Kindred of Darkness: A Vampire Kidnapping

Kindred of Darkness: A Vampire Kidnapping

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by Barbara Hambly

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When James Asher's daughter is kidnapped by a Master Vampire, the stakes could not be higher.

When James Asher and his wife Lydia's baby daughter Miranda is kidnapped by the Master Vampire of London, the stakes are high: blindly follow the Master Vampire's instructions, keep out of the way of the human networks that serves the vampires, destroy

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When James Asher's daughter is kidnapped by a Master Vampire, the stakes could not be higher.

When James Asher and his wife Lydia's baby daughter Miranda is kidnapped by the Master Vampire of London, the stakes are high: blindly follow the Master Vampire's instructions, keep out of the way of the human networks that serves the vampires, destroy the interloper who seeks to seize control of the London Nest, and find the key to the Nest's tortuous inner workings: The Book of the Kindred of Darkness.

Even with the vampire Don Simon Ysidro on their side, there's no guarantee that anything - or anyone - is who or what they appear to be. Nor is there any certainty that they'll see their child again - or survive the experience themselves.

Editorial Reviews

Publishers Weekly
★ 01/27/2014
Hambly (The Magistrates of Hell) deftly draws the reader into 1913 London’s undead social scene in all its complexity in the standout fifth entry of this dark, lush series. James and Lydia Asher have the ability to track the undead. Their unsteady truce with the local vampires is shaken when Grippen, Master of the London Nest, kidnaps their infant daughter, ordering them to find a foreign interloper, Damien Zahorec, without looking too closely into his secret books of vampire-controlling lore. As James sneaks through the streets seeking information, Lydia tracks Zahorec while escorting her debutante niece to parties, in scenes that dance delightfully close to period romance. The emotional triangle between James, Lydia, and their mysterious friend Don Simon Ysidro will please those who look for swooning romanticism in their vampire fare. Hambly’s clever, driven characters are creatures of action, and will satisfy those who enjoy a well-articulated, heart-pounding mystery. (Mar.)
“Another fine entry in this always-entertaining series”
Library Journal
While vampire hunter James Asher is away in Venice, his wife, Lydia, makes the awful discovery that Grippen, the Master of London, has stolen her child. Grippen wants to coerce Lydia into helping him find a rogue vampire who has been hunting recklessly on his turf. As Lydia races to find the mysterious vampire, with the eventual aid of James and their occasional vampire ally Don Simon Ysidro, she must contend with human and vampiric forces. As the search progresses, everything appears to be tied to The Book of the Kindred of Darkness, an ancient text that purports to tell the secrets of the undead. VERDICT Although the pace lags in places, Hambly, who also writes the historical mystery series featuring freed slave Benjamin January, imbues this historical horror novel with plenty of thrills and authentic historical details for a satisfying entry in the series (following 2012's The Magistrates of Hell).
Kirkus Reviews
On the eve of World War I, a couple fights to rescue their daughter from a vampire's clutches. Lydia Asher is struggling to finish writing an article about radium and dealing with her tiresome relatives when she learns that her baby daughter, Miranda, has been abducted. The kidnapper is Lionel Grippen, the master vampire of London, who forces Lydia to find the lair of Damien Zahorec, a rival vampire recently arrived from Eastern Europe. Grippen, who has been a vampire since 1555, has killed upward of 30,000 people over the centuries, and he considers one more life nothing but a means to defeat his rival. Lydia summons her husband, James, home from Venice and begs help from Don Simon Ysidro, a vampire who's made himself her lover in the dreams and illusions he creates in her mind. While Ysidro, Lydia and James search for Zahorec's lairs and for various editions of The Book of the Kindred of Darkness, an American mine baron is buying up copies for a sinister plan involving his own daughter. In a quest that takes them from the depths of old Roman baths to a fortress built on a remote Scottish crag, James and Lydia are pitted against an even more powerful vampire. Avowed series hero James (Magistrates of Hell, 2012, etc.) is more pallid a character than his centuries-old quarry, and his Oxford-educated, scientifically minded wife is too vain to wear her glasses even when she's hunting vampires in the dark. Although Hambly's fans may enjoy returning to her carefully constructed and lavishly detailed world, the uninitiated may be less enthralled.

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Product Details

Severn House Publishers
Publication date:
A James Asher Vampire Novel Series, #5
Edition description:
First World Publication
Product dimensions:
5.70(w) x 8.60(h) x 1.10(d)

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The Kindred of Darkness

By Barbara Hambly

Severn House Publishers Ltd.

Copyright © 2013 Barbara Hambly
All rights reserved.
ISBN: 978-0-7278-8342-1


'Vampires exist.' Dr Osric Millward swept his auditors with a dark gaze almost hungry in its brooding desperation that they should believe. 'I have seen them. In this city – in these streets – in this modern and progressive year of 1913. Is that so difficult to believe?' He pushed back the silver-shot raven forelock that fell on his high brow, stretched long fingers stained with ink and silver nitrate. 'Every civilization back to the beginning of time has spoken of them: men and women who prolong their existence after death by drinking the blood of the living. For centuries they've walked the streets of London, in the dark hours when law and reason sleep.'

'Yes, but if that's the case,' argued Lady Savenake, slipping her Pekinese a fragment of cracker liberally smeared with paté de Strasbourg, 'why don't we hear about more bled-dry corpses turning up in alleyways?'

Lydia Asher could have answered the question, but didn't. Completely aside from the fact that the vampires of the London nest knew who she was and where she could be found, Dr Millward – whose powerful baritone could stop every other conversation in a drawing room dead in its tracks – had prefaced his remarks on vampires with fifteen minutes on the subject of how the 'emanations' of the female reproductive system made it impossible for women's brains to grasp either the principles of logic or the 'masculine intuition' necessary for such disciplines as medicine or the law. She merely dropped another lump of sugar into her tea, and glanced across the drawing room at her cousin Emily, shyly accepting a plate of biscuits from Terence Winterson.

Since Lydia's Aunt Isobel had commanded Lydia to chaperone Emily to Lady Brightwell's tea in order to bring about precisely that encounter – Winterson's father was a baronet worth ten thousand a year – Lydia reflected that it was probably too early to flee.

'The vampire is a natural phenomenon,' Dr Millward insisted. 'Centuries of records prove this, to those with minds open to understand—'

'Couldn't the same be said of ghost stories?' protested Lady Ottmoor, turning her attention from the spring toilettes on display along Park Lane below the drawing-room windows. 'You're not going to tell us that Anne Boleyn really perambulates the Tower of London with her head tucked under her arm, are you?'

'But I've seen a ghost!' Young Lady Kentacre nearly bounced on her striped satin chair. 'Madame Rowena summoned the spirit of Marie Antoinette only last week! I saw her with my own eyes!'

Millward drew back as if her young Ladyship had spilled a slop bucket on his feet. 'Rubbish!' he boomed. 'This isn't some silly women's nonsense, of crystal balls and mysterious white figures playing the accordion! These are creatures that do murder in the dark—'

'And create others of their own kind from their victims,' added Edward Seabury, Dr Millward's (unpaid) secretary and young Lord Colwich's particular friend. His dark eyes were troubled and sad.

'There are more things in Heaven and Earth,' agreed Lord Colwich, 'than are dreamt of in your philosophy, and all that.' He nodded wisely – as if ruminating upon the originality of the remark – and went back to contemplating the platter of cucumber sandwiches, seed cakes and caviar being held before him by the footman. Aunt Isobel had hoped to bring Cousin Emily to the attention of this tall, powerfully built young aesthete (his father was the Earl of Crossford), before Lord Colwich's proposal, the previous week, to the daughter of an American millionaire. Aunt Lavinnia had observed that his lordship was in any case far more interested in Ned Seabury than in any of the maidens embarking, like Emily, on their 'season' that spring. ('As if Lord Crossford would have considered Emily anyway for his son,' Lavinnia had sniffed. 'Richard –' Lavinnia's brother, Isobel's husband, Emily's father and Lydia's sole maternal uncle – 'hasn't a penny over six thousand a year ...')

On the second of May, Lydia had received a letter from her aunt, informing her of these developments and of Isobel's subsequent attack of sciatica, and demanding Lydia's attendance in London to chaperone Emily in a revised assault upon the marriage market. With your husband out of the country you must be in quest of occupation ...

None of Lydia's aunts ever referred to James Asher by name, maintaining the fiction, after twelve years, that if they ignored so lowly a person as a lecturer in folklore and linguistics at New College, Oxford, he would eventually go away.

