The Keep

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Product Details

  • ISBN-13: 9780877457732
  • Publisher: University of Iowa Press
  • Publication date: 7/28/2001
  • Series: Kuhl House Poets Series
  • Edition description: 1
  • Pages: 96
  • Sales rank: 1,163,736
  • Product dimensions: 6.00 (w) x 8.00 (h) x 0.30 (d)

Read an Excerpt

The Keep poems
UNIVERSITY OF IOWA PRESS Copyright © 2001 Emily Wilson
All right reserved.

ISBN: 978-0-87745-773-2

Chapter One NONESUCH You come from unquiet country into rooms the marshes empty to at low tide. Region of seed kind. Its terraces secreted in rivers. The implicate system you live in or that which is all the while here unrenders itself, a civility of capture and let run. You are wondrous in a fundament of greens. Unknown but you are. HORTUS SICCUS Now we get autumn agricultural ambuscades between windfall just so I know you mean business inordinate to sleep through the follicles unzippering when you've turned yourself out I'll come to perennial paresthesias the cosmos all obviate TERRA NULLIUS No church utters up. No rute-mark. No roadhouse paroling its ghosts. A while since you spoke toward the traffic. Might I disturb you? What is evidence here of the sporophore? What is known to be stringent on the lung? What is edible what is insect what is terminus? So far to have come without fix. To view the heirloom everlastings. ARS BOTANICA To bear you in mind. To be jammed in your saffrons. The abasement of these ditches of your smolderings. Of your abasement. Follow this in: we go weatherward? is this tenable? The roothairs fuse for the openings to shoot from. You leaf on the potentate's dome? You remnant in need of finishing? You gilt and swift execution? THE FOSSIL GARDEN Some spare relief of sedges so many million years old. As if articles of faith were unnumbered. As if the seminal mind could be prized from its berth. In the intricate underworld birds are abstracts of collapse without ground. You come to some end. And love that season travels hungry. PASTORAL The mordants in their noise, the night transports. A means of coming to the switchyard of the tongue. To have once set such store by forced creatures. Not changed toward something of my own. The towns raised chaffed seas to ground them. In that frieze before storm you went on. Effigy loomed out of cornfield. Future inside its trussed forms. RELICT This is the ocean dead-reckoned into autumn estuarial grounds in which drift an aberrance of terns, the few barrier cottages closed up. The small vowel-shifts we have been through. This trend toward hometowns that are evermore strange. The textures eccentric in mud. Not figuring your end. You become the lone trove of whole kingdoms. GREEN RIVER There is the mountain that became the barren of rudiment silt. There is emergent instinct that stalled, acquainted then strayed to what odds. Far above the miniature tamarisk-imperfect shore the sediments burn in their curtains. You've taken so long to come through. The archival exit speech still stayed at the mouth. NOTES FROM THE MESA for Kate Outbuildings refusing to come down. Some little scavenger polishing its tongue. The pole fence going mindless alongside us. The road burnishes itself down to a bottomwater. How we have come to be here among the other creatures- backward. Bees in the cabinetry brushed out of their skeletons. Someone's having troubled after the ruined boots. So the mountain just stands there where we can witness its face being scoured. Like looking into a world scarcely handled. LANDSCAPE PRIMITIVE Nothing possessed me but the ordinary strain of distance upon natural objects. Black trees against the matte of tableland. Each creature in its stead, the brute particles reordered to an unforgiving. There was this skeleton inside me. I could not say where I had been most of my life. The glaciers hiss like gods going under. REQUIESCAT for Jimmy Nye You have left the flickers to run up their scripts and the salt ponds to the clonal reed grass and the mink to its circuits and the house to its warps and to its vitals. Winter in its long composition of boxcars trundled across bottomland. Now is the stopyard of your intimate and slack-tongued garden. The mob of black earth quells in spadesful. I did not even know you but still. Old suit from its back- drawer pins and the eye in its shut hutch but the hands at their own inscrutable use to the heart. VIA DOLOROSA Channel wind laps in the foils of scrub pines, figuring their keep. I can only go this counterfeit way into your factory lands, your paddocks. All to learn a waiting man's wisdom, how to steady at the instruments for night. What urgence are the ruins at Arromanches, those slow-molded, half- submergible moons and the combs of tidal verdigris you are come to.

