Kiffe Kiffe Tomorrow

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Overview

He thought I'd forged my mom's name on the slip. How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.
—from Kiffe Kiffe Tomorrow

 "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story."—Sandra Cisneros, author of THE HOUSE ON MANGO STREET 

The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help—from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.

It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW.

"Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight."—Laila Lalami, author of Hope and Other Dangerous Pursuits

Faïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

Editorial Reviews

From Barnes & Noble
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Kiffe Kiffe Tomorrow is a startlingly sassy coming-of-age tale that realistically imagines the time when a girl feels she's on the outside, looking in. In the case of Doria, Guène's 15-year-old narrator, it is all too true. A child of Moroccan immigrants in France, the bellicose Doria is a cynical Muslim teenager in a Parisian suburb. Abandoned by her father, she and her mother inhabit a small flat in a concrete project far from the glamour, culture, and good schools in Paris. Doria is taunted for being different; her goodwill wardrobe, her family's poverty, and her poor learning skills all seem to point to the same mektoub, or destiny: a future without hope.

Out of this clash of cultures, Doria struggles to find her place and escape the malaise she feels about her life. In the end, she fashions something new taking the Arabic phrase for "same old, same old" (kif-kif), mixing in the French verb kiffer (to really like something), and coining a brand-new motto for herself: "kiffe kiffe tomorrow," a kind of rallying cry that fuels her belief in a future and a home she can love, and turns her despair to hope. Packed with astute social observation, Kiffe Kiffe Tomorrow is rich in trenchant humor, with a cast of unforgettable characters and a narrator with a sharp and powerfully authentic voice. (Fall 2006 Selection)
Seattle Times

"Rendered with tough defiance. [A] brash and bracing read."

Lucinda Rosenfeld
Kiffe Kiffe Tomorrow is not just a political tract. What makes it appealing is its sharply drawn profile of a precocious adolescent. In Sarah Adams’s highly colloquial translation, the narrator’s scorn extends to areas unrelated to the sociocultural circumstances of her family.
— The New York Times
Publishers Weekly
College-aged Gu ne was raised by Algerian immigrant parents in a Parisian housing project; in her debut novel, a French bestseller, 15-year-old Doria and her illiterate mother, having been abandoned by Doria's alcoholic father, are stuck in a Paris housing project called the Paradise. Dependent on welfare and subjected to the obligatory succession of social workers, the two are determined to face forward, despite Doria's sense of doomed mektoub (destiny), where gradual improvement (French: kiffe kiffe) gets flattened by the same old quotidian (Arabic: kif-kif). Doria, perpetually failing at school, begins a job babysitting a neighbor's much-adored four-year-old daughter, and Doria's mother begins literacy courses. A smart older boy, Nabil, is enlisted to tutor Doria, and she soon recognizes the potential of someone with dreams (as opposed to neighborhood teens like Hamoudi and Youssef, imprisoned for drug dealing and car theft). Throughout, the strictures of patriarchal Muslim culture clash with a nascent feminist freedom and Doria's exuberant, sophisticated teen talk. This small novel reads like a quiet celebration within a chaotic ghetto. (July) Copyright 2006 Reed Business Information.
curled up with a good book

"This highly original story, told in an equally original voice, will be popular for as long as people read it."

Entertainment Weekly

"A feisty, invigorating debut. [F]unny, infuriating, and hopeful about young womanhood and cultural welter. A-" -- Entertainment Weekly

Harper's
"Think of Doria on the same adolescent raft as Huck Finn and Holden Caulfield. A cunning wonder."
Hartford-Courant

"[K]udos for this sassy, spunky tale [with] the unforgettable voice. Doria has what it takes to storm any barricade."

Kirkus
"Smart, upbeat. An empowering new voice transforms kif-kif-- same old, same old-- into kiffer, something to be crazy about." 
  —starred review
Laila Lalami
"Moving and irreverent, sad and funny, full of rage and intelligence. Her voice is fresh, and her book a delight."
Miami Herald

"[C]ompelling, revealing Guene to be a promising addition to the world''s literary voices."

Philadelphia Inquirer

"Guene keeps her narrative plunging onward, one amusing observation from Doria at a time. [A] promising debut."

