Kindness Goes Unpunished (Walt Longmire Series #3)

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Overview

Walt brings Western-style justice to Philadelphia in this action-packed thriller from the New York Times bestselling author of The Cold Dish and As the Crow Flies, the third in the Longmire Mystery Series, the basis for LONGMIRE, the hit A&E original drama series

Fans of Ace Atkins, Nevada Barr and Robert B. Parker will love New York Times bestselling author Craig Johnson's mystery series?starring Walt Longmire, the straight-shooting sheriff of Absaroka County, Wyoming, and ...

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Kindness Goes Unpunished (Walt Longmire Series #3)

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Overview

Walt brings Western-style justice to Philadelphia in this action-packed thriller from the New York Times bestselling author of The Cold Dish and As the Crow Flies, the third in the Longmire Mystery Series, the basis for LONGMIRE, the hit A&E original drama series

Fans of Ace Atkins, Nevada Barr and Robert B. Parker will love New York Times bestselling author Craig Johnson's mystery series—starring Walt Longmire, the straight-shooting sheriff of Absaroka County, Wyoming, and the basis for LONGMIRE, the hit A&E original drama series—-is attracting more and more fans with its distinctive blend of humor and action. In Kindness Goes Unpunished, Walt's pleasure trip to Philadelphia to visit his daughter, Cady, turns into a nightmare when she is the victim of a vicious attack that leaves her near death. Walt is forced to unpack his saddlebag of tricks to mete out some Western-style justice, and the result is another action-packed thriller from this star of crime fiction.

Philadelphia gets a taste of Western justice in "a series that should become a 'must' read" (The Denver Post)

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Editorial Reviews

From the Publisher
"With strong human emotions of love, greed, and revenge . . . multifaceted and rich with depth and history."
-The Denver Post

"Craig Johnson is flat out one of the best storytellers around."
-Margaret Coel, author of The Girl with the Braided Hair

"Johnson's pacing is tight and his dialogue snaps."
-Entertainment Weekly

The Denver Post
With strong human emotions of love, greed, and revenge . . . multifaceted and rich with depth and history.
Entertainment Weekly
Johnson's pacing is tight and his dialogue snaps.
Publishers Weekly
In Johnson's appealing third Walt Longmire mystery (after 2006's Death Without Company), the Wyoming sheriff is drawn into a messy situation in the City of Brotherly Love when his daughter Cady's ex-boyfriend is killed a few days after Longmire accuses him of being behind the assault that left Cady, a Philadelphia lawyer, comatose. Longmire's deputy, Victoria Moretti, soon arrives on the scene as her family of Philly cops tries to decide whether to suspect Longmire of murder or ask his help with the investigation. Everyone in the cast appears to be a stereotype of some sort-the Italian police clan, the Salvadoran drug dealer, the Irish publican and Longmire's eternally wise and mystical Cheyenne friend, Henry Standing Bear-but Johnson plays it for the right kind of laughs. When someone introduces Henry as Longmire's "Native American sidekick," Longmire ripostes that it's the other way around. The quick pace and tangled web of interconnected crimes will keep readers turning pages. (Mar.) Copyright 2006 Reed Business Information.
Kirkus Reviews
Absaroka County Sheriff Walt Longmire and his sidekick, Henry Standing Bear, aka the Cheyenne Nation, venture to Philadelphia, which duly succumbs. When Standing Bear is invited to travel from Wyoming to the Philadelphia Art Museum to display his vintage photographs, Walt comes along to look in on his daughter Cady, a legal associate about to celebrate her engagement to Devon Conliffe. But after Cady is assaulted and thrown into a coma on the steps of the Franklin Institute, Devon maintains that their relationship was merely casual, although 26 vitriolic messages on her answering machine say otherwise. Barely able to control his fury, Walt begins his own investigation. Together with Standing Bear, his deputy Vic "The Holy Terror" Moretti, and her Philadelphia relatives, he follows the trail of William White Eyes, a pro bono client of Cady's with ties to her almost-fiance, an ADA, and a few local drug distributors of note. The chase circles around Philadelphia's Indian statuary, with pauses at the Benjamin Franklin Bridge, off of which someone throws Devon; a convenient alley, where the ADA gets done in; and Fairmount Park, where the venal tale of drugs, money laundering and cover-up comes to an end. Johnson deftly integrates country and city sensibilities; makes Walt's love and fear for Cady palpable; and casts a droll eye on Walt and romance. Even better than Death Without Company (2006): a must-read for both the tough and the tender-hearted.
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Product Details

  • ISBN-13: 9780143126720
  • Publisher: Penguin Publishing Group
  • Publication date: 6/11/2014
  • Series: Walt Longmire Series, #3
  • Pages: 336
  • Sales rank: 68,159
  • Product dimensions: 5.08 (w) x 7.76 (h) x 0.57 (d)

Meet the Author

Craig Johnson

Craig Johnson is the author of eight previous novels in the Walt Longmire series. He has a background in law enforcement and education. He lives in Ucross, Wyoming, population twenty-five.

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Read an Excerpt

“Johnson deftly integrates country and city sensibilities; makes Walt’s love and fear for Cady palpable; and casts a droll eye on Walt and romance. . . . A must-read for both the tough and the tenderhearted.”

Kirkus Reviews (starred)

“Johnson crafts great, imaginative mysteries with lots of twists, turns and misdirections. Even in this big-city setting, a sense of the West and its values overlays the action . . . (and) the author skillfully seasons his books with humor too often missing in his genre.”

The Billings Gazette

“The quick pace and tangled web of interconnected crimes will keep readers turning pages.”

Publishers Weekly

“Johnson’s love for his main characters—including Longmire’s fiercely devoted partner (and Philly native) Victoria Moretti and his friend Henry—also extends to the many side characters and villains that populate the novel’s urban wastelands. There’s genuine emotion and care in these pages, with humor and humanity to balance its undertone of imminent violence.”

Mystery Scene Magazine

“Craig Johnson’s third installment in his Sheriff Walt Longmire series, Kindness Goes Unpunished, solidifies this author’s stature as a mystery storyteller at the level of Michael Connelly, Tony Hillerman, and James Sallis. Craig Johnson’s eye for drawing upon his deeply developed characters’ personalities and their realistic emotional and physical reactions to tragic events is what makes this author stand out with these icons of the mystery genre.”

I Love a Mystery

The Cold Dish is my top pick for the first novel Edgar Award. It’s that good!”

—Tony Hillerman, author of Skeleton Man and The Shape Shifter

“Johnson delivers a story you can wrap your arms around. . . . We in the West have a major new talent on our hands.”

The Denver Post

“A winning piece of work, and a convincing feel to the whole package.”

The Washington Post

“The characters shoot from the hip and the Wyoming landscape is its own kind of eloquence.”

The New York Times

“Johnson delivers great storytelling in an intelligent mystery packed with terrific characters and an engulfing sense of place . . . capturing life in a breathtaking, unyielding landscape.”

The Oregonian

“Johnson knows the territory, both fictive and geographical, and tells us about it in prose that crackles.”

—Robert B. Parker, author of Painted Ladies and Sixkill

Death Without Company moves swiftly and the dialogue shines, but it’s the Western mood and sensibility that set Johnson apart.”

Rocky Mountain News

“Pile on thermal underwear, fire up the four-wheel drive and head for Durant. Walt and his idiosyncratic crew are terrific company—droll, sassy, and surprisingly tenderhearted.”

Kirkus Reviews (starred)

Death Without Company is a vivid ride through the modern American West. Great characters and storytelling make this well worth your time.”

—Christopher Moore, author of Fool and Bite Me: A Love Story

Death Without Company exudes Johnson’s bone-deep knowledge of the harsh, sometimes desperate side of the American West. . . . No pretty ponies or slick cowboys here—this is the real thing.”

