Kidnapped (Saddleback's Illustrated Classics)

( 371 )

Overview


These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page hardcover book retains key phrases and quotations from the original classics. Kidnapped by his scheming and wicked uncle, teenager David Balfour is forced to sail the high seas on the ship the Covenant. With the help of an unlikely friend, a Scotsman who is rebelling against English rule, David escapes. However, together they ...
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Kidnapped (Barnes & Noble Library of Essential Reading)

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Overview


These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page hardcover book retains key phrases and quotations from the original classics. Kidnapped by his scheming and wicked uncle, teenager David Balfour is forced to sail the high seas on the ship the Covenant. With the help of an unlikely friend, a Scotsman who is rebelling against English rule, David escapes. However, together they still face more danger before David can regain his stolen inheritance from his uncle.

A sixteen-year-old orphan is kidnapped by his villainous uncle, but later escapes and becomes involved in the struggle of the Scottish highlanders against English rule.

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Editorial Reviews

Children's Literature - Naomi Butler
When young David Balfour's father dies and leaves him in poverty, David tracks down his Uncle Ebenezer to seek his inheritance. But his uncle is a nasty man with a dark family secret. David finds himself in terrible danger when he is kidnapped and taken prisoner on board a ship bound for slavery—he must escape. With the help of daring rebel, Alan Beck, David faces a wild adventure as he is hunted across the desolate Scottish moors. This handsome paperback will draw the attention of students assigned to read the title and/or the casual reader who has heard of the story, as well as the re-reader. The Puffin classics have been hailed as the most innovative and imaginative children's literature for generations. There is a nice introduction by Alexander McCall Smith that sets the story in the time and place. There is an "Author File," "Who's Who In Kidnapped," "Some Things To Think About," "Some Things to Do," "Jacobite Scotland, A Scottish Glossary," and some suggestions for other Puffin titles. Reviewer: Naomi Butler
Children's Literature
If you are looking for a book of adventure, then this is a perfect choice. At the young age of seventeen, David Belfour sets out alone to search for an uncle he never knew he had. On his travels he is kidnapped and from there, his life becomes fraught with perils, adventure, and near death experiences. Fortunately he meets and becomes friends with a master-swordsman, and the two of them are able to successfully cross Scotland where David succeeds in claiming his heritage and inheritance. Kidnapped is filled with excitement and captures the reader’s interest right from the beginning. The author includes a yellow box on every page that holds the thoughts of David; this helps with the comprehension of the story. This book is written in graphic format. It makes it perfect for students who are reluctant readers who never seem to finish a book on their own. Young adults who want to read anything they can get their hands on will also enjoy the graphics and fast-paced text. The full color graphics make an enormous impact on the story. Graphic novels also provide a comfortable length for reluctant readers; yet they include the substance of the original novel. It is perfect for book reports and book discussions. I did not understand why or agree with the author capitalizing entire words throughout the book, with no grammatical reason for it, but I do highly recommend this book. Reviewer: Kathie M. Josephs
School Library Journal

Gr 7 Up
This retelling of Stevenson's classic hits the high points of what was originally a densely written story, making it more palatable for reluctant readers or those who want to revisit the original. The text and dialogue retain the spirit of the novel, but the hard-to-read Scottish accents are softened and the passages in which characters speak to each other in Latin have been removed. On the whole this is an engaging adaptation, aided by Kennedy's vibrant illustrations in a palette dominated by blues, greens, and sepia tones. The action scenes are exciting, and readers will get a good feel for the dangers of the sea and the beauty of the Scottish Highlands. However, adapting some parts of the book and using other parts verbatim can be confusing. For example, the last sentence, about David Balfour finding the doors of the British Linen Company's bank, is quoted verbatim. Earlier mention of this bank is not included, which might leave readers wondering why it is significant. Quibbles aside, this book would make a good bridge to the novel for readers who want to delve deeper into the story, and will also prove to those readers who think they hate classics that some of them are actually kind of cool.
—Andrea LipinskiCopyright 2006 Reed Business Information.

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Product Details

  • ISBN-13: 9781599059068
  • Publisher: Saddleback Educational Publishing
  • Publication date: 9/28/2010
  • Series: Saddleback's Illustrated Classics Series
  • Pages: 61
  • Sales rank: 813,961
  • Age range: 12 - 17 Years
  • Product dimensions: 6.20 (w) x 8.70 (h) x 0.40 (d)

Meet the Author

Robert Louis  Stevenson
Throughout his life, Robert Louis Balfour Stevenson was tormented by poor health. Yet despite frequent physical collapses–mainly due to constant respiratory illness–he was an indefatigable writer of novels, poems, essays, letters, travel books, and children’s books. He was born on November 13, 1850, in Edinburgh, of a prosperous family of lighthouse engineers. Though he was expected to enter the family profession, he studied instead for the Scottish bar. By the time he was called to the bar, however, he had already begun writing seriously, and he never actually practiced law. In 1880, against his family’s wishes, he married an American divorcée, Fanny Vandegrift Osbourne, who was ten years his senior; but the family was soon reconciled to the match, and the marriage proved a happy one.

