King Henry VI, Part 3 (Arden Shakespeare, Third Series)
In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as ‘kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.
1101717810
King Henry VI, Part 3 (Arden Shakespeare, Third Series)
In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as ‘kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.
14.95 In Stock
King Henry VI, Part 3 (Arden Shakespeare, Third Series)

King Henry VI, Part 3 (Arden Shakespeare, Third Series)

King Henry VI, Part 3 (Arden Shakespeare, Third Series)

King Henry VI, Part 3 (Arden Shakespeare, Third Series)

Paperback(Third Edition)

$14.95 
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Overview

In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as ‘kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.

Product Details

ISBN-13: 9781903436318
Publisher: Bloomsbury Academic
Publication date: 11/01/2001
Series: Arden Shakespeare Series
Edition description: Third Edition
Pages: 480
Product dimensions: 5.10(w) x 7.75(h) x 0.95(d)

About the Author

About The Author
William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all time.

John D. Cox is the DuMez Professor of English at Hope College, USA.

Professor Richard Proudfoot served as Senior General Editor of the Arden Shakespeare for 35 years, until his retirement from King's in 1999. In 2001 The Arden Shakespeare published Proudfoot's Shakespeare: Text, Stage and Canon a critical overview of the scholarly achievements made in the field of Shakespeare studies by the end of the twentieth century.

Eric Rasmussen is a Professor and Chair of the English department at the University of Nevada, Reno, USA.

ANN THOMPSON is Emeritus Professor in English at King' s College London UK.

David Scott Kastan is the George M. Bodman Professor of English at Yale University, USA.

Henry Woudhuysen is Rector of Lincoln College, Oxford, UK.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Table of Contents

List of illustrationsix
General editors' prefacexi
Prefacexv
Introduction1
A play for the stage5
The politics of adaptation on the English stage11
3 Henry VI on the screen and around the globe33
The first critical question: single authorship or collaboration?44
Moral criticism49
Character criticism64
Henry68
Richard75
Historical criticism: determining sources81
Historical criticism: establishing context95
Psychoanalytic criticism113
New criticism117
Performance criticism135
Feminist criticism140
The texts of The True Tragedy and 3 Henry VI148
O (1595)149
Q2 (1600)151
Q3 (1619)152
F1 (1623)156
Origins of The True Tragedy159
Origins of 3 Henry VI166
Conclusions175
King Henry VI, Part Three177
Appendices
1The Octavo (1595)369
2Casting410
3The battles in 3 Henry VI421
4Genealogical tables424
Abbreviations and references428
Abbreviations used in notes428
Shakespeare's works and works partly by Shakespeare429
Editions of Shakespeare collated430
Other works431
Index453
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