Killer Instincts

Killer Instincts

by Jason D. Williams
     
 

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Jerry Lee Lewis' name is constantly used in comparison to Jason D. Williams, both by the media and by Williams himself; but in fact, the similarities between the two are pretty superficial. They're both old-school rock & roll piano pounders whose music bears a slightly unhinged edge, and that's pretty much it. Beyond that, Williams isSee more details below

Overview

Jerry Lee Lewis' name is constantly used in comparison to Jason D. Williams, both by the media and by Williams himself; but in fact, the similarities between the two are pretty superficial. They're both old-school rock & roll piano pounders whose music bears a slightly unhinged edge, and that's pretty much it. Beyond that, Williams is his own man and then some. In fact, Killer Instincts makes it abundantly clear that he's one of those classic American characters who fall solidly into the nonpareil category. These tracks may not be quite off the wall enough to qualify for full-fledged "outsider music" status, but they come pretty damn close. If anything keeps them from crossing that line it's Williams' own natural musicality; he can plunk those ivories with a blend of boogie-woogie, R&B, barroom blues, and country that's pure Americana, and while his singing style may be a bit on the rough-and-ready side, it's overflowing with affable personality. Killer Instincts was produced by Williams' fan and roots rock troubadour Todd Snider, and while the pair had initially planned for the album to contain a fair amount of cover material, things wound up taking a different turn. Such was the freewheeling, improvisatory spirit flowing between these two iconoclasts that they ended up putting together new tunes right there in the studio, in between Williams pulling out and polishing up half-remembered items from his own songbag. Of course, Williams' eccentric, left-field perspective insured that those tunes would make for a weird, wild ride. "If You Ever Saw a Baby with Its Pud," for instance, was apparently a spontaneously composed piece, and its off-kilter, almost stream of consciousness lyrical direction backs that up. "Like Jerry Lee" details the ups and downs of being the Killer's crazy musical cousin, and "White Trash Wife" pulls up its sleeves and digs deeply and graphically into the seamy underbelly of American culture, as its title suggests. By the time you get to the end of Killer Instincts, you feel as though you've just spent an hour at a bar buying drinks for a charmingly odd barfly whose tall tales get simultaneously stranger and more entertaining as you both increase your blood alcohol content.

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Product Details

Release Date:
10/25/2010
Label:
Megaforce
UPC:
0020286155003
catalogNumber:
615500
Rank:
86487

Tracks

  1. Like Jerry Lee  - Jason D. Williams
  2. Big Red Green One  - Jason D. Williams
  3. If You Ever Saw a Baby With its Pud  - Jason D. Williams
  4. You Look Like I Could Use a Drink  - Jason D. Williams
  5. Drinkin Wine Spo-Dee-O-Dee  - Jason D. Williams
  6. Daddy's Little Pumpkin  - Jason D. Williams
  7. White Trash  - Jason D. Williams
  8. What Am I Gonna Do  - Jason D. Williams
  9. Really Really Pretty  - Jason D. Williams
  10. Sanctified  - Jason D. Williams
  11. Mr. Jesus  - Jason D. Williams
  12. Crippled Down  - Jason D. Williams
  13. Yes I Can  - Jason D. Williams
  14. To Hell With You  - Jason D. Williams

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Album Credits

Performance Credits

Jason D. Williams   Primary Artist
Dan Baird   Guitar,Drums,Background Vocals
Todd Snider   Background Vocals
Jim Hoke   Horn
Kenny Lovelace   Fiddle
Greg Morrow   Drums
Jim Spake   Horn
Keith Christopher   Bass
Bobby Bare   Background Vocals
Amy LaVere   Background Vocals
Jimmy Davis   Background Vocals
Neil Konouchi   Horn
Benjamin Strano   Horn

Technical Credits

John Prine   Composer
Pat McLaughlin   Composer
Dan Baird   Composer
Todd Snider   Composer,Producer
Jim DeMain   Mastering
J. Mayo Williams   Composer
Jason D. Williams   Composer
Randy Cox   Composer
Granville "Sticks" McGhee   Composer
Richard Leo Johnson   Composer
Keith Christopher   Composer
Bobby Bare   Composer
Eric McConnell   Engineer
Scott Guion   Cover Art

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