All his life Stevenson traveled–often in a desperate quest for health. He and Fanny, having married in California and spent their honeymoon by an abandoned silver mine, traveled back to Scotland, then to Switzerland, to the South of France, to the American Adirondacks, and finally to the south of France, to the South Seas. As a novelist he was intrigued with the genius of place: Treasure Island (1883) began as a map to amuse a boy. Indeed, all his works reveal a profound sense of landscape and atmosphere: Kidnapped (1886); The Strange Case of Dr. Jekyll and Mr. Hyde (1886); The Master of Ballantrae (1889).

In 1889 Stevenson’s deteriorating health exiled him to the tropics, and he settled in Samoa, where he was given patriarchal status by the natives. His health improved, yet he remained homesick forScotland, and it was to the “cold old huddle of grey hills” of the Lowlands that he returned in his last, unfinished masterpiece, Weir of Hermiston (1896).

Stevenson dies suddenly on December 3, 1894, not of the long-feared tuberculosis, but of a cerebral hemorrhage. The kindly author of Jekyll and Hyde went down to the cellar to fetch a bottle of his favorite burgundy, uncorked it in the kitchen, abruptly cried out to his wife, “What’s the matter with me, what is this strangeness, has my face changed?”–and fell to the floor. The brilliant storyteller and master of transformations had been struck down at forty-four, at the height of his creative powers.

Biography

Robert Louis Stevenson was born in 1850 in Edinburgh. His father was an engineer, the head of a family firm that had constructed most of Scotland's lighthouses, and the family had a comfortable income. Stevenson was an only child and was often ill; as a result, he was much coddled by both his parents and his long-time nurse. The family took frequent trips to southern Europe to escape the cruel Edinburgh winters, trips that, along with his many illnesses, caused Stevenson to miss much of his formal schooling. He entered Edinburgh University in 1867, intending to become an engineer and enter the family business, but he was a desultory, disengaged student and never took a degree. In 1871, Stevenson switched his study to law, a profession which would leave time for his already-budding literary ambitions, and he managed to pass the bar in 1875.

Illness put an end to his legal career before it had even started, and Stevenson spent the next few years traveling in Europe and writing travel essays and literary criticism. In 1876, Stevenson fell in love with Fanny Vandergrift Osbourne, a married American woman more than ten years his senior, and returned with her to London, where he published his first fiction, "The Suicide Club." In 1879, Stevenson set sail for America, apparently in response to a telegram from Fanny, who had returned to California in an attempt to reconcile with her husband. Fanny obtained a divorce and the couple married in 1880, eventually returning to Europe, where they lived for the next several years. Stevenson was by this time beset by terrifying lung hemorrhages that would appear without warning and required months of convalescence in a healthy climate. Despite his periodic illnesses and his peripatetic life, Stevenson completed some of his most enduring works during this period: Treasure Island (1883), A Child's Garden of Verses (1885), Kidnapped (1886), and Dr. Jekyll and Mr. Hyde (1886).

After his father's death and a trip to Edinburgh which he knew would be his last, Stevenson set sail once more for America in 1887 with his wife, mother, and stepson. In 1888, after spending a frigid winter in the Adirondack Mountains, Stevenson chartered a yacht and set sail from California bound for the South Pacific. The Stevensons spent time in Tahiti, Hawaii, Micronesia, and Australia, before settling in Samoa, where Stevenson bought a plantation called Vailima. Though he kept up a vigorous publishing schedule, Stevenson never returned to Europe. He died of a sudden brain hemorrhage on December 3, 1894.

Author biography from the Barnes & Noble Classics edition of The Strange Case of Dr. Jekyll and Mr. Hyde.

Good To Know

It has been said that Stevenson may well be the inventor of the sleeping bag -- he described a large fleece-lined sack he brought along to sleep in on a journey through France in his book Travels with a Donkey in the Cevennes.

Long John Silver, the one-legged pirate cook in Stevenson's classic Treasure Island, is said to be based on the author's friend William Ernest Henley, whom he met when Henley was in Edinburgh for surgery to save his one good leg from tuberculosis.

