Journey to the Centre of the Earth

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Overview

When Axel deciphers an old parchment that describes a secret passage through a volcano to the centre of the earth, nothing will stop his eccentric Uncle Lidenbrock from setting out at once. So, with silent Hans the guide, the two men embark on a perilous, astonishing, terrifying journey through the subterranean world - the most incredible voyage ever!

A team of explorers makes an expedition into a crater in Iceland which leads to the center of the earth and to ...

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Overview

When Axel deciphers an old parchment that describes a secret passage through a volcano to the centre of the earth, nothing will stop his eccentric Uncle Lidenbrock from setting out at once. So, with silent Hans the guide, the two men embark on a perilous, astonishing, terrifying journey through the subterranean world - the most incredible voyage ever!

A team of explorers makes an expedition into a crater in Iceland which leads to the center of the earth and to incredible and horrifying discoveries.

Read More Show Less

Editorial Reviews

Children's Literature - Melyssa Malinowski
Axel is quite at home with rocks. Perhaps this is because he lives with his eccentric but brilliant uncle, the geologist and adventurer Professor Lidenbrock. Usually, his uncle's adventures are odd, but not completely insane. That is until a runic note falls from a text that Professor Lidenbrock is reading. The note becomes the key to a quest that may lead them the very center of the earth. The pair departs immediately for Iceland, hiring Hans Bjelke as a guide. They follow the instructions on the note and do indeed find a passage into the earth. There, they experience a number of wonders and frights far beyond what they have ever imagined. They pass through a chamber with flammable gas and use acoustic phenomenon to talk to each other while they are miles apart. They continue on and find an ocean. They cross the ocean, only to witness two dinosaurs attacking each other. Then, they see a herd of dinosaurs walk by a prehistoric man over twelve feet tall. The travelers begin to leave, only to be stopped by a caved-in tunnel. They blast their way through and are rushed out of the volcano in a pool of water and magma. They return to their home in Germany and are greeted with joy and treated famously. While this story is indeed a classic and truly belongs on library shelves, only the most die-hard fantasy fans will love this book. Verne's descriptions and characterizations are wonderful, but he is definitely not a writer for the casual reader. Reviewer: Melyssa Malinowski
From the Publisher
“The reason Verne is still read by millions today is simply that he was one of the best storytellers who ever lived.”—Arthur C. Clarke
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Product Details

  • ISBN-13: 9780195854602
  • Publisher: Oxford University Press
  • Publication date: 10/7/1993
  • Edition description: REV
  • Edition number: 2
  • Pages: 105
  • Product dimensions: 5.00 (w) x 8.06 (h) x 0.56 (d)

Meet the Author

Jules Verne
Jules Gabriel Verne (8 February 1828 - 24 March 1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.

Biography

The creator of the roman scientifique, the popular literary genre known today as science fiction, Jules Gabriel Verne was born in the port town of Nantes, France, in 1828. His father, Pierre, was a prominent lawyer, and his mother, Sophie, was from a successful ship-building family. Despite his father's wish that he pursue law, young Jules was fascinated by the sea and all things foreign and adventurous. Legend holds that at age eleven he ran away from school to work aboard a ship bound for the West Indies but was caught by his father shortly after leaving port. Jules developed an abiding love of science and language from a young age. He studied geology, Latin, and Greek in secondary school, and frequently visited factories, where he observed the workings of industrial machines. These visits likely inspired his desire for scientific plausibility in his writing and perhaps informed his depictions of the submarine Nautilus and the other seemingly fantastical inventions he described.

After completing secondary school, Jules studied law in Paris, as his father had before him. However, during the two years he spent earning his degree, he developed more consuming interests. Through family connections, he entered Parisian literary circles and met many of the distinguished writers of the day. Inspired in particular by novelists Victor Hugo and Alexandre Dumas (father and son), Verne began writing his own works. His poetry, plays, and short fiction achieved moderate success, and in 1852 he became secretary of the Théâtre lyrique. In 1857 he married Honorine Morel, a young widow with two children. Seeking greater financial security, he took a position as a stockbroker with the Paris firm Eggly and Company. However, he reserved his mornings for writing. Baudelaire's recently published French translation of the works of Edgar Allan Poe, as well as the days Verne spent researching points of science in the library, inspired him to write a new sort of novel: the roman scientifique. His first such novel, Five Weeks in a Balloon, was an immediate success and earned him a publishing contract with the important editor Pierre-Jules Hetzel.