'I do apologize,' said Lady Brightwell, when Lydia and Cousin Emily took their leave. Her Ladyship glanced back into the drawing room, where Dr Millward was declaiming about the courage and dedication one needed in order to hunt the Undead, to the exclusion of every other attempt at conversation in the room. 'Noel brought him ...'

Lydia followed her nod, but to her myopic vision Noel Wredemere, Lord Colwich, was only a tall, stout blur in a gaudy green-and-yellow waistcoat, now deep in conversation with the graceful shape that could only be Ned Seabury. With Emily's departure, Dr Millward had seized upon the only other male in the room – the hapless Mr Winterson – and was regaling him with accounts of how to manufacture silver bullets in one's rented chambers.

'Honestly, one tries to oblige, but between that tedious professor of his and poor Ned Seabury tagging along ... How can he still wear his Eton tie, just as if he wasn't a clerk in some law firm or other!'

Thus Lydia's thoughts on the train back to Oxford that night – Dr Millward's assertions notwithstanding – were far more taken up with how she was going to finish her article on the possible medical uses for the newly discovered element 'radium' for the British Journal of Medicine in between taking Emily to fittings for her Court presentation gown, than she was with whatever undead entities might be stalking the streets of London in the dark hours when law and reason sleep.

She'd turned down her aunt's command to accompany Uncle Richard – Viscount Halfdene – and his family to the opera, and since it was Lydia who was paying for Emily's presentation gown there wasn't much Aunt Isobel could say. But there seemed to be no way of getting out of the masquerade ball at Wycliffe House on Saturday night – the eligible Mr Winterson would be there, after all. Aunt Lavinnia – with a daughter of her own to bring out this season – could not be relied upon. (Aunt Harriet, comfortably ensconced with a barrister husband in Maida Vale, was 'out of the question'.) Lydia only hoped that Aunt Isobel's sciatica would resolve itself quickly, though as Aunt Lavinnia had pointed out after dinner, it never had before. ('Mark my words, dearest, she'll have it the rest of the season: so if Emily "takes" she can claim credit for having planned her campaign, and if she ends up come August without being engaged it will be your fault.')

Lydia closed her eyes and leaned back against the tufted plush of her first-class compartment – blessedly empty – as the lights of Didcot flashed by in the magical twilight of a spring evening. Tea with her aunts generally gave her a splitting headache. Lydia had fled their world at the age of seventeen to enroll at Oxford – to her wealthy father's disinheriting fury – and a few years previously would have simply torn up Aunt Isobel's note and abandoned Emily to her fate.

But in January of 1912 – seventeen months ago now – Lydia had herself become a mother. And while she hoped she wouldn't become one of those doting parents who found their child's first steps more interesting than an analysis of pituitary secretions, she did find herself understanding her aunt in a way that she never had before.

Even more startlingly – she noted with academic interest – she found herself looking forward to a game of pick-up sticks with her daughter upon her return home, almost as much as she looked forward to the intellectual challenge of her article. Which was very unlike herself.

Was Dr Millward – who had recently called Jamie 'a blind and sterile quibbler' in an article in the Journal of British Folklore – correct insofar as that the glandular changes triggered by pregnancy had an effect on the chemistry of a woman's brain?

He certainly has an extremely inaccurate perception of vampires. Since her first glimpse of a vampire in a London alleyway in 1907 – the year James had been blackmailed into working for the London nest – she had associated with the Undead on four separate occasions and had the suspicion that for all his scholarship, Dr Millward had never actually spoken to a vampire in his life.

James Asher, though a folklorist and linguist, had no more believed in vampires six years ago than he'd believed the moon to be made of green cheese, and Millward had been absolutely scathing about his monograph on the origins of Balkan traditions concerning the walking dead. As the lights of Oxford glimmered through the trees, Lydia planned her evening letter to James. In his hotel in Venice, she knew he'd smile at both Millward's rodomontade and at his shocked fury at being put on the same level as a fashionable spiritualist charlatan ...

And she was thus meditating on the subject of the Undead when she stepped from her compartment to the platform, and saw at once that something was terribly wrong.

Ellen – who had been a maid at Lydia's childhood home of Willoughby Close – never came to meet trains. On those occasions on which Lydia went down to London by herself (a perfectly respectable activity, she had more than once reminded the aunts and another extremely old-fashioned acquaintance), James would meet her homecoming train with a cab: the Ashers did not keep a carriage. When James was away from Oxford, Mick Bell – who worked in the Ashers' garden – would meet her.