Publishers Weekly
"Exuberant, sophisticated teen talk. This small novel reads like a quiet celebration within a chaotic ghetto."

Salon

"Remarkable. A Gallic version of ''White Teeth,'' ''The Catcher in the Rye'' and ''Bridget Jones''s Diary.'' "

San Francisco Chronicle

"[C]ompelling... reveals Guene to be a promising addition to the world''s literary voices."

Sandra Cisneros
"A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence."

Seattle Times
"Rendered with tough defiance. [A] brash and bracing read."

St. Petersburg Times

"With bravado, humor, and a healthy dose of rage."

TimeOut Chicago
"Guene has a bright future ahead of her."
KLIATT
Doria is a 15-year-old girl whose story is a familiar one in many ways. Her parents are divorced, and Doria lives with her mother, who, lacking education and job experience, has to work a menial job with a boss who treats her like she's nothing. Her father has moved on to another woman and Doria doesn't see him anymore. Doria has a crush on an older boy who thinks she is just a kid. Another boy likes her, but she thinks he is gross. Doria is a girl with problems many of us may not be familiar with firsthand: she is an Arab immigrant living in Paris in the projects. Her story is also a larger tale of racism and poverty. The young author, Faiza Guene, understands Doria's story intimately. She too grew up in the projects outside Paris and is a Muslim who is the child of Algerian immigrants. Her experience makes her story sound undeniably real with a truth that resonates throughout her tale. Through her voyage we see how kif-kif, which means "same-old, same-old" in Arabic, transforms into the French phrase kiffe kiffe, which means things are getting better all the time. KLIATT Codes: SA--Recommended for senior high school students, advanced students, and adults. 2006, Harcourt, 156p., $13.00.. Ages 15 to adult.
—Krista Bush
Library Journal
Fifteen-year-old Doria lives with her mother in Paradise Estates, a mostly Muslim housing project outside Paris. Her father has returned to greener pastures in his native Algeria and started a new family there, leaving Doria both furious and hurt. At the same time, she is a typical teenager, testing boundaries as she teeters toward independence. Doria is confounded by her changing body, as well as her burgeoning sexual and political interests, but she persistently struggles to figure things out. In this regard, she's as likable as Holden Caulfield or Prep's Lee Fiora. Still, she's an adolescent, and, depending on the situation, she can be tender or surly, sweet or defiant, moving between the belief that life is kif kif-unchanging-and kiffe kiffe-full of promise for a better tomorrow. Published when the author was 19, this gutsy debut highlights the racism endemic to French society and addresses class and gender tensions within and without the Arab community. Humor is abundant, despite the grim themes, and Doria is a compelling protagonist. Readers will cheer as she navigates through volatile terrain and eventually triumphs. Highly recommended.-Eleanor J. Bader, Brooklyn, NY Copyright 2006 Reed Business Information.
Kirkus Reviews
Guene's smart, upbeat debut shows a North African teenager finding the inner grit to withstand pervasive racism in a hardscrabble Parisian suburb. Fifteen-year-old Doria lives with her illiterate mother in a crummy, rundown housing project. They have been at the mercy of nosy social workers since Doria's father left them to return to Morocco six months before. The Beard, as she calls him, wanted a son ("for his pride, his reputation, the family honor, and I'm sure lots of other stupid reasons"), and her mother couldn't have any more children. At the moment, his abandoned family's mektoub (destiny) seems to consist of getting along on welfare and secondhand clothing. Doria barely scrapes by at school, where apathetic teachers dish out unengaging work. Mom cleans rooms at the dreary Formula 1 Motel, answering to the generic ethnic name of Fatma even though her real name is Yasmina. Doria can only talk to two people: Mme Burlaud, the school-mandated psychologist she sees every Monday, and Hamoudi, an out-of-work young man who smokes spliff and deals drugs but has a caring, protective way with the girl. She and her mother also occasionally visit an Algerian friend they call Aunt Zohra-a "real woman," according to Doria, because she is "strong" and can even deal with her husband spending six months each year back in the old country with a second wife. Despite her gloomy prospects, Doria refuses to be bitter and even finds some redeeming qualities in "lame-o" Nabil, who comes over to help with her civics homework. Slowly, things begin to change: Her mother leaves the motel after a strike and begins taking classes in English; Hamoudi falls in love with a single-mom tenant. And as for Doria, herluck might be lousy, but she's determined that her fate won't be. An empowering new voice transforms kif-kif-same old, same old-into kiffer, something to be crazy about.

