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Ju Ju

( 3 )

Editorial Reviews

All Music Guide - Tim DiGravina
One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches ...
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Editorial Reviews

All Music Guide - Tim DiGravina
One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches brew to poisonous levels of toxicity. Album opener "Spellbound," one of the band's classics, ranks among their finest moments and bristles with storming energy. Siouxsie's mysterious voice emerges from dense guitar picking, Budgie lays into his drums as if calling soldiers to war, and things get more tense from there. "Into the Light" is perhaps the only track where a listener gets a breath of oxygen, as the remainder of the album screams claustrophobia, whether by creepy carnival waterfalls of guitar notes or Siouxsie's unsettling lyrics. "Arabian Nights" at least offers a gorgeously melodic chorus, but after that the band performs a symphony of bizarre wailings and freaky imagery. As ominous as the cacophony is on its own, close attention to Siouxsie's nearly subliminal chants paints a scarier picture. A passage such as "I saw you...a huge smiling central face with eyes and lips cut out but smiling and eating lots of other lips" doesn't exactly brighten one's day. Siouxsie is full of such quips throughout the album's running time, but her delivery packs as much punk as her message. Her attack-the-world dynamic range on "Voodoo Dolly" predates and out-weirds Björk's similar styling years later. McGeoch, Budgie, and bassist Steven Severin deserve just as much credit for crafting an original sound that would inspire a diverse group of future bands from Ministry to Placebo. All the while, producer Nigel Gray maintains the sense that the album is an immediate, edgy performance unfolding right in front of the listener. The upfront intensity of Juju probably isn't matched anywhere else in the catalog of Siouxsie and the Banshees. Thanks to its killer singles, unrelenting force, and invigorating dynamics, Juju is a post-punk classic.
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Product Details

  • Release Date: 8/25/1992
  • Label: Geffen Records
  • UPC: 720642405024
  • Catalog Number: 24050
  • Sales rank: 44,659

Tracks

Disc 1
  1. 1 Spellbound (3:15)
  2. 2 Into the Light (4:13)
  3. 3 Arabian Knights (3:06)
  4. 4 Halloween (3:37)
  5. 5 Monitor (5:33)
  6. 6 Nightshift (6:03)
  7. 7 Sin in My Heart (3:36)
  8. 8 Head Cut (4:22)
  9. 9 Voodoo Dolly (7:02)
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Album Credits

Performance Credits
Siouxsie and the Banshees Primary Artist, Vocals
John McGeoch Guitar
Steven Severin Synthesizer, Bass, Guitar, Bass Guitar, Keyboards
Siouxsie Sioux Guitar, Vocals
Budgie Percussion, Drums
Technical Credits
Nigel Gray Producer
John McGeoch Composer
Rob O'Connor Art Direction
Steven Severin Composer
Siouxsie and the Banshees Arranger, Producer
Siouxsie Sioux Composer
Thomi Wroblewski Illustrations
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    So Goth It Hurts!

    This is probably the Banshees best album. Psychadelic and morose. You can't get any more Goth than this record without it being silly and cartoonish. 'Nightsift', 'Monitor', & 'Voodoo Dolly' proove that no other band EVER could be as dark and creepy as the Banshees.

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  • Anonymous

    Posted January 7, 2010

    No text was provided for this review.

  • Anonymous

    Posted December 30, 2010

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews