by Emily Schultz

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Welcome to 1984 and the town of South Wakefield. Chris Lane is 14 and he's sure that he can see the future, or at least guess what's inside of Christie Brinkley's mind. But he can't foresee the closing of Joyland, the town’s only video arcade. With the arcade’s passing comes a summer of teenage lust, violence, and a search for new entertainment. Never


Welcome to 1984 and the town of South Wakefield. Chris Lane is 14 and he's sure that he can see the future, or at least guess what's inside of Christie Brinkley's mind. But he can't foresee the closing of Joyland, the town’s only video arcade. With the arcade’s passing comes a summer of teenage lust, violence, and a search for new entertainment. Never far away is Chris’s younger sister, Tammy, who plays spy to the events that will change the lives of her family and town forever. Joyland is a novel about the impossibility of knowing the future. Schultz bring the Cold War home in a novel set to the digital pulse of video games and the echoes of hair metal. Joyland is illustrated throughout by graphic novelist Nate Powell, whose work has been praised by Sin City creator Frank Miller as “observant, intimate cartooning [that] surgically cuts to the bone.”

Editorial Reviews

From the Publisher

"Schultz's latest is a satire of office life, romance novels, and afterlife narratives. She has accomplished something quite remarkable here, deftly juggling all this social commentary and a rather blandly sympathetic protagonist with a sharp command of language."  —Publishers Weekly on Heaven Is Small

"I loved Joyland. Tammy Lane is the most convincing child protagonist I’ve encountered in years, a cross between Lynda Barry’s Marlys, and Judy Blume’s truth-seeking missile, Margaret."  R. M. Vaughn, National Post

"This is recommended reading, nostalgic technicolour at its sharpest. Joyland maps a believable world that depicts the grit and glitz of teenaged life in the small-town 1980s."  —Matrix Magazine

"Like a Reagan-era Ice Storm, Emily Schultz’s novel Joyland captures the confusion of adolescent sexuality in a tangle of pixillated icons via the video-game generation. Set in the summer of 1984, this book will have you thinking twice about the video-game generation and the power of pining and Pac-Man."  —Flare

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ECW Press
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Read an Excerpt


A Novel

By Emily Schultz, Nate Powell, Michael Holmes


Copyright © 2011 Emily Schultz
All rights reserved.
ISBN: 978-1-77041-033-6




The girl who was flopped on the carpet knew cities of jacks, terrains of kitchen crumbs, the dumb wooden legs of furniture, and all that lay between them. The worn spot beside the right pedal her father's piano foot had stamped and thumped, and vigorously rubbed off. The catalogues and as-yet-paperless presents beneath her mother's side of the bed. The jagged letters of her brother Chris's name gouged white into an underlying beam of the playroom table (which had since become a study table), though he would not now admit that the letters had any association with him. The difference in vibration of footfalls — the hesitancy of her mother's, the severity of her father's, the singular triumphant stomps issued by Chris. The place to look for a lost Lite-Brite peg, a kicked Tinker Toy, a clumsy fallen Battleship, an elastic-shot chunk of Lego. The stretch of linoleum where a marble or HotWheels would stall. Whether or not a doll's shoe would fit beneath the door. First, second, third, and fourth grade accumulated between individual grains of shag. When Tammy rose up, she was halfway through Grade Five, she would soon start Six. She had witnessed the beginning of her life from this fixed, ground level. She teetered through the house off balance, unaccustomed to being vertical. By her eleventh birthday, she had found her footing. Eventually, she became addicted to height, learned to climb.

That summer, Tammy Lane was brave enough and strong enough to reach the very top of the maple tree in her backyard. From there, she could see the cars on St. Lawrence Street shooting past. She could see her brother flying away down the sidewalk on his bmx. She could see him flying away from her, away from everything she had ever known. Tammy watched afternoon lapse into evening and waited for him to come home.