—Neil McMahon, author of Revolution No. 9 and To the Bone

Craig Johnson is the New York Times bestselling author of the Longmire mystery series, now the hit A&E drama series Longmire. He is the recipient of the Western Writers of America Spur Award for Fiction, the Mountains and Plains Booksellers Award for Fiction, the Nouvel Observateur Prix du Roman Noir, and the Prix 813. His novella, Spirit of Steamboat, is the first One Book Wyoming selection. He lives in Ucross, Wyoming, population twenty-five.

ACKNOWLEDGMENTS

A writer, like a sheriff, is the embodiment of a group of people and, without their support, both are in a tight spot. I have been blessed with a close order of family, friends, and associates who have made this book possible.

I have the usual posse to thank, and a few new deputies that came along for the ride. Thanks to Gail Hochman for pulling out the jail bars. Kathryn Court, Ali Bothwell Mancini, Clare Ferraro, and Sonya Cheuse at Viking/Penguin for having the horses saddled, Susan Fain, Joel Katz, and Richard Rhoades for the cover fire, and to all the Troiano’s for the spaghetti westerns.

Thanks to Mandy Smoker Broaddus for use of her poetry from her book Another Attempt at Rescue (Hanging Loose Press), and to Marcus Red Thunder and Henry Standing Bear for cutting the telegraph lines. Eric Boss for selling the snake-oil, Neil McMahon, Bill Fitzhugh, and Christopher Moore for baking the cake with the file, Margaret Coel for the Derringer in her garter belt, and to Tony Hillerman for the pardon from the governor.

Thanks to Jim Pauley and the City of Philadelphia Police Department Public Affairs Office, the Trauma Center at the Hospital of the University of Pennsylvania, OperaDelaware and the Grand Opera House of Wilmington, Delaware. Thanks to the Pennsylvania Academy of the Fine Arts and to Judy, my favorite masterpiece.

Philadelphia, where no good deed goes unpunished…

—STEVE LOPEZ
The Philadelphia Inquirer
January 15, 1995

KINDNESS GOES UNPUNISHED

1

I didn’t wear my gun. They had said that it was going to be easy and, like the fool I am, I believed them. They said that if things got rough to make sure I showed the pictures, of which there were only twenty-three; I had already shown all of them twice. “‘Long, long ago, there lived a king and queen…’”

I looked around the room for a little backup, but there wasn’t anyone there. They had said that I didn’t have to worry, that they wouldn’t leave me alone, but they had. “‘…who didn’t have any children. One day, the queen was visited by a wise fairy, who told her, “You will have a lovely baby girl.” The king was so overjoyed when he heard the news that he immediately made plans for a great feast. He invited not only his relatives, but also the twelve fairies who lived in the kingdom.’”

“Where’s your gun?”

My thought exactly. “I didn’t think I was going to need it.” They all nodded, but I wasn’t particularly sure they agreed.

“How long have you been a sheriff?”

“Twenty-three years.” It just seemed like a million.

“Do you know Buffalo Bill?”

Maybe it was a million. “No, he was a little before my time.”

“My daddy says you’re a butt hole.”

I looked down at the battered book in my hands. “Okay, maybe we should concentrate on today’s story…”

“He says you used to drive around drunk all the time…”

The instigator in the front row looked like a little angel but had a mouth like a stevedore. He was getting ready to say something else, so I cut him off by holding up Grimm’s Fairy Tales open to the page where the young princess had been enchanted and put to sleep for a hundred years. “Why do you think the fairy visited the queen?” A dark-haired girl with enormous eyes who sat in the third row slowly raised her hand. “You?”

She cocked her head in disgust. “I told you, my name is Anne.”

I nodded mine in contrition. “Right. Anne, why do you think the fairy visited the queen?”

“Because their daughter is going to fall asleep.” She said it slowly, with the hearty contempt even young people have for civil servants who can’t get it right.

“Well, yep, but that happens later on because one of the fairies gets angry, right?” Anne raised her hand again, but I ignored her for a slight redheaded boy in the back. His name was Rusty, and I quietly thanked the powers that be for word association. “Rusty?”

“My dad says that my Uncle Paul is a fairy.”

I’m not sure when it was that my storytelling abilities began to atrophy, but it must have been somewhere between Sesame Street and The Electric Company. I think I used to be pretty good at it, but that was a long time ago. I was going to have to ask my daughter if that really was the case; she was now “The Greatest Legal Mind of Our Time” and a Philadelphia lawyer. When I had spoken to Cady last night, she had still been at the office library in the basement. I felt sorry for her till she told me the basement was on the twenty-eighth floor. My friend Henry Standing Bear said that the law library was where all the lawyers went to sleep at about $250 an hour.

“You are the worstest storyteller we ever had.”

I looked down at another would-be literary critic who had been silent up till now and wondered if maybe I had made a mistake with “Brier Rose.” Cady had loved the story dearly at an earlier age, but the current enrollment appeared to be a little sophisticated for the material.

“My daddy hides his medicine whenever anybody knocks on our door.”

I tried not to concentrate on this child’s name. I propped the book back up on my knee and looked at all of them, the future of Absaroka County, Wyoming.

“He says he doesn’t have a prescription.”

I was supposed to make the drive to Philadelphia tomorrow with Henry. He had received an invitation to lecture at the Pennsylvania Academy of the Fine Arts with his Mennonite photograph collection in tow. I thought it would be an opportunity to visit my daughter and meet the lawyer who was the latest of her conquests. The relationship had lasted about four months, a personal record for her, so I decided that it was time I met the prospective son-in-law.

“His medicine makes him fall down.”

Henry was planning on driving Lola. I had tried to talk him into flying, but it had been a while since he had driven across the country and he said he wanted to check things out. The real reason was he wanted to make an entrance with the powder blue 1959 Thunderbird convertible; the Bear was big on entrances.

“He smokes his medicine.”

We were going for only a week, but Cady was very excited about introducing us to Devon Conliffe, who sounded like a character from The Philadelphia Story. I had warned her that lawyers shouldn’t marry other lawyers, that it only led to imbecile paralegals.

“My mommy says the only thing his medicine does is keep him from getting a job.”

Patti with an “i,” my daughter’s secretary, agreed with me about lawyer interbreeding. We had talked about the relationship, and I could just make out a little reservation in Patti’s voice when she mentioned him.

“He’s my third daddy.”

We were supposed to have dinner with the elder Conliffes at their palatial home in Bryn Mawr, an event I was looking forward to like a subcutaneous wound.

“I liked my second daddy best.”

It would be interesting to see their response to the Indian and his faithful sidekick, the sheriff of Absaroka County. They probably wouldn’t open the gate.

“I don’t remember my first daddy.”

I looked up at the kid and reopened the book. “‘Long, long ago, there lived a king and queen who didn’t have any children…’”

Dorothy Caldwell turned toward the patties on the griddle behind her, lifted the press, and turned them. “What’d you read?”

I pulled Cady’s personal copy from the stool beside me and sat it on the counter. Grimm’s Fairy Tales. “Brier Rose”—“Sleeping Beauty” before Hollywood got hold of it.

She gave me a sideways look and then leaned over to glance at the love-worn cover. “Kindergarten?” She shrugged a shoulder as she placed the meat press aside. “Kids have gotten a little jaded since Cady’s generation, Walter.”

I set my glass down. “Well, I don’t have to do it again until after the election.” She slipped the hamburger, lettuce, tomato, and bacon onto a toasted bun and slid the plate toward me. “The usual?”

She nodded at the old joke, sipped at her own tea, and peeked at me over the rim. “I hear Kyle Straub is going to run.”

I nodded and put mayonnaise on my burger, a practice she hated. “Yep, I’ve seen the signs.” The prosecuting attorney had jumped the gun this morning and placed his red-white-and-blue signs in all the strategic spots around town before finding out for sure if I was really going to run again. So far, it had been the strongest motivation that I had had to continue my tenure.

“Prosecuting attorney/sheriff.” She paused for effect. “Kind of gives you an indication as to what his administration would be like.”

I thought about my original plan, to run for sheriff, put in half a term, and then hand the reins over to Vic, allowing her to prove herself for two years before having to face a general election. I chewed a chunk of burger. “You think Vic would make a good sheriff?”