For the rest of his life, Verne published an average of two novels a year; the fifty-four volumes published during his lifetime, collectively known as Voyages Extraordinaires, include his best-known works, Around the World in Eighty Days and Twenty Thousand Leagues Under the Sea. Begun in 1865 and published to huge success in 1869, Twenty Thousand Leagues has been translated into 147 languages and adapted into dozens of films. The novel also holds the distinction of describing a submarine twenty-five years before one was actually constructed. As a tribute to Verne, the first electric and nuclear submarines were named Nautilus. In 1872 Verne settled in Amiens with his family. During the next several years he traveled extensively on his yachts, visiting such locales as North Africa, Gibraltar, Scotland, and Ireland. In 1886 Verne's mentally ill nephew shot him in the leg, and the author was lame thereafter. This incident, as well as the tumultuous political climate in Europe, marked a change in Verne's perspective on science, exploration, and industry. Although not as popular as his early novels, Verne's later works are in many ways as prescient. Touching on such subjects as the ill effects of the oil industry, the negative influence of missionaries in the South Seas, and the extinction of animal species, they speak to concerns that remain urgent in our own time.

Verne continued writing actively throughout his life, despite failing health, the loss of family members, and financial troubles. At his death in 1905 his desk drawers contained the manuscripts of several new novels. Jules Verne is buried in the Madeleine Cemetery in Amiens.

Author biography from the Barnes & Noble Classics edition of Twenty Thousand Leagues Under the Sea.

Good To Know

In 1848, Verne got his start writing librettos for operettas.

When Verne's father found out that his son would rather write than study law, he cut him off financially, and Jules was forced to support himself as a stockbroker -- a job he hated but was fairly good at. During this period, he sought advice and inspiration from authors Alexandre Dumas and Victor Hugo.

Verne stands as the most translated novelist in the world -- 148 languages, according to UNESCO statistics.

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    1. Date of Birth:
      February 8, 1828
    2. Place of Birth:
      Nantes, France
    1. Date of Death:
      March 24, 1905
    2. Place of Death:
      Amiens, France
    1. Education:
      Nantes lycée and law studies in Paris

Read an Excerpt

I

It was on Sunday, the 24th of May, 1863, that my uncle, Professor Lidenbrock, came rushing suddenly back to his little house in the old part of Hamburg, No. 19, Königstrasse.

Our good Martha could not but think she was very much behindhand with the dinner, for the pot was scarcely beginning to simmer, and I said to myself:

“Now, then, we’ll have a fine outcry if my uncle is hungry, for he is the most impatient of mortals.”

“Mr. Lidenbrock, already!” cried the poor woman, in dismay, half opening the dining-room door.

“Yes, Martha; but of course dinner can’t be ready yet, for it is not two o’clock. It has only just struck the half-hour by St. Michael’s.”

“What brings Mr. Lidenbrock home, then?”

“He’ll probably tell us that himself.”

“Here he comes. I’ll be off, Mr. Axel; you must make him listen to reason.”

And forthwith she effected a safe retreat to her culinary laboratory.

I was left alone, but not feeling equal to the task of making the most irascible of professors listen to reason, was about to escape to my own little room upstairs, when the street-door creaked on its hinges, and the wooden stairs cracked beneath a hurried tread, and the master of the house came in and bolted across the dining-room, straight into his study. But, rapid as his flight was, he managed to fling his nutcracker-headed stick into a corner, and his wide-brimmed rough hat on the table, and to shout out to his nephew:

“Axel, follow me.”

Before I had time to stir he called out again, in the most impatient tone imaginable:

“What! Not here yet?”

In an instant I was on my feet and in the study of my dreadful master.

Otto Lidenbrock was not a bad man. I grant that, willingly. But, unless he mightily changes, he will live and die a terrible origi- nal.

He was professor in the Johannæum, and gave the course of lectures on mineralogy, during which he regularly put himself into a passion once or twice. Not that he troubled himself much about the assiduity of his pupils, or the amount of attention they paid to his lessons, or their corresponding success. These points gave him no concern. He taught subjectively, to use a German philosophical expression, for himself, and not for others. He was a selfish savant— a well of science, and nothing could be drawn up from it without the grinding noise of the pulleys: in a word, he was a miser.

There are professors of this stamp in Germany.

My uncle, unfortunately, did not enjoy great facility of pronunciation, unless he was with intimate friends; at least, not when he spoke in public, and this is a deplorable defect in an orator. In his demonstrations at the Johannæum the professor would often stop short, struggling with some obstinate word that refused to slip over his lips—one of those words which resist, swell out, and finally come forth in the anything but scientific shape of an oath. This put him in a great rage.

Now, in mineralogy, there are many names difficult to pronounce—half Greek, half Latin, barbarous appellations which would blister the lips of a poet. I have no wish to speak ill of the science. Far from it. But when one has to do with rhomboidal crystallisations, retinasphaltic resins, galena favosite, molybdates of lead, tungstates of manganese, and titanites of zircon, the most nimble tongue may be allowed to stumble.

The townsfolk were aware of this pardonable infirmity of my uncle’s, and they took advantage of it, and were on the watch for the dangerous passages; and when he put himself in a fury laughed at him, which was not in good taste, even for Germans. His lectures were always very numerously attended, but how many of those who were most regular auditors came for anything else but to make game of the professor’s grand fits of passion I shouldn’t like to say. Whatever my uncle might be, and I can hardly say too much, he was a true savant.

Though he sometimes broke his specimens by his rough handling, he had both the genius of a geologist and the eye of a mineralogist. With his hammer and steel pointer and magnetic needle, his blow-pipe and his flask of nitric acid, he was a master indeed. By the fracture, the hardness, the fusibility, the ring, the smell, of any mineral whatever, he classed it without hesitation among the six hundred species science numbers to-day.

The name of Lidenbrock was consequently mentioned with hon-our in gymnasiums and national associations. Humphry Davy, Humboldt, and Captains Franklin and Sabine, paid him a visit when they passed through Hamburg. Becqueul, Ebolmann, Brewster, Dumas, Milne-Edwards, Sainte Clarice Deville, took pleasure in consulting him on the most stirring questions of chemistry, a science which was indebted to him for discoveries of considerable importance; and in 1853 a treatise on Transcendent Crystallography, by Professor Otto Lidenbrock, was published at Leipsic, a large folio, with plates, which did not pay its cost, however.

Moreover, my uncle was curator of the Museum of Mineralogy, belonging to M. Struve, the Russian ambassador, a valuable collection, of European celebrity.

Such, then, was the personage who summoned me so impatiently.

Fancy to yourself a tall, spare man, with an iron constitution, and a juvenile fairness of complexion, which took off full ten years of his fifty. His large eyes rolled about incessantly behind his great goggles; his long thin nose resembled a knife-blade; malicious people declared it was magnetised, and attracted steel filings—a pure calumny; it attracted nothing but snuff, but, to speak truth, a super-abundance of that. When I have added that my uncle made mathematical strides of three feet at every step, and marched along with his fists firmly clenched—a sign of an impetuous temperament—you will know enough of him not to be over-anxious for his company.

He lived in his little house in Königstrasse, a dwelling built partly of brick and partly of stone, with a crenated gable-end, which looked on to one of those winding canals which intersect each other in the centre of the oldest part of Hamburg, which happily escaped the great fire in 1842.

The old house leaned forward slightly, and bulged out towards the passers-by. The roof inclined to one side, in the position a German student belonging to the Tugendbund wears his cap. The perpendicular of the house was not quite exact, but, on the whole, the house stood well enough, thanks to an old elm, firmly imbedded in the façade, which pushed its flower buds across the window-panes in spring.

My uncle was pretty rich for a German professor. The house was his own, and all its belongings. These belongings were his godchild Gräuben, a Virland girl, seventeen years old, his servant Martha, and myself. In my double quality of nephew and orphan, I became his assistant in his experiments.

I must confess I have a great appetite for geological science. The blood of a mineralogist flows in my veins, and I never grow weary in the society of my beloved stones.

On the whole, it was possible to live happily in this little house in Königstrasse, notwithstanding the impatience of the owner; for though he had a rough fashion of showing it, he loved me for all that. But, the fact was, he was a man who could not wait, and was in a greater hurry than nature.

When he used to plant mignonette and convolvuluses in his terra-cotta pots in the spring, every morning he went regularly and pulled their leaves, to hasten their growth.

With such an original, there was no alternative but to obey, so I darted into the study immediately.

II

The study was a complete museum, every specimen of the mineral kingdom was to be found there, all labelled in the most perfect order, in accordance with the three great divisions of minerals—the inflammable, the metallic, and the lithoid.

How well I knew this alphabet of mineralogical science. How many a time, instead of loitering about with boys of my own age, I amused myself by dusting these graphites, and anthracites, and pit coal, and touch-stones; and the bitumens, and the resins, and organic soils, which had to be kept from the least particle of dust; and the metals, from iron up to gold, the relative value of which disappeared before the absolute equality of scientific specimens; and all those stones, enough to build the little house in the Königstrasse over again, and an extra room besides, which I would have fitted up so nicely for myself.

But when I entered the study now, I scarcely thought of those wonders. My mind was entirely occupied with my uncle. He had buried himself in his big arm-chair, covered with Utrecht velvet, and held a book in his hands, gazing at it with the most profound admiration.

“What a book! What a book!” he exclaimed.

This reminded me that Professor Lidenbrock was also given to bibliomania in his leisure moments; but an old book would have had no value in his eyes unless it could not be found anywhere else, or, at all events, could not be read.

“What! don’t you see it, then?” he went on. “It is a priceless treasure! I discovered it this morning while I was rummaging about in Hevelin’s, the Jew’s shop.”

“Magnificent!” I replied with forced enthusiasm.

Really, what was the good of making such a fuss about an old quarto volume, the back and sides of which seemed bound in coarse calf—a yellowish old book, with a faded tassel dangling from it?

However, the professor’s vocabulary of adjectives was not yet exhausted.

“Look!” he said, asking himself questions, and answering them in the same breath; “is it handsome enough? Yes; it is first-rate. And what binding! Does it open easily? Yes, it lies open at any page, no matter where. And does it close well? Yes; for binding and leaves seem in one completely. Not a single breakage in this back after 700 years of existence! Ah! this is binding that Bozerian, Closs, and Purgold might have been proud of!”

All the while he was speaking, my uncle kept opening and shutting the old book. I could not do less than ask him about the contents, though I did not feel the least interest in the subject.

“And what is the title of this wonderful volume?” I asked.

“The title of it?” he replied, with increased animation. “The title is ‘Heims Kringla,’ by Snorre Turleson, the famous Icelandic author of the twelfth century. It is the chronicle of the Norwegian princes who reigned in Iceland.”

“Indeed!” I said, doing my best to appear enthusiastic. “And it is translated into German, of course?”

“Translated!” cried the professor, in a sharp tone. “What should I do with a translation? Who cares for translations? It is the original work, in the Icelandic—that magnificent idiom at once grand and simple—which allows of the most varied grammatical combinations and most numerous modification of words.”

“Like German,” I said, making a lucky hit.

“Yes,” replied my uncle, shrugging his shoulders; “without taking into account that the Icelandic language has the three numbers like the Greek, and declines proper names like the Latin.”

“Does it?” said I, a little roused from my indifference. “And is the type good?”

“Type? Who is talking of type, you poor, ignorant Axel. So, you suppose this was printed! You ignoramus! It is a manuscript, and a Runic manuscript, too.”

“Runic?”

“Yes. Are you going to ask me to explain that word, next?”

“Not if I know it,” I replied, in a tone of wounded vanity.

But my uncle never heeded me, and went on with his instructions, telling me about things I did not care to know.

“The Runic characters were formerly used in Iceland, and, according to tradition, were invented by Odin himself. Look at them, and admire them, impious young man!—these types sprang from the imagination of a god.”

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Table of Contents

1 My Uncle Lidenbrock 1
2 The Stange Parchment 7
3 My Uncle is Baffled 13
4 I Find the Key 21
5 Hunger Defeats Me 26
6 I Argue in Vain 33
7 Getting Ready 42
8 The First Stage 50
9 We Reach Iceland 58
10 Our First Dinner in Iceland 66
11 Our Guide Hans 72
12 Slow Progress 79
13 Icelandic Hospitality 85
14 A Final Argument 92
15 The Summit of Sneffels 99
16 Inside the Crater 106
17 Our Real Journey Begins 113
18 Ten Thousand Feet Below Sea-Level 119
19 Upwards Again 126
20 A Dead End 132
21 The New Columbus 138
22 I Collapse 144
23 We Find Water 148
24 Under the Sea 154
25 A Day of Rest 159
26 Alone 165
27 Lost and Panic-Stricken 169
28 I Hear Voices 173
29 Saved 179
30 An Underground Sea 184
31 The Raft 193
32 We Set Sail 199
33 A Battle of Monsters 207
34 The Great Geyser 215
35 The Storm 221
36 An Unpleasant Shock 228
37 A Human Skull 235
38 The Professor Gives a Lecture 240
39 Man Alive 247
40 We Meet an Obstacle 255
41 Down the Tunnel 261
42 Going Up 267
43 Shot Out of a Volcano 274
44 Back to the Surface 281
45 Home Again 288
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First Chapter

I

It was on Sunday, the 24th of May, 1863, that my uncle, Professor Lidenbrock, came rushing suddenly back to his little house in the old part of Hamburg, No. 19, Königstrasse.

Our good Martha could not but think she was very much behindhand with the dinner, for the pot was scarcely beginning to simmer, and I said to myself:

"Now, then, we'll have a fine outcry if my uncle is hungry, for he is the most impatient of mortals."

"Mr. Lidenbrock, already!" cried the poor woman, in dismay, half opening the dining-room door.

"Yes, Martha; but of course dinner can't be ready yet, for it is not two o'clock. It has only just struck the half-hour by St. Michael's."

"What brings Mr. Lidenbrock home, then?"

"He'll probably tell us that himself."

"Here he comes. I'll be off, Mr. Axel; you must make him listen to reason."

And forthwith she effected a safe retreat to her culinary laboratory.

I was left alone, but not feeling equal to the task of making the most irascible of professors listen to reason, was about to escape to my own little room upstairs, when the street-door creaked on its hinges, and the wooden stairs cracked beneath a hurried tread, and the master of the house came in and bolted across the dining-room, straight into his study. But, rapid as his flight was, he managed to fling his nutcracker-headed stick into a corner, and his wide-brimmed rough hat on the table, and to shout out to his nephew:

"Axel, follow me."

Before I had time to stir he called out again, in the most impatient tone imaginable:

"What! Not here yet?"

In an instant I was on my feet and in the study of mydreadful master.

Otto Lidenbrock was not a bad man. I grant that, willingly. But, unless he mightily changes, he will live and die a terrible origi- nal.

He was professor in the Johannæum, and gave the course of lectures on mineralogy, during which he regularly put himself into a passion once or twice. Not that he troubled himself much about the assiduity of his pupils, or the amount of attention they paid to his lessons, or their corresponding success. These points gave him no concern. He taught subjectively, to use a German philosophical expression, for himself, and not for others. He was a selfish savant— a well of science, and nothing could be drawn up from it without the grinding noise of the pulleys: in a word, he was a miser.

There are professors of this stamp in Germany.

My uncle, unfortunately, did not enjoy great facility of pronunciation, unless he was with intimate friends; at least, not when he spoke in public, and this is a deplorable defect in an orator. In his demonstrations at the Johannæum the professor would often stop short, struggling with some obstinate word that refused to slip over his lips—one of those words which resist, swell out, and finally come forth in the anything but scientific shape of an oath. This put him in a great rage.

Now, in mineralogy, there are many names difficult to pronounce—half Greek, half Latin, barbarous appellations which would blister the lips of a poet. I have no wish to speak ill of the science. Far from it. But when one has to do with rhomboidal crystallisations, retinasphaltic resins, galena favosite, molybdates of lead, tungstates of manganese, and titanites of zircon, the most nimble tongue may be allowed to stumble.

The townsfolk were aware of this pardonable infirmity of my uncle's, and they took advantage of it, and were on the watch for the dangerous passages; and when he put himself in a fury laughed at him, which was not in good taste, even for Germans. His lectures were always very numerously attended, but how many of those who were most regular auditors came for anything else but to make game of the professor's grand fits of passion I shouldn't like to say. Whatever my uncle might be, and I can hardly say too much, he was a true savant.

Though he sometimes broke his specimens by his rough handling, he had both the genius of a geologist and the eye of a mineralogist. With his hammer and steel pointer and magnetic needle, his blow-pipe and his flask of nitric acid, he was a master indeed. By the fracture, the hardness, the fusibility, the ring, the smell, of any mineral whatever, he classed it without hesitation among the six hundred species science numbers to-day.

The name of Lidenbrock was consequently mentioned with hon-our in gymnasiums and national associations. Humphry Davy, Humboldt, and Captains Franklin and Sabine, paid him a visit when they passed through Hamburg. Becqueul, Ebolmann, Brewster, Dumas, Milne-Edwards, Sainte Clarice Deville, took pleasure in consulting him on the most stirring questions of chemistry, a science which was indebted to him for discoveries of considerable importance; and in 1853 a treatise on Transcendent Crystallography, by Professor Otto Lidenbrock, was published at Leipsic, a large folio, with plates, which did not pay its cost, however.

Moreover, my uncle was curator of the Museum of Mineralogy, belonging to M. Struve, the Russian ambassador, a valuable collection, of European celebrity.

Such, then, was the personage who summoned me so impatiently.

Fancy to yourself a tall, spare man, with an iron constitution, and a juvenile fairness of complexion, which took off full ten years of his fifty. His large eyes rolled about incessantly behind his great goggles; his long thin nose resembled a knife-blade; malicious people declared it was magnetised, and attracted steel filings—a pure calumny; it attracted nothing but snuff, but, to speak truth, a super-abundance of that. When I have added that my uncle made mathematical strides of three feet at every step, and marched along with his fists firmly clenched—a sign of an impetuous temperament—you will know enough of him not to be over-anxious for his company.

He lived in his little house in Königstrasse, a dwelling built partly of brick and partly of stone, with a crenated gable-end, which looked on to one of those winding canals which intersect each other in the centre of the oldest part of Hamburg, which happily escaped the great fire in 1842.

The old house leaned forward slightly, and bulged out towards the passers-by. The roof inclined to one side, in the position a German student belonging to the Tugendbund wears his cap. The perpendicular of the house was not quite exact, but, on the whole, the house stood well enough, thanks to an old elm, firmly imbedded in the façade, which pushed its flower buds across the window-panes in spring.

My uncle was pretty rich for a German professor. The house was his own, and all its belongings. These belongings were his godchild Gräuben, a Virland girl, seventeen years old, his servant Martha, and myself. In my double quality of nephew and orphan, I became his assistant in his experiments.

I must confess I have a great appetite for geological science. The blood of a mineralogist flows in my veins, and I never grow weary in the society of my beloved stones.

On the whole, it was possible to live happily in this little house in Königstrasse, notwithstanding the impatience of the owner; for though he had a rough fashion of showing it, he loved me for all that. But, the fact was, he was a man who could not wait, and was in a greater hurry than nature.

When he used to plant mignonette and convolvuluses in his terra-cotta pots in the spring, every morning he went regularly and pulled their leaves, to hasten their growth.

With such an original, there was no alternative but to obey, so I darted into the study immediately.

II

The study was a complete museum, every specimen of the mineral kingdom was to be found there, all labelled in the most perfect order, in accordance with the three great divisions of minerals—the inflammable, the metallic, and the lithoid.

How well I knew this alphabet of mineralogical science. How many a time, instead of loitering about with boys of my own age, I amused myself by dusting these graphites, and anthracites, and pit coal, and touch-stones; and the bitumens, and the resins, and organic soils, which had to be kept from the least particle of dust; and the metals, from iron up to gold, the relative value of which disappeared before the absolute equality of scientific specimens; and all those stones, enough to build the little house in the Königstrasse over again, and an extra room besides, which I would have fitted up so nicely for myself.

But when I entered the study now, I scarcely thought of those wonders. My mind was entirely occupied with my uncle. He had buried himself in his big arm-chair, covered with Utrecht velvet, and held a book in his hands, gazing at it with the most profound admiration.

"What a book! What a book!" he exclaimed.

This reminded me that Professor Lidenbrock was also given to bibliomania in his leisure moments; but an old book would have had no value in his eyes unless it could not be found anywhere else, or, at all events, could not be read.

"What! don't you see it, then?" he went on. "It is a priceless treasure! I discovered it this morning while I was rummaging about in Hevelin's, the Jew's shop."

"Magnificent!" I replied with forced enthusiasm.

Really, what was the good of making such a fuss about an old quarto volume, the back and sides of which seemed bound in coarse calf—a yellowish old book, with a faded tassel dangling from it?

However, the professor's vocabulary of adjectives was not yet exhausted.

"Look!" he said, asking himself questions, and answering them in the same breath; "is it handsome enough? Yes; it is first-rate. And what binding! Does it open easily? Yes, it lies open at any page, no matter where. And does it close well? Yes; for binding and leaves seem in one completely. Not a single breakage in this back after 700 years of existence! Ah! this is binding that Bozerian, Closs, and Purgold might have been proud of!"

All the while he was speaking, my uncle kept opening and shutting the old book. I could not do less than ask him about the contents, though I did not feel the least interest in the subject.

"And what is the title of this wonderful volume?" I asked.

