×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

King: A Street Story
     

King: A Street Story

by John Berger
 

See All Formats & Editions

With the poetic acuity that renders his work timeless, Booker Prize-winning author John Berger brings us a twenty-four hour chronicle of homelessness. Beside a highway, in a wasteland furnished with smashed trucks and broken washing machines, lives a homeless community of once-hopeful individuals, now abandoned by the twentieth century.

King, our narrator, is the

Overview

With the poetic acuity that renders his work timeless, Booker Prize-winning author John Berger brings us a twenty-four hour chronicle of homelessness. Beside a highway, in a wasteland furnished with smashed trucks and broken washing machines, lives a homeless community of once-hopeful individuals, now abandoned by the twentieth century.

King, our narrator, is the guardian of a homeless couple, stealing meat from the butcher and sharing the warmth of his flesh. His canine sensibility affords him both amnesty from human hardship and rare insight into his companions' lives.  Through his senses we see--clearly and unsentimentally--the dignity and strength that can survive within chaos and pain.

Editorial Reviews

From the Publisher
"King delights in the power of the imagination to transform small enjoyments into a full life."--The Baltimore Sun

"King is relentlessly unsentimental and heartbreaking."--Los Angeles Times

"Berger's ambition to explore his political and moral beliefs through fiction has never been more fully realized."--Times Literary Supplement

"Berger seamlessly melds literature and conscience here." --

NY Times Book Review
Witness and bard, [the dog] resembles the Aesop-like chronicler of To the Wedding and the Greek-chorus narrators of Lilac and Flag.
Kirkus Reviews
As usual from Berger (Isabelle, 1998, etc.), a deceptively simple tale—here, about a day in the life of a homeless couple and their German Shepard, on whom they rely—turns into a thing of eloquence and beauty, with tragedy and humanity evident in equal measure. King is the dog; he tells the story of his people, Vica and Vico, and the semblance of normality the three of them have brought to a homeless existence. Having joined a community of homeless in a trash-strewn wasteland, which they call Saint Valéry, at the edge of a city and on the verge of a bustling motorway, like the others Vica and Vico constructed with painstaking care a home out of the refuse, a home that like the others reflects something essential of their personalities. From there they make their daily foray into town, to sit on the sidewalk and hawk the radishes they have grown to sell. Vica also makes a foray for water, taking it from a gas-station bathroom and trying to outwit the owner who would deny it to her. And in quiet moments they all dream, of who they were and who they might become again. King is a full partner in the adventures as well as in the dreams: he understands their thoughts, and they understand his. He is also the companion and watchdog of the community, from Jack the Baron, its leader and guardian, to Danny the jokester and the elderly Corinna. When darkness falls on this day, however, Saint Valéry is facing obliteration, as soldiers and equipment move in to reclaim the site for development. King does what he can to aid those who resist, including Vico, who takes a knife to the officer in charge, but in the end resistance is futile and they are all truly homeless oncemore. Spare and dreamlike, yet for all its delicacy harshly real: a story that opens a window on a world easily ignored, and makes its case long after the last page is turned.

Product Details

ISBN-13:
9780375705342
Publisher:
Knopf Doubleday Publishing Group
Publication date:
11/28/2000
Edition description:
1 VINTAGE
Pages:
208
Sales rank:
1,340,449
Product dimensions:
5.21(w) x 8.00(h) x 0.46(d)

Read an Excerpt

From Chapter One

6:00 A.M.

I am mad to try. I hear these words in my sleep, and when I hear them I coo like a pigeon somewhere at the back of my throat, where the gullet joins the nose. The part which goes dry when you are frightened. I am mad to try to lead you to where we live.

The M.1000 runs north out of the city. There's traffic day and night, nonstop, except when there's an accident, or when strikers put up a barricade. Twelve kilometres from the city centre and four from the sea there is a zone where people never stop unless obliged. Not because it's dangerous but because it has been forgotten. Even those who do stop for a moment forget it immediately afterwards. It's empty, yet it is large. It would take half an hour to run round it, trotting fast. There's talk of building a stadium, the biggest ever, to hold a hundred thousand spectators. In the next century the Olympic Games could be held there. Others argue that since the main airport is to the east of the city it would make more sense to build a stadium in the east. The speculators, Vico says, are placing bets on both sites. Ours is called Saint Valery, and that's where we are going.