Product Details

  • ISBN-13: 9780156030489
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 7/3/2006
  • Edition description: Translatio
  • Edition number: 1
  • Pages: 192
  • Sales rank: 620,512
  • Lexile: 890L (what's this?)
  • Product dimensions: 5.30 (w) x 7.90 (h) x 0.60 (d)

Meet the Author

Faïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

Read an Excerpt

It's Monday and, like every Monday, I went over to Madame Burlaud's. Mme Burlaud is old, she's ugly, and she stinks like RID antilice shampoo. She's harmless, but sometimes she worries me. Today she took a whole bunch of weird pictures out of her bottom drawer. They were these huge blobs that looked like dried vomit. She asked me what they made me think about. When I told her she stared at me with her eyes all bugged out, shaking her head like those little toy dogs in the backs of cars.It was school that sent me up to see her. The teachers, in between strikes for once, figured I'd better see somebody because I seemed shut down or closed off or something . . . Maybe they're right. I don't give a shit. I go. It's covered by welfare.I guess I've been like this since my dad left. He went a way long way away, back to Morocco to marry another woman, who must be younger and more fertile than my mom. After me, Mom couldn't have any more children. But it wasn't like she didn't try. She tried for a really long time. When I think of all the girls who get pregnant their first time, not even on purpose . . . Dad, he wanted a son. For his pride, his reputation, the family honor, and I'm sure lots of other stupid reasons. But he only got one kid and it was a girl. Me. You could say I didn't exactly meet customer specifications. Trouble is, it's not like at the supermarket: There's no customer-satisfaction guarantee. So one day the Beard must have realized there was no point trying anymore with my mom and he took off. Just like that, no warning. All I remember is that I was watching an episode from the fourth season of The X-Files that I'd rented from the video store on the corner. The door banged shut. From the window, I saw a gray taxi pulling away. That's all. It's been over six months. That peasant woman he married is probably pregnant by now. And I know exactly how it will all go down: Seven days after the birth they'll hold the baptism ceremony and invite the whole village. A band of old sheiks carting their camel-hide drums will come over just for the big event. It's going to cost him a real fortune- all his pension from the Renault factory. And then they'll slit the throat of a giant sheep to give the baby its first name. It'll be Mohammed. Ten to one.When Mme Burlaud asks me if I miss my dad, I say "no," but she doesn't believe me. She's pretty smart like that, for a chick. Whatever, it's no big deal, my mom's here. Well, she's here physically. Because in her head, she's somewhere else. Somewhere even farther away than my father.
Ramadan started a little over a week ago. I made Mom sign a form saying why I wouldn't be eating in the cafeteria. When I gave it to the principal, he asked if I was trying to put one over on him. His name is Monsieur Loiseau. He's fat, he's stupid, he smokes a pipe, and when he opens his mouth it reeks of cheap wine. At the end of the day, his big sister picks him up out front of school in a red hatchback. So when he wants to play the big boss, he's got a real credibility problem.Anyway, M. Loiseau asked me if I was taking him for a ride because he thought I'd forged my mom's name on the paper. He's an idiot. If I'd wanted to fake a signature, I'd have made it look like a real one. On this thing Mom just made a kind of squiggly line. She's not used to holding a pen. The jerk didn't even think about that, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.Not very long ago Mom started working. She cleans rooms at the Formula 1 Motel in Bagnolet while she's waiting to find something else, soon I hope. Sometimes, when she gets home late at night, she cries. She says it's from feeling so tired. She struggles even harder during Ramadan, because when it's time to break the fast, around 5:30 P.M., she's still at work. So if she wants to eat, she has to hide some dates in her smock. She even sewed an inside pocket so she can be sly about it, because if her boss saw her he'd be totally pissed.Everyone calls her "Fatma" at the Formula 1. They shout at her all the time, and they keep a close watch on her to make sure she doesn't steal anything from the rooms.Of course, Mom's name isn't Fatma, it's Yasmina. It must really give Monsieur Winner a charge to call all the Arabs "Fatma," all the blacks "Mamadou," and all the Chinese "Ping-Pong." Pretty freaking lame.M. Winner is Mom's supervisor. He's from Alsace. Sometimes I wish he'd waste away at the bottom of a deep, dark basement, getting eaten alive by rats. When I say that, Mom gives me shit. She says it's not good to wish death on anybody, not even your worst enemy. One day he insulted her and when she got home she cried like crazy. Last time I saw someone crying like that was when Myriam peed her pants in skiing class. That bastard Winner thought Mom was disrespecting him because, with her accent, she pronounced his name "Weener."
Since the old man split we've had a whole parade of social workers coming to the apartment. Can't remember the new one's name, but it's something like Dubois or Dupont or Dupré, a name that tells you she's from somewhere, from a real family line or something. I think she's stupid, and she smiles all the time for no good reason. Even when it's clearly not the right time. It's like the crazy woman feels the need to be happy for other people because they aren't happy for themselves. Once, she asked if I wanted us to be friends. Like a little brat I told her I didn't see that happening. But I guess I messed up, because the look my mother gave me cut me in half. She was probably scared social services would cut off our benefits if I didn't make nice with their stupid social worker.Before Mme DuThingamajig, it was a man . . . Yeah, she took over from this guy who looked like Laurent Cabrol, the one who hosted Heroes' Night on TF1 on Friday nights. Shame it's not on anymore. Now Laurent Cabrol's in the bottom right-hand corner of TV Mag, page 30, wearing a yellow and black striped rugby shirt, advertising central heating. Anyway, this social worker was his spitting image. Total opposite of Mme DuWhatsit. He never cracked a joke, he never smiled, and he dressed like Professor Calculus in The Adventures of Tintin. Once, he told my mom that in ten years on this job, this was the first time he'd seen "people like you with only one child." He was thinking "Arabs," but he didn't say so. Coming to our place was like an exotic experience for him. He kept giving weird looks to all the knick-knacks around the house, the ones my mom brought over from Morocco after she got married. And since we wear babouches at home, he'd take off his shoes when he walked in, trying to do the right thing. Except he had alien feet. His second toe was at least ten times longer than his big toe. It looked like he was giving us the finger through his socks. And then there was the stench. The whole time he played the sweet, compassionate type, but it was all a front. He didn't give a shit about us. Besides, he quit. Seems he moved to the countryside. Remade himself into a cheese-maker, for all I know. He drives around the little villages of dear old la belle France in his sky blue van on Sunday mornings after Mass, selling rye bread, old-fashioned Roquefort cheese, and saucisson sec.Even if I think Mme DuSomethingorother's a fool too, at least she does a better job of playing social worker to the local poor. She really makes out like she gives a damn about our lives. Sometimes, you'd almost believe her. She fires questions at me in this high-pitched voice. The other day she wanted to know the last book I'd read. I just shrugged so she'd think the answer was "nothing." But, really, I've just finished this thing called The Sand Child by Tahar Ben Jelloun. It tells all about a little girl who was raised as a boy because she was the eighth daughter in the family and her father wanted a son. Back when the book is set, there wasn't any ultrasound or contraception. It was no refunds, no exchanges.What a shitty destiny. Fate is all trial and misery and you can't do anything about it. Basically no matter what you do you'll always get screwed over. My mom says my dad walked out on us because it was written that way. Around here, we call it mektoub. It's like a film script and we're the actors. Trouble is, our scriptwriter's got no talent. And he's never heard of happily ever after.
My mom always dreamed France was like in those black-and-white films from the sixties. The ones where the handsome actor's always telling his woman so many pretty lies, a cigarette dangling from his lips. Back in Morocco, my mom and her cousin Bouchra found a way to pick up French channels with this antenna they rigged up from a stainless-steel couscous maker. So when she and my dad arrived in Livry-Gargan, just north of Paris, in February 1984, she thought they must have taken the wrong boat and ended up in the wrong country. She told me that when she walked into this tiny two-room apartment the first thing she did was throw up. I'm not sure if it was seasickness or a sixth sense warning her about her future in this bled.The last time we went back to Morocco, I was wild-eyed and dazed. I remember these old, tattooed women coming over and sitting next to Mom at the weddings and baptisms and circumcision ceremonies."You know, Yasmina, your girl is getting to be a woman, you have to think about finding her a boy from a good family. Do you know Rachid? That young man who's a welder . . ."Stupid old bags. I know exactly who they're