"The title of it?" he replied, with increased animation. "The title is ‘Heims Kringla,' by Snorre Turleson, the famous Icelandic author of the twelfth century. It is the chronicle of the Norwegian princes who reigned in Iceland."

"Indeed!" I said, doing my best to appear enthusiastic. "And it is translated into German, of course?"

"Translated!" cried the professor, in a sharp tone. "What should I do with a translation? Who cares for translations? It is the original work, in the Icelandic—that magnificent idiom at once grand and simple—which allows of the most varied grammatical combinations and most numerous modification of words."

"Like German," I said, making a lucky hit.

"Yes," replied my uncle, shrugging his shoulders; "without taking into account that the Icelandic language has the three numbers like the Greek, and declines proper names like the Latin."

"Does it?" said I, a little roused from my indifference. "And is the type good?"

"Type? Who is talking of type, you poor, ignorant Axel. So, you suppose this was printed! You ignoramus! It is a manuscript, and a Runic manuscript, too."

"Runic?"

"Yes. Are you going to ask me to explain that word, next?"

"Not if I know it," I replied, in a tone of wounded vanity.

But my uncle never heeded me, and went on with his instructions, telling me about things I did not care to know.

"The Runic characters were formerly used in Iceland, and, according to tradition, were invented by Odin himself. Look at them, and admire them, impious young man!—these types sprang from the imagination of a god."
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Reading Group Guide

The intrepid Professor Lindenbrock embarks upon the strangest expedition of the nineteenth century: a journey down an extinct Icelandic volcano to the Earth's very core. In his quest to penetrate the planet's primordial secrets, the geologist—together with his quaking nephew Axel and their devoted guide, Hans—discovers an astonishing subterranean menagerie of prehistoric proportions. Verne's imaginative tale is at once the ultimate science fiction adventure and a reflection on the perfectibility of human understanding and the psychology of the questor. As David Brin notes in his Introduction, though Verne never knew the term "science fiction," Journey to the Centre of the Earth is "inarguably one of the wellsprings from which it all began."

1. Deciphering Arne Saknussemm's parchment does not come easily to Professor Lidenbrock, the profound analyst. Indeed, Verne has shown us, right from the start, that he will not take his audience's suspension of disbelief for granted. Discuss the role of logic in the novel; how does Verne's meticulous manipulation of science and history increase the believability–and ultimately the reader's enjoyment–of the adventure?

2. Dwelling on their shared hardships, Axel says, "My uncle bore them like a man who is angry with himself for yielding to weakness: Hans, with the resignation of his placid nature; and I, to speak the truth, complaining and despairing the whole time. I could not bear up against this stroke of ill-fortune." Compare Professor Lidenbrock, Axel, and Hans in terms of intellect, bravery, determination, and humor. How does each of their personal skills come into play in times of crisis, and how do theirshortcomings complicate the journey? Does Hans, the Icelandic guide of superhuman devotion, even have a weakness? If not, how does this affect your evaluation of him as a whole character?

3. Ingenuity and adaptability are vital to the explorers' success. Trace the many instances of resourcefulness in the novel, considering the adventurers' ingenious use of simple phenomena such as gravity, acoustics, and natural propulsion. How does this relate to David Brin's assertion in the Introduction: "Destiny– readers learned–was something you might craft with your own clever hands."

4. The long and often monotonous trek down to the earth's core poses some plot challenges for Verne. With only three characters, one goal, and little change in scenery, how does Verne create suspense in order to sustain the reader's interest?

5. Compare the competing characterizations of science in the novel: "When science has spoken, it is for us to hold our peace" versus "Science is eminently perfectible." Discuss how Verne's novel can be read as a tribute to scientific progress and the pluck of the explorer who contradicts accepted fact in search of greater truths.

6. Describe Axel's sublime hallucination on the subterranean ocean and the "abyss attraction" which overtakes him earlier in his descent. Why is Axel particularly affected by the romantic conception of the sublime?

7. How is Gräuben a "necessary" character, not only in the beginning but throughout the novel? Evaluate Brin's assertion in the Introduction that "science fictional women tend to be bolder than their eras, and science fictional men seem to like it that way."

8. Describe the subterranean world that the journeyers discover. How does Verne account for the underground ocean and the blanched species of flora and fauna? Did Verne's exposition of this primitive world meet your expectations? What surprises would have been in store in your own imaginative rendering of this peculiar environment?

9. How can Journey to the Centre of the Earth be interpreted as a psychological quest? Consider the roles of ambition, despair, and hope in the novel. Is the journey ultimately more important than the final outcome?