The traffic on the M.1000 can be killing. I keep to the hard shoulder. We only have to go as far as the Elf filling station, where it smells of high octane--a little like the smell of diamonds. You have never smelt diamonds?

A month ago a gang of kids poured petrol over an old man who was sleeping in a street behind the Central Station and then they threw a match onto him. He woke up in flames.

A heretic's death.

What the hell do you mean? The poor sod didn't know one church from another.

Maybe his heresy was to have no money?

When we get to the gas station we go down the slope, onto the wasteland where one day there may be an Olympic stadium. There are no words for what makes up the wasteland because everything on it is smashed and has been thrown away, and for most fragments there are no proper names.

The winter is over and it's spring. The nights are still cold enough to make a body shiver if it's not well covered, but no longer cold enough to kill. It's good, isn't it, to have lived to see another spring. Everything's coming into leaf. Vica's radishes are coming up well. The plastic sheet Vico spread over them helped, but what made the real difference was the soil we stole. Vica is called Vica because she lives with Vico.

The terrain is used as a dump. Smashed lorries. Old boilers. Broken washing machines. Rotary lawn mowers. Refrigerators which don't make cold any more. Wash basins which are cracked. There are also bushes and small trees and tough flowers like pheasant's-eye and viper's-grass.

This is what I call my mountain. When they destroyed the old building here thirty years ago, they used a swinging weight and cable. It wasn't crushed, it was knocked over. So the scrap mountain is easy to climb.

At the top I systematically bark. Afterwards the other sounds become clearer: some kids shouting towards Ardeatina Street, a sparrow warning other sparrows about a crow, a train on the tracks to the north, faintly a ship's siren, and, behind everything, the howl from the M.1000.

All dogs dream of forests, whether they've ever been in one or not. Even Egyptian dogs dream of forests.

The street I was born in smelt of sawmills. They brought whole trees to the mills, their bark already stripped off their trunks, glistening on ten-wheel lorries.

My first schooling was on the banks of a river where they loaded gravel into barges. A great river and, like any other, a flowing demonstration of pure indifference. I saw it carry away three children in one night.

In the forest I was carefree. I followed trails wherever they led, I ran between pines as tall as churches and jumped the bars of shadow, and when I was panting, I lolloped to the forest edge, where the girls spied and waited for men, and there I lay down on the grass.

When the sun set, the forest was filled with blackness, not with the colour black but the mystery, the invitation of black. Blackness as in a black coat, as in black hair, as in a touching you didn't know existed.

Although Vica is not with me, I hear her voice--this happens often.

King, keep your mouth shut, she hisses, you don't know what you're talking about!

I'm talking about sex.

On the street there's rape, nothing else, she says.

Vica and Vico have an overcoat which hangs over the foot of their bed. At night, if either of them has to go out, they put it on. On her it looks big. On him you think the coat is going out to shit by itself; it hides him entirely. It's lined with sheepskin, and its colour is a dirty white, like snow after they've put salt down.

Vico says coats like this were once standard issue for the Swedish army. It keeps a man warm when the temperature is minus 40. He says he should know because his factory was approached about manufacturing them.

I'm not sure. When people here talk about the past, they tend to exaggerate, because sometimes the exaggerations too help to keep them a little warmer.

From the scrap mountain I survey the whole of Saint Valery. I know these living quarters as a man knows something he wears. Saint Valery is laid out on the ground like their sheepskin coat. We live in the coat of Saint Valery. In the winter it saves us dying from hypothermia. And in the summer heat it hides us when we undress and wash.

The Vicos live in the cuff of the right sleeve, and an elder tree grows more or less where the sleeve buttons would be. Jack lives up in the collar. Jack is the only inhabitant of Saint Valery who has floorboards and a proper gutter system. He was the first inhabitant, and he never gets wet. Nobody can settle here without his agreement, and he charges everyone a rent for the land. Vica cooks for him once or twice a week and that's our rent. Marcello, who works on Sunday cleaning out tanker lorries, supplies him with a full gas cylinder whenever he needs one. His house has not only floorboards but a wattle roof and a front door which can really be locked. If you wanted to break in there, the easiest way would be to open a window; his windows, unlike ours, open.

Meet the Author

John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included Ways of Seeing, the fiction trilogy Into Their Labours, and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and lived in a small village in the French Alps. He died in 2017.

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews