Journey to the River Sea

Journey to the River Sea

4.6 18
by Eva Ibbotson

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Sent with her governess to live with the dreadful Carter family in exotic Brazil in 1910, Maia endures many hardships before fulfilling her dream of exploring the Amazon River. See more details below


Sent with her governess to live with the dreadful Carter family in exotic Brazil in 1910, Maia endures many hardships before fulfilling her dream of exploring the Amazon River.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Ibbotson (Island of the Aunts) offers another larger-than-life adventure featuring lovable heroes and heroines, nasty villains, much hilarity and a deliciously gnarled plot. In 1910, Maia, an English orphan, accompanied by her newly appointed governess, Miss Minton, sets off to Brazil to live with distant cousins. She dreams of exploring the banks of the Amazon and viewing exotic wildlife, but her self-serving cousins and their spoiled twin daughters despise the outdoorsDalmost as much as they despise Maia. The heroine feels like a prisoner, forced to live inside the "dark clinical green" walls of her relatives' bungalow. Her life would be dismal indeed, if she didn't sneak out every once in a while to meet up with two other orphans with whom she has crossed paths: Clovis, a traveling actor, who longs to return to England, and Finn, a rich heir, who would rather live with the "Indians" than be sent to the British estate where his grandfather eagerly awaits his arrival. Suspense steadily rises as all three of the children attempt to escape their undesired fates. Thanks to a series of surprising coincidences and strokes of good luck, the orphans manage to change their destinies. Although the book's d nouement drags on a bit long, readers will come away with the satisfaction of knowing that the good guys are amply rewarded with bright futures and the bad guys get their just deserts. Ages 10-up. (Dec.) Copyright 2001 Cahners Business Information.
This charming adventure story contradicts my own definition of a YA novel, but let me recommend it to middle school readers anyway. The main characters are highly competent and intelligent adolescents but they are referred to throughout as children. Try to overlook that. There is a classic British children's literature motif: orphan girl in boarding school gets a chance to travel to exotic places in search of a real home. The time is 1910 and Maia is our hero. Her parents, Egyptian archaeologists, were killed in an accident and wealthy Maia has a guardian who seeks the world over to find some distant relatives to take her in. Guess where these cousins live? On a rubber plantation in the Amazon! The guardian hires a governess to accompany Maia on the lengthy voyage; this indomitable woman, Miss Minton, turns out to be another major hero in search of her own adventure. The two, once in the Amazon, have to use every bit of their wits to persevere against the ghastly relatives, whose excesses provide wonderful comic relief. There is suspense—two detectives are searching the area for an heir to a massive estate back in England, but this young man, half Indian, wants to elude his captors and remain on the river. Of course Maia and Finn (yes, he is a sort of Huckleberry Finn) become allies and perhaps more than that: they don't want to be parted. Their life on the river, the flora and fauna, the eccentric colonialists, and how Maia and Finn outsmart everyone (except Miss Minton, who is really on their side) make a rousing tale. Of course it isn't realistic, but it is believable, thanks to Ibbotson's marvelous writing. It's escapist literature in the best sense of the word: astory that transports the reader to a vividly described exotic world for the sheer fun of it. KLIATT Codes: J*—Exceptional book, recommended for junior high school students. 2001, Penguin Putnam, Dutton, 284p., $17.99. Ages 13 to 15. Reviewer: Claire Rosser; KLIATT , November 2001 (Vol. 35, No. 6)
