Kenyon Cox, 1856-1919: A Life in American Art

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Kenyon Cox was among the best-known cultural figures in the United States during the first two decades of this century, thanks to his reputation as a mural painter and especially as a critic. In this first biography, H. Wayne Morgan focuses on Cox's development and personality, treating his art as an expression of his idealism. Cox was born in Warren, Ohio, grew up in the Cincinnati area, and attended the McMicken School of Design there. His art training continued in Paris, where he studied for five years in the ...
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Kenyon Cox, 1856-1919: A Life in American Art

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Overview

Kenyon Cox was among the best-known cultural figures in the United States during the first two decades of this century, thanks to his reputation as a mural painter and especially as a critic. In this first biography, H. Wayne Morgan focuses on Cox's development and personality, treating his art as an expression of his idealism. Cox was born in Warren, Ohio, grew up in the Cincinnati area, and attended the McMicken School of Design there. His art training continued in Paris, where he studied for five years in the academic setting of the Ecole des Beaux-Arts as well as in private ateliers, such as those of Emile Carolus-Duran, Rodolphe Julian, and Jean-Leon Gerome. An academic, Cox was committed to learning traditional drawing and composition before establishing his own artistic identity. Cox became well known as a muralist during the prosperous years from 1897 to the 1920s, providing works for the new state capitols of Wisconsin, Iowa, and Minnesota, the Library of Congress, and several public buildings in New York City. His large allegorical decorations rested on a thorough knowledge of Italian Renaissance masters, many of whose works he had seen as an impressionable student. In addition, Cox's gift for pithy phrases and his obvious knowledge gained him considerable prominence as a critic and reviewer. Throughout his career, he emphasized the values of craftsmanship and of attachments to ongoing traditional ideals that emphasized harmony, order, and unity of artist and public. He became famous, or notorious, as an outspoken opponent of the trend toward modernism, which he believed glorified individual expression at the expense of communicating with an audience. Cox saw this as culturally divisive, destroying the power of art to expand the viewer's imagination and consciousness. Eventually, however, modernism overcame the traditional ideals and styles that Cox and many of his contemporaries had represented. Morgan's sources include the Cox papers at the Avery Li
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Editorial Reviews

Library Journal
Muralist Cox was also a well-known art critic in the first two decades of this century, contributing an impressive body of criticism for genteel magazines such as Century , the Nation , and Scribner's . The best of these pieces reappeared in five influential books published between 1905 and 1917, two of which were reprinted in the 1980s. Eschewing modernism, Cox emphasized the traditional ideal of order, harmony, and unity between artist and public in his criticism. In this first full-scale biography, Morgan (history, Univ. of Oklahoma) continues his crusade to revive Cox's reputation. Librarians may be familiar with Morgan's Keepers of the Culture: The Art Thought of Kenyon Cox (Kent State Univ. Pr., 1989) and An American Art Student in Paris: The Letters of Kenyon Cox, 1877-1882 (Kent State Univ. Pr., 1986). This thorough and meticulously researched biography, supplemented with 42 black-and-white illustrations, will stand as the definitive source. Recommended for American art and studies collections.-- Russell T. Clement, Brigham Young Univ. Lib., Provo, Ut.
Booknews
A biography, not an analysis of artwork, of a prominent cultural figure in the US during the first two decades of this century. Cox was known as a mural painter, a critic, and an outspoken opponent of modernism. Throughout his career in art, he asserted the values of craftsmanship and attachment to traditional ideals that emphasized harmony, order, and unity of artist and public. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780873384858
  • Publisher: Kent State University Press
  • Publication date: 3/1/1994
  • Pages: 304
  • Lexile: 1210L (what's this?)
  • Product dimensions: 7.33 (w) x 10.31 (h) x 1.12 (d)

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