- Everything in Its Right Place
- Kid A
- The National Anthem
- How to Disappear Completely
- Treefingers
- Optimistic
- In Limbo
- Idioteque
- Morning Bell
- Motion Picture Soundtrack
- Untitled
5
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0634904078225
Steve Hamilton Sax (Alto),Sax (Alto),Alto
Stan Harrison Baritone,Sax (Baritone)
Henry Binns Sampling
Michael Kearsey Trombone (Bass)
Andy Hamilton Sax (Tenor),Sax (Tenor)
Andy Bush Trumpet
Hook Horns Horn
Liam Kerkman Trombone
Martin Hathaway Alto,Sax (Alto)
Orchestra of St. John's Featured Artist
Mark Lockheart Sax (Tenor)
John Lubbock Conductor
Ed O'Brien Composer
Jim Warren Mixing,Engineer,Mixing Engineer
Radiohead Composer,Recording Director
Phil Selway Composer
Miti Adhikari Mixing,Producer,Mixing Engineer
Thom Yorke Composer
Chris Blair Mastering
Graeme Stewart Engineer
Jonny Greenwood Score,Composer
Nigel Godrich Mixing,Engineer,Live Recording,Recording Director
Gerard Navarro Engineer,Assistant
Sam Cunningham Producer
Jean Luc Lemerre Engineer,Live Recording


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Overview
In the wake of OK Computer, it became taken for granted among serious rock fans of all ages that Radiohead not only saved rock from itself, but paved the way toward the future. High praise, but given the static nature of rock in the last half of the '90s, it was easy to see why fans and critics eagerly harnessed their hopes to the one great rock band that wanted to push the limits of its creativity, without grandstanding or pandering. Daunting expectations for anyone, even for a band eager to meet them, so it's little wonder that Kid A was so difficult to complete. Radiohead's creative breakthrough arrived when the band embraced electronica -- which was nearly a cliche by the end of the '90s, when everyone from U2 to Rickie Lee Jones dabbled in trip-hop or techno. The difference is that the wholehearted conversion on Kid A fits, since OK Computer had already flirted with electronica and its chilly feel. Plus, instead of simply adding club beats or sonic collage techniques, Radiohead strove for the unsettling "intelligent techno" sound of Autechre and Aphex Twin, with skittering beats and stylishly dark sonic surfaces. To their immense credit, Radiohead don't sound like carpetbaggers, because they share the same post-post-modern vantage point as their inspirations. As perhaps befitting an album that's coolly, self-consciously alienating, Kid A takes time to unfold; multiple plays are necessary just to discern the music's form, to get a handle on quiet, drifting, minimally arranged songs with no hooks. This emphasis on texture, this reliance on elliptical songs, means that Kid A is easily the most successful electronica album from a rock band: it doesn't even sound like the work of a rock band, even if it does sound like Radiohead. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 05/20/2016 |
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Label: | Xl |
UPC: | 0634904078225 |
Tracks
Album Credits
Performance Credits
Radiohead Primary ArtistSteve Hamilton Sax (Alto),Sax (Alto),Alto
Stan Harrison Baritone,Sax (Baritone)
Henry Binns Sampling
Michael Kearsey Trombone (Bass)
Andy Hamilton Sax (Tenor),Sax (Tenor)
Andy Bush Trumpet
Hook Horns Horn
Liam Kerkman Trombone
Martin Hathaway Alto,Sax (Alto)
Orchestra of St. John's Featured Artist
Mark Lockheart Sax (Tenor)
John Lubbock Conductor
Technical Credits
Colin Greenwood ComposerEd O'Brien Composer
Jim Warren Mixing,Engineer,Mixing Engineer
Radiohead Composer,Recording Director
Phil Selway Composer
Miti Adhikari Mixing,Producer,Mixing Engineer
Thom Yorke Composer
Chris Blair Mastering
Graeme Stewart Engineer
Jonny Greenwood Score,Composer
Nigel Godrich Mixing,Engineer,Live Recording,Recording Director
Gerard Navarro Engineer,Assistant
Sam Cunningham Producer
Jean Luc Lemerre Engineer,Live Recording
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