LEGEND for Wendell Wilson Sometimes the river leaves your name in logged tones, how it saw you managing the masts, stripping timbers, stem and keel, pinning black spruce rib to tamarack knee. Your Domain was the risk you would minister, how she took to her first dive like a waterborn, a trick of the marsh reeds blistering. The river says you grew that day and the fine shadows crept in behind from the sheetwork before the sun. The spirit compass hove free in its housing. You slipped from the cove and were gone.

Chapter Two RADICAL FIELD 1 We have tenuous edges. We have striated hides. Glandular black ribbons all inside us, pelagic and sweet. We have reservoirs you can't see. The caribou move through us beyond numerous. One of the cortical adumbrations, one of the ferns. Our heaviest metals accumulate. We wouldn't dream. 2 Visionary, the pink sea inches back where the essences in-fill. Hard to suffer distillates in the hinges. Imagine your own bone cells. Is it an ocean? Is it this only lonelier? The bore scrolls in and delivers its glycerins. 3 Plover sketches over wet sand ribs. What you call absolute groove in the surface, a trace-sacred. It's quite certain. The river's self-effacement in the sea. No more than this hopelessness skinned over. 4 Of the dry grasses. Of the denaturing blaze. The trans- to all my inactions or the trance of conflagration? One never knows which. The ventricles do open and shut with such vengeance. 5 What is out-folding here in the unpoliced recesses of the dunes? Excruciating rumor of a subject matter. Someone must know what is called for to be mortal, to go up close. The point of return is? The trend is toward branches. 6 Something in the colloquial won't welcome us wherein perform the tragical stars. Part giantess part rust scuttler in scrub rose bush. We don't even know in whose influence we have known it, the fabled moment the eye eats up the voice. 7 Each tern just missing its integer, each blunt wave verging on interstice. 8 How is the ground come up to? How can it shun? We knew we would not be glamorous but that was something. That was the old mosaic interface with somethingness. What we stood out against. 9 Is it indecent to be broken off from the birds? To be oblique and/or violently finished up? Is this our crime? To want abandonment in the upper mansions? Are you the beautiful? Are you the good news tumor just ripening? 10 The tough gulls go grim about it, the syndicate streams out-blossoming. How it all goes on ruining through winter. Ruining and singing. 11 You come upon it vestigial, onionous, the blued tissues exuding. So what can be spared of the nerves? The orchid thrives on its loveless foot. The inward earthworm unminds. Something in the chemicals remembering sunlight scumbled over water, those bloodroots of cloud. 12 We grow modern without being solved. Fogged in thinking we are really not this dead, are we? But gauded with the trick circuitries of the storm. We are not waiting? We are waiting? We are the red studio? We come just before the math? 13 All my material idea. What light is like this? What steppe this vertical?