Dorothy slipped a wayward lock behind her ear and looked past me. Her hair was getting longer, and I wondered if she was growing it out. The answer to my question about Vic, like everything else about Dorothy, was definitive. “Why don’t we ask her?”

I fought the urge to turn and look out onto Main Street, where I’m sure a handsome, dark-haired woman was parking a ten-year-old unit in front of the Busy Bee Cafe. Wyoming had never elected a female sheriff and the chances of their electing an Italian from Philadelphia with a mouth like a saltwater crocodile were relatively slim.

“She’s got the Basquo with her.” There was a pause as I continued eating my lunch. “Those two are quite the pair.”

Santiago Saizarbitoria had joined our little contingency three months ago and, with the exception of trying to put out a chimney fire single-handedly on an ice-slicked roof, had proven himself indispensable. I listened as the door opened and closed, the laden April air drifting through the brief opening. They sat on the stools beside me and threw their elbows onto the counter. In identical uniforms and service jackets, they could have been twins, except that the Basquo was bigger, with wrists like bundled cables, and had a goatee, and he didn’t have the tarnished gold eyes that Vic had.

I kept eating as Dorothy pulled two mugs from under the counter, poured them full, and pushed the cream dispenser and the sugar toward the old world pair. They both drank coffee all day. Vic slipped her finger through the handle of her cup. “How was this afternoon’s premiere at Durant Elementary?”

I took another sip of my iced tea. “I don’t think we’ll make the long run.”

She tore open five sugars and dumped them in her mug. “I been here two years. How come they never fucking asked me?”

I set my glass back down. “It’s hard to read nursery rhymes with a tape delay.”

She stirred the coffee into the sugar and spoke into the mug. “That monkey pud Kyle Straub’s got signs up all over town.”

“Yep, I heard.”

Saizarbitoria leaned in and joined the conversation. “Vern Selby was talking very highly about Mr. Straub in the paper yesterday.”

“Yep, I read it.”

All our radios blared for a second. Static. “Unit two, 10-54 at 16, mile marker four.”

We looked at one another. Ruby had made a crusade of using the ten code in the last few weeks, and it was turning out to be a royal pain in the ass for all of us. I was the first one to guess. “Intoxicated driver?”

Vic was next. “Road blocked…”

Saizarbitoria took one last sip of his coffee and slipped off his stool; he knew the chain of command. He clicked the mic on his radio. “Ten fifty-four, roger.” He looked at the two of us and shook his head. “Livestock on the road.”

Vic and I shrugged at each other as she tossed him the keys. She sipped her sugar as he hurried out. “Do let us know.”

Vic hitched a ride with me. As we walked up the steps of the old Carnegie Library that housed the Absaroka County jail and offices, I could smell her shampoo and the crab apple blossoms. We were about halfway up the steps when she stopped me with a hand on my arm. I turned to look at her as she leaned against the iron railing and slid that same hand up the black-painted steel bar. I waited, but she just looked off toward Clear Creek, where the cottonwoods were already starting to leaf. She glanced back at me, irritated. “You still planning on leaving tomorrow morning?”

I adjusted the book of fairy tales under my arm. “That’s the plan, at least mine.”

She nodded. “I have a favor to ask.”

“Okay.”

She sniffed, and I watched as the wrinkles receded from the sides of her nose like cat whiskers. “My mother wants to have lunch with you and Cady.”

I waited a moment, thinking there must be more. “Okay.”

She continued to look off toward the creek. “Super Cop might be too busy, but my mother is feeling negligent in her attentions toward your daughter.” I watched as the muscles of her jaw flexed like they always did when she mentioned her father.

“Okay.”

“I mean…It’s not a big deal. She just wants to have lunch.”

I nodded again. “Okay.”

“You can go to my Uncle Alphonse’s pizzeria—it’s nothing special.”

I smiled and dipped my head to block her view. “I said okay.”

She looked at me. “It’s a family thing, and like most of the family things concerning my family, it’s fucked up.” She sighed. “I mean…they should have gotten in touch with her a long time before this, but in their usual, fucked-up way…”

“We’ll have lunch.” I watched as she studied her Browning tactical boots. Her dark hair stood up in tufts of dissatisfaction. “I would love to meet any of your family.”

“Uh huh.” Nothing was ever easy with Vic; it was one of her charms. She started up the steps without me. “Just don’t expect too much.”

I shook my head, followed her, and caught the beveled-glass door as it swung back into my face. I gently closed it and walked by the photographs of the five previous Absaroka County sheriffs. I saluted the painting of Andrew Carnegie as I mounted the final steps to the dispatcher’s desk where Ruby sat reading the last series of updates from the Division of Criminal Investigation down in Cheyenne. “What the hell is a 10-54?”

She raised her blue eyes and gazed at me through her salt-with-no-pepper bangs. “Ferg says that he’s 10-6 today if he’s got to work the next week and a half solid, and I’m 10-42 as of five forty-five for my church’s ice-cream social.”

I decided to ignore the flurry of tens. “Did he go up to Tongue River Canyon?” She nodded. The Ferg was my part-time deputy who made a full-time habit of harassing the local aquatic life with his hand-tied flies. He was going to have to take up some of the slack while I was gone, so I didn’t begrudge him a day casting bits of fur and feather upon the waters. “Any Post-its?”

“Two, and that young man who is supposed to come in this afternoon.”

“What young man?”

She shook her head. “The young man from Sheridan who applied for the other deputy position in Powder Junction. He said he’d be here before five.”

I sat on the corner of her desk, looked at the time on her computer, and reached down to pet Dog. “Then he’s got twenty minutes.”

The beast’s head rose, and Ruby examined the scar that a bullet had left near his ear; a tongue the size of a dishwashing rag lapped my hand. “Lucian called to see if you’d forgotten it’s chess night.”

“Damn.” I was going to have to go over to the Durant Home for Assisted Living to see the old sheriff.

“Cady called.”

“She’s changed her mind and doesn’t want us to come after all?”

Ruby wadded up the second Post-it and dispatched it with the first. “Not likely. She says for you to bring along your gun because she wants to take you to her shooting club on Thursday.” We looked at each other for a moment, and then she raised an eyebrow. “Shooting club?”

I scratched the corner of my eye, where the scar tissue had healed. “It’s this thing that Devon Conliffe’s got her involved with.”

She smiled. “Devon Conliffe again?”

“Yep…” I didn’t sound all that thrilled, even to myself.

“This kid’s got you worried.”

She watched me scratch my eye for a moment longer, then reached up and pulled my hand away. I thought about it. “Methinks she doth protest too much.”

Ruby shook her head. “She’s scared you’re not going to like him.” She carefully released my hand. “He’s young, handsome, accomplished, and makes about six times what you do on an annual basis. He has wooed and infatuated the most beautiful, intelligent, and precious woman that you know.” She watched me with a smile. “It’s perfectly reasonable for you to hate him.” She batted her eyelashes. “Ten twenty-four?”

I looked at her for a moment, then trailed off to my office and wondered if anybody would notice if I slipped out the back. I sat at my desk and thought about calling the Bear to see if he didn’t want to get going early. He wouldn’t. I hit the second automatic dial button and listened as the phone rang at Henry’s going concern at the edge of the Northern Cheyenne Reservation—free parking, no minimum.

He snatched it up on the second ring; it was his signature. “It’s another beautiful day at the Red Pony Bar and continual soiree.”

“Can we leave early?”

“No.”

I hung up. There wasn’t any reason to argue; I’d lose. I stared at the old Seth Thomas clock on the wall, thought of my packed bags by the door of my cabin, and sighed.

I punched the first number on my automatic dialing system and listened to the phone ring one thousand nine hundred thirty-six and one quarter miles away, to the place where my heart was on sabbatical.

“Schomberg, Calder, Dallin, and Rhind. Cady Longmire’s office; can I help you?”

Patti with an “i.” “Hi, Patti, you guys are working late.”

“Yo, Sheriff. We’ve got a brief that has to be filed by tomorrow. How’s things out in the Wild West?”

