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Copy and paste the URL below into your browser to download a free pdf of Linda Fairstein's new novel, Hell Gate, available in hardcover March 2010:
http://knopfdoubleday.com/marketing/Hell_Gate_Chapter_1.pdf
From the Paperback edition.
At the start of bestseller Fairstein's nail-biting 10th legal thriller to feature alter ego Alex Cooper (after 2006's Bad Blood), the Manhattan ADA takes a hit from a cigar at the urging of her longtime police ally, Mike Chapman-to cover the stench of a badly decomposed female body at a crime scene in an abandoned building near the Staten Island ferry. The victim later proves to be the first of a number of women in uniform targeted by the murderer, who may have military ties in his past. The trail leads to a notorious bar catering to underage drinkers, before a chance observation by a civilian shifts the inquiry dramatically. Meanwhile, Cooper is preparing to try Floyd Warren, a rapist whose first trial three decades earlier ended in a hung jury. Fairstein, whose professional résumé includes groundbreaking work in the field of sex crimes prosecution, manages to both entertain and educate, as Cooper struggles with the evidentiary challenges of the Warren rape case and with tracking a vicious serial killer. (Mar.)
Copyright 2007 Reed Business InformationIn her tenth Alexandra Cooper thriller (after Bad Blood ), Fairstein delivers a scorcher of a crime novel-her hottest yet. The assistant DA alternates between the courtroom and crime scenes amid the sweltering summer heat of Manhattan. As she works to convict a serial rapist accused of over 50 rapes in a 35-year-old cold case, verbal and physical threats from vengeance-seeking drug-gang members heat up the courtroom. Alex is called to a crime scene in an abandoned government building, and soon two other young women vanish. Similarities in the cases suggest the possibility of a serial killer, and Alex and colleagues Mike Chapman and Mercer Wallace brave rising temperatures and isolated locations in hot pursuit of the killer. Partly based on a 2006 crime, the novel delivers taut suspense, action-packed chases, historical glimpses of Manhattan, and a smattering of romance. Readers will not want to put down this red-hot thriller until they've turned the final page. It's essential for all public libraries.-Mary Todd Chesnut, Northern Kentucky Univ. Lib., Highland Heights
Copyright 2006 Reed Business Information.
Excerpted from Killer Heat by Linda Fairstein Copyright © 2008 by Linda Fairstein. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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“Fairstein . . . makes the legal issues more exciting than any high-speed chase.”
—The New York Times
The introduction, questions, and suggestions for further reading that follow are designed to stimulate your group's discussion of Linda Fairstein's legal thriller, Killer Heat.
1. What are Alex and Mike able to learn about the killer and the victim from the crime scene depicted in the opening chapter? How did your hunches and theories change as the evidence continued to build?
2. What did Kerry Hastings's experience reveal about the history of prosecuting rapists in America? What cultural shifts had to take place in order for changes to be enacted, such as the broad inclusion of women on juries and an abolishment of a statute of limitations for rape? What would it take to bring about change in countries where rape victims are now treated as criminals?
3. How did Alex's perception of Herb Ackerman change after he revealed his fetish? Which revelations about Amber were useful in finding her killer? What interrogation techniques does Alex rely on to ensure that witnesses are not only trustworthy but also trialworthy?
4. With or without DNA evidence, how would you have reacted to the behavior of the Latin Princes if you had been a juror during Floyd Warren's twenty-first-century trial?
5. Alex often has to confront rivalries between district attorneys and between law enforcement officials with varying jurisdictions. Do these rivalries spark healthy competition, or are they obstacles to justice?
6. In chapter twenty-three, Dickie Draper tries to profile the killer: “Eighteen to thirty-five, tops. Takes a lot of energy to do this. . . . Mostly a white boy's game. . . . And they're never Jewish.” How useful were his assumptions? What distinguishes effective and ineffective profiling?
7. How does it affect your reading to know that the author ran the Sex Crimes Unit of the Manhattan District Attorney's Office formore than two decades? How does her experience shape the realism of her books?
8. What makes Luc the ideal match for Alex at this point in her life? How has her profession influenced her love life in previous novels?
9. What does Troy Rasheed's story indicate about the nature of evil? Was his mindset influenced more by his childhood or by his innate nature?
10. How did you react to Nelly Kallin's closing line in chapter thirty-seven: “It's not these bastards' gonads that drive them to assault their victims, Detective. It's their twisted heads”? Did Troy's history change your opinions about pharmaceutical “castration”? What is the best way to protect society from such criminals? Should Troy and Floyd be grouped in the same sexual-predator category?
