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One of the best-selling novels of the nineteenth century, King Solomon’s Mines has inspired dozens of adventure stories, including Edgar Rice Burroughs’s Tarzan books and the Indiana Jones movies. Vivid and enormously action-packed, H. Rider Haggard’s tale of danger and discovery continues to shock and thrill, as it has since it was first presented to the public and heralded as “the most amazing book ever written.”
The story begins when renowned safari hunter Allan Quartermain agrees to help Sir Henry Curtis and Captain John Good search for King Solomon’s legendary cache of diamonds. Eager to find out what is true, what is myth, and what is really buried in the darkness of the mines, the tireless adventurers delve into the Sahara’s treacherous Veil of Sand, where they stumble upon a mysterious lost tribe of African warriors. Finding themselves in deadly peril from that country’s cruel king and the evil sorceress who conspires behind his throne, the explorers escape, but what they seek could be the most savage trap of all—the forbidden, impenetrable, and spectacular King Solomon’s Mines.
Benjamin Ivry is the author of biographies of Arthur Rimbaud, Francis Poulenc, and Maurice Ravel. His poetry collection Paradise for the Portuguese Queen appeared in 1998.
Haggard admitted he wrote King Solomon’s Mines in six weeks, a quickness that surprised his writer friends like Andrew Lang and Robert Louis Stevenson. The latter sent Haggard a letter cautioning him about excessive haste. Yet the famed Belgian-born detective storywriter Georges Simenon (1903–1989) often wrote entire books even faster. The French novelist Stendhal (Marie Henri Beyle, 1783–1842) typically completed novels in a matter of weeks. Speed in writing per se is not necessarily a threat to quality; adventure writers in particular can be like the journalists of whom the noted critic Karl Kraus (1874–1936) wrote, “They write worse when they have time.” Pacing was essential for Haggard, who claimed that writing a text fast helped to energize it, making it irresistibly readable. He described his approach with typical dash in his autobiography, The Days of My Life (1926; see “For Further Reading”): “Such work should be written rapidly and, if possible, not rewritten, since wine of this character loses its bouquet when it is poured from glass to glass.”
The speed of writing translates to speed of reading, with as few impediments as possible to the reader’s momentum. Although there are a number of exotic words in King Solomon’s Mines that require annotation, their frequency decreases as the book advances, and Haggard often provides his own, perfectly serviceable translation of local terms. As a result, the reader does not need to pause to understand the reference, but can plunge ahead to find out what happens next, which is essential for the enjoyment of a real page-turner like King Solomon’s Mines.
Despite Haggard’s speed and occasional carelessness about details, King Solomon’s Mines shows some real control of structural and stylistic elements, which is part of its lasting power. To cite one stylistic aspect used coherently throughout the book, Haggard used italics almost always to convey the horror of death, such as when an elephant picked up a servant “and tore him in two” (p. 62). In a cave discovered along his trip, Quatermain finds that a servant who was alive the night before is now “stone dead” (p. 96). These italics denoting urgent shock in relation to death recur throughout the story, like underlining in a letter excitedly dashed off to a friend.
One of Haggard’s goals, as expressed in “About Fiction” (Contemporary Review, February 1887), was to create an interesting book, as he felt the Anglo-American novel had declined into a series of dull domestic dramas. Haggard alluded to William Dean Howells (1837–1920), who wrote novels like A Woman’s Reason (1883), A Modern Instance (1882), and The Rise of Silas Lapham (1885), as an example. By focusing on the imaginative and fantastic domains, Haggard aimed at exciting the reader in the way that he felt naturalistic nineteenth-century fiction had ceased to do. In this goal he succeeded brilliantly, as generations of readers have conceded.
In King Solomon’s Mines, with a dour feeling of fatalism, the elephant hunter Allan Quatermain agrees to join a dangerous treasure hunt. Quatermain is presented as an amateur author, whose first statement at the beginning of the book is one of modesty, of being aware of his book’s “shortcomings.” As narrator, Quatermain dithers over lore and legends that he might have included in King Solomon’s Mines had he “given way to [his] own impulses” (p. 5). Authorship as a form of discipline and control is also expressed at the end of the story, when Quatermain announces, “And here, at this point, I think that I shall end this history” (p. 317). The reader is reminded that the story does not end by itself; the writer ends it. Control and consciousness were keywords for Quatermain as an author—and quite possibly for Haggard as well.
Haggard’s protagonist Quatermain describes himself as a 55-year-old man who has survived the job of elephant hunter much longer than most of his colleagues. Quatermain explains at the start of his tale, “I am a timid man, and don’t like violence,” (p. 7) and near the end, after many heroics, he reiterates, “I never had any great pretensions to be brave” (p. 286). Such self-definitions are repeated throughout the book until the narrative itself begins to seem like a means of self-definition. The effort to write, as well as the events narrated, define the narrator.
There may not be much progression of character in King Solomon’s Mines, but Quatermain rings true precisely because of his lack of grandiose pretensions. Quatermain’s self-deflating tone may include something of Haggard’s own ironic self-regard. When Haggard traveled to Africa in 1914 and his photo was plastered on the local newspaper Natal Witness, Haggard noted in his diary that his image looked “exactly like that of the mummy of Rameses the Second,” a recently disinterred Pharaoh. This lack of vanity or vaingloriousness is unusual in a generation of writers on Africa that included such egomaniacs as Sir Richard Burton, translator of The Arabian Nights.
Anonymous
Posted July 8, 2007
My only regret is that I waited thirty-seven years to read this amazing adventure. Unlike most contemporary fiction, the author made me feel as though I were experiencing the story instead of just reading it. Treat yourself to some true story telling.
4 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The main character Allan Quatermain unexpectedly falls into the exploration of a unknown civilization in Africa on a quest to find a missing adventurer and possibly King Soloman's treasure.
The explorers soon find themselves amidst African kings, tribal warriors, and an elderly sinister seer. The book is filled with adventure and is regarded as one of the best books ever written.
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 30, 2012
Before i read this book, i avoided classics like the plague. This was my first classic that i read amd i loved it. I reread it about four times and loved better each time.
1 out of 1 people found this review helpful.
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Posted January 6, 2007
Sometimes a classic is a classic just because it provides so much entertainment to readers over the years. This is just a good fun read. Don't look for any deep social comment, Just take it as a fun entertaining story in which every guy can think 'I am Allan Quartermain.' This has obviously been the inspiration for so many of the adventure stories that have been written since KIng Solomons Mines publication in the the late 19th century. Just read it, and have fun.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted June 13, 2005
King Solomon's Mines is a very thrilling book, and contains a number of scenes and ideas that have clearly inspired many other authors and creators. Indeed, the archetype of the cynical, hard-bitten adventurer was created by Haggard, and even modern day heroes such as Indiana Jones owe a great deal of inspiration to Haggard's Alan Quartermain. Unfortunately, like most books from the era that deal with Africa, there is a fair amount of racist/imperialist stereotypes and ideas. However, readers who can overlook these regrettable concepts will find an exciting, rousing and inventive read.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted April 11, 2013
My problem is not with the book, it is with the formatting. I played for a long time, setting my Nook to publisher defaults, etc. and could not get the book to display without run-together words, etc. Not Bowdlerized but quite a mess anyway. Terrible job of creating an e-book.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.RD29
Posted March 31, 2013
Everyone should read this book. I believe that everyone should read this book because is one one the original action novels, and arguably, the best. It is the best action novel because it uses vivid description, explaining to you the scenery and everything else, so that you develop a good idea of the setting, as well as the characters. At many points in the book, the author sometimes goes into pages of just describing the scenery, such as on page 182. “We hurried to where he was standing in a nook, something like a small bow window. Against the wall of this recess were placed three stone chests, each about two feet square. Two were fitted with stone lids, the lid of the third rested against the side of the chest, which was open.” (Haggard 182). This shows how he goes into deep description over the smallest things, to give you a picture of what he is describing in his mind. doing this makes the book very enjoyable and puts a good picture in your mind. The author also describes people very well; throughout the book I felt like I was watching a movie as I read. This book is also excellent due to the reader engagement. Allan Quatermain (Narrator), frequently says “my reader” to make it feel as if you were there in a room with him, listening to his story. In addition, King Solomon’s Mines was an outstanding book because of the development of the plot and characterization. The book starts out slowly, and much of it is developing the background, the goal, and protagonists. The antagonists are not just one group of people; as they travel through the mountains there are multiple antagonists, from the weather to ancient native tribes that live there. The main characters are also introduced slowly and elaborately, so you get to feel almost as if you know them personally. For example, in the beginning of this book, Quartermain talks about the interest in going on this trip to find the Mines. He even talks about his son in medical school at home, and how he has to provide for him. You get to know his story, and what he is like personally from a first-hand account.
My favorite character is Allan Quatermain. He is my favorite character because of his bravery and concern for those around him. Even when they were in the Treasure Room of Solomon’s Mines, he didn’t treat his companions any differently than he did when they were outside.Haggard also makes his character very normal and human,facing problems that he must overcome in the story like other humans. He shows bravery and loyalty. When their servant Umbopa tells them that he is actually the rightful king, He says that he will loyally fight with him for Umbopa’s position as king. Quartermain shows his bravery when they are in the dark cavern with the dead kings, and keeps going to the treasure room.