I leaned back in my chair and set my hat on my desk. “Uninteresting.” I threw my feet up, something I rarely did, and almost flipped over backward. I grabbed the edge of the desk to steady myself. “Is ‘The Greatest Legal Mind of Our Time’ available?”

There was a clicking noise and the phone rang half a ring before she picked up. Near as I could figure, Schomberg, Calder, Dallin, and Rhind were getting their collective money’s worth. “Cady Longmire.”

I smiled in spite of myself; she sounded so grown up. “You’re a punk.”

There was silence on the line for a moment, then a slightly plaintive voice. “Have you left yet?”

“No, the Indian isn’t packed.”

Another short silence. “Is he still carrying the photographic find of the century around in hatboxes?”

“Probably. What’s this stuff about bringing my sidearm?”

A quick sigh of exasperation. “I told you about it. Devon and I go to this shooting club over on Spring Garden on Thursday nights.”

I was bored and decided to use up a little time arguing. “Why?”

Another, longer, silence. “It’s something to do, Daddy. Don’t start making judgments.”

“I’m not. I just don’t understand why you and a bunch of lawyers feel compelled to go out and shoot things on Thursday nights.”

“We don’t ‘feel compelled’ and we don’t ‘shoot things.’ We go to a registered firing range, where we take out our secured weapons from the locked trunks of our cars, apply for our assigned ammunition, and shoot paper targets under the careful eye of a licensed instructor. He’s an old fart, an Army guy like you.”

“Marines.”

“Whatever.” She sniffed and got soft again. “I just thought you could meet him. It would be nice.”

“Is this a Devon thing?”

Her voice turned sharp. “Bring your gun or don’t. You’re being impossible, and I have to go.”

I looked at the phone. “I’ll bring it.”

“Whatever.”

The phone went dead in my hand. I put my feet back down, placed the receiver on the cradle, and thought about how I was making friends and influencing people. I thought about closing my door and taking a nap but, when I looked up, a tall, slim young man with sandy hair was looking at me through the doorway. “Sheriff Longmire?”

“Yep.”

“I’m Chuck Frymyer.” I stared at him. “About the job in Powder Junction?”

I motioned for him to sit down and pulled his file from the pile on my desk. Only a month earlier, we couldn’t get two deputies to rub together, but now we’d had over a dozen applications for the job. Frymyer had the most experience, with two years in Sheridan County.

I looked at the young man’s application; he was way over-qualified. I glanced back up at him. “You do realize that this job is our equivalent of the French Foreign Legion?”

“Sir?”

I tossed the file back on my desk. “You’re going to be out in the middle of nowhere. Have you ever been to Powder Junction?”

“I’ve driven through it, on the highway.”

“Under the best of weather conditions, it takes me forty-five minutes to get down there, so I need deputies who can take care of themselves and the southern part of this county.”

“Yes, sir.”

“Don’t call me sir.” I looked at him a while longer and figured that, like “Beau” Geste, he must have his own reasons for wanting to go off to the end of the world; it probably had to do with a woman, but maybe that was the romantic in me. With his two years of patrol duty, he’d be a nice addition to Double Tough, the other deputy I had down there. “You’re sure you want to do this?”

He smiled. “Yes.”

I stood up and stuck out a hand. “You may curse me for it later, but you’ve got the job. Get your stuff together and report here on Monday morning, eight o’clock, and we’ll get you sworn in. Sheridan’s uniforms aren’t that much different from ours, but you can wear blue jeans in Absaroka County. Get a badge and a patch set from Ruby at the front desk; we’ll order up the rest. No black hats—we’re the good guys.”

I leaned back in my chair as he smiled. Ruby appeared in the doorway and cleared her throat. “I have some bad news.”

I leaned forward and rested my chin on my fingers, which spread across the surface of my desk. “I’m on my way out.”

“It’s Omar and Myra. They’re shooting at each other again.” I raised my head and looked at her. “It’s a 10-16, technically.” She smiled. “I’m going to my ice-cream social. Have a good time in Philadelphia and give Cady a kiss for me”

And she, too, was gone.

I yelled after her. “Who called it in?”

I heard her stop in the hallway. She came back and picked up my hat, carefully dusting it off and placing it on my head. “Go out there, make sure they don’t kill each other, then go over to the Home for Assisted Living and play chess.” I looked up at her. “I’ll take Dog with me, and if you decide to take him with you, just stop by on your way out of town.”

I drafted Vic before she could get out of the office and told her it was a chance for us to say goodbye before I left; of course, we could also be shot by the matching set of .308s with which Omar and Myra usually held their domestic disputes.

Omar Rhoades was the big dog of international outfitters; if you wanted to kill anything, anywhere, Omar was your man. He led big-game hunts on all seven continents, but the most dangerous game he had ever faced was his ex-wife, Myra. They had been divorced for about a year now, but Myra had left her belongings at the Rhoades ancestral manse, and it was like a ticking time bomb as to when Myra was going to be back. The home they had built together was on the northern border of our county, about halfway up the mountain; if they were serious about killing each other, then they were already dead.

I banked the next turn and gunned the Bullet into the long straightaway.

Vic unlocked the Remington 12-gauge from the center hump. “The gate’s open.”

It was about a hundred-yard shot to the circular turnaround at the main entrance, and I missed the fountain by less than a foot. We slid to a stop, and I jammed the truck into park and unbuckled my seatbelt. Vic was already up the front steps before I could get out. “Hold up! It’s one thing if Omar wants to shoot us, but I’ll be damned if I’m going to be shot by accident.”

I pulled my .45 and looked across the heavy, cherry-paneled door that hung open. Vic jacked a shell into the Wingmaster and looked at me. You could hear music, and I’m pretty sure it was Edith Piaf.

I took a deep breath and, after a second, stepped over the threshold.

Vic’s voice lashed at me from behind. “Well?”

It was dark in the main hall, the gallery windows affording only a flat, yellow light from the dying afternoon. There was no one on the landing and no one in the entryway. “C’mon.” I aimed at the stairway to the left, following the wall with a foot along the baseboard and kicked a broken bottle of Absolut raspberry vodka. There was no liquor on the floor, so the bottle had been empty when it hit. Great.

I looked past the mounted heads that led down the main hall toward the kitchen and passed under the cape mount of a particularly large buffalo. “Omar!”

Omar was a friend, having gone so far as to haul my ass up onto the mountain in a blizzard and fly my daughter, who had been caught in another, from Denver for Christmas, but drunk and full of rage he was capable of accidentally shooting either of us.

Vic moved along the wall next to me. “You want me to check the back?”

“No, we’ll go upstairs; that’s where the music is coming from.” I took another deep breath and peered over the foot of the landing. “Omar?”

The furniture was toppled into the middle of the passage like a makeshift barricade. There were holes in the sideboard and the Chippendale chair, with splintered wood and upholstery stuffing scattered on the oriental runner. I slumped against the wall and looked at my deputy. “Either they’re dead, or they can’t hear us over Edith Piaf.”

I started back up the steps; at least the barricade afforded some defense. At the top railing, I made the turn, thought about the layout of the second floor, and remembered that the master bedroom was at the end of the hallway. It was about forty feet to the door, which was closed, but even at this distance I could see where match-grade loads had traveled through it; ten rounds, maybe, at three thousand feet per second. Since Myra was the one who had been in Paris for the better part of the last year and since the music was French, I assumed it was she who was in the bedroom.

I was looking at the door when I ran my leg into the edge of the sideboard, causing the mirror to flip on its pivot and crash to the floor. Even with Piaf, it was a loud noise. I looked at the shards of mirror scattered across the expensive Turkish rug and thought about seven years of bad luck. Edith took a breath, and I made out the distinctive sound of a modular bolt action slamming home.

I dove behind the barricade and flattened myself against the floor as the first round splintered through the wood of the upturned edge of the sideboard. Less than two seconds later, the next round caromed off the door facing and dug into the floor just short of my outstretched right hand. I was attempting to scramble toward the stairway when Vic leaned out from the railing and snapped off two 12-gauge rounds into the ceiling, the salvo allowing me a rather ignoble retreat. I ran into Vic, and we both fell down the remaining steps.

I was lucky enough to have landed on the bottom; she was sprawled across my chest. We looked at each other, and she grinned. “That was close.” We stayed like that for a moment, then she rolled off me and I slid against the wall. We were sitting there on the landing a full ten seconds before we saw Omar. He was standing in the foyer and was eating a ham and cheese sandwich and drinking a bottle of beer.

“What the hell?” He lowered the longneck bottle and cocked his head. “What’re you guys doing? You could get killed up there.” He started up the steps, and I noticed he had a .44 hunting sidearm in a holster at his leg. “I brought you guys a beer.” We continued to look at him. “If you want a sandwich, the stuff’s still out.” He took another sip, and I thought about throwing him over the railing. He motioned for Vic to take the bottles, which she did after shuttling the shotgun under her arm.

“What’s the story?”

He rolled his eyes and pushed his 50X silver-belly hat back from his forehead, the long curls of gold reaching to the collar of his white dress shirt. “She started drinking this morning, after we had a little talk.” He took another bite of his sandwich—I have to admit, it was looking pretty good. “She said she had traded me in on two twenty-year-olds, and I told her she wasn’t wired for 220. The conversation kind of deteriorated from there.” He finished off the beer and threw the bottle so that it shattered against the hand-patterned drywall. He put his hand to the side of his mouth to direct the volume: “Bitch!”

Two more .308s slammed through the door above. Vic and I simultaneously ducked as the rounds sped harmlessly down the empty hallway above us.

Omar took both of the beers from Vic, opened them on his belt buckle, handed her one back, and took a swig from the other as the cap fell to the carpeted landing and rolled down the stairs. “You didn’t, by chance, happen to count how many holes were in the door?” He continued to look after the bottle cap. “There’s only one box of shells for that thing, sixteen in a box…”

I knew that there was an abundance of weapons in the Rhoades household. “What about all the other guns in the safe?”

“No ammunition. I moved it all downstairs.”

They both took sips and looked at me. “Twelve.” I nodded back to the landing. “And two more makes fourteen.”

Omar nodded. “She’s got two left.” We all nodded, as he casually drew the big .44 from his holster, aimed it straight up, and fired two shots; the long-barreled Smith and Wesson bucked in his hand. A few pieces of the entryway, elk horn chandelier, and plaster ceiling fell down on us. “Cunt!” The .308 thundered in response, but this time only once. Omar took another swallow. “Wisin’ up, conserving ammo.”

I looked at Vic, who looked at Omar. “Any chance of talking to her?”

Omar laughed, and I looked at him. “Is there a phone in the bedroom?”

“Yeah.” We traipsed down to the entryway table where an old-fashioned Belgian dial phone sat. Omar picked up the receiver, dialed the number for the bedroom, and handed the phone to me. “She’s not going to talk to me.”

The phone rang three times before Myra answered. “Bastard!”

“Myra, it’s Walter…” She slammed the receiver down with an ear-shattering crack. I asked Omar to dial the number again. She didn’t answer this time, but the thunderous report of the .308 and the brief squall and whine of the line informed us that Myra had shot the bedroom phone.

I hung up and looked at the two of them. Vic looked back at the landing. “She’s out?”

Omar agreed. “Yeah.”

I wasn’t convinced. “How drunk is she?”

“Pretty damn, but she hasn’t missed the door yet.”

I crossed the landing, staying to the right, where I knew I could dive into the guest bedroom if she had ammunition left after all. The problem was that the closed door seemed a very dangerous twenty feet away. Credit the carpenters that built the Rhoades mansion—the floor didn’t creak as I carefully made my way around the barricade.

I had holstered my .45; I had no intention of shooting Myra.

With the volume of the music, it was impossible to hear any movement in the bedroom. As Edith Piaf continued singing, I looked at what the 150-grain softpoints had done to three inches of solid wood and felt that familiar weightlessness in the trunk of my body.

I counted the holes in the door again, but the damage caused by the large-caliber rifle made it difficult to be sure how many shots had really been fired. I wasn’t betting the farm. It did look as if the shot closest to the knob had taken most of the mechanism with it, and the door itself stood ajar about a quarter of an inch, so I opted for nudging the base of it with my boot; it opened four inches. I waited, but nothing happened. I nudged further, gently sweeping it back about halfway before my leverage gave out.

I took a deep breath to clear my head and stepped through the doorway into the outstretched barrel of the big .308. She had been waiting, but my left arm was still to my right so, with a sweeping gesture, I carried the barrel down and away from me in a backhanded pull that exploded a round into the floor. The sound in the room was just short of deafening.

I was going to kill Omar.

I made a grab for the front stock but missed as she stepped back, and the seemingly endless length of the bolt action swung up.

I had forgotten how good-looking Myra was, and the yearlong sabbatical in France with close to forty-eight million dollars had done her no harm. She had long, blond hair, the kind you see on the covers of magazines, and perfectly tanned skin that I’m sure had been kissed by the French Riviera. She was wearing a pink mohair cowl-neck sweater that barely reached the top of her thighs, and that was all. She was tall and lean, with strong, capable hands. The honking diamond that Omar had married her with was still on the left hand that pointed the rifle at my face. Above the scope was the palest blue eye, and as my lungs froze, the barrel dipped a little, and the sweater-matching pink lips smiled as slowly as glacial encroachment. I listened to Piaf singing “Le Chevalier de Paris” or “Mon Legionnaire,” I wasn’t sure which, and thought about how this wasn’t the worst way to go.

The powder blue blinked, and I settled on “Le Chevalier de Paris” as the little bird trilled and softly breathed out her lovingly aching words.

Myra sagged a little, almost as if someone had punched her, and tossed the rifle aside. She stepped forward, her arms outstretched around my neck as the sharp fragrance of raspberry vodka scoured the inside of my nose and her sweater bottom rose higher. “Walter…”

“Good thing she likes ya.” He brought his queen out. It was the second game, and my plans for an early evening had gone the way of my three pawns, two rooks, and a knight. I went with the other knight and felt a shadow of impending doom as his bishop slithered along diagonally. The stem of his pipe swung around and pointed at me like the barrel of a gun, the second of the evening. “You get ’er outta the house?” The pipe returned to his mouth.

I leaned back in the horsehide wingback chair and placed my hat on my knee. The old sheriff wasn’t ready to end the evening and skimmed the other bishop across the board for a completely different attack on my king. “She’s at the End of the Trail Motel over in Sheridan; flies out tomorrow.”

It was quiet in the room as the old sheriff looked at me. Lucian’s mahogany eyes flickered in the half-light of the kitchenette behind us. He shook his head. “Well, ya know how my marriage experience ended.”

I did, and we sat there in silence for a while before I admitted a prejudice. “I hate the domestic stuff.”

He nodded and watched me. “Like the third man in a hockey fight, ya get the blame and get the shit kicked out of you for yer troubles.” He waited as I made another inane move. “I hear Kyle Straub’s got signs up all over town.”

I took a sip and crunched one of the cubes. “I heard that too.”

“You gonna stand?”

“I don’t think I’ve got any choice if I want to get Vic in.”

He shrugged. “I’d vote for her, but I’ve got the weakness.” Lucian was referring to his habit of addressing Vic’s chest as if it had an identity of its own. “The rest of Absaroka County is another question. Now, you can make sure she’s the next sheriff, but it’s gonna cost you a year or two of your life.” I made a face. “But then, I didn’t know yer life in office was so damn bad.” His gaze dropped back to the board. “Check.”

I looked at the assembly of courtly pieces and placed a finger on my king, casually toppling him over to premature death. “Yep, well…no act of kindness goes unpunished.”

2

It took five days to get the three of us to Philadelphia. He didn’t let me drive. He drove only during daylight hours, and he went fifty-five the whole way. I read the AAA books as we drove across the country, even though I had an inkling that the Cheyenne Nation had not appreciated my oratory since Iowa, and I decided that the majority of the United States consists of gently rolling hills with light industry. I was still reading as we loped across the Schuylkill Expressway with the top down, eased off the 15th Street exit, took a left on Race and a stately right on Broad. “‘It was a gentleman’s agreement in 1894 that no skyscraper built would be taller than Penn’s hat, but in 1986 all bets had been called off, and now the majority of the fifth largest city in the country looks down on Billy Penn and City Hall.’”

Henry carefully parked the big convertible in front of a high-Victorian gothic building and cut the engine. “You can stop reading now. We have arrived.”

“I’ve still got the Philadelphia section to…” He gave me a dirty look. We figured we had best check in at the Pennsylvania Academy of the Fine Arts, since they were expecting the Bear a day earlier. I unclipped my seat belt, tossed the guide into the cavernous backseat, and scratched behind Dog’s ear. “I hope you’re not in trouble.”

His expression didn’t change as he pulled the handle and swung the four-foot door onto greater Broad Street, causing a taxi to swerve and blare its horn. He stepped out of Lola and stood, stretching his back and flipping his ponytail over his shoulder. He pulled a half-beaded, fully fringed leather jacket from behind the seat and slipped it on, instantly going native. “I am never in trouble.”

I watched as the cars continued to swerve around him. “Thinking you’re not in trouble and not being in trouble are two different things.”

His face remained immobile as he shut the door and walked back against the traffic. “No, they are not.”

Dog immediately jumped into the driver’s seat, another gentleman’s agreement broken, and we both watched as the big Indian casually crossed the sidewalk past the federal-style lampposts, mounted the steps, and disappeared behind the dark oak doors. People who were walking by stared at Henry, then at Lola, Dog, and me. I waved, but they didn’t wave back; so much for the City of Brotherly Love.

I looked south, then west to Market, and then up thirty-two imaginary floors to where the next-in-from-the-corner window of a particularly dark, glass-clad building would be if not for the building in front of it. I had asked Cady why she hadn’t gotten the corner office, to which she had replied, “I will.”

I glanced back to the courthouse clock: 6:20. She’d still be at work; she never got home until at least eight. I looked around for Henry’s cell phone, finally locating it at the end of the power cord under Dog’s appropriated seat. I wasn’t very good with the things, but I pushed one of the little buttons that had a tiny phone image on it, was rewarded with a chirp and an illuminated display of the Bighorn Mountains, and was immediately homesick. I got over it, and selected CONTACTS, working my way through about twenty women’s names just to get to the Cs. I scrolled down to CADY/WORK and pushed the phone button again. It rang only once. “Hello, Bear, are you finally here?”

Evidently, I was in trouble. “If you could look out your window, up Broad Street, you would see a powder blue convertible with a seasoned, yet ruggedly handsome, sheriff and his trusty companion, Dog.”

There was a pause. “You brought the dog?”

Evidently, I was in a lot of trouble. “Is that a problem?”

Another pause, this one no shorter than the last. “Devon’s allergic to dogs.”

I looked over at my buddy, who looked back at me with his big, brown eyes. “You have hurt Dog’s feelings.”

“Daddy…”

I reached over and scratched under his chin, which was his favorite spot. “Well, I can see if Henry can take him.” There was even another pause, and I started getting a little miffed. “We wouldn’t want to inconvenience Devon…”

“Dad.”

It was a short word, but it had a lot behind it.

I watched as an elegant woman of about thirty rushed across the sidewalk and quickly made her way up the stairs, her charcoal trench coat billowing after her. She wore heels and had very nice legs. A set of keys hung from a lanyard in her hand along with a collection of IDs. Probably something to do with Henry.

I was still looking after her when a black, basket-weave Sam Browne belt with a Glock 19 blocked my view. I looked up at a young, blonde policewoman with a name tag that read OFFICER SHARPE, and spoke into the phone. “Let me call you back.”

“Dad? Wait a…”

I pushed the red button, and the tiny phone chirped again. Dog growled, and I hushed him with a quick glance. I tipped my head back to look at myself in the cop’s sunglasses; she gestured with her pen, which was already out.

“He didn’t drive the whole way, did he?”

I tossed the cell phone onto the center console and smiled. “No, we switched off in Cleveland.”

She didn’t smile back. “Ya need’a move the vehicle.”

I looked over the steering column at the empty switch. I had never seen Henry Standing Bear take the keys out of anything in thirty years. I glanced back up. “I don’t have the keys.”

“That’s okay, I’ll get it moved for ya.” She snapped the button on her two-way and held it toward her mouth. “Unit 43, 10-92 at the corner of Cherry and Broad.” She paused. “Roger that, 10-51. I need a hook.”

I thought of my luggage, of Henry’s, and of the Northern Cheyenne photographic find of the century that was in three hatboxes in the trunk. “Patrolman Sharpe, I think my friend just ran inside to find out where we could unload some things.”

She smiled for the first time, maybe because I noticed her name and rank, or not. “That’s okay, we let’ya get ya stuff out, before we take the car. I’ll even let’ya keep the dog.” She was talking into the mic again. “Long as ya got a leash for him.”

I thought about all the things Dog didn’t have, including a leash, as the cell phone began ringing. “Can’t you just write a ticket?”

She pulled out her docket and flipped it open. “I’m gonna do that, too.”

I picked up the phone and read Cady’s work number. “Make it an expensive one, will you?”

I pushed the talk button again. “Hello?”

“Did you just hang up on me?!”

I was distracted by a movement to the officer’s side; the woman I had seen disappear up the stairs was back. “Hi, Kathy.”

Officer Sharpe lowered her pen as she half-turned. “Michelle?”

I looked up at the window on Market, and I swear I could feel Cady looking down on me. “I didn’t hang up on you…”

The woman indicated the car in which I was sitting. “This is one of ours.”

The officer sighed. “Is it movin’ soon?”

The voice on the cell phone was insistent. “Are you still there?”

I tried to speak quietly. “I’ve got a little situation here.”

Michelle nodded and stepped back to trail an arm toward Henry, who was now standing at her side. “This is Henry Standing Bear. He’s here in conjunction with the Museum of the American Indian and the Smithsonian to…”

“Look, Dad, I’ve got to work late tonight so you’re on your own. I probably won’t make it home till after ten. All right.”

It wasn’t a question. “All right.”

“You remember where I told you I hide the key?”

“Yep.”

“You and the Bear can find the place?”

I nodded at the phone, like I always do when I’m trying to get it to like me. “I think so.”

“See if Henry can take the dog, please? Devon is deathly allergic.” I stared at the receiver for a while. “Dad?” It was quiet on the phone. “It’s been a long day, and it looks like it’s going to get longer.”

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Reading Group Guide

INTRODUCTION
Kindness Goes Unpunished begins with Walt Longmire reading a fairy tale to a class of skeptical kindergarteners. “My daddy says you’re a butt hole,” one of the children offers. Another child blurts out that his daddy “smokes his medicine.” Walt finds himself uncharacteristically flustered and overmatched by the five-year-olds as his storytelling skills falter. But this rather benign predicament is only a prelude to much worse troubles that lie ahead.

When Walt journeys with his friend Henry Standing Bear from the familiar ground of Absaroka County, Wyoming, to Philadelphia, he anticipates nothing more taxing than attending a gallery opening for Henry’s prize collection of Indian photographs and a visit with his daughter, Cady. But a vicious attack on Cady leaves her near death and embroils Walt in an investigation that casts suspicion on Cady’s boyfriend and fellow lawyer, Devon Conliffe, Assistant District Attorney Vince Osgood, as well as drug dealer Toy Diaz and the brutal Shankar Duvall. As Walt moves back and forth between staying at Cady’s bedside and searching frantically for the man who hurt her, he is drawn deeper and deeper into big-city drug crime and a political cover-up. Along the way, a series of mysterious notes left for him suggest someone is watching, anticipating, and perhaps guiding his every move. But is it the killer or someone trying to help? And why do so many people who might be able to answer Walt’s questions keep turning up dead?