Chris zigzagged through the grocery store parking lot, his butt in the air as the front tire cleared the curb and dropped him into the street. He disappeared through the branches. According to Tammy's Big Book of Spy Terms, he was "in the gap." When he reappeared, he was at the corner near the donut shop. Tammy lost him then — longer, "in the black" — and when she spotted him once more, he had doubled back through the grocery lot, riding hard and quick with his head down. Tammy pulled herself up by a branch she didn't trust, crooked her body onto a side bough that bent away from the trunk — at an alarming angle. The branch had been cut off and had veered, growing at a ninety degree angle from its sacrifice point, though not during Tammy's lifetime. She held tight, looking down, a thirty yard drop. She glanced back up just in time to catch Chris dodge into the string of back lots of the businesses on St. Lawrence.

Parallel, she located them: three shapes moving in the stretch in front of the donut shop. Bright blue track jackets and yellow hair bands. Girls.

To Tammy's knowledge her brother had only six fears. One, their father (though Tammy couldn't begin to fathom why). Two, J.P.'s older brother, who terrorized them on occasion (the same way J.P. and Chris liked to terrorize Tammy). Three, classical music (or anything other than hard rock and metal). Four, visiting their grandfather, but only because it meant being away from Joyland for days at a time (days, Chris said, that would make him "a total amateur again"). Five, ostriches (because he was once bitten while visiting an animal safari during family vacation). Six, clowns (due to too many viewings of the movie Poltergeist).

To this list, Tammy added number seven. Girls (an un-discriminating category including nearly all, except her).

Fears numbers three and four probably didn't count. Still, Tammy left them in. Chris's seven fears were a thumb-sized wedge in the pie graph compared to all of hers. The Seven Fears. Like the seven dwarves, fears were real and respiring, each with its own distinct personality.

She pressed chin against branch and let her lips trail over the grey, leaving a wide wet mark, the kiss of the bark on her lips like a hard, scarred thing. She dropped her forehead to the branch and closed her eyes. When she opened them again, Chris and the girls were both long gone. Tammy swung from one limb to another, carefully, letting her body hover in the space between just a fraction of a second longer than needed to obtain the exhilaration of floating.

On the outskirts of South Wakefield, on the other side of St. Lawrence Street, the building slouched like an extra baseball player on the bench: the disappointed V of eave, hands between the knees. Its back was covered in an emblematic tongue, the Rolling Stones' logo stitched to the concrete by an ecstatic spray nozzle held in a talented anonymous hand. Chris's paradise, Joyland, was scabbed with black paint, outside and in. He would come over as soon as Tammy jerked open the door of the establishment. He'd turn from the machine, as if he had caught a whiff of "sister" through the smoke; as if there were evils waiting to pounce, and then he would usher her out, all authority. This was their ritual. When the arcade had opened back in 1980, Tammy was seven-and-a-half and really didn't have any business being there. Alone, too short to see what was on the screens, she had looked for her brother between legs of worn blue jeans — cigarette packs bulging in back pockets, and obscenities falling off guys' mouths like ash off their cigarettes. And first, she had to cross the street. Cars gunned by at seventy, though the sign said fifty.

Today, Tammy had gone halfway and was waiting for the last two lanes to clear when J.P. Breton emerged from the arcade.

"Someone tell Chris Lane his sister's stuck in the middle of the road," he yelled back through the door.

"Hey, just callin' it like I see it," J.P. laughed, not even flinching when Tammy slugged his skinny arm. He reached up and adjusted the strap of his ball cap, letting his corkscrew hair half-free before he matted it back under. He was one part Scottish and three parts French, with an Afro that rivalled Michael Jackson's and eyes as blue as Michael J. Fox's.

"Y'ain't never gonna get him to go home. Pffft — not today."

"Why not?"

"It's the last day." He snorted when he said it, as if surprised by the statement's hilarity. Then, scowling, he wound up for a kick, powerhoused a pop can across the parking lot. It hit the curb and fell. He squinted into the distance as if there was something there that was monumentally fascinating. "We're not supposed to know, but there's a rumour."

They stood there under the arcade's hand-painted sign. Edged red, gold jagged letters veered into one another like spaceships crashing. Above the black background floated a single floodlight that turned on at night. Now, five o'clock and June-bright, blue sky yawned behind the dark sign.

"Got any quarters?" J.P. asked. Tammy bit her lip for a second, reached into her pocket to fork them over. "You should play. While you still can." His hand fell on Tammy's shoulder as he ushered her inside.