11. Like Kiernan, did you believe that Jimmy Dylan was involved in the murders? How did your perception of the Dylan family shift throughout the novel? How much background screening should a bar be required to do before offering a job to a bouncer?
12. What kept Alex alive during her brutal confrontation with Troy, despite the booby traps he had set, as well as her severe claustrophobia? Could any sort of training or mental conditioning have kept Amber, Elise, Connie, and Pam from being captured by him? What do the victims' diverse backgrounds indicate about the combined randomness and precision in violent criminals?
13. What did you discover about Alex when she was receiving her weapons training? What does her trouble with guns indicate about the major differences between her and Mike? Do her affluent background and her love for ballet and Parisian sojourns make it easier or harder for her to connect with the gritty realities of their casework?
14. In what way does New York itself play a role in the plot of Killer Heat, with references to landmarks ranging from the legendary restaurant Lutèce to the sprawling historic buildings of Governors Island? What did you discover about the military history of New York State through Alex's dispatches to West Point and Governors Island?
15. What transformations have occurred in Alex since her debut in Final Jeopardy? How have her working relationships with Mike and Mercer been enhanced over the years?
1. What are Alex and Mike able to learn about the killer and the victim from the crime scene depicted in the opening chapter? How did your hunches and theories change as the evidence continued to build?
2. What did Kerry Hastings's experience reveal about the history of prosecuting rapists in America? What cultural shifts had to take place in order for changes to be enacted, such as the broad inclusion of women on juries and an abolishment of a statute of limitations for rape? What would it take to bring about change in countries where rape victims are now treated as criminals?
3. How did Alex's perception of Herb Ackerman change after he revealed his fetish? Which revelations about Amber were useful in finding her killer? What interrogation techniques does Alex rely on to ensure that witnesses are not only trustworthy but also trialworthy?
4. With or without DNA evidence, how would you have reacted to the behavior of the Latin Princes if you had been a juror during Floyd Warren's twenty-first-century trial?
5. Alex often has to confront rivalries between district attorneys and between law enforcement officials with varying jurisdictions. Do these rivalries spark healthy competition, or are they obstacles to justice?
6. In chapter twenty-three, Dickie Draper tries to profile the killer: “Eighteen to thirty-five, tops. Takes a lot of energy to do this. . . . Mostly a white boy's game. . . . And they're never Jewish.” How useful were his assumptions? What distinguishes effective and ineffective profiling?
7. How does it affect your reading to know that the author ran the Sex Crimes Unit of the Manhattan District Attorney's Office for more than two decades? How does her experience shape the realism of her books?
8. What makes Luc the ideal match for Alex at this point in her life? How has her profession influenced her love life in previous novels?
9. What does Troy Rasheed's story indicate about the nature of evil? Was his mindset influenced more by his childhood or by his innate nature?
10. How did you react to Nelly Kallin's closing line in chapter thirty-seven: “It's not these bastards' gonads that drive them to assault their victims, Detective. It's their twisted heads”? Did Troy's history change your opinions about pharmaceutical “castration”? What is the best way to protect society from such criminals? Should Troy and Floyd be grouped in the same sexual-predator category?
11. Like Kiernan, did you believe that Jimmy Dylan was involved in the murders? How did your perception of the Dylan family shift throughout the novel? How much background screening should a bar be required to do before offering a job to a bouncer?
12. What kept Alex alive during her brutal confrontation with Troy, despite the booby traps he had set, as well as her severe claustrophobia? Could any sort of training or mental conditioning have kept Amber, Elise, Connie, and Pam from being captured by him? What do the victims' diverse backgrounds indicate about the combined randomness and precision in violent criminals?
13. What did you discover about Alex when she was receiving her weapons training? What does her trouble with guns indicate about the major differences between her and Mike? Do her affluent background and her love for ballet and Parisian sojourns make it easier or harder for her to connect with the gritty realities of their casework?
14. In what way does New York itself play a role in the plot of Killer Heat, with references to landmarks ranging from the legendary restaurant Lutèce to the sprawling historic buildings of Governors Island? What did you discover about the military history of New York State through Alex's dispatches to West Point and Governors Island?
15. What transformations have occurred in Alex since her debut in Final Jeopardy? How have her working relationships with Mike and Mercer been enhanced over the years?
I hadn't read a Fairstein in a few years and needed a book to kill the time while traveling so I thought I'd give her latest a try. Big mistake.