Within this narrative frame, Kindness Goes Unpunished offers fans of Walt Longmire all the dry wit, cultural sophistication, and cowboy toughness they’ve come to expect from the Wyoming sheriff. But it is also very much a novel about the bonds of family and friendship, and the necessity of hope for navigating life’s violent contingencies. Walt knows the odds of his daughter surviving a coma are long and that the odds of emerging from it fully intact are even longer. How to maintain hope in the face of such uncertainty—and in the midst of the violence and corruption he finds in Philadelphia—is the central theme of this fast-paced thriller. And while Walt’s skills as a storyteller may have failed him in the classroom, they keep the narrative ofKindness Goes Unpunished taut and unpredictable, and his skills as a detective never falter.

A CONVERSATION WITH CRAIG JOHNSON
Q. Why did you choose Kindness Goes Unpunished for your title?

It’s no secret that I like using phrases for my titles that might have a double or deeper meaning. This one came from the former Philadelphia Inquirer editorialist Steve Lopez. “Philadelphia, land of giants, where no act of kindness goes unpunished.” I think it speaks to the fact that some of the best actions in our lives are the most misunderstood, and for Walt, Philadelphia and the East can be a contrary environment outside his experience or jurisdiction. A stranger in a strange land, his emotional state concerning his daughter lures him into a dangerous place where he feels as if he has to make up the rules and mete out punishment. In law enforcement or life, that’s a desperate place to be.

Q. Family seems particularly important in Kindness Goes Unpunished—the bond between Walt and Cady but also between members of the Moretti family—and there is a degree of tenderness in your novel not found in many mysteries. Did you set out to make family a central concern of the novel or did it emerge as you told the story?

The importance of relationships is central to the story and to Walt’s life. Although the image of the vengeful loner is pretty iconic to the American West, it is not in my novels. Walt’s strengths lie in his connections to his family, his friends, and the people of the community. In the stark background of the high plains, the society of mankind becomes more evident, but it doesn’t mean that it’s any less essential on Broad Street. Family makes you tender, makes you confront your own humanity on an elevated scale; makes you deal with society, justice, honor, integrity—and that’s all before leaving the breakfast table in the morning. I think it was Sam Peckinpah who said it best: You need to enter your house justified.

Q. The importance of hope also runs throughout the novel. Why did you decide to make hope such a powerful force inKindness Goes Unpunished?

I’m not all that interested in the acts of violence that people perpetrate upon each other, but I am interested in the aftereffects of those acts. I’ve dealt with the aftermath of those dark moments, and that’s the part that has resonance for me. The positive aspects of the human condition can be tenuous in those times, but they are all we have to keep us going. Intrinsic to a “murder mystery” are the less than desirable traits of human interaction, but I think we, as writers, are also faced with conveying the good. We need to keep a positive outlook on humanity when faced with it at its worst. Hope, faith, and charity are damned important in keeping that humanity, even if those acts of kindness are punished. Just ask somebody when the chips are down. Without hope, well, there isn’t much of a future.

Q. Why did you choose Philadelphia as the setting for the novel rather than the familiar terrain of Wyoming?

I like the cheese steaks from George’s on 9th Street in the Italian Market. Just kidding, even though I’ve been known to eat three a day. Seriously, I met my wife there. I love Philadelphia, and think it sometimes gets overlooked as one of the grand cities of the United States. So when I was casting about for a city that Cady might live in, Vic might’ve come from, and a place to which Walt would have a connection, Philadelphia became an obvious choice. That, and I have two daughters and a granddaughter there. Also, I wanted to take Walt out of his element and not have the novel seem like a bad episode ofMcCloud. (Sorry, Dennis.) There were things I wanted to explore outside of Absaroka County, so that I could learn and convey more about Wyoming, the West, and Walt in contrast.

Q. This is your third Walt Longmire novel. Are you discovering more about Walt as you write about him from one novel to the next? Has he changed since you began writing about him?

Oh, God, yes. Anytime you take on a series in first-person present tense, you’re going to have to get to know that character damn well. I think it’s also more than pretty important that Walt and all the continuing characters in the books grow and change; it’s important to the readers and to me. When I first introduced Walt Longmire he was in the throws of an elongated depression, but in dealing with the complications of the case that is solved in The Cold Dish, and by facing his problems, he started coming around. He surprises me every day, and I figure that’s a good thing because if he’s surprising me, he might just be surprising the reader, and that’s part of my job.

Q. What motivates you as a mystery writer—the issue of crime and the criminal mind, the deductive reasoning of detective work, the larger social problems that crime so often reveals?

All of the above, but the seminal motivation is definitely social problems. People always ask where I get my ideas, but just from the limited view I have of society, I get more ideas than I’ll ever have time to write. I subscribe to the Wall Street Journal, New York Times, Washington Post, Philadelphia Inquirer, and Los Angeles Times either in print or online, and the news from these sources is enough to make me want to climb up in the trees and start screaming, but it’s that irritation that motivates me for the long haul. Injustice is the burr under my saddle blanket, and it has become Walt’s as well.

Q. What mystery writers have most influenced your own work?

Shakespeare, Chekhov, Dickens, Steinbeck, Harper Lee . . . Go ahead, tell me that they aren’t mystery writers. I dare you. Walter Van Tilburg Clark, Dorothy M. Johnson, Wallace Stegner, M. F. K. Fisher, Larry McMurtry, James Lee Burke, Tony Hillerman, James Crumley, Elmore Leonard, and George MacDonald Fraser. Some of them are mystery writers, some are Western writers, some are both, some are neither. I don’t like to classify as to genre, I guess. Poetry is important to the process; I learned that from my buddy Mark Spragg. I read a lot while writing and poetry is like jet fuel—Wendell Berry, Yeats, Rudyard Kipling, just to name a few. I was fortunate enough to use the work of another good friend, Mandy Smoker, in the novel—you want to know how smart this cowboy writer is? Smart enough to not try and write Indian poetry.

Q. No doubt your readers are eager for the next novel and particularly curious about how the relationship between Vic and Walt will develop. Can you give us an insight and possibly a hint about what’s next?

Kiss and tell, huh? Umm . . . no. Well, I can talk about what it was I was attempting to do, but I’m not giving out with any forecast. I think the development of an event in the relationship became a foregone conclusion for a lot of readers, and the question was how long I was going to stretch it out. I’m nothing if not reactionary—in the Oxford English Dictionary way—so I opted for what seemed a natural conclusion, sooner rather than later. The motivational factors were there, whether they were love, sympathy, mother/daughter competition, or just plain lust, and the sex was indicative in its spontaneity. As stated before, I never think that the act itself is as important as the aftermath. Isn’t that always the case? It’s going to complicate things, but then why shouldn’t it? The layers of complexity in the character’s lives are the lifeblood of the series. Look for clues in how the characters deal with what has happened. Walt reacts with the more stereotypical female emotions of regret, concern, and connection, while Vic takes the more masculine response by looking at it as “just sex.” There’s a lot of generational stuff going on there, as well as gender. Will either or both of them get their hearts broken, live happily ever after, will these responses remain the same, or will they change and grow with the characters? I guess we’ll have to wait and see.