As Tammy entered Joyland the smell of microwaved meat welcomed her along with a breathful of smoke. Below the pinging and powing of games came the low hum of hot dogs wrapped in paper towel, basking like babies in receiving blankets behind the pinhole plastic of the TV-sized oven. A dampness weighed the room down. The afternoon sun settled on the blond forearms of boys, in motion at the wrists and elbows, their ball caps pushed back from glistening foreheads; the girls, just dark curving shapes streaming from the yellow jukebox. The microwave door snapped open and shut, plastic on plastic. Coins rang through slots. The bells on the front door rattled as it fell shut behind Tammy and J.P. He looped her shoulders protectively, salt and vinegar released from the skin beneath his mesh sleeves. Tammy was here for the first time to play. She'd just been born.

"Come on." J.P. gave her shoulder a squeeze before his arm fell away.

She followed him through the maze of games as if treading carefully through the secret garden that had grown at last, flower heads heavy with neon rain. Boys were bowed over the screens and other boys clustered around them. Their bodies branched away from one another even as their faces leaned close in concentration, cheeks illuminated.

At the end of the row stood her brother.

In the long line of boys in cut-offs and muscle shirts, a couple of them shirtless, Chris stood in a pair of full length brown cords, chalk-blue T-shirt tucked in at the waist.

Chris always stood with his weight more to one side, giving him an air of impatience. Today was no exception. He leaned to the left, palming the Fire button with what seemed like growing exasperation. Bottom lip curled under canine — Tammy watched the small stitch of white concentration she knew so well. He didn't notice them as J.P. loped up and stood beside him. J.P. said nothing. Tammy followed his example.

Her brother pumped the red Fire button. Green and yellow space moths spun, a pinwheel on the left side of the screen, before forming a jet upward, the sorry remnants of their fleet lining the top of the disco-lit sky. Chris let his bottom lip loose of clenched teeth and his face settled into a placid dark cloud. One might expect his eyes to move back and forth, but he was almost meditative. Cool. Guiding his gunship with eyes that took in everything at once, rather than singular objects. Muscles coiled tight; the rest of him calm. Tammy observed the slight twitches at the corners of his lips, the orange explosions that were the result of his tapping fingers. Alien insects evaporated in puffs of pollen.

Her brother's face was smug, almost sullen, even in victory. His thick lips flattened in a tight sideways smile that held its true happiness back. There were always two of Chris — the one who protected her and ushered her out of Joyland, and the one who let his friends noogie the back of her head or drag her across the grass by her feet.

This was the latter Chris. Chris the champion.

His gunship glided across the bottom of the screen, dodging dive-bombing red butterfly ships. A train of tiny scorpions emerged, their curling tails trailing down the sky. Chris killed them with three successive shots. One of the gigantic moths swooped down. Hovering, it shot out blue cyclone-shaped rays, sucked Chris's gunship up in the beam, spinning end over end. Ominous music. FIGHTER CAPTURED. The enemy dragged Chris upward, tucked him behind its back when it reached the top. A new fighter was given and, biting his lip again, Chris avoided bullets, taking careful aim. The insect exploded. The captive ship fell to the ground slowly, joining with its saviour. A strong double force.

With the two ships steering as one and twice the firing power, Chris cleared the board quickly and advanced to the challenging stage. He nodded. "Ready to take over?" Glancing at Tammy for just a second, he made a move as if to step back from the machine. The first insects began to pour down the screen in a perfect line.


"'Kay, okay." Chris picked them off without even seeming to look. "Next challenging stage then. There's nothing to it, see? They don't drop any bullets at this juncture. All you do is shoot."

Tammy nodded. Juncture was a conceited-Chris word.

The music chimed when CHALLENGING STAGE appeared in the centre of the starry screen a few minutes later.

"Ready?" As Chris said it, aphid crafts were already appearing, zooming in from either side of Tammy. She hit a bunch at the bottom and fired random shots up to the top of the screen.

At the end of the action, her results were displayed: 24 hits. From watching Chris she knew there were 40. He'd gotten all 40 and the word PERFECT! with an exclamation mark. Tammy knew about percentages. She'd hit 60%. If it had been a test, barely a C.

"That's respectable," Chris tried to reassure her. Her expression had given her away. "Keep playing." She got killed in all of two seconds. Jumping out of the way, she let him take over again.

