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Kim (Barnes & Noble Classics Series)
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Kim (Barnes & Noble Classics Series)

3.8 196
by Rudyard Kipling, Jeffrey Meyers (Introduction)

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Kim, by Rudyard Kipling, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
  • New


Kim, by Rudyard Kipling, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

Rudyard Kipling has been attacked for championing British imperialism and celebrated for satirizing it. In fact, he did both. Nowhere does he express his own ambivalence more strongly than in Kim, his rousing adventure novel of a young man of many allegiances.

Kimball O’Hara grows up an orphan in the walled city of Lahore, India. Deeply devoted to an old Tibetan lama but involved in a secret mission for the British, Kim struggles to weave the strands of his life into a single pattern. Charged with action and suspense, yet profoundly spiritual, Kim vividly expresses the sounds and smells, colors and characters, opulence and squalor of complex, contradictory India under British rule.

Jeffrey Meyers, a Fellow of the Royal Society of Literature, has published forty-three books, including biographies of Ernest Hemingway, Robert Frost, D. H. Lawrence, Joseph Conrad, and George Orwell. He also wrote the introduction and notes to the Barnes & Noble Classics edition of Edith Wharton’s The House of Mirth.

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Barnes & Noble
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Barnes & Noble Classics Series
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5.25(w) x 8.00(h) x 0.80(d)

Read an Excerpt

From Jeffrey Meyers's Introduction to Kim

In Kim, Kipling creates an exotic atmosphere, full of vivid characters and incidents, and immediately draws the reader into his strange world. The novel concerns a religious quest and a quest for identity, and includes both enlightenment and espionage, tranquillity and violence. It combines social, cultural, and political history with the hardships and goal of a travel book. Like Hermann Hesse's Siddhartha (1922), Somerset Maugham's The Razor's Edge (l944), and Iris Murdoch's The Sea, the Sea (1978), it is one of the rare European novels with a Buddhist theme. Kim and the lama, Dharma Bums on the Road, foreshadow the sprawling works of Jack Kerouac. Maugham, a great admirer of Kipling, wrote that he gives you "the tang of the East, the smell of the bazaars, the torpor of the rains, the heat of the sun-scorched earth, the rough life of the barracks."10

Kipling achieved his brilliant effects by combining his two great themes, childhood and India, and by creating a bountiful array of characters, subtle modulations of style and speech, and a carefully wrought structure that controls the series of fortuitous encounters and picaresque adventures. Kim, the orphaned son of a drunken Irish sergeant and a nursemaid mother, has been brought up by a Eurasian opium eater, given free run of the narrow streets and back alleys of Lahore, and become completely assimilated to Indian life. The rainbow coalition of indigenous teachers, who lead him to his true identity and real vocation, are increasingly Europeanized; his English teachers, who train him as a spy, are increasingly sophisticated and significant.

The Tibetan Buddhist lama rejects the world and searches for salvation. Mahbub Ali, the Afghan Muslim horse trader, works with the English but retains his traditional customs. Hurree Chunder Mookerjee, the Hindu Bengali and "semi-anglicized product of our Indian colleges,"11 tries to adopt British behavior and speech. The Protestant and Catholic clergymen, Mr. Bennett and Father Victor, try to co-opt Kim into their religions. Lurgan, English but born in India, tests Kim and trains him for the Great Game of espionage. Colonel Creighton, a secret agent masquerading as an ethnologist (Kim, an expert on castes and keen on mimicry, is himself an amateur ethnologist), recognizes Kim's unique potential and exploits his rare talents. Kim asks: "'What am I? Mussalman, Hindu, Jain, or Buddhist?'" and is none of the above. But in a brief, touching scene he combines the British, Muslim, Buddhist, and Jain elements in his character and culture and forgets "even the Great Game as he stooped, Mohammedan fashion, to touch his master's feet in the dust of the Jain temple".

Kim and each of his native mentors have a different and quite idiosyncratic way of speaking. Kipling vividly conveys the flavor of vernacular speech and the formulaic repetitions of unlettered folk by using traditional proverbs and archaic diction from the seventeenth-century English of the King James Bible and Shakespeare. The lama keeps repeating the same solemn banalities in a singsong cadence: "'They are all bound upon the Wheel. . . . Bound from life after life. To none of these has the Way been shown'". Mahbub Ali's declamatory phrases express his hearty ruffianism: "'God's curse on all unbelievers! Beg from those of my tail who are of thy faith.'" The babu Hurree, pompous and slightly absurd, drops his definite articles, mispronounces long words, and misuses English idioms: "'I am of opeenion that it is most extraordinary and effeecient performance. Except that you had told me I should have opined that—that—that you were pulling my legs.'" The seductive Woman of Shamlegh speaks with languid insinuations: "'I do not love Sahibs, but thou wilt make us a charm in return for it. We do not wish little Shamlegh to get a bad name.'" Kim shifts from stilted English before his formal education: "'Every month I become a year more old,'" to old-fashioned schoolboy slang after he's been to St. Xavier's: "'By Jove! . . . This is a dam'-tight place.'" T. S. Eliot observed the contrast between Kipling's portrayal of native characters in the early stories and in Kim:

