On their full-length debut,
Keep on Your Mean Side,
the Kills deliver on the promise of their
Black Rooster EP, serving up more of their sneering, sexy
blues-
punk with a little more polish and premeditation. It's easy to lump them in with the current crop of
garage rock revivalists -- and granted, the band bears more than a passing resemblance to
the White Stripes' bluesy sound and boy-girl lineup -- but
Keep on Your Mean Side suggests that
the Kills' true lineage comes from a darker, more poetic strain of
rock. Naturally,
the Velvet Underground are a major influence, particularly on the ominous, droning guitar work that forms the backbone of
"Kissy Kissy." On songs like
"Superstition," shades of
punk poetesses like
Chrissie Hynde,
Patti Smith, and (especially)
PJ Harvey color
VV's sultry, commanding delivery, which is about as far from her work with her former band,
Discount, as it's possible to get with the same set of vocal cords. And on
"Fuck the People" and other charged duets between her and guitarist/vocalist
Hotel,
the Kills have some of the
Bonnie & Clyde romance that made
Royal Trux so great. The pair doesn't quite outdo their inspirations yet -- they're not as inventive, dramatic, or volatile as the aforementioned artists -- but
the Kills do combine these elements in a way that's relatively fresh and distinctive.
Keep on Your Mean Side includes re-recorded versions of three of the best songs from
Black Rooster: the "f*ck and fight" duet of the title track;
"Cat Claw," which boasts snarly
VV vocals and even snarlier guitar licks from
Hotel; and
"Wait," a countrified, acoustic number that demonstrates the band's range. These new versions -- recorded along with the rest of the album at London's
Toerag Studios -- are far from hi-fi, but miss the recorded-in-the-basement quality that gave the originals more of an underground feel. Though the album could use a bit more grit and grime, it's still remarkably solid, with songs like the driven
"Hitched" and the surprisingly sweet
"Gypsy Death & You" spanning the extremes of
the Kills' sound and proving that
Black Rooster was just a taste of what the band had to offer. Likewise,
Keep on Your Mean Side hints at greater heights (or scuzzier, more elegantly wasted depths) that
the Kills will hopefully scale on later albums. ~ Heather Phares