Chapter Three WINTER JOURNAL The Sky Is the Lost Orpheum The shelter of it carved, caved Across the river, the park and the little Ferris wheel closed down The great oaks emptying, russet, gusseted the hovering slant light leaking from the outer edge of cloud bed leads and shawls pulled forth The synchrony of the lost elements recovered the shivering water surfaces, planar unmeldings, remeldings, riverine alchemies, unlocketed selves now the reemergence, the sun pouring global gold uptilted, gobleted, incanted Am I not as God made me but stranger? Made stranger still by what I have seen at this hour of earth untended, unministered- light caught up in the river's grooved tread That sun more like a mass grope out of emptiness and the black river weeds before it, torn and trained, rocketed and stark and stuck-to The tall shadow of the willow grows forth And the spare stems of the grasses and the rods of the mullein And these are the stations of this river The houses and the boats and the parked cars The growing wedge the ducks make moving forward, the shape of the element there among the weeds that jut forward, the mass of the willows growing deeper in green and sundering The backfall of sun going downward The surface of the river coming clear of its own admixture The ducks moving over like slow planes in formation, barely seen needles hauling white threads, secretly heeding The fish in my skin relinquishes Will I know then what I have become? The river darkens from its end of trees closing in There is the sun and this deep depression Exiting as viewed in this river Gray Shadings Barely discerned clouds Hard, hard to get here what worth, what worth River of steel. River of no one becoming you. Trees that are emptier today, more forced in their forms To focus on them is to be made glad of them in their strangeness The earth extrudes through them toward emptiness The few elms dismembering The willow's bloom above shore like a curtaining To focus on it is to be mostly taken into its tapes and its filters It is lost to the surface of this river The dull, impenetrable, intractable surface resisting, unetchable Now the faint rain. I don't know what to do with all this waiting things getting themselves readied toward emptiness The scratchy, shattering elm, its crimped skin, its exfoliating, its rivening its being disfigured by fortune and by wind A crone with old frills at her hair The grasp of her toward me Scratchings among the Burnings clouds in rafts above, upon one another, pushed up along the margin of sky dark underbellies Shirring of grasses and the nearly empty apple tree behind Where is this beginning from? The roll of clouds bolsters up close moves vaguely east Hear the interstate, its rush of backdrop constant Oh those deep colors are something sacred There are patches of olive green, chartreuse, umber, piled against each other, snapping and smoking almost and then the empty prongs and systems cross-hatchings against the grays, burnished and glowing The cloud roll has changed now, been buffeted slowly into bunches, disorganizing Oh, these torches before me that seem to burn brighter as the light fades This aching gradation, smear and gleam-forth and then the bare black hands up through splaying and forcing the crowns so slightly, just a tender worrying up from inside the swollen gloves, the spheres of them, the undoing the serial falling-off Furious brocade, yes, devastation That one oak in its torque and above, against the maddening subtle surface of the sky the barely defined roads upon it, the passages the growings-forth gobbed and wrought, rich impasto stubborn, unbecoming Now the grays, almost purple, seem to move forward branching up from out of the background darkening forth surge from within the mass organisms coming up against each other, bulging and turning off, roiling slow and mesmeric the contained motion of it rooted static movement, within stasis painstaking damage then recovery, damage then recovery A lighter band of sky now, stratum between dark cloud and complicated span of tree-frieze layering, up-changing free-needled, built-up duns and copperings score and rose-green gore, stitch and fret always upon the under-thing, the broad backing up over the one

Disseminate Birds over Water The reservoir churned and cloud-deformed The far line of hills, fused, bunched color bitter wind against this hunch my folded bones I can see the rust earth beneath trees, the rough mats gathering weight in semi-darkness, dim nesting bases of trees Graft of dark cloud upon lighter one behind, building up of something, a thickening, deposit of cold air, dark web of insistence, built up in me How long can it be here? A simmering of trees, a dark moiling a winter weight a mid-shimmering of heat-distorted things The positioning of bolts of deep orange, gold-green and amber molded, wicked in together Drops in pressure, now, a field of cold, a shift between rain and snow The movement into this remembering of separate things, train sounding its horn, removing itself from the scene Snow thickening the far bars of trees, graying them in Blotting, dulling, gauzing over this dream It is snowfalling, it is beauty-filling and cleansing this burn of words it is delivering something seeming to uplift and to begin pressing downward, this ink into frozen droplet this thing Snow plinking in the leaves, the left hands of trees the neat levers and pulls the odd weeds The rich fringe of emptying trees the shifted pins the breaks into dense pines into period reeds into gutterings What happens to the opposite shore is untenable is unmanageable to me That stratagem of damage, that unmattering Believe me it is some abomination of things being killed and that mattering to me That exquisite built thing that is obliterated its tiny white amplitude, its singing crushed into particles, its must on the undersides of leaves Now I am sure the world has not unfolded before me anymore but has closed into rows of its foldings Something in the collections of those trees bare branches upthrust, the brush of them bare branches up-brushed their lip along mesh of shore weeds, the flanged grasses the scrim of their midst I am in them again meddling in darks that are in them and the white gold that is their outermost screen that is their leafleting their grief that is in me thin dredge of pebbles and strange glandular patternings of trees against trees against cut-bank against breath The rubied lung of sumac tragedian (Continues...)