This author writes a dreadful book. Plastic characters, improbable plot, pointless name dropping of New York eateries. The dialog is actually painful to read. Listening to the hyperactive kid sitting near me proved to be more entertaining and less annoying than reading this novel. The book ended up, half read, in the library box. Mebbe they can use it to prop open a door or something.
Terry-B-the-RD
Posted May 2, 2009
Killer Heat is a good book for relaxing when one does not want to think too much. I have read several books in this series and find Ms. Fairstein's writing better than the average author of this genre. However, the constant juvenile insults by the character Mike are tiresome and does little to endear the character to the reader especially since it seems to be one-sided. Perhaps if Alexandra matched insult for insult, Mike would not come off as an obnoxious 11-year-old boy making armpit noises to get a girl's attention.
Other readers may enjoy the story always ending up with life threatening situations for Alexandra but since the character is a D.A. and not a cop, I find the inevitable physical danger not believable. Maybe I watch too much Law & Order: SVU but the D.A.'s contribution should be limited to "those who prosecute the offenders" not tagging along with detectives. When does Alexandra have time to prepare her cases for court?
Anonymous
Posted April 28, 2009
This is another in the series of books involving Alexandra Cooper, special prosecutor for sex crimes of the New York District Attorney's office. As usual, the highlight of the book is the interactions between Cooper and the police detectives with whom she regularly works, especially Mike Chapman, the crusty military history buff. Fairstein manages repeatedly in her books to generate lively dialogue between Chapman and Cooper. This is one of the major appeals of her books. This particular book is a bit slower getting started than some, but the effort is rewarded as the plot becomes more convoluted. As usual, this installment in the Alex Cooper series is fun.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Another great read by Linda Fairstein. The Alex Cooper series is always riveting and this one does not let the reader down. I am always captivated by the characters. I only wish the books were more frequent.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.bookwormdf
Posted March 23, 2009
I Also Recommend:
I have read all of the A. Cooper series and i loved them all. I would recommend any or all of them to serious mystery lovers!!!!
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Posted September 3, 2008
The story is so exciting that it keeps the reader on the edge of their seats.Once you pick up the book you don't want to stop reading until you finish the book.The story has so many twists and turns that the reader just can't wait to find out how the story ends.
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Posted May 31, 2008
I liked Linda Fairstein's first two books. I feel her latest endeavor is just plain lousy. I stopped at page 184 and that was after forcing myself to read that far. The book is formulistic and thin. I had no desire to become familiar with a coastline history of New York. The book was touted as a crime novel not a history lesson, but it seems she could not find enough of a story to write, so she used history trivia as a filler. Uninspired. A waste of money. For something entertaining try 'Hold Tight' by Harlan Coben.
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Posted June 5, 2008
One of her best from beginning to end.
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Posted May 23, 2008
This just didn't seem up to par for the Alex Cooper series. I kept getting bogged down in all the pages and pages of history lessons, and an interesting subplot got lost somewhere in the middle (muddle?). Frankly, I found myself skipping pages...something I NEVER do in a mystery!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Those who want their heroines tough, strong, and super intelligent know they've found her in Alex Cooper. She's a D.A. in Manhattan and as we meet her again in the tenth offering by Linda Fairstein, she's enjoying victory. It was a tough rape case but Alex won it (and incurred the animus of Latin Princes gang members along the way). Nonetheless, her winning feeling is soon lost as she is notified that the body of a young woman has been found in an abandoned building. Now, author Fairstein knows this territory well as she once headed the Sex Crimes Unit of the District Attorney's Office, and she minces no words. After viewing the victim, Alex is offered a cigar by Mike, a detective with the Manhattan North Homicide Squad. Despite the oppressive August heat he puffs on a stogie and encourages her to take one with this advice, ''The stench from that corpse is going to stay in your brain for weeks unless you infuse it right away with something more powerful. Why do you think I've always got a couple of these in my pocket?' As stated, Alex is tough and while she may be able to get over the sickening smell of death, what she cannot get over is another beaten woman's body found and then a third. Being directed to catch the killer before the city is deadened by fear is one thing, trying to stay alive when those gang members want revenge is quite another. Since the introduction of Alex Cooper in 1996 Ms. Fairstein has turned out nine additional thrillers, each more exciting than the last. Tony Award winner Blair Brown gives another sterling performance in her narration of this spine-tingling novel. - Gail Cooke
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I like Linda Fairstein's stories, and I especially appreciate the way she incorporates a New York scene into them. Killer Heat, however, needs a lot of streamlining. Either Fairstein tried too hard, or she just tossed in a lot to make it look like a good effort. For me, it was just hard to follow. There was no real tension, especially since the story line kept getting interrupted with subplots, history lessons, and thin characters. Maybe a little criticsm will make the next novel a real thriller.
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Posted April 1, 2008
Normally I would read something along the romance department, but i got this book as a gift. Now that I have read this book, I find this to be one of the best on my list. I could not put this book down. Fantastic characters and a real intense story line with suspense. Definately check this one out.
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Posted March 31, 2008
I always throughly enjoy Linda Fairstein's Alex Cooper novels. These are well written, expertly developed stories where not a word has been wasted. The author always seems to know what to say in whatever situation her characters find themselves in, and I respect her ability of developing a plot without having the need to include cheaply written, vulgar sexual scenes between her main players. This book was a page turner from beginning to end.
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Posted March 11, 2008
I am not generally drawn to suspense/thriller books, but a very close friend recommended Killer Heat to me and she has yet to recommend a bad book. I would suggest this book to anyone I know. Another great book my friend recently suggested is A Year Since Yesterday, and I was equally as pleased. I had not previously heard of either author, but I will be reading more from both of them.
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Posted March 14, 2008
The latest Alex Cooper crime novel has it all: exciting police procedural as authorities chase an apparent serial killer in and around Manhattan during an hellacious heatwave, compelling legal thriller with Cooper prosecuting a difficult rape case. And the little-known historical and geographical tidbits sprinkled throughout, along with a healthy dose of forensics, add color to the plot - author Fairstein's multi-faceted talent is truly on display here. My only problem with 'Killer Heat' is that the two main storylines never seem to connect, which would have made the suspense all the more compelling. But that is a small complaint, and I'd highly recommend this to Grisham, Patterson and Cornwell fans.
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Posted March 15, 2008
Killer Heat, prosecutor-turned-author Fairstein's 10th book, is by far her best. All of her mysteries feature little-known NYC locales (Poe's house, underground water tunnels) or a behind-the-scenes look at famous institutions (Natural History Museum, Metropolitan Opera House). This one doesn't disappoint, taking the reader from an abandoned ferry terminal downtown to a thrilling conclusion on Governor's Island. Fairstein deftly weaves courtroom drama, real-life cases and thrilling action into a seamless tapestry. The 'Killer Heat' of NYC in the dead of summer provides the steady bass beat to Fairstein's plot. Fabulous!! A perfect '10'.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Killer Heat Linda A. Fairstein Doubleday, Mar 2008, $26.00 ISBN: 9780385523974 At the sight of a badly decomposed body in which the stench is so overwhelming, it will psychologically linger for weeks, NYPD Detective Mike Chapman lights up a Cohiba he hands the cigar to Manhattan ADA Alex Cooper to take a ¿few hits¿ in order to give the brain a different olfactory memory. The tortured dead woman is the first homicide of a serial killer. Six more females with apparent military connections will soon die while Mike, Alex and others hunt the predator. At the same time, Cooper argues with defense attorney Gene Grassley in front of Judge Lamont over the retrial of sixty-one years old Floyd Warren accused of rape three decades ago, but the jury was hung and he skipped town before the second trial. Grassley says his client is too old to commit a violent crime while Cooper points out that does not matter as he should do the time even though he will probably die behind bars. Cooper contends he became a serial rapist while Greeley insists he was never arrested. Adding to the circus of the Judge having to apply the ridiculous 1973 statute is cronies of violent convicted rapist Pablo Pasano sit in the courtroom to harass Cooper, who put him behind bars. --- The serial killer investigation is a terrific subplot that would normally carry a novel however, it is the legal issues involving the Warren trial complicated by the Pasano presence that makes the latest Cooper thriller one of the best sub-genre entries of the year so far. The story line is action-packed from the cigar onset and never slows down as the audience feels they are traipsing around the Big Apple during a sever heat wave. --- Harriet Klausner
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Posted December 28, 2009
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Overview
It's August in New York, and the only thing that's hotter than the pavement is Manhattan D.A. Alex Cooper's personal and professional life. Just as she's claiming an especially gratifying victory in a rape case, she gets the call: the body of a young woman has been found in an abandoned building. The brutality of the murder is disturbing enough, but when a second body is found in Brooklyn, beaten and disposed of in the exact same manner, the city's top brass want the killer found fast. Relying on razor sharp instincts, a whip-smart partner, and one big break Alex races to find the killer and keep him from killing again, even if it's at her own peril.Copy and paste the URL below into your...