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More About This Textbook
Overview
In addition to South Florida color and world-class journalism, readers of Kick Ass will find one of Florida's staunchest defenders in action, and they'll take great pleasure in watching him work.
Editorial Reviews
Booknews
A collection of columns from the by the extremely popular mystery writer. Annotation c. Book News, Inc., Portland, OR (booknews.com)Kirkus Reviews
A public service to his many fans, this compendium of Miami Herald columns by best-selling novelist Carl Hiaasen (Lucky You, 1997, etc.) reveals an angry, alert civic muckraker in the pugilistic vein of Mencken or Royko. Though best known for his ribald crime fiction, with its meticulous universe of South Florida idiocy and venal conspiracy, Hiaasen cut his teeth as an investigative reporter, and this spirit is strong in both his chosen subjects and his wry attention to unforgiving evidentiary detail. As editor Stevenson notes, the collection's thrust, which she constructed by sifting through Hiaasen's 1300-plus columns, was to present his advocacy of "realistic growth and decent government in Florida." Along the way Hiaasen stops to gut innumerable big fish—crooked politicians, rogue cops, insensate tourists, swollen developers—within a rough chronology reaching back to the cocaine-crazed Reagan '80s. Although Hiaasen is a truly funny writer, a stern moral compass lies beneath his slapstick. His quixotic outrage regarding the despoliation of his home state (cf. the columnist/terrorist of his Tourist Season, 1986) is as unforgiving as an Uzi, as authentic as a Waffle House breakfast. Hiaasen's zestful attacks on Miami's many embarrassing or indicted leaders end up addressing the threats posed, for instance, by the crash overpopulation of Florida, epitomized by the havoc wreaked by Hurricane Andrew upon shoddy developments, a dire issue that pro-business boosters (e.g., The Mouse) labor to minimize. But even the loopier pieces (tame dachshund-eating alligators, Geraldo Rivera's faked drug raids) are informed by Hiaasen's unforgiving focus upon the social rot beneath the zanyfacade. Such columns, like his fiction, reveal Hiaasen as a crystalline, pitiless seer of human weakness in much the same vein as his Floridian forbears, Charles Willeford and Harry Crews. Deeply satisfying, both for what it reveals of the serious priorities of a supposedly light novelist and for the outrageous epic of Florida profiteering and entropy within.Product Details
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Meet the Author
Bestselling author Carl Hiaasen has written Tourist Season, Strip Tease, Sick Puppy, Skinny Dip, and many other novels that have helped define Florida noir. He is also the author of three popular books for young readers, Hoot, Flush, and most recently, Scat. His nonfiction includes Team Rodent: How Disney Devours the World and Downhill Lie: A Hacker's Return to a Ruinous Sport. A Florida native and lifelong resident, Hiaasen still writes regularly for the Miami Herald, where he has worked for 33 years and where these columns first appeared. His Web site is www.carlhiaasen.com. Diane Stevenson teaches research writing in the psychology department at the University of Florida.
Biography
When one thinks of the classics of pulp fiction, certain things -- gruff, amoral antiheroes, unflinching nihilism, and a certain melodramatic self-seriousness -- inevitably come to mind. However, the novels of Carl Hiaasen completely challenge these pulpy conventions. While the pulp of yesteryear seems forever chiseled in an almost quaint black and white world, Hiaasen's books vibrate with vivid color. They are veritable playgrounds for wild characters that flout clichés: a roadkill-eating ex-governor, a bouncer/assassin who takes care of business with a Weed Wacker, a failed alligator wrestler named Sammy Tigertail. Furthermore, Hiaasen infuses his absurdist stories with a powerful dose of social and political awareness, focusing on his home turf of South Florida with an unflinching keenness.Hiaasen was born and raised in South Florida. During the 1970s, he got his start as a writer working for Cocoa Today as a public interest columnist. However, it was his gig as an investigative reporter for The Miami Herald that provided him with the fundamentals necessary for a career in fiction. "I'd always wanted to write books ever since I was a kid," Hiaasen told Barnes & Noble.com. "To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills -- you learn to listen, you learn to take notes -- everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels."
Hiaasen made the transition from journalism to fiction in 1981 with the help of fellow reporter Bill Montalbano. Hiaasen and Montalbano drew upon all they had learned while covering the Miami beat in their debut novel Powder Burn, a sharp thriller about the legendary Miami cocaine trade, which the New York Times declared an "expertly plotted novel." The team followed up their debut with two more collaborative works before Hiaasen ventured out on his own with Tourist Season, an offbeat murder mystery that showcased the author's idiosyncratic sense of humor.
From then on, Hiaasen's sensibility has grown only more comically absurd and more socially pointed, with a particular emphasis on the environmental exploitation of his beloved home state. In addition to his irreverent and howlingly funny thrillers (Double Whammy, Sick Puppy, Nature Girl, etc), he has released collections of his newspaper columns (Kick Ass, Paradise Screwed) and penned children's books (Hoot, Flush). With his unique blend of comedy and righteousness ("I can't be funny without being angry."), the writer continues to view hallowed Florida institutions -- from tourism to real estate development -- with a decidedly jaundiced eye. As Kirkus Reviews has wryly observed, Hiassen depicts "...the Sunshine State as the weirdest place this side of Oz."
Good To Know
Perhaps in keeping with his South Floridian mindset, Hiaasen keeps snakes as housepets. He says on his web site, "They're clean and quiet. You give them rodents and they give you pure, unconditional indifference."Hiaasen is also a songwriter: He's co-written two songs, "Seminole Bingo" and "Rottweiler Blues", with Warren Zevon for the album Mutineer. In turn, Zevon recorded a song based on the lyrics Hiaasen had written for a dead rock star character in Basket Case.
In Hiaasen's novel Nature Girl, he gets the opportunity to deal with a long-held fantasy. "I'd always fantasized about tracking down one of these telemarketing creeps and turning the tables -- phoning his house every night at dinner, the way they hassle everybody else," he explains on his web site. "In the novel, my heroine takes it a whole step farther. She actually tricks the guy into signing up for a bogus ‘ecotour' in Florida, and then proceeds to teach him some manners. Or tries."
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