But when Lydia peered short-sightedly around the platform for someone of Mick's stature and coloring – she had not the slightest intention of putting on her spectacles where anyone could see her – she made out not only Mick, but Ellen, Bette the parlor maid, Mrs Brock (Miranda's nurse) and, almost unbelievably, not only someone who looked like little Mrs Grimes the cook but also Tilly the scullery girl, all running toward her through the drifts of dispersing passengers.

Mrs Grimes? Lydia's heart seemed to stand still in her chest. Years of navigating the world without the disfigurement of 'gig-lamps', as the other girls at school had called them, hanging on her face had taught her to identify people almost unerringly by the way they moved. There could be no mistake – it was Mrs Grimes. Why would SHE come ...?

They'd never have left just Nan the nursery maid home with Miranda ...

Her hands and feet went cold.


She ran toward them, breathless with fear and shock as they nearly collided.

'What happened?'

'I swear it, ma'am, I don't know! I was in the garden, couldn't nobody have got to the house ...'

Oh, God ...

Dizziness. Shock. Terror.

'Miss Lydia, I took them up a tray at seven ...'

'We were in the kitchen together, ma'am, and how anyone could have got into the house ...'

'What happened?' She fought the urge to take the cook by the shoulders and slap her.

This can't really be taking place ...

Tears streaking her face, the big maid held out a sheet of folded paper. 'This was on her pillow, ma'am.'

It had been sealed with red wax, the image on the seal – Lydia held it close enough to see its details clearly by the gas-jet on the station wall – a woman planting a tree. The seal had been cracked. The servants had read it already.

Jamie's work with old manuscripts – among other things – had taught Lydia what sixteenth-century handwriting looked like.


Y'r daughter & ye girl are well & safe & will no be harmed. Yet you must needs speake with me and soone.



Cold panic turned to rage so hot it was almost blinding.


The Master Vampire of London. Dead since 1555. Since 1666 the ruler – and the begetter – of the vampires of London.

Lydia crushed the note and the hard wax dug into her hand like the edge of a coin. In a calm corner of her heart she knew quite well that it had been no choice of James' to make the acquaintance of the London nest and its sinister master. Nevertheless, for a moment she hated not only Grippen – the man, the thing, the animate corpse that had penned the words – but James as well.

Six years ago, the London vampires had sought James out, and before that bargain was concluded he and she had both come so close under the shadow of the wings of Death, they could feel the fan of the feathers.

Grippen ...

She shook as if the May night had turned to bitter winter. 'Get my bags, please, Mick.'

James would laugh at her for taking, for an afternoon in London, a valise containing rice-powder, rouge, mascaro, distilled water of green pineapples, rosewater and glycerin, a silk shawl, a wool shawl, a change of shoes, three issues of Lancet and Curie's 'On a New Radioactive Substance ...', plus bottles of lemonade and mineral water, and two very large hatboxes – but this, she would point out to him, was only because he was sufficiently handsome that he did not require extensive embellishment to appear presentable. People didn't care what men looked like anyway.

She stood balling the paper tighter and tighter in her hand and shaking as if with fever.

He took Miranda. He took my daughter.

She had never understood why women in plays and novels screamed. Now she knew.

We will stay away from you and yours, the vampires had said to James, when he had accomplished the task they had needed a living man to do. It is simply prudence on our part. You could hunt us down eventually, were you willing to give your soul to it, to become obsessed ... To hunt us would be to hunt smoke ...

But she had always known they were there.

He took my daughter ...

Rage and panic made it hard to breathe.

'Who is he, Miss Lydia?' Ellen whispered. 'How could this Grippen have just walked into the house like that? Bette was up to the nursery just an hour before—'

'He's no one.' Lydia took a deep breath. 'Put his name out of your mind. Never think of it again. Mick ...'

The gardener appeared, laboring under hatboxes and bags.

'Please take Ellen and the others back to the house. I'm going to walk.'

'You can't, ma'am!' Even at age twenty-one, Mick was scandalized. 'It's a good three-quarter mile, and it's near to eleven—'

'Not wearing those shoes, Miss Lydia!' Ellen protested. 'They're not—'

I really am going to scream.

'Just go! Please.' She softened her voice with an effort. 'I'll be quite all right, it's right through the center of town and the worst I'll encounter is undergraduates.'

