Interviews
Author Q&A with Erica Bauermeister
What compelled you to write Joy for Beginners?
A few years ago, my sister-in-law, who has been part of a band for years, told me that she was going to celebrate her 50th birthday by singing her first solo concert. There was something so bold and liberating in her declaration, especially as it came from someone who is actually quite shy. I loved the audacity of it, the courage behind it, and it gave me the idea for a book. In the end, a group of seven women characters showed up in my imagination, ranging in age and personality and facing an equally eclectic group of challenges, but that first idea of reaching beyond what is comfortable remained the same.
When you gave readings from your previous book, The School of Essential Ingredients, you sometimes mentioned the idea for this new novel, and received a strong reaction from the women in your audiences. What did they say?
I think many of us want to stretch ourselves—try something new, face a fear, break out of a role or a rut we have fallen into. Sometimes we just need an excuse (or a good, firm shove) to get ourselves to do it. I see JOY FOR BEGINNERS providing that inspiration, by showing readers ordinary, complicated people pushing themselves into new and different territories. I've talked with several book clubs that have decided to read the book and do their own set of challenges at the same time, and I think that's a wonderful idea.
The mysterious power of food to heal and to bring people back to their essential selves was a central theme of your first book. Your new book is not focused on food, yet you see a strong connection between the two books. What is it?
As with The School of Essential Ingredients—where the focus was food but the point was all the emotional and mental revelations that occurred before, during and because of cooking—the emotional center of JOY FOR BEGINNERS lies in what the women learn through their challenges, even more than the challenges themselves. As a result, the challenges range from the overtly and physically demanding to ones that might seem simple on the surface. As I was writing, I was thinking—what are we truly afraid of? For some, it might mean climbing a mountain or sky diving, but my guess is that for many people fear is often contained within something far less obvious. As Eudora Welty said: "all serious daring starts from within."
Your books are in many ways a celebration of the senses. Why is there such a strong emphasis on the senses in your work?
I think our senses are one of the greatest gifts we have been given, and that our lives only become richer by paying attention to them. Most of us spend so much of our days facing a screen – computer, phone or television. What a delight to remember that we live in bodies with fingers that touch and tongues that taste and noses that have the power to take us, with one inhalation, back in time or into the presence of someone we once loved.
Which of your characters are you most like?
I get asked that question a lot. The truth, as I think is the same for many authors, is that they are all me and none of them are me. I made a promise to myself a long time ago that I wouldn't write any character that I couldn't feel empathy with—which meant I had to get into their heads and understand how they thought. What surprised me was that it was often the characters that were least like me who really surprised me into empathy.
