King of Ragtime: Scott Joplin and His Era

Overview


In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and ...
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Overview


In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway.
Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911.
Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
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Editorial Reviews

John Shreffler
Berlin, an expert on the world of ragtime whose two previous books on it are standards, proffers a splendid new study of the acknowledged king of the music, a life-and-works that exhaustively details the particulars of Joplin's biography. Berlin places the composer squarely in context, from his childhood in Texarkana, and his life in Sedalia Missouri and St. Louis, through his troubled last years in New York, during which he attempted, without success, to stage his grand opera, "Treemonisha". Berlin is enabled in his task by newly discovered documentation that allows him to replace with reliable facts the myths and unsupported anecdotes previously used in the composer's biography. Among the discoveries are the true identity of the titular heroine of Joplin's operaa woman Joplin loved and lost to deathand the revelation that Joplin collaborated with Irving Berlin: Joplin apparently believed Berlin's hit Alexander's Ragtime Band was based on materials plagiarized from his work. Essential in any library concerned with American music.
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Product Details

  • ISBN-13: 9780195087390
  • Publisher: Oxford University Press, USA
  • Publication date: 7/14/1994
  • Edition number: 1
  • Pages: 352
  • Product dimensions: 6.37 (w) x 9.56 (h) x 1.10 (d)

Meet the Author

About the Author:
Edward A. Berlin, who has a Ph.D. in musicology, is a major speaker and writer in today's ragtime world. His book Ragtime: A Musical and Cultural History is the most widely cited study of the subject, and his monograph Reflections and Research on Ragtime (1987) is winner of an ASCAP-Deems Taylor Award.

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