And a man who has systematically murdered thirty thousand people and drunk their blood in order to stay alive himself.

If I'm lucky.

'That isn't the point, Miss Lydia. What your mother would have said, or your aunts, if I were to let you go walking about the town by yourself—'

Her voice shaking – knowing what would happen to Ellen, or to any of the servants, if they accompanied her – Lydia said, 'Just please do as I ask. I need the fresh air ...'

It took ten minutes of arguing before they obeyed. Any of her aunts, Lydia reflected, with a chilled detachment as she watched the little knot of servants finally walk away, would have fired them on the spot. Dear God, please don't let them follow and watch me ...

Breathless with the pounding of her heart, when Lydia reached the end of the platform she slipped her silver spectacle case from her handbag, put on the thick, round-lensed glasses that she never let anyone (except James) see her wear. Better a blinky-blind skinnybones (as the other girls at Madame Chappedelaine's Select Academy for Young Ladies had called her) than a goggle-eyed golliwog (her other appellation there). One could get over being a skinnybones if one had the money to hire a really good dressmaker.


Excerpted from The Kindred of Darkness by Barbara Hambly. Copyright © 2013 Barbara Hambly. Excerpted by permission of Severn House Publishers Ltd..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Kindred of Darkness: A Vampire Kidnapping 4.3 out of 5 based on 0 ratings. 4 reviews.
BrandieC More than 1 year ago
4.5 stars The Kindred of Darkness is the fifth James Asher novel. In this volume, the Ashers finally take a break from their world travels to assist Lionel Grippen, the Master of London, in locating Damien Zahorec, an interloper from the Balkans. As was the case in the first series book, Those Who Hunt the Night, James and Lydia have been blackmailed into helping a vampire; this time, Grippen has kidnapped their daughter Miranda. Having learned about Lydia's miscarriages in the third book, Blood Maidens, and being a mother myself, I was immediately drawn into the tension created by the danger to the Ashers' child, and Hambly maintains that tension until the very end. In The Kindred of Darkness, Hambly introduces us to a book of the same title, which is said to contain various secrets of the vampire world, including a formula/elixir/ritual which enables fledglings to escape the control of their masters. Several characters are chasing after the book, each with a different motive. We quickly learn that there are multiple versions of the Book, some of which may be forgeries and many of which contradict each other. Hambly has thus set up an ongoing puzzle which I expect to see cropping up in future books. Hambly continues to explore the inherent conflicts between James and Don Simon; they both love Lydia, yet they also have strong motives to destroy each other. James's discoveries in the Book add a new layer to this dilemma, given the Book's ambiguity. I particularly enjoyed The Kindred of Darkness because it was a true "vampire" book, rather than the "spy thriller with vampires" characteristic of the previous books. I also liked the introduction of American characters, even though none of them were very sympathetic. I received a free copy of The Kindred of Darkness through NetGalley in exchange for an honest review.
Anonymous More than 1 year ago
I have read every one of the John Asher vampire novels and without exception they are well worth the money. Hete are vampires who don't sparkle, they are killers by nature as all vampires should be, yet they each retain a certain degree of their humanity and personalities. This make for a story full of action and intertwined reationships between vampires and humans that goes deeper than lust and romance. Looking forward to the saga continuing.
arbjamesAJ More than 1 year ago
James and Lydia Asher are among the few people who know that the Undead exist. They have begrudgingly worked for the Undead before, and in return have lived relatively undisturbed by them. When Crippen, London’s Master Vampire, kidnaps their daughter Miranda as an incentive to help him find a usurper into his territory, the uneasy peace is shattered, perhaps irrevocably. When it becomes clear that the newcomer, Zahorec, is searching for a manuscript said to contain the secret for neutralizing a master vampire’s control over his fledglings, everyone sits up and takes notice. It becomes clear that Zahorec is fleeing his own mistress and that he has also plans for Crippen’s fledglings. Can the Ashers stop the interloper from assuming control and save their daughter? There’s an interesting relationship between Lydia Asher and another vampire, Ysidro. I have not read the previous volumes in this series, so how that all got started is something of a mystery to me. It is quite clear to me, and to James Asher, that Lydia loves Ysidro. I will definitely need to go back and read the previous volumes to gain more insight into that relationship. Other than that, however, I really didn’t feel like I was missing anything by not having read them and was able to enjoy this book without constantly feeling confused.
Anonymous More than 1 year ago