recommended for larger literature, philosophy, and political science collections, as well as any library with patrons interested in Rand.Janice E. Braun, Mills Coll., Oakland, Cal.
Kirkus Reviews
Both those inspired and those irritated by Rand's radical individualism will find support for their response in her journals.

Sympathetic readers will enjoy sketches of unfinished projects, philosophical fragments, essays and testimony about communists in Hollywood, and extensive notes for her two major novels. Harriman's (Philosophy/Claremont Graduate School) sycophantic but helpful comments guide the reader through the unpublished material of an unwavering proponent of individualism and capitalism who is not afraid to condemn altruism or dismiss democratic authority with scorn. Indeed, the ease with which she labels most people "parasites" suggests that Rand was born too soon: Her self-confident dismissals of all who disagree would have made her a phenom on Crossfire or talk radio. Others will be struck by what is absent here: For Rand there are no open questions. She explicitly started "with a set of ideas" and then studied "to support them." An instinctual antipathy to collectivism born of a childhood spent under communist rule established the substance of the writer's worldview, and her subsequent intellectual activity involved communicating convictions rather than exploring them. Fiction provided an outlet for this ideological single-mindedness, allowing her version of reality to be presented through fantasy worlds shorn of anything inconsistent with her beliefs. To demonstrate how individualism and collectivism work "in real life" and acceptance of a flawed concept such as charity results when we depart "from facts," Rand wrote novels representing, she said, "the kind of world I want." Even when recognizing that her idealization of the defendant in an actual criminal trial was probably inaccurate, she claimed that it "does not make any difference," for even if he was not as she perceived him, "he could be, and that's enough."

This volume reveals not only how strong conclusions can flow from trumping fact with fiction, but also why Rand seemed to be living on another planet.

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Product Details

  • ISBN-13: 9780452278875
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 8/28/1999
  • Edition description: Reprint
  • Pages: 752
  • Sales rank: 402,114
  • Product dimensions: 6.08 (w) x 8.88 (h) x 1.63 (d)

Meet the Author

Ayn Rand
Ayn Rand is one of the rare writers who not only drew in readers with her novels, but created a philosophical movement with them. Her seminal Atlas Shrugged and The Fountainhead, cornerstones of her individualistic Objectivist world view, can be viewed as literature, self-empowerment texts, or both.


Ayn Rand was born in St. Petersburg, Russia, on February 2, 1905. At age six she taught herself to read and two years later discovered her first fictional hero in a French magazine for children, thus capturing the heroic vision that sustained her throughout her life. At the age of nine she decided to make fiction writing her career. Thoroughly opposed to the mysticism and collectivism of Russian culture, she thought of herself as a European writer, especially after encountering authors such as Walter Scott and—in 1918—Victor Hugo, the writer she most admired.

During her high school years, she was eyewitness to both the Kerensky Revolution, which she supported, and—in 1917—the Bolshevik Revolution, which she denounced from the outset. In order to escape the fighting, her family went to the Crimea, where she finished high school. The final Communist victory brought the confiscation of her father's pharmacy and periods of near-starvation. When introduced to American history in her last year of high school, she immediately took America as her model of what a nation of free men could be.

When her family returned from the Crimea, she entered the University of Petrograd to study philosophy and history. Graduating in 1924, she experienced the disintegration of free inquiry and the takeover of the university by communist thugs. Amidst the increasingly gray life, her one great pleasure was Western films and plays. Long a movie fan, she entered the State Institute for Cinema Arts in 1924 to study screen writing.

In late 1925 she obtained permission to leave Soviet Russia for a visit to relatives in the United States. Although she told Soviet authorities that her visit would be short, she was determined never to return to Russia. She arrived in New York City in February 1926. She spent the next six months with her relatives in Chicago, obtained an extension to her visa, and then left for Hollywood to pursue a career as a screenwriter.