DISCUSSION QUESTIONS

  • What makes Sheriff Walt Longmire such an engaging character? What are his most appealing qualities? In what ways does he differ from other sleuths?
  • Kindness Goes Unpunished begins with Walt trying—and mostly failing—to tell a story to some kindergarteners. “I’m not sure when it was that my storytelling abilities began to atrophy,” he says, “but it must have been somewhere between Sesame Street and The Electric Company” (p. 2). What storytelling skills does Walt display as the narrator of the novel? What is distinctive and compelling about the way he narrates this story?
  • What does the opening scene reveal about Walt, about how he is regarded in Absaroka County, and about some of the problems that community faces? Why would Craig Johnson begin the novel in this way?
  • Henry Standing Bear is convinced that the healing ceremony he performs for Cady brings her back from her coma. In what ways does this suggest a fundamentally different approach to healing than standard Western medical practice? Why does Henry feel it is important for Cady to “hear” them speaking even while she is in a coma?
  • Dr. Rissman tells Walt not to get his hopes too high for his daughter’s recovery. But Walt knows that hope is essential. “I’d seen what the hopeless approach was like, and I was never going back there again” (pp. 206–207). In what ways is the novel as a whole about the importance of hope?
  • What enables Walt, with help from Vic and Henry, to unravel the mystery behind the murders in Philadelphia? What special knowledge does he bring to the case? Would ordinary Philadelphia detectives have been able to solve it?
  • How does Sheriff Longmire regard Philadelphia and Philadelphians? How is he regarded in the city? What cultural contrasts does Johnson develop over the course of the novel?
  • Look closely at how Walt Longmire questions people. By what means is he able to detect whether or not they are telling the truth?
  • Kindness Goes Unpunished features some very strong women characters—Lena Moretti and her daughter, Vic Moretti, as well as Cady Longmire who, even though she is incapacitated for most of the action, is still a powerful presence in the novel. What makes these women so forceful? How do they deal with the men in their lives?
  • How did you feel about the passion ignited between Vic and Walt? What was the spark that set it off? How do you imagine their relationship will unfold?
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Customer Reviews

Average Rating 4.5
( 48 )
Rating Distribution

5 Star

(31)

4 Star

(13)

3 Star

(3)

2 Star

(1)

1 Star

(0)

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See All Sort by: Showing 1 – 20 of 48 Customer Reviews
  • Posted June 25, 2009

    You Are Going to Love These Characters

    This terrific Western series is an outstanding portrayal of the lives of Sheriff Walt Longmire, his best friend Henry, Vic, his crazy Italian deputy and the other unique and charming residents of his small Wyoming town. Just like the old westerns, the good guys are wearing the white hats and the bad guys are wearing black---most of the time.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted June 28, 2013

    Love this series

    Easy, entertaining reading. I keep hoping the TV series will adopt some of the characters from the book other than Walt, Henry, Cady and Vic. I love Dog, Dog is the big missing ingrediant in the TV series based on these books.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 29, 2012

    One more great read in the series!

    I enjoyed this one because I saw more of the relationship between Henry and Walt. I am not sure I like where things are going with Vic though. We will see.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 14, 2012

    Good Book

    This was an interesting modern day novel with interesting characters. The plot was unpredictable. I have three books from this series now - all of them similar yet very good. I have also sen the tv series and as usual I enjoy the books more. If you want a quick read that takes you through a good series - try this.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 24, 2012

    Highly recommended

    I was a little concerned when I saw that this book wasn't set in Wyoming, but I found the book to be very, very good. The story was intriguing and kept me interested until the very last page. The writer seems to get better with each book he writes.

    2 out of 2 people found this review helpful.

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  • Posted July 30, 2012

    Highly Recommended

    If you have watched Longmire on A&E, you will love these books.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted June 30, 2012

    Excellent

    I'm really enjoying this series. All except "Hell Is Empty" were rated fives on my scale (1 - 5). "Hell Is Empty" - 4.0 - had too little dealing with other main characters in the series

    2 out of 2 people found this review helpful.

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  • Posted January 17, 2012

    more from this reviewer

    Great Cowboy mystery

    I love Craig Johnson's way with words. Having lived in Colorado, neighbor to Wyoming, (and lived in Philadelphia where this crime takes place) I enjoyed every word in this novel. Just when things slow down, the action picks up. May Walt Longmire live on!

    2 out of 2 people found this review helpful.

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  • Posted November 21, 2009

    Fascinating

    I discovered Craig Johnson this summer, and couldn't wait to read all of his books. He combines the mysticism of our native American culture with a darn good mystery, set in one of the most beautiful parts of America.

    2 out of 2 people found this review helpful.

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  • Posted July 1, 2014

    Walt Longmire, Sheriff of Wyoming's Absaroka County, takes some

    Walt Longmire, Sheriff of Wyoming's Absaroka County, takes some time off to go to Philadelphia with Henry Standing Bear, so he can see his daughter Cady. They barely arrive when Cady is violently assaulted and ends up in critical condition in ICU. Between sitting with Cady and investigating (with the help of the entire Moretti clan, Henry, and Dog), he discovers she unwittingly became involved in a deadly political cover-up.

    This series rocks. I love Walt, Henry, Vic, and everyone. Walt just does what needs to be done with common sense and humor. He dispenses justice with an even hand.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 5, 2012

    Awesome series!! I can't wait for the next book.

    Awesome series!! I can't wait for the next book.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 4, 2011

    check it out

    great read

    1 out of 3 people found this review helpful.

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  • Posted March 14, 2009

    more from this reviewer

    I Also Recommend:

    Craig Johnson does it again

    Craig Johnson has one of the best voices writing today. Strong, three-dimensional characters, great wit and dry humor, excellent plots and crisp dialog.
    If you're a fan of detective or crime fiction, this is a great author.

    1 out of 1 people found this review helpful.

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  • Posted October 12, 2014

    Another Dead-on Longmire Hit

    Thanks to the now-well-known near-sighted and tin-eared A&E cable television bunch, I discovered Craig Johnson and Sheriff Walt Longmire via the back door. Whatever happens to the wonderful television series, the books will still be here. What an elegant and unassuming writer Johnson turns out to be. This is my third Longmire novel and each one comes chockablock with unforgettable characters and some of the finest, most natural, effortless dialogue a reader could want. Craig Johnson is a dialogue master and through that magic, he breathes life into into the characters he creates. Standing Bear, Ruby, Cady, The Ferg, and all the rest make a Longmire story as warm and toasty and downright fine as a warm log-fire in a cabin fireplace in a Wyoming snowstorm. The Cheyenne and Plains Indian backgrounds and lore add fantastic depth and honors a noble people so long deprived. Five of five stars (even though this one happens of the rez, in Philadelphia)! Hena'háanehe!

    Was this review helpful? Yes  No   Report this review
  • Posted September 5, 2014

    All of the Longmire books are exceptional in their characterizat

    All of the Longmire books are exceptional in their characterizations and character development and the first book leaves you thirsting for
    more.  Walt Longmire is a man who is certainly not perfect, but has a totally intact moral compass.  It makes one wish to know and be in
    the company of this sheriff and his best friend, Henry Standing Bear.  The combination of Native American Lore with modern thinking is
    appealing and thought provoking.  I've read every one of Craig Johnson's Longmire stories, wish they were longer, wish there were more
    and can't wait for the next one.    

    Was this review helpful? Yes  No   Report this review
  • Posted August 8, 2014

    I highly recommend any of the Longmire series but I suggest starting at the beginning.

    I read this a long time ago and I don't remember the details necessary to write a review. I returned it to the book store and exchanged it for another book.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 28, 2014

    Callijon

    You lowered your head into a bow. Your warriors followed. The princess stalked over to you and examined this bow. She stalked up to your face and said quite too loud for your likings; "well well well. A battle-scarred general. In my quarters. How wonderful!" You felt as though every dragon were listening. "Blackfire!" Squealed one of your warriors. But it was too late. A crack was the last sound you heard. And everything went black. GAME OVER

    0 out of 1 people found this review helpful.

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  • Posted June 20, 2014

    Excellent.

    Couldn't put it down. Love this series.

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  • Posted January 27, 2014

    highly recommend

    Another great book by Craig Johnson. hard to put down, once you start treading.

    0 out of 1 people found this review helpful.

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  • Posted December 13, 2013

    Walt should stay in the country

    I intend to read the entire Walt Longmire series in order. Johnson creates interesting characters and makes a first-person narrative interesting. However, I hope in the future that the Longmire stories will be set primarily in Wyoming. The "cowboy in the city (Philadelphia)" theme is interesting, especially the comparison between big city and rural county law enforcement. But to me descriptions of the urban environment do not compare to Johnson's word pictures of the Wyoming countryside and weather. Nor did I find the mystery in this story or its resolution to be particularly interesting.
    Walt's deep love for his daughter and his difficulty in communicating it to her are one of the strong points of the Longmire series, but if you want more expressions of family love (which I do), I recommend the Joe Pickett series by C. J. Box.

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