10. Jules Verne's extraordinary tales continue to fascinate readers because they capture the thrill of the unknown. In his Introduction, David Brin writes, "Verne knew what his contemporaries did not. . . . For his tales to continue taking hardy adventurers into strange locales, he would have to redefine the very idea of wilderness, the whole notion of a frontier." Why does the notion of the frontier continue to fascinate us? In this Internet age of globalization and routine space travel, what frontiers are left to science fiction? If not physical, might these remaining frontiers be mental and moral?

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Customer Reviews

Average Rating 3.5
( 170 )
Rating Distribution

5 Star

(51)

4 Star

(53)

3 Star

(35)

2 Star

(10)

1 Star

(21)

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See All Sort by: Showing 1 – 20 of 171 Customer Reviews
  • Anonymous

    Posted March 8, 2012

    TERRIBLE formatting errors make this unreadable

    Nearly 30% of the words here are misspelled and require guessing what they might mean. It's so sad that such a great story has been so badly mishandled.

    5 out of 6 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 2, 2010

    more from this reviewer

    Now What I Expected

    I really looked forward to reading this book because it is a classic I had heard about off and on. I was sadly disappointed in the monotony and drawn out literary style. I had expected some action and adventure, but wound up with a very dull story. From what I can gather, there may be other versions of this story, but it's hard to say which one is the one really written by Jules Verne. I bought another copy, and just reading the first page it is completely different, so perhaps that one will contain more excitement. I certainly wouldn't recommend this copy.

    4 out of 7 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted March 6, 2010

    more from this reviewer

    A classic that I'm glad I read

    With an attempt to get into reading, my husband bought me the nook for Christmas. I decided that I wanted to start off by reading Journey to the Centre of the Earth. It took me several weeks to read this book in 30-60 minute sessions before bed, and I didn't read it every night. Today I noticed I had 30 pages left so I quickly finished the book. I was thrilled to actually read a classic novel.

    The ebook itself had misspellings, but that was to be expected. It helps to have an understanding of science to make sense of certain aspects and to be prepared for an older version of English writing when attempting to read. I would recommend it to people who aren't put off by pessimism. One downfall that I found was the 9 lives the characters have. No matter how many times he almost died, he prevailed. You know the main character survived, or how else would he be writing this book in such a narrative manner? I prefer surprises and unexpected twists which were not found in this book.

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 1, 2012

    Wonderful

    Great classic

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 10, 2012

    Outstanding classic.

    Outstanding classic.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 20, 2012

    Pretty good but hard to read

    This book is good. However, this has WAY too many typoes and strange symbols. I had to get a library book and read that to understand this. You should do the same.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 17, 2012

    Lots of typos

    Too many typos at the beginning. Realy a shame because its a good book.

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 3, 2012

    Journey to the center of the earth

    This was a nice classic book and i really enjoyed it. It takes you on and theres alot of detail involved and leaves you longing for an adventure of your own.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 6, 2014

    To: READ!!!!!!!!!!!!!!!!

    What does that mean?

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 23, 2014

    Great

    This is an amazing book.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 19, 2014

    Hand full of typos but easily readable

    Has many typos but on very few ocasions can you not figure out the word it means. Overall very good book.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 19, 2014

    Wierd symbols

    There were wierd symbols in my copy and typos everywhere.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 8, 2014

    Fun Fun.Fun .Fun

    A faithful guide and dangerus adventure.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 2, 2013

    READ!!!!!!!!!!!!!!!!!!!

    Does not deserve any stars. I am not reading anything by Jules Verne. Deserves —124689854214680986541356890 stars

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 5, 2013

    Good

    I like this book

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 15, 2013

    To Terrible OCR job

    It may have a few errors but you need to shape up.

    P.S. YOU SUCK

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 2, 2013

    *GREAT* OCR job

    And by great i mean terribble. Many words misspelled, and garbage charecters. Dont bother unless you can decypher it like me.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 12, 2013

    Good

    I watched the movie to both books the mysterious and this one and sean hottie.
    PS hes the guy who plays peeta in the hunger games

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 24, 2013

    Awful

    I wish all the words were not wrong!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 16, 2013

    Book first...

    This was a book first and then amovie @ least twice. James Mason was in an older movie version

    0 out of 1 people found this review helpful.

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See All Sort by: Showing 1 – 20 of 171 Customer Reviews

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