talking about. Everyone calls him "Mule-head Rachid." Even the six-year-olds make fun of him to his face. Not to mention he's missing four teeth, he can't read at all, he's cross-eyed, and he stinks like piss. Over there, it's enough that you have even the smallest little bumps for breasts, you know to shut up when you're told to, you know how to bake decent bread, and bam, you're all ready for marriage. Anyway, I don't think we're ever going back to Morocco. We can't afford it for one thing, and my mom says it would be too humiliating. People would point at her and whisper. She thinks what happened is all her fault. To me there are only two guilty parties in this story: my dad and fate.We worry about the future but there's no point. For all we know we might not even have one. You could die in ten days, or tomorrow, or suddenly, right over there, right now. It's the kind of thing that doesn't exactly make an appointment. There's no advance notice, no final warning. Not like when your electricity bill payment is overdue. That's how it was for Monsieur Rodriguez, my neighbor from the eleventh floor, the one who fought in the war for real. He died not long ago. Sure, OK, he was old, but, still, no one expected it.Sometimes I think about death. I even dream about it. One night I was at my own funeral. Hardly anyone there. Just my mom; Mme Burlaud; Carla, the Portuguese lady who cleans the elevators in our tower; Leonardo DiCaprio from Titanic; and my friend Sarah, who moved to that suburb Trappes, south of Paris, when I was twelve. My dad wasn't there. He must have been busy with his peasant woman who was pregnant with his Momo-to-be, while I was, well, dead. It's disgusting. I'll bet you his son's going to be stupid, even slower than Rachid the welder. I hope he'll limp, have problems with his eyesight, and when he hits puberty he'll suffer from the worst possible acne. He won't be able to get ahold of any Clearasil for his zits in their crappy, middle-of-nowhere bled. Except maybe on the black market, if he knows how to work the system. Whichever way you look at it, he'll turn out to be a loser. In this family, being a stupid bastard is passed down from father to son. At sixteen, he'll be selling potatoes and turnips at the market. And on his trip home every day, riding his black mule, he'll tell himself: "I am one glamorous guy."Someday I'd like to work at something glamorous myself, but I don't know what exactly . . . The trouble is, I'm no good at school. Completely useless. The only class I even scrape by in is Art and Design. That's fine and all, but I don't think gluing leaves on drawing paper is going to be a big help for my future. Whatever, I just don't want to end up behind a fast-food register, smiling all the time and asking customers: "Would you like a drink? Regular or supersized? For here or to go? For or against abortion?" And getting torn up by my supervisor if I serve a customer too many fries because he smiled at me . . . No lie, that guy could have been the man of my dreams. I would have given him a discount on his McMeal, he'd have taken me to eat at a swank steakhouse, asked me to marry him, and we'd have lived happily ever after in his five-room to-die-for apartment.

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted January 6, 2011

    Brilliant!!

    An easy and quick read. Insightful, humorous, and smart.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 8, 2009

    AMAZING- DON'T LISTEN TO ANYONE ELSE!

    Don't listen to ANYONE ELSE! This is one of the best books since Stargirl...Get a hold of it now! It includes real life situations and deep morals. You have to think...and it is not boring. It is engaging and interesting. I thoughtfully enjoyed it because it was recommended for me by my middle school teacher. I love it. The girl is funny and learns lessons that YOU should learn someday because they are IMPORTANT. Live the book Kiffe Kiffe Tomorrow. READ READ READ! I loved it, and so will you! I cried....

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 23, 2006

    Loved it.

    My 15-year old son and I both loved it. It's a slice of life in another city, for a 15 year old in very different circumstances.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 27, 2006

    not worth reading

    The book starts out ok but it gets boring and the second half is difficult to get through. I skimmed the end. Could have been much better!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 25, 2006

    Bad

    One word: BORING. It didn't keep me interested. Most of the little jokes you couldn't even get because it's probably from France. I could have stopped halfway through and it wouldn't have mattered. Don't waste your time.

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 3, 2011

    No text was provided for this review.

Sort by: Showing all of 6 Customer Reviews

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