Journey to the River Sea is similar to the Harry Potter series, but without the sorcery. There is an "every girl" orphan treated poorly by her relatives, a hero's quest, a case of mistaken identity, sly British humor, and a wild journey down the Amazon. It is 1910, and young Maia has been living in a British boarding school in London ever since her parents' accidental death on an archeological dig. Although she is fairly happy at school, Maia longs for adventure. Unexpectedly, adventure arrives when distant relatives of young Maia request her presence on their rubber plantation in Brazil. Accompanied by a governess, Maia ventures forth to live with her Brazilian relatives, but along the way, discovers that her relatives are more interested in Maia's inherited fortune than in Maia herself. As it turns out, Maia is able to escape the wrath of her greedy relatives through the help of new found friends, and her strongest ally, her governess. Together, they outwit the relatives, and live another day to embark on still more journeys to see the world. This is a wonderful adventure tale with the added advantage of a female protagonist. 2001, Dutton Children's Book, 336 pp.,
— Cindi Carey
Children's Literature
The story opens when Maia, an orphaned young girl in a 1900's London boarding school, learns that she has relatives in Brazil who have sent for her. A book with a "tattered spine" tells her the Amazon can be either a "hell or a heaven" based on your perceptions and suggests "those who go with courage and an open mind may find themselves in Paradise." Maia has an open mind and proves this when she accepts Miss Minton as a governess and companion even thought this tall, gaunt, black-clad woman, "looked more like a rake than a human being." While traveling, Maia dreams about the fascinating animals and twin cousins who will welcome her in Brazil. Readers understand long before Maia that her relatives care solely about the income that arrives with her. Maia's quirky relatives create much of the story's richness. Maia's uncle fails at whatever he undertakes, except collecting glass eyeballs. Her aunt is bound and determined to impose English standards on a country that is tough to tame, and Maia's cousins are disagreeable and spoiled. Maia is not allowed to mix with either the fascinating natives around her, nor investigate the intriguing country. Maia is in Amazon Hell and she puts up with sour moods, a boring course of study, horrid canned food, and inferior status for most of the novel. At every opportunity, Maia's positive and curious nature shows. She continually reaches out to new friends, mysterious peoples, and the fascinating culture around her. Miss Minon is reserved, but readers see how she is stilling her own sense of adventure in order to protect Maia. By the story's end, Maia and Miss Minon reject the standards imposed on them and find heaven in the Amazon. The contrast betweenMaia's trusting approach to life and the coldness that often surrounds her lead us to cheer for this well-drawn character and her eventual triumph. 2003 (orig. 2001), Puffin, Ages 9 up.
— Susie Wilde
Orphaned Maia lives in 1910 London. Accompanied by her governess, Miss Minton, Maia travels to Brazil to live with her newly discovered relatives in the Amazon jungle. Maia envisions adventures with her newfound family, but what a group of characters they are! Mr. Carter, a thief on the run, fled London and now operates a failing rubber plantation. Mrs. Carter is obsessed with exterminating—unsuccessfully—every bug in her home and refuses to adapt to anything local, from food to culture. Their twin daughters, Beatrice and Gwendolyn, are the stereotypical stepsisters—greedy, stupid, haughty, and mean to Maia, whose only delight is learning about the Brazilian culture from Miss Minton and local inhabitants. A young actor whom Maia befriended on the voyage over arrives with his acting troupe to perform. She also strikes up a friendship with Finn, a local Indian boy, who turns out to be the son of the recently deceased naturalist, Mr. Taverner. Things come to a head when English agents arrive to return Mr. Taverner's son to England, although they do not know what he looks like. Maia willingly becomes involved in a plot to thwart the agents, thus allowing Finn to remain in his beloved jungle. There are many plot coincidences so that loose ends can be tied, but there is still satisfaction in the end. Refreshingly, not everything is spelled out, and readers might draw their own conclusions as to motivations of characters. Maia's eagerness to explore and experience a foreign land is portrayed successfully. The character's ages are never mentioned, but this omission might allow for a wider audience than intended. VOYA CODES:3Q 4P M J (Readable without serious defects;Broadgeneral YA appeal;Middle School, defined as grades 6 to 8;Junior High, defined as grades 7 to 9). 