J.P. was still there. Tammy's face grew hot. She shook her hair back, feigning confidence, Pam Dawber to the intended Brooke Shields.

"Should've played third round 'steada seventh." J.P. readjusted his ball cap again. "Prob'ly did as well as I would've." He peered over Chris's shoulder at the game for a couple seconds. "I got your back," he said to Chris, then headed off.

"You can't compare yourself to him," J.P. said over his shoulder as if he expected Tammy to follow him. They wandered toward the far wall, where J.P. stood in front of the air conditioner, flapping his shirt up and down off his belly. "If we all did that, we'd feel so bad we'd never play."

The black mesh shirt swung back down over the pucker of J.P.'s belly button, the white circle of skin confessing the fact he never went shirtless. Three years older, he was nearly as skinny as she was.

"What's your favourite?"

"Aw, whatever," he said. "It don't matter. I don't play to compete. You know, it's all a game."

Across the room, a bell shrieked and something went splat! A sputter of boy-laughter scrambled its way across the surface of the noise. The microwave rang. Pengo plinked out its theme.

At the opposite end of the arcade, through spaces between machines, Tammy noticed the yellow jukebox light and the stray parts of the people collected in front of it. Jean pocket details stretched so tight, the corner rivets resembled tacks stuck directly into the wearer's behind, as if to restrain the skin from pushing right through the material. A plastic purse the size of a gym bag was being swung about. Blush brushes and compacts tumbled over a pack of Players Light. Several blue-line notebook pages had been folded into exact two-by-two squares. A full-size can of hairspray clunked against the jukebox. The debris of combs and picks and hairclips shone, proud possessions encased behind the plastic. Two of the other purse straps were thin denim, decorated with clunky Twisted Sister buttons and feather clips. Behind the plethora of purses and makeup bags, beaded crop tops exposed brown skin. An orange tube top suctioned to triangular breasts. They jutted unapologetically from the chest of a girl wearing hot pink lipstick. These five or six girls circulated, passed in and out of Tammy's line of vision, just parts of them, like jigsaw puzzle pieces, their odd shapes somehow fitting together. If they saw Tammy standing there with J.P., would they mistake her for his sister instead of Chris's? Would they mistake her for his girlfriend?

Laughter. A pair of snapping fingers as one of the girls began to dance. She wriggled behind the black frame of a game and then all Tammy could see were the bruised legs of a skinny girl in a pair of pink and white pinstriped shorts. Her bum rested against the starburst of the jukebox panel, one knee thrust out, her entire kneecap the size of a silver dollar, and on it a black mark the size of a quarter. Tammy couldn't see her face. A crop-top girl was moving in front now, a freshly lit cigarette held at waist level. Expert fingers dangled, short square nails with chipped pink polish. The cold that the air conditioner hissed out hit Tammy's back with a wave of pleasure.

She wanted to argue with J.P. It wasn't a game: it was a world.

The Frigidaire swirled up her neck as she gathered her hair into a ponytail and held it for a second before shaking it out over her shoulders. When she glanced up at J.P. she saw he wasn't paying attention to her, but to the same thing she had been distracted by: the girls weaving and dancing between the cracks.

"You like Pat Benatar?"

Tammy nodded.

"Good." J.P. launched his body away from the wall toward the jukebox. White strings straggled from his jean cut-offs and trailed his thighs, catching in the thin puffs of his leg hair. He took long steps and Tammy had to skip to keep up. He sauntered past Chris, who was still pounding out space bugs. Just before they reached the end of the aisle, J.P. turned around.

He hunched down slightly. "So when I give you the quarter, you think it over like it's your idea. Then pick 'Love Is a Battlefield.' They totally love that song but I don't want them to think I would play it." J.P. looked at her earnestly, his breath hitting her face. Sweet, like Grape Crush.

She swallowed and nodded.


Excerpted from Joyland by Emily Schultz, Nate Powell, Michael Holmes. Copyright © 2011 Emily Schultz. Excerpted by permission of ECW PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Emily Schultz's first book, "Black Coffee Night" was shortlisted for the Danuta Gleed Award for Best First Fiction. A story from that collection was adapted by Lynne Stopkewich, director of "Kissed." Schultz is the former editor of "Broken Pencil" magazin

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