On Ayn Rand's second day in Hollywood, Cecil B. DeMille saw her standing at the gate of his studio, offered her a ride to the set of his movie The King of Kings, and gave her a job, first as an extra, then as a script reader. During the next week at the studio, she met an actor, Frank O'Connor, whom she married in 1929; they were married until his death fifty years later.

After struggling for several years at various non-writing jobs, including one in the wardrobe department at the RKO Corporation, she sold her first screenplay, Red Pawn to Universal Studios in 1932 and saw her first stage play, Night of January 16th, produced in Hollywood and then on Broadway. Her first novel, We the Living, was completed in 1933 but was rejected by publishers for years, until The Macmillan Company in the United States and Cassells and Company in England published the book in 1936. The most autobiographical of her novels—it was based on her years under Soviet tyranny—We the Living was not well-received by American intellectuals and reviewers. Ayn Rand was up against the pro-communism dominating the culture during "the Red Decade."

She began writing The Fountainhead in 1935. In the character of the architect Howard Roark, she presented for the first time the kind of hero whose depiction was the chief goal of her writing: the ideal man, man as "he could be and ought to be." The Fountainhead was rejected by twelve publishers but finally accepted by the Bobbs-Merrill Company. When published in 1943, it made history by becoming a best seller through word-of-mouth two years later, and gained for its author lasting recognition as a champion of individualism.

Ayn Rand returned to Hollywood in late 1943 to write the screenplay for The Fountainhead, but wartime restrictions delayed production until 1948. Working part time as a screenwriter for Hal Wallis Productions, she began her major novel, Atlas Shrugged, in 1946. In 1951 she moved back to New York City and devoted herself full time to the completion of Atlas Shrugged.

Published in 1957, Atlas Shrugged was her greatest achievement and last work of fiction. In this novel she dramatized her unique philosophy in an intellectual mystery story that integrated ethics, metaphysics, epistemology, politics, economics and sex. Although she considered herself primarily a fiction writer, she realized that in order to create heroic fictional characters, she had to identify the philosophic principles that make such individuals possible. She needed to formulate "a philosophy for living on earth."

Thereafter, Ayn Rand wrote and lectured on her philosophy—Objectivism. She published and edited her own periodicals from 1962 to 1976, her essays providing much of the material for nine books on Objectivism and its application to the culture. Ayn Rand died on March 6, 1982, in her New York City apartment.

Every book by Ayn Rand published in her lifetime is still in print, and hundreds of thousands of copies are sold each year, so far totaling more than twenty million. Several new volumes have been published posthumously. Her vision of man and her philosophy for living on earth have changed the lives of thousands of readers and launched a philosophic movement with a growing impact on American culture.

Author biography courtesy of The Ayn Rand Institute.

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    1. Also Known As:
      Alice Rosenbaum (real name)
    1. Date of Birth:
      February 2, 1905
    2. Place of Birth:
      St. Petersburg, Russia
    1. Date of Death:
      March 6, 1982
    2. Place of Death:
      New York, New York

Table of Contents

Editor's Preface
Pt. 1 Early Projects
Ch. 1 The Hollywood Years 3
Ch. 2 We the Living 49
Ch. 3 First Philosophic Journal 66
Pt. 2 The Fountainhead
Ch. 4 Theme and Characters 77
Ch. 5 Architectural Research 117
Ch. 6 Plot 165
Ch. 7 Notes While Writing 190
Pt. 3 Transition Between Novels
Ch. 8 The Moral Basis of Individualism 243
Ch. 9 Top Secret 311
Ch. 10 Communism and HUAC 345
Pt. 4 Atlas Shrugged
Ch. 11 The Mind on Strike 389
Ch. 12 Final Preparations 483
Ch. 13 Notes While Writing: 1947-1952 549
Ch. 14 Notes While Writing Galt's Speech 645
Pt. 5 Final Years
Ch. 15 Notes: 1955-1977 667
Ch. 16 Two Possible Books 697
Index 717
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