2001, Dutton, 336p, $17.99. Ages 11 to 15. Reviewer:Jane Van Wiemokly—VOYA, December 2001 (Vol. 24, No. 5)
School Library Journal
Gr 5-8-Maia, an orphan, is attending a London girls' school in 1910 when she learns she has relatives who live on a rubber farm near Manaus on the Amazon River. Excited about living in this exotic location, she boards ship with her new governess and makes friends with Clovis, a child actor who is longing to go home to England. Upon arrival, Maia discovers that the Carters have a strong aversion to anything Brazilian and never go out. It's also obvious that they've taken her in because of her allowance from her wealthy parents' estate. Worse yet, their twin daughters are conniving and nasty. The gregarious and adventuresome girl perseveres with the help of her supportive governess and befriends the natives she meets when she sneaks out of the house. The plot accelerates when she becomes involved in a plan to save Finn, a boy of both indigenous and English heritage, from being sent back to England and his dreaded relatives. Finn and Maia scheme to have Clovis disguise himself as Finn and return in his place. The plot is rich in drama, suspense, hints of romance, and a sense of justice. The country's natural beauty and the time period come to life. Maia is a strong heroine who steers her way clear against all odds, including near death. Adventure lovers who enjoyed Avi's The True Confessions of Charlotte Doyle (Orchard, 1990) and Sharon Creech's The Wanderer (HarperCollins, 2000) will devour this one and wish that it would continue.-Jean Gaffney, Dayton and Montgomery County Public Library, Miamisburg, OH Copyright 2001 Cahners Business Information.
Kirkus Reviews
Known for witty, entertaining fantasies, Ibbotson (Dial-a-Ghost, p. 744, etc.) dispenses with magic wands and mythical creatures here and dishes up her best work yet-a topnotch 1910 adventure featuring exotic, vividly evoked locales, a caricature-rich cast filled with likeable (as well as thoroughly despicable) characters, and enough plot to fill an entire trilogy. Two years after the death of her parents, young Maia departs London's Mayfair Academy For Young Ladies for Manaus, a remote town on the Amazon where the Carters, distant relatives, have at last been located. With her travels a new governess, Miss Arabella Minton, outwardly a cross between Mary Poppins and Atilla the Hun, inwardly a canny, resourceful, big-hearted sort with sadness in her past. Together, Maia and Miss Minton confront the Carters, as dysfunctional a crew as ever was, and also become involved in rescuing two more young orphans-one a penniless actor, the other a scion of a wealthy British aristocrat's black-sheep son-from unpleasant fates. While skillfully weaving together numerous plot lines and suspense-intensifying complications-Maia and Miss Minton, for instance, love but do not come to understand or trust each other until nearly the end-the author gives her four central characters the inner stuff to cope with an array of challenging situations, and rewards them all with bright, diverse futures. And, of course, their prejudiced, mean-spirited adversaries get what they deserve in full measure. With a rain forest steeped in beauty and mystery for backdrop, this romp will transport not just Ibbotson's fans, but legions of Potterites and their ilk as well. Illustrations not seen. (Fiction. 11-13)
From the Publisher
Adventure lovers will devour this one and wish that it would continue. (School Library Journal, starred review)

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Product Details

Macmillan UK
Publication date:
Edition description:
Product dimensions:
6.11(w) x 8.11(h) x 1.11(d)
Age Range:
9 - 12 Years

Meet the Author

Eva Ibbotson, born Maria Charlotte Michelle Wiesner (21 January 1925 - 20 October 2010), was an Austrian-born British novelist, known for her children's books. Some of her novels for adults have been successfully reissued for the young adult market in recent years. For the historical novel Journey to the River Sea (Macmillan, 2001), she won the Smarties Prize in category 9-11 years, garnered unusual commendation as runner up for the Guardian Prize, and made the Carnegie, Whitbread, and Blue Peter shortlists. She was a finalist for the 2010 Guardian Prize at the time of her death. Her last book, The Abominables, was one of eight books on the longlist for the same award in 2012.

Read an Excerpt




Ghosts and hags, wizards and banshees, mermaids and mistmakers—allare part of the magical worlds that Eva Ibbotson creates in her fantasy books for children. Even her more realistic stories are set in exotic places like the Amazon River in South America, where the natural world creates a mystical sense of wonder. Ibbotson introduces us to an array of fascinating characters and creatures: some from real life, some from folklore and mythology, and some completely original. What readers discover in her books is a love for the natural world in all its forms, plus fast-moving plots that emphasize the importance of showing kindness to others and never being quick to judge those who are different from ourselves. Humor plays an important role in her stories, for they are meant to be entertaining above all. Yet long after the last page is turned, the deeper meanings that emerge from these rollicking adventures linger in the reader's mind.

About the Books


Miss Pringle and Mrs. Mannering run an agency that matches ghosts who need a home with people who want their dwellings haunted. And they do a very good job of it... until an error by their hapless office boy mixes up two assignments. This mistake is disconcerting to the nuns who requested a family of quiet ghosts for their old country abbey and end up with the Shriekers, a couple who scream constantly and terrorize the livestock. But it's a very fortunate error for Oliver, a small boy whose scheming cousins hoped the Shriekers would frighten him to death so that they could take over his inheritance, a huge manor house. When the gentle Wilkinson family arrives at Helton Hall instead, they immediately befriend the boy, and he is delighted to have such kindly ghost company. They decide to help Oliver escape the clutches of his evil cousins, Fulton and Frieda Snodde-Brittle. But Fulton has more wicked plans of his own. Dial-a-Ghost is a fast-moving romp through a plot with more twists and turns than you can count and a cast of characters who are loving and heartless, comfortable and cruel, charming and chilling, whether they are made of flesh or ectoplasm.

Island of the Aunts

Etta, Coral, and Myrtle tend to the needs of a number of remarkable creatures on the Island, a place forgotten by most people—and they are very happy to keep it that way. But the three sisters are getting on in years and need help caring for their assortment of seals, fish, mermaids, birds, and other sea creatures. So they decide to kidnap some children to be their assistants. Each poses as a hired "aunt" from a London agency, and soon they return to the Island with their stolen charges. Minette and Fabio, confused at first, grow to love the Island and its many unusual creatures. They keep putting off their escape back to their troubled homes. But Lambert, the boy Myrtle kidnapped, is a pampered brat who refuses to believe any of the Island's inhabitants actually exist. When Lambert uses his cell phone to call his father, the whole Island way of life is threatened by Mr. Sprott's scheme to turn the place into an amusement park. He doesn't reckon, however, on the power—and anger—of the most magical creature of all, a larger-than-life spirit of the sea, the kraken.

Journey to the River Sea

Maia feels at home in the boarding school where she lives in London, in 1910. It is the only home she has known since her parents died two years earlier. When distant cousins are discovered 4,000 miles away, Maia must travel to the exotic Amazon River town of Manaus to live with them. She is accompanied on her journey by a governess, the imposing Miss Minton, who has her own secret reasons for accepting a post so far from home. They arrive in South America and soon discover that the Carters, Maia's cousins, are selfish and greedy people who isolate themselves from the wild beauty of the countryside around them. With the help of her clever governess, Maia finds moments of brief escape from their stifling home and makes friends with a strange Indian boy named Finn and a homesick child actor called Clovis. Soon she is swept up in the human intrigues and natural wonders of the world around her. As she helps her new friends to follow their dreams and desires, Maia learns what is most important to her and where her own future will lie.

The Secret of Platform 13

Hidden under Platform 13 in King's Cross Station is a gump, a secret entrance to another world. This doorway opens only for nine days every nine years. During those nine days, beings are free to come and go between our world and a magical Island, where fantastic creatures and humans live together sensibly and peacefully, shrouded from view by the hazy clouds created by lovable animals known as mistmakers. When the infant prince of the Island is kidnapped to our world by the unpleasant Mrs. Trottle, a strange band of rescuers is assembled nine years later to bring him back, and a fast-paced tale of magic, mayhem, and mistaken identity ensues. At first the rescuers are delighted to meet Ben, a sweet boy who could be the prince in spite of his lowly status in the Trottle house. But it soon becomes apparent that the real prince must be Raymond, the Trottles' rather obnoxious, spoiled son. Raymond, however, has no interest in leaving his pampered life for a mystical island. One of the rescuers, a young hag named Odge Gribble, is a tough, no-nonsense type who is determined on success. What she doesn't expect is that, in the end, she'll care much more about being a friend than a hero.

Which Witch?

Arriman is a very dark wizard, proud of his skills, but feeling bored and weary. Consulting a fortune-teller, he learns that a replacement wizard will arrive to relieve him of his duties, but he grows impatient waiting and decides that he must marry to produce an heir. The problem is finding a wife. The only wife for a wizard must be a witch, of course, but which witch? How to decide? The only way seems to be to hold a contest for the local witches. One glimpse of Arriman convinces Belladonna that she must win. But what chance does a white witch have of doing the dark magic worthy of a wizard's heart? Belladonna finds unlikely but effective allies in a foundling named Terence and his pet earthworm, Rover. Rover seems to be a powerful witch's familiar, an animal capable of inspiring very black magic. Belladonna might win. But then Madame Olympia, a skilled sorceress, arrives from London to compete, and the magical earthworm mysteriously disappears. Belladonna's chances become slim at best until events take a surprising turn that even Madame Olympia could not have predicted.



Eva Ibbotson was born in Vienna, Austria, in the years before World War II. Her mother was a playwright and her father a scientist, but the marriage was unhappy and they soon went their separate ways. Eva's early childhood was spent shuttling back and forth in trains across Europe, from one parent to the other. When Hitler rose to power, Eva's father went to Great Britain, and her mother, after remarriage to a Russian philosopher, soon followed him. Eva switched languages and spent the rest of her childhood in a progressive boarding school, striving to become British. After taking a degree in Physiology at London University, she went on to do research at the University of Cambridge, but she found the experiments she had to perform on living animals very distressing. The results of her experiments were "peculiar," she relates, so when a fellow student, Alan Ibbotson, suggested she could do less harm to science by leaving it and marrying him, she accepted without hesitation. The couple moved to Newcastle, in the north of England, where they raised four children and Eva began writing short stories. When the youngest son started school, she wrote her first full-length novel for children and continued to write for children and adults alternately, much to the delight of her many readers.

The National Trust
The National Trust is an organization dedicated to the preservation of the countryside, coastline, and important buildings and gardens in England, Wales, and Northern Ireland. This site lists interesting places to visit.

National Geographic
Site of the National Geographic Society. Look up maps of London and the Amazon River. Search the sea around the British Isles for places where the Island might be found.

Ghost Watch UK
An English organization that specializes in paranormal investigations. Their site includes stories and anecdotes of people's encounters with ghosts and ghostly phenomena.



Magical beings are central to many of your books. Have you always been interested in the supernatural?

No, curiously I was never particularly interested in the supernatural—quite the contrary. Ghost stories frightened me badly as a child, although I didn't really believe that ghosts existed. I think I began to write about ghosts and witches and magic generally to make children less afraid; to turn these beings into creatures much like us but of course able to do more interesting things. My ghosts and witches are more like underdogs, people on the fringes who need sympathy and help. And the witches in Which Witch? are based on my relatives—the nice witches anyway!

Your main characters all seem to come up against people who are more interested in money and power than in feelings and compassion. Is this a theme you consciously set out to explore in every book?

I think of my books as entertainments, a kind of present I give the reader, and any serious themes that come up are a by-product. But of course when I am creating "baddies" for the purposes of the plot, I find myself choosing people with the characteristics I dislike most—and there is nothing I despise more than financial greed and a lust for power.

Humor is an important element in most of your stories. What do you think is the role that humor plays in shaping our lives and our personalities?

I don't really know how to define humor or how to describe it; it is something you have to show. But I do know that both in my personal life and in my work I would be completely lost without humor...without the ability to turn things upside down, to extract something ridiculous out of the most solemn moment. Incidentally, when I'm writing I find humor—jokes that aren't forced or silly—by far the hardest thing to pull off.

