Given its source,
Kind of a Drag was one of the most extraordinary albums of the 1960s. One expected great, diverse LPs out of the likes of
the Beatles and
the Rolling Stones, among others; by contrast, even the better albums by top garage-punk outfits such as
the 13th Floor Elevators generally had a one-note feel to them, or were conspicuously strong in one direction. So when a Chicago-based garage band (or were they a garage band?) like
the Buckinghams, with one serious hit (the title track) to their name, put out a long-player that embraced soul, blues, garage punk, and English pop-rock with just about equal aplomb, it must have caught purchasers, radio programmers, and music writers alike off guard.
Kind of a Drag isn't the kind of searing punk document that their Windy City rivals
the Shadows of Knight presented with their two LPs -- the latter group's work stood next to
the Buckinghams roughly where
the Who's albums did next to those of
the Beatles.
The Buckinghams' lean, guitar-driven garage punk versions of
"Sweets for My Sweet" (a cover of
the Searchers' version, not
the Drifters') and
the Hollies'
"I've Been Wrong" are juxtaposed with a horn-ornamented version of
the Beatles'
"I Call Your Name" -- on which the lead guitar is playing what sound almost like mandolin riffs; and all are sandwiched between the horn-driven
"I'll Go Crazy" and the raw, bluesy
"I'm a Man" (patterned after
the Yardbirds' rendition, with some twists that are all
the Buckinghams' own). They still come off somewhat as light-weights, as on their cover of
"Lawdy Miss Clawdy," but that's a minor lapse. The
Sundazed CD reissue restores
"I'm a Man," which was pulled off of the original LP, and it also has about the best sound that this release has ever offered. ~ Bruce Eder