Excerpted from The Keep by EMILY WILSON Copyright © 2001 by Emily Wilson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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Table of Contents

Contents Acknowledgments....................IX ° I ° Nonesuch....................3
Hortus Siccus....................4
Terra Nullius....................5
Ars Botanica....................6
The Fossil Garden....................7
Green River....................10
Notes from the Mesa....................11
Landscape Primitive....................12
Via Dolorosa....................15
° II ° Radical Field....................19
° III ° Winter Journal....................35
° IV ° Ontogeny....................55
° V ° The Keep....................69
Eve Pieces....................71
Slow Water Primer....................84
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Customer Reviews

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( 76 )
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See All Sort by: Showing 1 – 20 of 77 Customer Reviews
  • Posted April 7, 2011

    more from this reviewer

    Exceptional Reading

    After reading BLACK WIND, DEMONSONG and IMPLANT by F Paul Wilson, I had to read his other books, and THE KEEP was the next in line. I bought it for my NOOK and read it in two day, well a night and a day. I could not put it down. The characters are original and even the weird ones are believable. I am looking for ARYANS AND ABSINTHE.


    2 out of 2 people found this review helpful.

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  • Posted January 9, 2012

    Great Read

    It was difficult to put this book down. It starts out very quickly and holds your attention. One of the better horror novels I have read.

    1 out of 1 people found this review helpful.

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  • Posted June 9, 2013

    Ah, the introduction of the Adversary. Great book. This is a f

    Ah, the introduction of the Adversary. Great book. This is a fun Summer read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 30, 2012


    Just saw the movie and knew I had to read the book! Can't wait.

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  • Posted February 2, 2012

    Pretty good book

    Good book... think it could have been shortened to a novella size. All in all a fairly good book by Wilson.

    0 out of 1 people found this review helpful.

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  • Posted November 18, 2011

    Stephen King take a seat.

    This is hands down the best horror book that has ever been written, bar none. It grabs you with spooky castles and Nazis and then holds on to you to the very end. You will NOT be sorry you chose this story, unless maybe you're alone at home in bed and suddenly can't remember if you locked the back door or not.

    0 out of 1 people found this review helpful.

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  • Posted February 13, 2011

    more from this reviewer

    A Horror Classic

    Part one of Wilson's "Adversary Cycle," The Keep is a fast paced and fun read with a different twist on an ancient myth. No sparkly vampires here.

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  • Posted January 28, 2011

    Great book

    I read this years ago and loved it

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  • Anonymous

    Posted December 12, 2007


    very suspensful and scary.I enjoed this book alot.F Paul wilson is a good story teller

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 3, 2007

    Great premise, strange ending

    The first 60 pages of The Keep are great horror reading and set up a very clever premise: supernatural horror in a Second World War setting (you get to root for the evil being killing the humans (Nazi soldiers)!). The book has good characters and sustains the fun right up until the last 50 pages, when all of a sudden the author takes an abrupt turn into the fantastic. Although it does not ruin the book, some promising plot possibilities are wasted and unfulfilled. That said, the end still has some good action and credibly scary situations. MUCH better than the run-of-the-mill horror novel!

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  • Anonymous

    Posted October 10, 2006

    an excellent read!!

    It 'kept' me turning the pages. My heart pounded through most of the book. I recommend this book to all those who love a great thriller with unexpected twists.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 7, 2003

    A Must Read

    I read novels like some people drink wine. This book is great. This book rates as one of my top 3 books I have ever read. Everything after this is a disappointment.

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  • Anonymous

    Posted December 4, 2002

    I love this book

    This is my favorite book I have read it three times. I have been looking for it for a long time and finally found it at Barnes &noble. "GREAT".

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 28, 2001

    The best fantasy/horror novel I have ever read!!!

    It was one of the best novels I have ever read. It not only kept me in suspence, it also kept me sleepless for a couple nights straight. The ending is so terrifying and unexpected, I doubt I'll ever forget it. The plot, setting and characters are so real, you'll think you were actually there.

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  • Anonymous

    Posted January 3, 2001


    'The Keep' is a great book. If you enjoy trying to find out the secrets of what you are reading, this is the book. I love vampires and that is what drew me to this book. Fascinated to find out that the secret to the book is it is some other evil. Loved it.

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  • Anonymous

    Posted August 3, 2000

    A book to read over and over again...

    If you love a book that carries horror, romance, adventure, fantasy, and mystery, you will fall in love with The Keep. Paul Wilson does an excellent job of bringing the story and its' characters to life. For all you out there who love a true hero, Glen will make you melt. And for the ones who love a good bad guy, well, Mr. Wilson has something in store for you too.

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    Posted January 8, 2011

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    Posted December 17, 2010

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    Posted June 22, 2011

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    Posted October 29, 2014

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