In Journey to the River Sea you have written a more realistic story with a strong theme about the importance of nature to the human spirit. What was your inspiration for this story?

I wrote Journey to the River Sea not long after my husband died. He was a committed naturalist, someone who combined a deep knowledge of animals and plants with a spiritual outlook that had been strengthened by his war service in India and Burma. I think I felt at that time that I needed a rest from my usual fantasy stories—though goodness knows the Amazon landscape is fantastical enough in its own right! I wanted to write a story that was simple and old-fashioned and direct. But I have to say that the reasons one gives for writing anything tend to be made up afterwards. At the time you just find yourself doing it!



  1. The world of nature plays an important role in Eva Ibbotson's books. Often her characters' personalities are shown through their relationship to the natural world and the way they interact with creatures in the wild. Compare the different reactions to nature of these characters: Ben and Raymond; Oliver and Fulton; Minette, Fabio, and Lambert; The Aunts (Etta, Coral, and Myrtle) and Mr. Sprott; Maia and Gwendolyn/Beatrice; Mrs. Carter and Miss Minton; Mr. Carter and Bernard Taverner.

  2. In each of these stories, children must find resources inside themselves to face difficult challenges and changes in their lives, many times without the help of adults. The author says of Maia at the beginning of Journey to the River Sea, "She was afraid...afraid in the way of someone who is alone in the world" (p.2). Which of these characters believes that he or she is alone, and how does that affect the way they face their challenges: Maia, Clovis, Finn, Minette, Fabio, Oliver, Ben, Odge Gribble, Arriman, Terence?

  3. Help can often come from unexpected sources in Ibbotson's stories. Look carefully at each of the books to see which characters or creatures are most helpful to the protagonist. Was it obvious to you as the reader that important help would come in this way? How often were you surprised by the power of the helpers? Have you had this experience in your own life, that help came from unexpected sources?

  4. Many of the evil characters in the books share certain personality traits. What do these characters have in common: Mrs. Trottle, Mr. Sprott, Fulton and Frieda Snodde-Brittle, Mr. and Mrs. Carter, Madame Olympia? What do these characters tell you about the personality traits that the author dislikes? Do you know people who exhibit these qualities?

  5. Showing kindness toward others and especially those who appear to be "different" and "strange" is a quality that is shared by many of the main characters. Discuss the ways in which Maia, Miss Minton, Ben, Belladonna, Oliver, and the Aunts demonstrate this important character trait. What is the author telling us, through these characters, about exhibiting this quality in our own lives? How can we translate this theme from exotic and fantastic settings into our everyday world?

  6. At the end of Journey to the River Sea, Miss Minton says to Mr. Murray, "Perhaps I'm mad—and the professor, too—but I think children must lead big lives...if it is in them to do so" (p. 283). What does she mean by this statement, and how do you interpret the phrase "big lives"? Which characters in the other books are capable of leading "big lives," and which of them are not? Discuss the personality traits that make it possible for children—and adults—to "lead big lives."

  7. Ibbotson says of the Carters, "...they were far too selfish to want anybody, but they needed her [Maia]" (p. 37). What is the difference between wanting and needing somebody or something? Discuss this difference between wanting and needing as you see it in the actions and feelings of Arriman, Belladonna, the Wilkinson family, Oliver, Mrs. Trottle, Ben, Nanny Brown, the Aunts, Minette and Fabio, Maia, Miss Minton, Finn, Clovis, the Carters, and other characters of your own choice. How does it affect your feelings about a character when you make this distinction?

  8. When Maia first reads about the Amazon, she encounters these words: "For whether a place is a hell or a heaven rests in yourself, and those who go with courage and an open mind may find themselves in Paradise" (p. 6). Discuss this idea with relation to the setting of each of the books. How does each character's perception of a place affect the way he or she reacts to that place? How does perception of place affect you in your own life?

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