There are two strata in Kipling's appreciation of India, the stratum of the child and that of the young man. It was the latter who observed the British in India and wrote the rather cocky and rather acid tales of Delhi and Simla, but it was the former who loved the country and its people. . . . The Indian characters have the greater reality because they are treated with the understanding of love. . . . It is the four great Indian characters in Kim who are real: the Lama [not Indian], Mahbub Ali, Hurree Chunder Mookerjee, and the wealthy widow from the North.

Meet the Author

Rudyard Kipling (1865-1936) was one of the most popular writers in the United Kingdom in the late 19th and early 20th centuries. His fiction works include The Jungle Book — a classic of children’s literature — and the rousing adventure novel Kim, as well as books of poems, short stories, and essays. In 1907, at the age of 42, he was awarded the Nobel Prize in Literature.

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Kim 3.8 out of 5 based on 0 ratings. 196 reviews.
Guest More than 1 year ago
Ok, we all know that he was a colonialist and at times bordered on bigotry, but this book is Rudyard Kipling's best and it is an absolute masterpiece. It's the ultimate tale of an Englishman gone native: James Bond meets Siddhartha. Kipling's identification with Kim, his young protagonist, is complete. This is the work of a man passionately in love with India, and in possession of extraordinary powers of observation and description.
steamyfan More than 1 year ago
One of the most beautiful tales of friendship I have ever read, Kim is much more. Rudyard Kipling created in Kim a novel in the mold of the classic heroic journey that has a pedigree reaching back to Gilgamesh and the Odyssey. With Kim, a young white boy, sahib, at it's center and his friend and mentor the Lama, we see the world of India in the nineteenth century as it is ruled by Great Britain. Kipling raises questions of identity (Who is Kim?), culture, spirituality and the nature of fate. Most of all he depicts the growth of a young man through his quest to find his destiny and the bond that develops between Kim as 'chela' or disciple and his Lama. The greatness of this novel lies in Kipling's ability to combine all of these themes with a natural style that conveys the richness both of the lives of Kim and his friends and the fecundity of life in India. One of the most enduring images for me was the close tie Kim has with the land itself. This is shown several times throughout the novel culminating in his final renewal when stretched out on the earth near the end of the novel. The epic quest is successful as this novel unfolds a positive and uplifting narrative.
Guest More than 1 year ago
Kipling has become, in these post-colonial days, the man you love to hate. Yet few have equaled Kipling¿s story of an Indian beggar boy whose experience in the heyday of the British raj forces him into personal transformation that entirely illuminates the impact of colonialism on a subject people. The novel, owing to the strength of its narrative and its fatally believable realism, hovers on the dark side of modern consciousness, as does much of Kipling. The writer who invented the phrase ¿The White Man¿s Burden¿ is someone many people would like to forget. But one testimony to the ongoing power of Kim is the recent novel The Impressionist by Hari Kunzru, a descant on Kipling¿s narrative of the problem of identity in British India. The fact that an Indian author borrows Kipling¿s idea and shapes a story on Kiplingesque lines is simply testimony to the ongoing authority of this classic.
Anonymous More than 1 year ago
Please stop RPing here, this is a place for reviews. If you must RP, please do it on the reviews part of the book you are RPing about. This is Kipling, not Warriors.
Dolphins_rock More than 1 year ago
I love Kim!! It is the most amazing book and it touches you. Kim my grandfather wanted me to read it and I have to say I was a little sceptical at first , but it turned out to be asdonding. YOU must read this book and watch the movie with Errol Flynn!! Its is simaler to the book in some was. I am 11 and I love Kim and Rudyard Kiplings books.I would recommend this to someone. I have to my friend Caroline. I also recommed Kim the movie with Errol Flynn it is the best of them all.
Guest More than 1 year ago
Kim is certainly a classic. It tells the tale of Kim O¿Hara a free spirited Anglo Indian, who adventures across India with his spiritual guide in search of a secret holy river, and is slowly drawn into the world of espionage. Rudyard Kipling aptly describes Kim¿s journey into manhood, beautifully illustrating his experiences, travels and the extraordinary people he meets. The book really captures pre-independence India well, but undeniably seen from the eyes of an colonialist.
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