My favorite quote is from page 188 when they all realize that all the billions of dollars in treasure couldn’t do anything for them, and Allan Quatermain realizes that no matter how rich you are, you can’t bring anything with you when you die. “Truly wealth, which men spend all their lives in acquiring, is a valueless thing at last.” (Haggard 188). This is perhaps one of the best things I have ever read. it says that when you die, you can’t keep any of it. You own nothing, it is all temporary. Allan realizes this as he sits in the Treasure Room, waiting to die in the dark, the richest man in the world. Perhaps Haggard was trying to informhis readers about this when he included that quote.
Anonymous
Posted January 16, 2013
I liked the part about the hunting.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted January 2, 2013
I never ever would have thought about reading this. Excellent story, great twist, action, adventure, death, mayhem, who knew?
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Posted November 15, 2012
A classic thriller, reputation deserved!
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Posted July 21, 2012
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The start of the Lost World style of fiction, a precursor to the pulp novels to come later - it's a good adventure. A significant portion is taken up with a rather detailed account of military maneuvers in a civil war the heroes find themselves in the middle of, not quite the two-fisted daring that Allan Quartermain holds in the public mind's eye.
Historically, from a literary point of view, it's very interesting to see the early elements of adventure pulp novels planting their seeds. From a strict story point of view, the narrative occasionally bogs itself down recounting bland details, but still the adventure keeps itself apace and concludes grandly.
King Solomon's Mines by H. Rider Haggard is a novel first published 1885. This novel is the first to feature adventurer Alan Quatermain.
The adventurer and white Hunter Alan Quatermain is approached by Sir Henry Curtis and his friend Captain Good to lead an expedition into the heart of Africa to find Curtis' brother. The brother was in search of the fabled King Solomon's Mines.
Quatermain, who is in a possession of a map to the mines which he never taken seriously, agrees to go but don't think they'll return alive. The adventurers brave heat, cold, dessert and jungle on their arduous journey.
King Solomon's Mines by H. Rider Haggard is an easy to read, fast paced and light read. The important thing to remember when reading books such as this is not to take them too seriously.
This is a simple tale, filled with swashbuckling adventures and explorations galore. Some of the book simply drags, other parts are offensive in today’s terms (which I don’t hold it against the book) and some parts are simply funny. I especially found the pompous attitude of some of the characters (mostly Quatermain) hilarious.
""How is it, O strangers," asked the old man solemnly, "that this fat man (pointing to Good, who was clad in nothing but boots and a flannel shirt, and has only half finished his shaving), whose body is clothed, and whose legs are bare, who grows hair on one side of his sickly face and not on the other, and who wears one shining and transparent eye– how is it, I ask, that he has teeth which move of themselves, coming away from the jaws and returning of their own will?"
Haggard’s tale is certainly written to target the Britain of the times, colonial is big, Africans are belittled and the white hunter is all but god among men. Many other adventure stories, sans the racism, have used this formula where the hero can overcome any odds and still keep a good attitude and calm disposition.
Haggard goes into great details about which supplies Quatermain and his crew took on their adventures, including the type of wagons and even immunizing cattle. I couldn’t decided if these were simply tedious details to ensure some semblance of authentic or just sheer bragging of the author.
This is not a book for politically correct minded people, the protagonist’s description of Africans and animals usually has a negative connotation to them. Quatermain continually dismisses the native population as beneath him and/or other Europeans. As this is not unexpected, it is still somewhat amusing to read how people thought a few decades ago.
The book’s premise is that Quatermain is telling this story to his son – some sort of a fireside story. While it’s a nice introduction, it does of course ruins the mystery of whether or not he will survive.
The characterization in the novel is not much t
Anonymous
Posted March 12, 2012
One of my favs
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book is incredible. You feel that you are actulally in the story. Its full of adventure and it keeps you hooked. H. Rider Haggard is an amazing writer and you really should check out his other books, or you could just buy mobilerefernce complete collection.
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Posted January 16, 2012
Wish i could give it one million stars
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Posted October 10, 2011
No one can beat the old books written so long ago. A great adventure and a great book.
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Posted October 7, 2011
I thoroughly enjoyed reading this book. It's a classic adventure story that a lot of more modern books/movies are based on. If you like adventure stories, you won't be disappointed.
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Posted June 7, 2011
Some words mispelled, but hey, it's free. A great story. Very exciting
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted June 2, 2011
Bn rip off
0 out of 8 people found this review helpful.
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