Stevenson died in 1894 at Vailima,, his home on the South Pacific island of Upolu, Samoa. He was helping his wife make mayonnaise for dinner when he suffered a fatal stroke.

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    1. Also Known As:
      Robert Louis Balfour Stevenson
    1. Date of Birth:
      November 13, 1850
    2. Place of Birth:
      Edinburgh, Scotland
    1. Date of Death:
      December 3, 1894
    2. Place of Death:
      Vailima, Samoa

Read an Excerpt

Introduction by Margot Livesey

I.

When I was growing up in Scotland, Robert Louis Stevenson was the first author whom I knew by name, and he remains the only one whom I can truthfully claim to have been reading all my life. From an early age, my parents read to me from A Child's Garden of Verses, and I soon learned some of the poems by heart.

I have a little shadow
that goes in and out with me,
And what can be the use of him
is more than I can see.

Perhaps I recognized, even then, Stevenson's unique gift for keeping a foot in two camps. While the poems vividly captured my childish concerns, somewhere in the margins shimmered the mystery of adult life. A few years later Kidnapped was the first chapter book I read, and I can still picture the maroon binding and the black-and-white drawings that illustrated David Balfour's adventures. At the age of seven, a book without pictures would have been out of the question, but, in fact, they turned out to be superfluous. I could imagine everything that happened just from the words on the page, although I must admit to the small advantage that the view from my bedroom window--bare hills, rocks, heather--was very much like the landscape of Kidnapped.

At first glance such early acquaintance might seem like a good omen for an author's reputation. In actuality, that Stevenson is so widely read by children has tended to make him seem like an author from who, as adults, we have little to learn. It is worth noting that his contemporaries would not have shared this prejudice. Nineteenth-century readers did not regard children's books as separate species. Stevenson's own father oftenreread The Parent's Assistant, a volume of children's stories, and Leslie Stephen, Virginia Woolf's father, writes of staying up late to finish Treasure Island.

Like the shadow of his poem, Stevenson's reputation has waxed and waned at an alarming rate. He died in a blaze of hagiography, which perhaps in part explains the fury of later critics. F.R. Leavis in The Great Tradition dismisses Stevenson (in a footnote, no less) as a romantic writer, guilty of fine writing, and in general Stevenson has not fared as well as his friend Henry James. People comment with amazement that Borges and Nabokov praised his novels. Still, his best work has remained in print for over a hundred years, and his is among that small group of authors to have given a phrase to the language: Jekyll and Hyde.

Besides our perception of Stevenson as a children's author, two other factors may have contributed to his ambiguous reputation. Although his list of publications is much longer than most people realize--he wrote journalism and travel pieces for money--he failed to produce a recognizable oeuvre, a group of works that stand together, each resonating with the others. In addition, the pendulum of literary taste has swung in a direction that Stevenson disliked and was determined to avoid: namely, pessimism. After reading The Portrait of a Lady he wrote to James begging him to write no more such books, and while he admired the early work of Thomas Hardy, he hated the darker Tess of the d'Urbervilles. The English writer John Galsworthy commented memorably on this aspect of Stevenson when he said that the superiority of Stevenson over Hardy was that Stevenson was all life, while Hardy was all death.


From the Trade Paperback edition.
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Customer Reviews

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Sort by: Showing 1 – 11 of 10 Customer Reviews
  • Anonymous

    Posted April 20, 2012

    A true classic

    One of my all time favorites. I first read kidnapped in high school after being recomended by a friend. 30years later and read three times i still find it hard to put down. They dont write them like that anymore.

    2 out of 2 people found this review helpful.

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  • Posted February 1, 2011

    sample

    the sample is boring all it is it tells about the auther for like 30 pages and then it is only 1 page of the book.

    1 out of 5 people found this review helpful.

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  • Anonymous

    Posted February 27, 2013

    M

    Moonshard awkwardly claws her way up to the hayloft, then huddles in the corner.

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 27, 2013

    Hollybell (something special.))

    I do not know about you but i am moving up to the hayloft where it's safer. Midnightpaw, read this. I call upon my warrior anscestors to look down on this apprentice. Midnightpaw, you showed yourself worthy as any warrior tonight. Do you promise to uphold the warrior code and fight for the kits at the cost of your life?_____. Then i now pronounce you now known as Midnightstorm. Midnightstorm! Midnightstorm!

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 19, 2012

    Well it kept me going till the end of the book

    I was really into reading this book it is very dramatic. I couldnt put it down i was really into how the kid was coming along straight to the end. It is based with the political side of how goverment was in ireland back when the british ruled it. I found it sad but intriging. I find the book to be ok

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    Posted December 31, 2011

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    Posted July 17, 2009

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    Posted August 31, 2009

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